How do I clear (reset) keyframe points in Final Cut Pro?

I know there is a quick and single click to clear (reset to none) all keyframe points in the viewer window (motion tab).
I just can't figure it out. I have to right click each and every keyframe point and click delete.
But there is a way to wipe out all keyframe point with one click.
Where and how?
Thank You
Dan

Thank you, guys: but I finally found it! Tried for a half hour and read all the help manual stuff first.
'Help' never mentioned it.
In motion click the 'basic motion' button to clear (delete) all keyframe points.
Dan

Similar Messages

  • How do i create a spotlight effect in final cut pro x

    How do i create a spolight effect in final cut pro x any help would be greatly recieved!!
    all i can find is tutorials for how to do the effect in the older version of final cut
    Many thanks!

    In the Timeline position your Playhead at the starting position.
    In the Viewport position the Shape Mask at the starting position.
    In the Inspector click the Add Keyframe button.
    Press Control-V to open the Animation Editor to see your keyframes.
    Move the Playhead and the Shape Mask to a new position.
    In the Inspector click the Add Keyframe button.
    Continue adding keyframes until you have defined the Shape Mask’s movement.
    Regards
    Nolan

  • How do I revert to original footage in Final Cut Pro X version 10.0.9, for some reason I have lost some audio in my timeline and would like to start again but cannot get the original footage?

    How do I revert to original footage in Final Cut Pro X version 10.0.9?
    For some reason I have lost some audio in my timeline and would like to start again but cannot get the original footage?
    Only the edited version which is no good without the audio?
    Please  Help

    What format is your problem clip? Are there wave forms visible in the section without sound?
    Right click on the clip in the event broswer and choose Reveal in Finder; open the clip in Quick Time to confirm that there is sound throughout at that stage of your workflow.
    Russ

  • How do I import a .fcpproject file into final cut pro?

    How do I import a .fcpproject file into final cut pro?

    You don't. The application opens it when it recognizes it in the correct folder structure.

  • How do i reverse the stereo pan in Final Cut Pro X

    how do i reverse the stereo pan in Final Cut Pro X

    For anyone that wants to know: Final Cut Pro X: Configure audio channels

  • How to create an install cd with the final cut pro x app if the app comes from App.Store?

    How to create an install cd with the final cut pro x app if the app comes from App.Store?

    Just copy the Application FCPX to your CD. When you want to install drag the FCPX to the Application folder and you are done.

  • How much does it cost to upgrade to Final Cut Pro X? I have Final Cut Studio

    how much does it cost to upgrade to Final Cut Pro X? I have Final Cut Studio

    There is no upgrade. One price only. $299.

  • How to play an HD movie exported from Final Cut Pro?

    How to play an HD movie exported from Final Cut Pro? on a mac???
    thanks

    How to play an HD movie exported from Final Cut Pro? on a mac?
    Most FCP users export them in a high-effeciency distribution/delivery compression format (e,g,, H.264/AAC) targeted for a particular application and/or device. For example, you could export using H.264/AAC at full display resolution for playback in the QT Player at an appropriate data rate if your platform and display can handle the output. TV would limid the video to 960x540 at 30/29.97 fps and normal AAC audio to 160 kbps at 48.0 KHz. Files exported for display an the Internet would be restricted by the bandwidth being targeted. Etc, etc, etc. Unless the file will only be played on your own platform, what you do not want to do is use an FCP only compression format which would limit viewers to those recipients have the same FCP codecs installed.

  • How Do I Create A Photo Collage in Final Cut Pro X?

    Hi all,
    I'm a total newbie with Final Cut Pro X.  I'm using it to edit aerial drone footage for real estate sales.
    I have video from the outside of the houses, and I can edit that just fine.  What I want to do, though, is have a kind of photo collage/montage of photos of the interior of the houses somewhere in the videos.  But like I said, I'm totally new at this and have no idea how to do it.
    If someone could explain how or point me in the right direction, it would be greatly appreciated.
    Thanks in advance!
    Karl

    I put out a remake of the Photo Recall effect a few weeks ago called Photo Recall Enhanced (it adds a lot more features to the effect already available in FCPX.)
    https://www.youtube.com/watch?v=5I8Lo0tFdPU
    (there's more info in the About section under the video.) There's no charge.
    All you need to do is stack the images or video you want to collage on the sceen and add this Effect to each clip. You can set the Background Opacity to 0% to get rid of the "recall" effect and that will leave you with just the "photo" on the screen.  There's an onscreen control to help you position the image and other parameters for scaling and rotating (and all of these things can be keyframed for animation.

  • Why am I not able to mark "in" and "out" points in Final Cut Pro 6?

    I have a bunch of old tapes that I am trying to put on my computer.  I have Final Cut Pro 6 and everything hooks up nicely except I am not able to mark in and out points or use capture now.  Does anyone out there know why that would be the case?
    I appreciate any help I can get.

    What VTR? How is it controlled?
    What are your capture settings? Firewire Protocol?
    x

  • How do I connect my DSLR camera to Final Cut Pro's Camera Import?

    I recently purchased a Canon EOS Rebel T3i. I am trying to get it to record directly into Final Cut Pro, but I can't figure out how.
    It does not have a FireWire port, just a USB and HDMI output. I'm thinking it's going to need to output to the HDMI port and have some sort of interface between the Mac and the HDMI cable, but I would prefer to record directly using the USB cable.
    I was wondering if anyone knows how to do this and/or has done it before. Any help is greatly appreciated.
    Thanks!
    Zane

    I haven't got a DSLR but I think they probably import like most AVCHD camcorders.
    You connect it with a USB cable and switch it on.
    You then set FCP X to import the video clips.

  • How to work efficiently with HDV footage in Final Cut Pro 6

    Hello everyone! I am fairly new to Final Cut & Mac. I have worked with Final Cut Pro 5 on my Powerbook G4 two years ago. But when I moved to HD, I switched to a PC with Adobe Premiere. Recently, I made the move back to Final Cut as I had problem with the stability of both Premiere 2.0 and CS3. I am really happy with it so far. In Premiere, I used the Cineform codec which performed very well. I also got a license for their MAC codec but unfortunately, I still have to capture under Windows.
    Since I have not worked with HDV on the Mac before, I have a few questions which I hope people on these boards can answer.
    1) How does Final Cut Pro 6 handle native HDV?
    2) Is it beneficial to convert to Pro Res 422 (in terms of quality, but also in terms of editing speed, rendering time, in favor of processing speed etc.)
    3) Which Pro Res 422 setting is advised? I will be capturing HDV through firewire and then recompress to Pro Res 422. The Canon XL-H1 squeezes 1080i into 1440x1080. So I figured I need the 1440x1080 setting. There are two options: normal and (HQ). The HQ files are around 4-times bigger then the native HDV file. The normal setting results in files around 2-times bigger. Coming from HDV, do I see the difference between normal and HQ?
    4) What systems are recommended so I can work efficiently? i.e. how to setup the scratch disks. I currently have the applications installed on Disk 1, all scratch disks on Disk 2 + 3 (RAID 0) and final results on Disk 4.
    I have the following system setup:
    - Apple Mac Pro Quad-Core (2.66Ghz)
    - 5GB of RAM
    - ATI X1900XT 512MB
    - Harddisks:
    -1- Western Digital 750GB SE
    -2- Western Digital 500GB RE2 (member of "VIDEO" - raid 0)
    -3- Western Digital 500GB RE2 (member of "VIDEO" - raid 0)
    -4- Western Digital 500GB SE
    - Two Dell 2407 FWP 24" LCD monitors
    Thanks for your help and don't feel obliged to answer all questions, I am already happy if one of them is answered!!

    1) How does Final Cut Pro 6 handle native HDV?
    Just like FC5.... no worries
    2) Is it beneficial to convert to Pro Res 422
    Just like the Cineform codec you will benefit from an all i-frame codec when working with titles and graphics. I wouldn't recommend capturing native then converting to ProRez as this will take an extremely long time. Many have found editing native up until the compositing then dropping the sequence into a ProRez timeline to render. I prefer to uncompress the HDV with hardware into a capture card and transcode on capture in real time. Depending on the flavor of HDV and the equipment you use you can probably find a method for this. I shoot run & gun field work on to tape, then with the deck I can export via HDMI and together with another product from Convergent Design it is converted to HD-SDI in the a Kona LHe into FC. The benefit for me is the all digital decompression from 1440x1080 4:2:0 to a 1920x1080 4:2:2 uncompressed HD-SDI signal to use anyway I need to. As to which level of PR I can't comment but I have used the lower level and it looks great. As to raid setup I can recommend www.maxupgrades.com to help you add two - four more drives internally for unbelievable speed and expanded storage space you will want. The owner (Syed) will give you all the support you need to take advantage of the Mac Pro capabilities for a low cost high performance raid solution. Sounds like you have a great setup in mind, you may want to look into the Kona LHe capture card for capturing and monitoring and a Convergent Design product like the HD-Connect SI or MI depending on the deck you are using. If you need broadcast quality monitoring look into the Matrox MXO.
    Good Luck
    Z1

  • PLZ  HOW I CAN T  USE THE COMPRESSOR AFTER FINAL CUT PRO X  WHY???????

    HOW I CAN EXPORT MY VIDEO FROM FINAL CUT PRO X TO COMPRESSOR TO YOUTUBE???

    You don't need to use Compressor. In FCP, Share>You Tube and then choose the quality setting you want.
    Alternatively you can use Compressor to give you more control over your settings. If so, choose Share and either  export a master file and bring that into Compressor…or SHare>Add Destination>Compressor settings.
    Good luck.
    Russ

  • How do I change the speed of the Final Cut Pro X "Ticker" Title option?

    I am moving from iMovie to Final Cut Pro X.  I used to use the "ticker" title option all the time in iMovie, but when I utilize it in Final Cut Pro X, it scrawls really slow and only shows the first line of text before the video ends.  How do I adjust the speed of this option?

    This Motion template effect isn't very useful at the moment.
    Sadly, the only way of changing the speed is to modify the effect in Motion.
    The speed is designed to get the word 'Information' at the default size and default typeface across the screen over the duration of the clip. If you add more text, or change its size, the text will not move off the edge of the screen by the end of the duration of the generator.
    Alex4D

  • How do you crete an "unrendered look" in Final Cut Pro 7?

    Hi guys,
    Does anybody know how to crete an "unrendered look" in Final Cut Pro 7?
    What video filter do you apply?
    I'm trying to create a security Camera Look and I can't find the right filter.
    Any help ?
    Thanks.

    Depending on the look you are looking for there really isn't one filter to do this it is more likely a combination of things.
    One approach:
    Play with the color correction filters and composite modes with a duplicate clip on the layer above.
    and if you want  noise try this:
    http://www.geniusdv.com/news_and_tutorials/2009/05/using_the_noise_generator_in_ final_cut_pro.php

Maybe you are looking for

  • Setting a null(empty) binary stream in a PreparedStatement

    How can I bind a null binary stream into a PreparedStatement? In the following, if pMap is null how do I bind it? If I try to serialize a null pMap I get and error that not all columns bound. if(pMap == null) else byte[] _bytes = SerializeUtility.ser

  • ITunes library on External drive connected to Time Capsule

    So i have all my data(HD home movies etc 1.5TB)on an external drive that is connected to TC via usb 2.0. I have told iTunes to include this data and it has moved over all the titles (music & movies)but itunes keeps getting hung up as it is trying to

  • Live Cam Video IM Pro - Photo Capture Fails

    I can record video just fine w/the cam center software, but if I attempt to do a Photo Capture, get an error, "Cannot save photo..."? What's up w/that?

  • Semicolons in filenames

    You can have a semicolon in a file or folder name on your hard disk, but if you have files/folders that contain semicolons on a DVD, they are not readable. Finder silently ignores such files/folders, so if you copy a DVD to (say) your desktop, then y

  • Low volume/sound output...

    After applying the updates (iTunes(6.02) & OS X (10.4.4)) the volume on my iMac seems to be a lot lower than it was before. I now have to turn the volume up more than half way to get the same output I used to get when the volume was only turned up a