How do I crop my in and out points.

I have marked my in and out points. I don't know the correct term to use since it varies between applications, but I want to delete the excess clip that is not in my in and out points.
Can someone help?

Final Cut Pro is a non-destructive editor, i.e. the original media is left unaltered.
In order to delete the material you're SURE you will no longer use, you can use Media Manager to build a new project with/without handles that contains copies of only the media you are using.
Like this:
This shows 1 second handles.
You can also export a self contained movie of your sequence if you've completed editing.
In either case, you'd then delete your original media.
Patrick

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In fcpX....how can I put an IN and OUT points in my sequence and after export a movie???

In fcpX....how can I put an IN and OUT points in my sequence and after export a movie???

You can't. You can't export part of a sequence. Duplicate it and remove the bits you don't want to export from the duplicate.

How do I globally set in and out points on a large number of images?

As the post asks: How do I globally set in and out points on a large number of images before sending to the timeline? In AVID I can do this in the Script view. How do I do it in FCP?
Thanks in advance

Thanks. I assumed I needed to set in and out points. I have not done an image sequence in FCP. If I have a 10 second image and a 2 second transition, but then change the duration of the transition to say 4 seconds then FCP will let me alter the transition duration?
With regards to movie clips, what happens with setting global in and out points? How would I do that?
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HI,
The Ken Burns effects can do this nicely. Available in the iLife suite of software.
iLife 06 minimum requirements:
http://support.apple.com/kb/HT2675
iLife 06 - Amazon
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Hi AK,
AngusKirk wrote:
I cut a lot of clips on a big file with the razor instead of marking in and out points and now I want to batch convert. How?
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You can do that in Premiere Pro CC, but not before. Drag the clips from the Timeline to a bin and then export.
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How to remove all in and out points from extendscript code?

Hi,
I am creating a sequence from a clip from extendscript code to automateToSequence function.
But if there are some in and out points in the clip only the select clip part is converted as a sequence, what is the solution to remove all those in and out points from extendscript code, or to get the full clip to sequence even there are some in and out points.
I am using the function like this; qe.project.getItemAt(i).automateToSequence(seq,0,0,1,1);
Please suggest,
Thanks and Regards,
Anoop NR

Double click the pre-comp or nested comp, open comp settings from the menu or by using the keyboard shortcut Ctrl/Cmnd + k.
Note, changing the length of the comp will not extent the length of footage or layers inside the comp. You have to do that manually and it depends on your footage type.

Why am I not able to mark "in" and "out" points in Final Cut Pro 6?

I have a bunch of old tapes that I am trying to put on my computer. I have Final Cut Pro 6 and everything hooks up nicely except I am not able to mark in and out points or use capture now. Does anyone out there know why that would be the case?
I appreciate any help I can get.

What VTR? How is it controlled?
What are your capture settings? Firewire Protocol?
x

In and Out points not showing in source monitor

I've noticed this in the past couple of days: setting in and out points in the source monitor, the indicators don't show in the time ruler. In other words, even though I set the in and out points, it looks like nothing has been selected.
If I put the clip into the timeline, the in and out points I chose are respected, but they just don't seem to register in the source monitor, so I can't have confidence in what I have selected.
If I open another clip in the source monitor, then go back to the one I was working on, magically the in and out points are there again. Strange...
At the same time, if I apply audio gain to a clip in the source monitor, it sometimes doesn't "take". It shows that gain has been added, but there is no change in the sound volume when I play it back in the source monitor. Again, if I put the clip in the timeline, the volume is as it should be and the waveform reflects this.
So, is there some underlying bug affecting how clips are dealt with in the source monitor?
I'm on the latest version of Premiere CC 7.2.1 on Windows 8

Thanks for these suggestions. I'll try and answer each one:
Is the Source Monitor zoomed out to show the whole clip? If not, please zoom out to see if the In/Out points are getting painted in the wrong place initially.
Yes, it is zoomed out.
Do the clips have non-zero start timecode? If so, please try with a clip with zero-based timecode. (If you don't have one handy, you can create one fairly easily by exporting a sequence with start TC of 0;00)
The problem is intermittent and in this project all the clips are DSLR .mov files. The problem occurs with some of these and not others.
Have you done anything like setting a custom start timecode or interpreting footage to change the frame rate?
I haven't set a custom timecode. It's true that there is a mix of 24p and 25p clips in the project, but surely this only presents issues in the timeline rather than the source monitor? In any case, I haven't gone to interpret footage on these clips.
Is this happening with all types of project items, including simple clips on disc, or only with certain items like merged clips, multicam sequences, subclips...?
In this project, the only type of clip I'm using is simple clips. There are nested sequences; I'm not sure, but possibly the problem has also presented itself when these are brought into the source monitor - but not exclusively with those.
I hope this helps. This is the first project I have worked on since the latest upgrade and I didn't come across this problem before. As I say, it is intermittent, and it's hardly crippling - just annoying when it happens!
Thanks

Removing between and in and out point in the timeline

I don't usually post on forums but this has got me quite perplexed:
How do you remove a chunk of media between and in and out point in the FCPX timeline?
It's can't be as hard as it seems to do this task that you have to do all the time. I have a 2 hour 3 camera shoot and I want to remove quite a few 2, 3 minute chucks all through the show. I can't find any way to easily remove these chunks. I know there's no real in and out point in the FCPX timeline anymore but there HAS to be some way to easily remove all the video and audio between two points !!!
I feel really dumb! The answer can't be to make a compound clip as that sure is a pain just to remove something from the timeline. And to blade each individual track means I have to blade at least 8 or 12 things just to remove it!
I have to be missing something. Thanks for any input.

Thanks Tom.
I'll have between 3 and 6 layers at any point. I've tried command B but the problem with that is it only puts a cut on the primary storyline. It will cut more than that if I select all the layers. By doing that it's like a 5 or 6 step process to delete chunks of media in the timeline. I can't believe there isn't an easier way than that.
But what makes it worse as I have a long piece of audio only media that is for the whole show. Its a connected clip to the primary storyline. when making edits with command B and then deleting what is between the edits this main audio gets deleted from the edit forward. IT's like this audio becomes a connected clip right after the edit when command B is made. it looks connected to the next clip after the command B but it deletes when I delete the chunk between the command B.
This is so silly that I can't easily delete media from the timeline in this way. It's such a simple thing!

Has anyone else noticed issue with in and out points of Ratings?

Hi,
I have noticed that for some clips, the end point of a rating (i.e. Rejected) is the same as the in point of another rating (e.g. Favourite).
How can this be? Is FCPX treating the out point as the frame after the selected section of a clip, rather than the last frame of the selected section?
This may relate to another post I have made on in and out points, but was a slightly different issue:
https://discussions.apple.com/message/17142309#17142309

I agree with your assessment, but really Apply should change this so that the end point of a rating is inclusive (i.e. the end point of the REJECTED rating above should be 00:03:09:14 not 00:03:09:15).
Another bug to report to Apple!

In and out point feature not working

I am a teacher at a tech school and I teach Premiere Pro CS5.5 I teach my students how to use the in and out points in the source clip monitor and then to select the button to insert or overwrite that section to the time line. I also teach them how to use the in and out point in the timeline monitor and then to select the button to lift or extract that section from the time line. For some reason this works for most of the students, but not for all. I actually had it happen to my project during a demonstration. Sometimes the action that you wanted on the timeline will not happen. The playhead may slide over like it worked, but the clip is not there or the extraction never happened. I check all the other video tracks to try to see if it is on another track, but it is not. The fact that it works for some students and not others, makes me think that maybe it has to do with the type of video clip they are working with (similar to the mono/stereo/5.1 differences with audio clips). I have to be missing something. Help!

You didn't say Mac or Windows, but my experience on Mac is that some features of Pr 5.5.2 just stop working, and can only be brought back by an app relaunch, a reboot, or by trashing the preferences (Hold option down while launching from the Dock.).
But... some of what you describe could also be caused by not selecting the track selectors in the Timeline panel properly.

Video after In and Out points Changed

After opening up a video in the Viewer and setting In and Out points, and dragging it back to the Browser afterwards:
1. I tried changing the name of the clip that I dragged back to the Browser, though it changed the names of the other clips in the Browser to the same name. Why?
2. How come when you double-click on the new clip and it shows in the Viewer, it shows the In and Out points as well as the video from the original segment around it. Is this the way it is supposed to be? I thought it was supposed to just display the segment of video starting with the In point and ending with the End point.

1. do some reading in the manual. Might try making the clip independent.
2. Yes. I know it may seem weird, but it has some really powerful uses. Double click on a clip in the timeline, it loads in the viewer. You can then change your in and out points in the viewer and they will be reflected in the sequence. (with some limitations). If you want to "isolate" the material between an in and an out, check out "make subclip."
This is very basic fcp stuff. Skim the manuals, explore the menus, you'll figure this stuff out pretty quickly.

Setting In and Out Points for Render

Hi everyone!
I was wondering how to tell color to only render from and in and out point, instead of rendering for a whole clip. In FCP I take a ten minute capture, then break it up into sub-clips for each shot, and then edit some of these sub-clips into my video.
When some of these sub-clips require correction in Color the sequence gets sent to color just fine, but when it renders my changes it renders it to the whole clip that the sub-clip came from. This takes too much time because I only need the sub-clip to be rendered, not the whole clip, because that's all I use in my video.
How can I fix this extra rendering? Thanks in advance!

I think that you might find the answer to your question on this link below.
http://docs.info.apple.com/article.html?artnum=306566
Zia

After update all of my subclips have different in and out points

After updating Premiere Pro CC all of my subclips now have different in- and out points. It´s hundreds of subclips and they have nothing to do with how they´ve been before. The In-Point is always the In-Point from the original Master-Clip, the out-Point seems to be totally random. So I can´t work with them at all. Can I go back to the previous version or can I get my subclips back somehow? THANKS!!

There are no viruses that can affect Apple OS X.
What files do you keep on the Desktop? How many?
Performance tip: Keep the Desktop clutter-free (empty, if possible)
Mac OS X's Desktop is the de facto location for downloaded files, and for many users, in-progress works that will either be organized later or deleted altogether. The desktop can also be gluttonous, however, becoming a catch-all for files that linger indefinitely.
Unfortunately - aside from the effect of disarray it creates - keeping dozens or hundreds of files on the Desktop can significantly degrade performance. Not necessarily because the system is sluggish with regard to rendering the icons on the desktop and storing them in memory persistently (which may be true in some cases), but more likely because keeping an excessive number of items on the Desktop can cause the windowserver process to generate reams of logfiles, which obviously draws resources away from other system tasks. Each of your icons on your desktop is stored as a window in the window server, not as an alias. The more you have stored, the more strain it puts on the window server. Check your desktop for unnecessary icons and clear them out.
Keeping as few items as possible on the Desktop can prove a surprisingly effective performance boon. Even creating a single folder on your Desktop and placing all current and future clutter inside, then logging out and back in can provide an immediately noticeable speed boost, particularly for the Finder.
And it is why Apple invented 'Stacks' for Leopard.
Here is Apple's take on the subject:
http://www.apple.com/pro/tips/immaculate_desktop.html

How do I crop my in and out points.

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