How do I do this effect in final cut

I want to make a timelapse using photos from my DSLR and I want to know if there is a way to do this effect (see link) in final cut pro for multiple clips. A lot of forums out there have people dicussing how they stack or blend time lapse clips at night to make their final results better, most of them use after effects but I was wondering if there was a way to do it in final cut.
Thanks!
Bryan
Link: http://www.youtube.com/watch?feature=player_embedded&v=AG8FroQfXXY#!

You of course tried the modify pulldown for composite mode>screen? Didn't that work for you?

Similar Messages

  • How to do an earthquake effect in final cut pro?

    I know you can do one on imovie is there a way I can do something incredibly similiar in final cut pro?

    I don't see anything involving Earthquake at all and I looked at every single video filter? Is it like in newer ones and I need to upgrade or something?

  • Hi, I downloaded the app for macbook "Lens Flare for Final Cut" and I've struggled a lot to install this app at final cut . Someone could help me ? i´m from Mexico i speak spanish

    Hi, I downloaded the app for macbook "Lens Flare for Final Cut" and I've struggled a lot to install this app at final cut . Someone could help me ? how i can install this app in Final Cut? this app cost me money and not is working to me, i am disappointed sorry if a write bad, i´m from Mexico i speak spanish

    This is a user2user board for FCPX - maybe better you discuss your issues with the makers of that 'plug in'
    Seems for me a  bit 'fishy', isn't it? - other professional plug-in makers deliver with an installer... That advice at AppStore, how to install it, is ... rare:
    How install it ? – click the launch button. Motion 5 will start itself. When Motion is open click save as. Write a generator name - Lens Flare and choose category RGB HOUSE or make it. Click Publish and you are done. If you don’t have Motion 5 look at support site - how to install in FCP.
    How it works ? – In Final Cut Pro you will find in Generators RGB HOUSE group, where will be Lens Flare. Drag this generator above all clips in timeline. When it’s there remember to change blending mode to Screen (in video section). You can adjust color, steak color, glow, intensity, scale - apacity and blur of artifacts, position. Any parameter could be stored as a keyframe, so You can easily animate the flare.
    so, I don't speak Spanish, lets have some fun with translate.google...:
    Cómo instalarlo? - Haga clic en el botón de inicio. Motion 5 comenzará Misma. Cuando el movimiento está abierto clic en Guardar como escribir un generador de nombres -. Resplandor del objetivo y seleccionar categoría RGB CASA o hacerlo. Haga clic en Publicar y ya está. Si usted no tiene el movimiento 5 vistazo a sitio de soporte - cómo instalar en FCP.
    Cómo funciona? - En Final Cut Pro se encuentra en el grupo generador RGB CASA, donde serán destello de lente. Arrastre este generador por encima de todos los clips en la línea de tiempo. Cuando es allí te acuerdas de que cambiar el modo de fusión a la pantalla (en la sección de vídeo). Usted puede ajustar el color, color carne, brillo, intensidad, escala - falta de definición apacidad y artefactos de su posición. Cualquier parámetro podría almacenarse como un fotograma clave, por lo que puede animar fácilmente la antorcha.
    Hope it makes at last a little sense... I don't trust these automatic translators
    (the German translation is ... awesome funny!)
    Finally: it's from 2012! Needs probably an update - contact the dealer!

  • How do i get this effect in the video 0:7 - 0:8 That the lines come together and build a logo? pls h

    How do i get this effect in the video 0:7 - 0:8 That the lines come together and build a logo? pls help me      http://www.youtube.com/watch?v=mfU8bZDKAMQ&list=HL1352499622&feature=mh_lolz

    This looks like the final logo was created with several layers probably in Illustrator, then the file was most likely imported into After Effects and revealed by animating mask paths.

  • How do I turn on the GUI controls for the Focus Blur Effect in Final Cut Pro X

    I can't find the setting that enables the GUI control overlay to manipulate the parameters of the Focus blur effect in Final Cut Pro X. When I have the clip and the focus effect selected I only get a center element overlay. At one point I had controls for all the other elements of this effect.
    anyone know a shortcut or how I can toggle these controls back on?

    I don't see any other screen controls either.
    Maybe there was a change sometime, or maybe you were using a different effect?

  • Cool effect..how can i create this effect on Motion 3?

    that's great.
    Someone please tell me how can i create this effect on motion 3?
    http://www.ayatoweb.com/aetips_e/ae17_mov05e.html
    thanks

    Use the bezier tool to create your shapes, give the shapes an Airbrush outline. Then apply a Write On behavior to each shape. Position the shapes in the timeline so they appear sequentially. To achieve the zooming out effect, you can either scale the whole group, or convert the group to 3D and use the camera to zoom out.

  • How do i create a spotlight effect in final cut pro x

    How do i create a spolight effect in final cut pro x any help would be greatly recieved!!
    all i can find is tutorials for how to do the effect in the older version of final cut
    Many thanks!

    In the Timeline position your Playhead at the starting position.
    In the Viewport position the Shape Mask at the starting position.
    In the Inspector click the Add Keyframe button.
    Press Control-V to open the Animation Editor to see your keyframes.
    Move the Playhead and the Shape Mask to a new position.
    In the Inspector click the Add Keyframe button.
    Continue adding keyframes until you have defined the Shape Mask’s movement.
    Regards
    Nolan

  • How do I get this effect?

    > This message is in MIME format. Since your mail reader
    does not understand
    this format, some or all of this message may not be legible.
    --B_3244557723_1857154
    Content-type: text/plain;
    charset="US-ASCII"
    Content-transfer-encoding: 7bit
    Hi!
    I have a series of QuickTime files that I am trying to
    present in a nice
    interface. I know how I can create this effect in Flash- but
    given the
    number of .movs I have, I am thinking of sticking to QT. The
    example I have
    in mind is
    http://www.apple.com/aperture/quicktours/
    I went through the source code and tried to replicate it by
    changing some of
    the values but it does not seem to work. I thought about
    using frames to
    ease complication but I find frames cumbersome. I am open to
    suggestions but
    would prefer to keep the video clips in QT versus converting
    to FLV.
    Thank you.
    Kelvin
    --B_3244557723_1857154
    Content-type: text/html;
    charset="US-ASCII"
    Content-transfer-encoding: quoted-printable
    <HTML>
    <HEAD>
    <TITLE>How do I get this effect?</TITLE>
    </HEAD>
    <BODY>
    <FONT FACE=3D"Arial"><SPAN
    STYLE=3D'font-size:12.0px'>Hi!<BR>
    <BR>
    I have a series of QuickTime files that I am trying to
    present in a nice in=
    terface. I know how I can create this effect in Flash- but
    given the number =
    of .movs I have, I am thinking of sticking to QT. The example
    I have in mind=
    is <a href=3D"
    /aperture/quicktours/</a><BR>
    <BR>
    I went through the source code and tried to replicate it by
    changing some o=
    f the values but it does not seem to work. I thought about
    using frames to e=
    ase complication but I find frames cumbersome. I am open to
    suggestions but =
    would prefer to keep the video clips in QT versus converting
    to FLV. <BR>
    <BR>
    Thank you.<BR>
    <BR>
    Kelvin</SPAN></FONT>
    </BODY>
    </HTML>
    --B_3244557723_1857154--

    Hi(Bonjour)!
    Welcome to the forum.
    It will be difficult to compose this effect in FCE without commercial plugins like Nattress's Big Box of Tricks (G Glow dissolve).
    But you can try this: create a colorized transparent document (yellow and red around the frame) in Photoshop. Save in PNG. Import into FCE.
    Put it on V2, over the edit point for your video clips in V1.
    Try to keyframe opacity values, animate the position with erratic displacements and add some twirling or distord effects (that can be keyframed too).
    With some patience, I'm sure that you can achieve a such effect.
    Michel Boissonneault

  • My Final Cut sound effects don't show up, how can I get them?, My Final Cut sound effects don't show up, how can I get them?

    My Final Cut sound effects don't show up, how can I get them?, My Final Cut sound effects don't show up, how can I get them?

    Have you downloaded them?
    Incidentally, you seem to have a bad echo.

  • How do I achieve this effect with a drop cap letter?

    How do I achieve this effect with a drop cap letter as shown in the picture below in indesign?:
    Thanks.

    Apply drop caps then select the letter and create outline from type menu. Select the outline letter and apply drop shadow

  • WHAT iS THIS EFFECT CALLED? OR HOW CAN I GET THIS EFFECT?

    WHAT'S THIS EFFECT CALLED? OR HOW CAN I GET THIS EFFECT?
    first of  all i don't know what's this kind of photo effect called, i just describe it as bright, clean and w/o lack of contrasts
    secondly, i wanna learn how to achieve this effect.....really don't know how
    need help here....
    btw i don't know where to post this post....so i just start from here  =)\

    For my part you are welcome, Lisa.
    then what about the color tone here? it's very pure and clean, a touch of blue i think, is it from the nature light or from photoshop effect?
    The colour tone is (hopefully) a result of the nature of the natural light faithfully reproduced by the high quality of the camera (and film if relevant).
    You will get quite different and sometimes rapidly changing tones of colour depending on the natural light; this is different for different times of day, different directions, different weather conditions.
    Just to mention a few comparisons, the warm light from the setting sun is quite different from the cool light from the clear bright sky through a (high) window to the north at noon, and the light of the sun can be changed immensely by the huge white (or grey) filter sometimes applied to (parts of) the sky.
    You may do many things in Photoshop, but photography is still an art form, not just cheating, at least for some.
    I believe one of the real provings of cameras/films is the ability to reproduce the delicate but profoundly different tinges in snow on a clear day.

  • How can I make this effect to introduce somebody in my video?

    Hi,
    I like to know how I can make this effect to introduce somebody: www.hofleverancier.be
    You can see the effect on the 7nd second.
    Can anybody help me out?
    Thanks!
    Glenn.

    There are many ways.
    One of them would be:
    export the specific point were it starts to Quicktime Conversion > Still Image >OPPTIONS: Photoshop.
    Open this still in Photoshop. Cutout the man by using the magic lasso tool.
    So then 2 layers. Background and Foregrond (The man).
    Import this 2 layered PSD in FCP. Cut it right after the point you exported. On V1 the Background, On V2 the Man. Bring the background to Black and white. Set Keyframes for the SCALE on V2, in order to 'zoom in' on the person a little bit.
    And ad a title effect.
    Well, this is the short version. Try to play with it yourself. You can also do all the compositing in Motion, or After Effects.
    Rienk

  • How did they do this effect?

    How did they get this effect of the dots on her face....?
    Thanks in advance...
    http://www.youtube.com/watch?v=VkVy2FeqIyc&feature=related

    Cool video. I'd say that everything is done in After Effects, including the 'dots' on her face.
    It's a simple effect filter you can apply.

  • How do apply New Blue FX on Final Cut Pro X?

    Please help. I have searched everywhere and they haven't told me how to apple New Blue FX effects to Final Cut Pro X. I know it is compatible since it says on the New Blue website but I can't figure it out. PLEASE HELP!

    From supported hosts for video essentials IV on the New Blue site
    Apple Final Cut Pro Version 5.1 and higher, Final Cut Express Version 4.0 or higher (Apple FCP X is not yet supported)
    I've been waiting for this support myself.

  • I shot video on a Panasonic P2 and I'm trying to import the MXF files to Final Cut Pro but when I try to import, the only thing that imports is a blurry image of each clip. There's no audio and no video...how can I import MXF files into Final Cut Pro?

    I shot video on a Panasonic P2 and I'm trying to import the MXF files to Final Cut Pro but when I try to import, the only thing that imports is a blurry image of each clip. There's no audio and no video...how can I import MXF files into Final Cut Pro?

    at the end, you say "import preferences", which program are you describing?
    So im safer using footage that is remotely being pulled from iphoto...
    vs
    using footage that is imported into FCP from imovie?
    Is there anything i can do in fcp to make this footage more reliable or safer or more stable as i pull remotely from iphoto?
    All the footage, and all the libraries to all programs, or on a new pegasus 12tb raid 5 setup fyi.

Maybe you are looking for