How do I export multichannel audio with match sequence settings?

I have a prores file that has 10 channels of audio. I made a sequence with the same audio and video settings (I also tried dragging the video on the new sequence button with the audio import set to adaptive) and then I tried to render a clip out of it by using the match sequence settings. The audio export defaults to stereo and can't be changed. I'm using Premiere CC 7.2.2 on a Mac at the moment.

It's difficult to be helpful when you have an attitude. I read your post, and was offering suggestions for how to achieve what you seem to want to achieve. If you really need to use the Match Sequence Settings - rather than changing the settings to match manually - then clearly you're not going to be able to get multichannel audio. Since this does not seem like a bug, I would suggest submitting a feature request and asking for the Match Sequence Settings to support multichannel audio export.
Adobe - Feature Request/Bug Report Form

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Exporting multiple sequences from Premiere with Match Sequence Settings...

If I individually select a sequence in Premiere and Export Media I have the option of checking Match Sequence Settings but with multiple sequences selected the option goes away. So I have to individually select the sequence, check the Match Sequence Settings box and add to the queue for every. darn. sequence. All I want is to export multiple sequences to Media Encoder with Match Sequence Settings (or add multiple sequences to the Media Encoder queue, same thing). Am I missing something? This seems like it would be used a lot...

For PC users, of which I am one, the Preview Render codec in the Sequence is usually MPEG so best to avoid it. If you can actually use ProRes, then it's understandable that you'd want to "Match Sequence" if possible.
Check this link - http://www.premiumbeat.com/blog/pro-tip-exporting-a-finished-video-from-premiere-pro/
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Batch Export with Match Sequence Settings

How can I select a bunch of sequences in Premiere Pro and export them with Media Encoder as "Match Sequence" Settings? When I have multiple selections that option is not available. Also, is there an option to either use or ignore the in/out when batching sequences?

Hi TBC,
I think you're on the wrong track with the export. Camera codecs are for acquisition. There are many different options for Export, and they do not need to be, nor should they be in most cases, the same thing you started with. The general consensus I see on these forums is to avoid "Match Sequence Settings" most of the time.
Please let us know the destination, and we can then suggest options. For instance, if you simply want to create a "Master" copy of the completed work, on a Mac you might want ProRes, while on the PC you could look at the Lagarith Lossless codec, or the Avid DNxHDcodec (both need to be installed to use them). If going to the web, there's a ton of options, but a YouTube or Vimeo preset is a good place to start, found under "H.264" format.
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"disk full" message? when exporting 60fps sequences with "match sequence settings"?

Hi, I have searched the forums for this subject and found many discussions that went in different directions but no solutions or input from Adobe.
Summarizing,
everything exports well, both directly from PremPro CS6 and from AME (all input files (like 720p or 1080 p .mts AVCHD or .mp4 H264), all sequence settings, all export settings (like H264, 30 fps, 60 fps)
EXCEPT "match sequence settings" for 60 fps 1080p or 720p AVCHD footage, THEN you get the message "Disk full" after 10-20 seconds.
Of course, the disc is not full, there are no applied effects, and it worked well in CS5.5!!
So, Adobe, what can be done about this, no update yet??

Hi, Ann
Thanks for the reply.
My cache files are stored on a secondary (7200rpm) 1 TB disc
So are the preview files, render files and the source files, but there are no render or preview files, I just put the footage on the timeline in a "new sequence from clip" (which was AVCHD 1080p 60fps .mts file) and tried to export without editing.
I tried to export to this disc and also to the C: disc but got the same message:"Error compiling movie. Disc Full".
If I made the sequence 30 fps the "match sequence settings" export worked well.
I can export n H264.mp4 format at 60fps but I would like to just trim the clips in the timeline and save them without much loss for later editing.

Exporting from PPro CC - Exporting using Match Sequence Settings issue with 24 bit audio

I am having an issue exporting my sequence which contains final AIFF mix (24 bit 48 kHz) into a 'same-as-source' ProRes 422 file with 24 bit audio. I am specifically trying to export media with 'Match Sequence Settings' checked to create an identical output of what my sequence is. I wind up only creating a PR422 with 16 bit audio rather than 24 bit audio.
My sequence contains ProRes 422 media and 24 bit AIFF final stereo mix (1 audio file) from our Sound department.
My sequence is currently setup as "Custom" at 1920x1080, 23.976 fps, Square Pixels, Progressive, etc. Audio is 48 kHz (I don't see an option for choosing different bit rates in the 'Sequence Settings').
Using 'Match Sequence Settings', my options to alter the audio are "greyed out" and unavailable. I'm not sure why 'Match Sequence Settings' doesn't recognize that I am cutting with 24 bit audio and, instead, only exports 16 bit audio.

Always skip Match Sequence Settings and set up the export manually.

Stretched export even when "Match Sequence Settings" is checked

I've been stumped by an export problem I've never faced before. I'm reediting the audio of the Rocky Horror Picture Show movie, so I began this project with a sequence based on the settings of the mp4 file of that movie. I edited it and exported it with "Match Sequence Settings" checked, but the final is horizontally stretched. Here are some screenshots.
Sequence Settings
Export Settings (the source and output previews match!!)
Original Movie
New Export, Weirdly Stretched
Any thoughts? The sequence settings of my edit are based on the original movie, so I can't understand how the final output could be different. What am I missing?
Also this is in CC 2014.

Hi Ttraversy,
It may have to do with non-square pixels, however, I'm not sure you should be editing with other people's source material. I highly recommend you avoid doing so to avoid legal problems.
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Kevin

Does exporting DV using "Match Sequence Settings"

I am capturing VHS and Hi8 home video using a Canopus ADVC-300 and Premiere Pro CS6. The output is DV, about 14GB/hour. Most of the captures are unattended (have a 4 TB disk, backed up of course, but space is not a big concern right now). I'd like to get everything imported before starting any serious editing, so I capture each tape twice: the first time, the video itself; then I rewind, turn the timestamp indicator overlay on, and capture again with the camera running at 2x speed. That way I can quickly find when a particular segment of a tape was recorded without winding the tape around in the camera, looking for the scene and the time isn't overlaid over the image.
I have two questions:
1) Since the captures are unattended, I need to trim the blue screen off the end of each captured files to save disk space. I'd like to confirm that if I trim a sequence and export with "Match Sequence Settings" set, that Premiere will not re-encode the DV except for the parts that I actually changed (I sometimes use dip to black around damaged segment of tape). Based on the export speed, I don't think it's recompressing and the quality looks the same but I'd like to double-check.
Does Premiere Pro CS6 always mark the timeline with the colored bar if processing is required? The "dip to black" parts get a yellow bar, but the rest has no bar. That would be a clue.
Also, the export dialog has "Use Maximum Render Quality" unchecked by default. I check it -- does it matter?
2) What is the best way to permanently associate a date/time with the captured video? I didn't see any way to bake it into the DV for each segment. I'm using comments in sequence markers, set at the start of each clip, but the sequence markers don't move if I ripple-delete, say 10 seconds of noise in the middle of a track. I can't figure out how to get markers attached to the video track instead of to the sequence. I found some videos that say how to do this, but they don't seem to apply to CS6. I found that if I export the sequence, the markers then do get backed into the DV. But I need them not to move if I ripple-edit. Is that possible?
3) My plan is to add a 3 or 5 second overlay title to the beginning of each segment saying what it is and when it was captured, but only for the final export. Is there a trick that I could use to create a title from a marker? This is not a big deal, but seems like a useful feature.
Sorry if the answer to these questions are obvious -- thanks for your patience.

Thanks for replying. The reason I want to re-export the captured DV is because I capture unattended, and don't know how much video there is on a 2 hour Hi8 tape or VHS tape.
I could find out by fast-forwarding through the tape and stopping, but it's more efficient to just capture the entire tape and then trim the end off the tape and re-export. I'm planning on archiving the raw DV capture, and 1-1/2 hours will fit on a 25GB BluRay disk. Two hours won't.
Thanks for the tip about the project panel. I never scrolled it to the right far enough to see the "description" or "log note" field. Hopefully those notes will wind up in the metadata of the DV .AVI file, but even if it doesn't, I'm planning on archiving the Premiere Pro project file with the DV .AVI file.
The copy/paste from marker to title is what I'm doing now. I just wanted to make sure I wasn't missing something easier.
So... does anyone know if Premiere Pro will pass-through the original DV if I re-export after making minor edits?

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CS5-thru-CC PPro/Encore tutorial list http://forums.adobe.com/thread/1448923 may help

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Premiere CS6 What to do with the Match Sequence Settings MPEG?

Premiere does not seem to handle long exports, meaning, videos that are over an hour. The only way I can get an export with a decent turnaround is to export using the Match Sequence Settings tab. After the export I can preview the file, but I cannot convert it. How do I convert this 22GB file for youtube? H.264, etc, I have tried and failed. Even Adobe Media Composer exports it with audio but no video. What gives?

Premiere handles long exports just fine. If not on your system, then something is messed up there.
Don't use "Match Sequence", just choose "H.264" for the Format, and for Preset choose "YouTube 720p".
I haven't uploaded anything longer than maybe 10 minutes to YouTube and I know they used to have some time and/or file size limits and those recently changed, but up to you to check that before you spend a lot of encoding time only to find they won't accept it, maybe needs to be cut into parts.
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Export to Match Sequence Settings

I am using Premiere CS5 and I want to export a video clip in the same format as the original footage (Canon XF MPEG 2) at 100% quality (having edited it obviously).
So I go to >File >Export >Media and check the box 'Match Sequence Settings'.
How do I change the default 50% to 100%? (I've checked the original Sequence Settings and there doesn't appear to be a 50% or 100% option).
Many thanks.
TBC

Hi TBC,
I think you're on the wrong track with the export. Camera codecs are for acquisition. There are many different options for Export, and they do not need to be, nor should they be in most cases, the same thing you started with. The general consensus I see on these forums is to avoid "Match Sequence Settings" most of the time.
Please let us know the destination, and we can then suggest options. For instance, if you simply want to create a "Master" copy of the completed work, on a Mac you might want ProRes, while on the PC you could look at the Lagarith Lossless codec, or the Avid DNxHDcodec (both need to be installed to use them). If going to the web, there's a ton of options, but a YouTube or Vimeo preset is a good place to start, found under "H.264" format.
Thanks
Jeff Pulera
Safe Harbor Computers

I'm confused by Export Settings- Match Sequence Settings

I’ve created three sample sequences that are all NTSC 720x480 16.9, but each has a different Fields setting (Lower, Upper, and No Fields). When Exporting (File->Export->Media), the CS5 manual states the following for the Match Sequence Settings feature:
To automatically export a file from a Premiere Pro sequence with settings that exactly match the settings for that sequence, select Match Sequence Settings in the Export Settings dialog box.
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I am confused about how to create a project setting as well as Export setting. I have few videos with width 640 & height 360. Frame rate is 29 FPS. In project setting Frame Size i used 640 by 360 & pixel aspect ration is square pixel (1.0) . after i finish with editing i wanna to export in movie so in export setting i click on Match Sequence then render starts with 50% video quality i wanna to make that 100% but option is disable so what to do?
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Thank you!
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=)
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How do I export multichannel audio with match sequence settings?

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