How do I fade out a soundtrack to the entire presentation?

Hey - my presentation has a track to accompany it which is longer than the visual so I would like to fade it out at the end. Any ideas how I can do this?? Thanks so much!

Keynote is unable to do this. Use video or sound editing software to fade out and cut the sound track.
iMovie and audacity are examples of software you can use, or Google for others.

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How do I fade out audio in Premiere Elements 13?

HOW DO I FADE OUT AUDIO IN PREMIERE ELEMENTS 13?

ATR
Thanks for answering,
im moving slowely forward in speeding up making presentations by using the new discovered smart tricks or functions.
So you understand my level of expertise:
This step by step production methode im using now give's me controle without the (full) knowledge of all the (smart)functions in this program.and slowely learning the way arround.
starting a project: a mix of photo's and avi's, starting with manual time line filling with the selected files then the timesaving "Standard crosover on all selected".
second: placing a header with the titel at the front and a ending a the end. (cut al the wrong or bad pieces and extend some photo viewingtime if needed.)
And then adding subtitels/tekst and use some other crosovers to highlight the change of subject or stills to movie.
And at last: placing the background music on "soundtrack": after some fiddeling around ive choose to cut the musictrack between the avi's instead of let the music play all the time and adjust the volume down to zero when a avi is playing.
this have two advantages:
1) the songs can be streched by by cut and jumping to the end of the avi soundtrack. (no loss of music through fading out and still let it play so need less musicsongs.)
2) And the rightclick fade function with the standaard fadingtime => "fade out" and "fade in" is easly to use because of the end track avi and begin track music timeline. (And if needed lowering the fading slope/ extend the fading time by moving the "points" on the audio line)
But; its a lot of work and after the first run through the presentation(or watching on TV) and there is a adjustment needed (fadingtime, volume-changes) you have to adjust every bit of the soundtrack. (keeping the volume "feeling" the same is the difficult part.)
I will read about the Smart Mix function and test it on a other project. see of its fits my kind of using and expertise. (every automatic (smart) function needs understanding of its purpes and limitations and there are a lot of them in premiere
What is in your opinion the most effective way of adjusting volume of audio parts across the hole project so its merged in to one audio/soundlevel?
(and offcourse in the hole way of building the presentation.)

How do i fade out a video clip?

how do i fade out a video clip?

ChiDonDada
What version of Premiere Elements are you using and on what computer operating system is it running?
In the absence of that information, I will generalize, tending toward Premiere Elements 11....
a. Right click the Expert workspace Timeline video, select Fade from the pop up menu and then the wanted Fade Audio or Video command.
b. In version 11, you could click on Applied Effects/Applied Effects Palette/Opacity Panel and the shortcut Fades there.
c. You could keyframe the Opacity property in the Applied Effects Palette/Opacity or via the video track content rubberband at the Timeline Level.
Please supply more information for fading in out your video and audio track contents.
Thanks.
ATR
Add On...If you have Premiere Elements 11, you may be interested in the information on these Fades found in one of my blog posts
http://www.atr935.blogspot.com/2013/06/pe11-timeline-fade-out-shortcuts-and.html

HT1391 I have a new computer and want to sync my iPhone. But it wants to wipe out what is already on my phone with another iTunes library. How do I find out what is in the "library" before I say to wipe out my phone and sync?

I have a new computer and want to sync my iPhone/iTunes. But it wants to wipe out what is already on my phone with another iTunes library. How do I find out what is in the "library" before I say yes to wipe out my phone and sync?

See Recover your iTunes library from your iPod or iOS device.
tt2

How do I find out what is in the cloud so I can delete it?

This is a complete outrage. All I did was support Apple and was told to sign in to cloud and now I am told I am using too much space. No idea what this is about and no way to call because I cannot talk. How do I find out what is in the cloud so I can delete it? Is this e-mail, Word documents, or something else? What the heck are they talking about?

It's everything that's stored in icloud: email, backups, calendars, contacts, app data (including iwork documents), .... on and on.
If you need to delete some data to recover some free storage...
You'd have to go into the various apps on a device that is also stored on iCloud and begin trimming files.
Backups:
Go to Settings>iCloud>Storage & Backups>Manage Storage; there, tap the device you need info on and the resulting screen lists Backup Options with which apps store data on iCloud. Turn off camera roll and any other apps that might have a lot of data. Then delete the backup. That will free up space. Photos should be regularly synced to a computer (like you store photos from a digital camera) using either USB via iTunes (on a mac use iPhoto or Aperture to move them to an album) or using photo stream. Go to Settings>iCloud and turn
Emails:
Regarding emails, on the computer, move emails from mailboxes in icloud to those on the device. That can also save a lot of space.
Go to Settings>iCloud>Storage & Backups>Manage Storage
From there you can find how much and which files are in a backup, and how much different apps use to store data files. At the bottom of the screen is the size of the mail storage.
Also see: http://support.apple.com/kb/ht4847

Best way to fade out multiple tracks at the same level

Is there a best way to fade out multiple tracks at the end of a song? I have read the manual and understand fading "A" track, but not if my song is ending and I want to fade out all tracks equally.
I thought I could export the file as a wav or MP3 (like I would do if I was fading out an Apple loop), then bring it back in and fade the track I import it to, but wanted to know if anyone else had any tips or tricks they use.
Thanks
RH

sigh...don't people search forums anymore?
http://discussions.apple.com/thread.jspa?messageID=7042093&#7042093

IPhone 4S: How do I figure out what is draining the battery? I am not using anything

iPhone 4S: How do I figure out what is draining the battery? I am not using anything that I know of.

see if these links help out
http://discussions.apple.com/thread/3526981?tstart=120
http://discussions.apple.com/thread/3484755?tstart=30
http://discussions.apple.com/thread/3660196?tstart=90

Simple question - How do I fade out a project?

There's got to be an easy answer to this. I have created a project in Logic 9 and would like to fade it out at the end. This is really easy in GarageBand (Track > Fade Out) but I can't see how to do it in Logic. Any tips?

Press A on your computer keyboard to show the automation.
You can make changes in volume in a similar way to the way that you do it in Garageband, so try it with different tracks first. You can fade the whole thing out by automating the main output channel, but it needs to be in the Arrange window for you to be able to do that, yeah ?
If you open the mixer you can select the main out and choose an automation mode from the button on the channel strip - that automatically put it into the Arrange window, there are a few other ways of doing that that are worth knowing.

Image zooms in and bounces. How do I fade out?

Getting my feet wet and trying a routine event. Have an image
zooming in and bouncing. That works. What I want to do is fade the
image out after it has stopped bouncing. How do I fade it out? Here
is what I have:

I came up with the below bit of code. But now the image fades
and then re-appears

How Do I Fade Out In The Middle Of A Song?

I cant find out how to do it on certain parts in the middle of a song I am mixing. Can anyone help?

You may want to head over to http://labs.adobe.com/ and download the public beta release of Soundbooth CS4. It offers multitrack, volume keyframing, and more tools that are better suited for mixing music than the tools offered in Soundbooth CS3.
Durin

I have a movie track and in that track I have a video loop of 10 seconds. I want that video loop to repeat (loop) throughout the entire project. How can I do this? Right now there is a fades out white space after the video clip

I am working on a Garage Band Podcast. I have a 10 second video clip in the Movie track and want to loop it for the entire project. How can I co this?

Sounds like maybe you're using the same channel strip on multiple tracks? Make sure you're creating a new software instrument channel strip for each independent instance of Ultrabeat you want to have. If you use the same CS, then all tracks that use it will have to have the same kit.

How can I zero out offset voltage at the start of the program?

I have a simple program that reads a voltage input and outputs the results to a file. The voltage has an offset (which changes from test to test), and I am interested in zeroing out this value at the start of acquisition. I could use an example of how to do this. Thanks.

Try this simple method...
Right click on the icon which represents the offset voltage. Select create: Invoke Node.
Use the finger pointer and click on the "Method" of the newly created Invoke Node. Choose "Reinit To Dflt"
Place this Invoke Node at the beginning of your vi by running the Error In through it.
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You can use the same trick to re-initialize values if a certain condition is met within your vi.
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How should I break out individual Acts from an entire performance?

I've successfully assembled multiple video clips and separately recorded audio into a master timeline, of a community (Chinese) New Year's show lasting 1½ hours.
I want to break out portions of that to polish and post on youku, use as a single source clip in a different project, etc. Suppose, as a concrete example, I want to work with Act 7, and have identified the mark-in and out points. I used a marker with a duration to remember it.
I suppose I could copy just that 10 minutes to a new timeline (If I could figure out how to do a non-point selection), vertically across all tracks, and start editing that: adding intro, cutting out boring parts, bringing in other assets like a logo.
That's the essential effect I want, but would very much like it to be still referencing the Master. Then, when I improve the audio or color balance of the entire thing, or add more assets from people sending in their footage, I get the updated results in the Act 7 timeline as well, even though I've cut out or re-arranged sections and it's not a single unbroken match to the original 10-minute span.
In particular, my immediate concern is to make a rough draft of the Act 7 video, before going back to reduce noise and tweak the color.
What's the right way to do this?

like jim says, if you shrink or expand the edit in the nested sequence, it wont automatically shrink or expand the nest in the master timeline. you will have to adjust it manually. so if you cut out a speech, it wont automatically shrink or adjust the sequences on the master timeline.
Then what did he mean by “Any changes in the Nested Sequences will then be carried into your master sequence.”
What kind of changes, if not edits? I thought that meant the length of the nested clip will not change but its contents will, in the same way as a media file on the master timeline.
I think nobody is understanding what I asked. I'll clarify with an illustration:
Example for Planning Workflow
My Master Real-Time Timeline contains
⋯ blahblah ⋯ [1111112222333333444444555555] ⋯ blahblah ⋯
with several tracks.
Step 1: I want to copy the labeled range (between the [⋯]) to a new timeline, which I'll call Act7ver1. Then, I'll edit it
iii2223334444445ooo
(adding clips for intro and outtro, and cutting parts out of the original),
choose which tracks to switch between and what times,
add any effects.
If this were a nested timeline, it would show up the edited way in the Master as well. Not what I'm asking.
Step 2: Receive additional video clips and add them to the Master, and add a new audio track that cleans up the original audio.
Step 2b: Revisit Act7ver1. Master's changes to source clips would show up in any timeline that uses them, so copy/paste in step 1 would be fine. But adding new tracks that are aligned with the same time range? I'll want to use the new audio track, and decide if I want to cut in any of the new video angles.
Step 3: Copy the same labeled range(between the [⋯]) again to a new timeline, which for sake of the example I'll call Act7ver二.
It will contain the entire unchanged range, not the cut-up version from ver1.
I'll edit it differently, keeping more of the talking between the music, which are exactly those parts cut out of ver1.
Different intro, etc.
Step 4: Some time later, I'll copy a part of the range to a new project. Since this is a tutorial, I'll switch between the different mic, mix, and edited sound tracks to illustrate the difference. That is, all the tracks are available, not just the normal presentation copy used normally. I don't expect to be changing the original anymore, but I like to keep the option of having the various uses see the updated version or keep the original, which is a special case of seeing new tracks present and synced.
If I save over the source file, all uses see the new content.
If I "replace clip", and the replacement is not a complete length of the original (the audio is original is 97 minutes, but I only remix one 8 minute act) it won't line up. Putting the new mix on the Master Real-Time is my solution, especially in light of (4) showing the before/after as part of the script.
So ideally I want the "smart object" I pasted in the first place to see whatever is currently in the Master at the position it refers to, including tracks that were not present before.
Understanding thus far
Simply selecting the original range and turning it into a nested timeline will not do what I want. But, maybe a more advanced use of this feature? ⋯ later: Hmm, maybe it is? Editing the timeline selects pieces of the elements without modifying them. I see a new feature highlight discussing source-edit mode and acting like a copy/paste so all the tracks show up. But I don't know if this is indeed just a cut/paste or a smart object that still allows updates to the definition (of the timeline being nested) to show up in this usage. It sounds difficult to reconcile changes to what's on the various tracks. Anyone explored this new feature and have more than a superficial review posted? (What I've seen just shows that the tracks show up "like a copy/paste" but does not explore changing the referenced timeline or limitations of editing the "pasted" track’s content.)
Adding a track to the Master won't show up in the nested timelines, but there are not a lot of them so if it is straightforward to razor it at the matching places and pop them in explicitly, that's fine.
More Thoughts
What about a script that can generate a new timeline from a marked range, across all tracks that might be present? Then it can be re-run just as easily if the Master changes, and I don't need them to automatically follow any changes: I'll push changes explicitly.
The underlying issue is getting new content into the various projects, synced up at the proper position, even if I have to explicitly grab it while editing the project. The new track has to line up properly with the clips being used.
Ad Interim
For this current project in progress, I can add a dummy track for the future cleaned audio, and get it into the nested timelines from the start. Then saving over the file or a replace-clip can take care of it later.
Intended Workflow
I need to produce a passable first draft of each Act quickly.
Then, do further work on materials that are not necessarily neatly contained within each Act, but cross through them, and are not the exact same start-time and length as any existing clip. It seems natural to do this on a Master Real-Time timeline.
Easily incorporate the new or updated material into the Act timelines, and continue editing the Acts.
then later,
Use the material in other projects (a mundane use of nesting, esp. with the new feature, is fine here for normal uses. The aforementioned video documenting the different steps is a special case.

HT4847 how do i find out if i have the cloud on my itouch?

I droped my itouch in a lake I don't know if I have the coud how do I find out if I can retreive the pics?

IF you had backed up the ipod to icloud, you can use another new device and restore from the backup. That should return the pics in the camera roll.
http://support.apple.com/kb/HT1766?viewlocale=en_US&locale=en_US
Go to Settings>General>Reset and tap Erase All Content and Settings. This will erase your new device. Then you will go through the setup screens again as you did when your device is new, and when given the option, select Restore from iCloud Backup.

How do I find out if I have the plastic or the glass screen

I got my 4gb Iphone used off Craigslist and it was pretty much impeccable by the guy I purchased it from and He had it for I don't know how long.
I have the thing for a couple weeks and the bezel gets the **** scratched out of it, the aluminum back has some scratches, these don't bother me, but I dropped the phone once and get a hairline scratch on the screen about an inch long. It has this rainbow effect, it is kinda annoying, however I only really notice it in the dark on a white or light screen.
Is there anyway I can find out if I have the plastic screen versus the glass one?
And do you have any suggestions for maybe repairing the scratch?
It's shallow enough I think it could be fixed, maybe with the filler used for glasses or something.
And any suggestions for the bezel and aluminium scratches?

sampoop,
All iPhone models have glass displays. There never were plastics displays.
http://manuals.info.apple.com/enUS/iPhone_3G_Important_Product_InformationGuide.pdf
Hope this helps,
Raleigh

How do I fade out a soundtrack to the entire presentation?

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