How do I get blue/green screen option & split screen?

How do I get blue/green screen option & split screen?  On iMovie, these options were presented to me, whenever I dragged a clip over another clip already in timeline.  Where do I find these choices in Final Cut X ?  Also, on iMovie, to resume project production, I would then hit the "done" button -- Where do I find a button to finalize changes?  Also , where do I find the option of "precision editor" ?   Thanks

Green screen is done with the Keyer effect.
There is no Done except for transformations in the viewer.
Double click an edit point to open the Precision Editor.

Similar Messages

  • How to use blue/green screen?!

    HI
    I'm a new user to FCE so i maybe sound like a noob, but how do you use the methods of blue/green screen thing. !?
    thx

    "I understand from Wolsky's book that you really can't deal with HD green screen in Final Cut Express 3.5."
    Really? I said that? There is one particular problem with HD material in FCE in that that AIC color space is 4:2:0. There is no color smoothing filter for this. I believe Graeme Nattress has one for this. There is a color smoothing filter for DV NTSC standard definition, which is 4:1:1. DV PAL has the same problem BTW, as it's also 4:2:0.
    Aside from that the chromakeyer works decently with well shot material. For a really high quality key you should look to third party software.
    There is no difference between 3.5 and 4 in this regard.

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    Next week a number of us are demonstrating Blue/Green Screen filming and editing to members of our video club who are not familiar with the technique.
    Originally the person who thought up the idea intended to have 3 groups of people filming a 2 minute script on a "station platform" a la "Brief Encounter".
    So far, so good, but then the creator of the idea suggested we should shoot each scene with 2 or 3 cameras to make it look more professional.
    I don't like complications when the aim is to demonstrate a technique, but somebody has suggested there will be a further drawback.
    When we cut from one camera to another during editing, the angle of the "actors" will alter but the background will not!
    This will create the equivalent of a jump-cut.
    Has anyone done such a shoot, experienced this problem or found a (reasonably simple) solution?
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    Hi Ian
    You know me and my speculations (what You got without enough Know-How)
    But I would try to first apply Green-screen effect to one Camera angle
    at a time. Then I can get another background for Camera two etc.
    Then save these as QT full quality .mov (or rather back to Camera and new tape
    feel much safer this way) and re-import then and now prepare
    for multi angle cutting. (By putting one Camera on each track. Minimizing size
    to 25% and locate each to one separate corner)
    Now playback and I will in Canvas see all Cameras in each corner and can by using
    transparicy adjuts which one to be seen.
    Then as a last action - upscale all to 100%
    Done
    But as You see this is me just speculating. I fell for FC-Pro and the MultiCam
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    Yours babblingt Bengt W

  • If you haven't already, why not give "blue/green screen" a try?

    Legacy FCP and FCE could always do blue (or green) screen but FCP X makes it a real doddle to get a good key.
    For my test I simply used a very cheap blue bedsheet fastened to a wall and without more ado filmed myself babbling for a couple of minutes.
    The resulting clip was imported into FCP X and the Keying Filter was added.
    There are numerous adjustments you can make, but none of these was necessary as the result was automatically OK.
    Here are frame grabs showing the original bedsheet and the final result with a street scene superimposed.
    You can click the images to enlarge and examine the edges which look pretty clean........... especially considering the the lack of time and expense incurred!
    Obviously anybody can achieve the above results with no effort, so take a look at this short video from Vimeo showing how some of the special effects in "The Great Gatsby" were achieved.
    For a visual feast I suggest downloading it and playing on an HD TV.
    https://vimeo.com/68451324
    Now hasn't that pro clip inspired you to try blue/green screen  ...........  or maybe it's completely demoralised you? 

    Ian R. Brown wrote:
    just a few years ago, this would be the worst 'color key' ever!
    it is really impressive, how the automatics 'know' what is you, what is not.
    now, add aside you a trackermarker, and you can create pans, camera movement etc .....

  • When I watch a video I get a green screen. sound is ok

    I would like to know how to fix my 6 month old laptop. when I try to watch video I get a green screen
                                                      ​                                                  ​      [edited email by Moderator]
    This question was solved.
    View Solution.

    wildrosewins wrote:
    I would like to know how to fix my 6 month old laptop. when I try to watch video I get a green screen
    Hi,
    What is the Operating system of your computer ? Are you watchine ONLINE or OFFLINE ? And Please, edit your post: remove your email address.
    Regards.
    BH
    **Click the KUDOS thumb up on the left to say 'Thanks'**
    Make it easier for other people to find solutions by marking a Reply 'Accept as Solution' if it solves your problem.

  • Blue Green Screen Filter

    Hello
    I applied the blue green screen filter to my clip. I obviously did not have the subjects feet lit up enough and Im having trouble getting rid of the green around that area. Is their another filter that would help with that?
    Thank you.

    As Telly said:
    The Spill Suppression filter can be useful for excessive spill on the interior area of the matte. as the Enhance slider only works on spill around the edges.
    Just make sure it lies below the Chroma Keyer and above any Color Corrector you may have.

  • Blue/green screen garbage matte

    can I generate a garbage matte to crop images out of my chroma blue/green screen in fcp 3?
    powerbook g4, fcp 3, laCie 120g hd, laCie d2 dvd +- rw   Mac OS X (10.3.2)  

    i've a huge green screen to light.
    my subject takes up 10% of the screen.<
    then you're not doing this properly. Shoot your person close and scale them to fit your shot, don't shoot them wide.
    <div class="jive-quote">rather than light the entire screen i'd like to light around the subject (I will then see equipment/light stands, heads etc, in frame)< </div>
    You're not making much sense here.
    i'd like to generate a chroma key green matte over the objects i'd like to not see, (crop them out w/a green image) then key my backgd. image over the original & garbage matte image. < </div>
    Oh. Now I see. You don't want to change the color of the matte in the chromakeyer. You want a green matte slug to place over the video so you can chromakey it out.
    That's not how you do this stuff. Chromakeying is not rocket science but it's far more complicated than we c an explain in these little posties. You have a fundamental misunderstanding of the whole thing and, unfortunately, this isn't a film school. Unless someone has the time to walk you through chromakeying as a technique, this is where you come to find out how to use FCP. There are hundreds of informational chromakey articles all over the Internet on the topic. Start with google or your local library.
    bogiesan

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