How do I import hd 24p footage into premiere pro? Help please
How do I import hd 24p footage into premiere pro? Help please
instructions for importing/capturing footage:
"Capturing DV and HDV video"
"Importing with the Import commands"
"Importing with the Media Browser"
Since you're new to Premiere Pro, I recommend starting here:
FAQ: How do I learn Premiere Pro?
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How do I import an MKV file into Premiere Pro CS6?
How do I import an MKV file into Premiere Pro CS6?
Premiere Pro CS6 doesn't support MKV formats. To import MKV to Premiere Pro CS6, a recommended solution is to convert MKV to AVI.
I've been reading so many different forums on how to convert MKV to AVI. Finally, I summarised three solutions:
First one: HandBrake . This tool is a free and open-source multi-threaded transcoding app. It supports nearly any videos including MKV format and has Mac version and Windows version.
Cons:
1. HandBrake is too professional to handle for most people;
2. It doesn't support MOV as output format.
Second one: there are many third party software which supports converting MKV to AVI. I just test one of them. It's professional yet easy to use and the service is excellent. And there is a step by step guide about how to use this tool .
Cons:
1. Most of them are not free.
Third one: Online-Converter . This kind of converter does a great job on file conversion.
Cons:
1. Like most online converters, the free version of this tool only allows you to convert videos smaller than 100MB. It's too small for video conversion;
2.Your MKV video should be upload to the internet to be converted. This means the risk of pravite information leak is possible. -
How can I import MP3 audio files into premiere pro cs5?
Can any one help?
How can I import MP3 audio files into premiere pro cs5?It is really difficulty for me.If you still haven't found a satisfactory answer,please search it on google.Hope you can get your answer as soon as quickly!
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Importing HD (AVCHD) Footage into Premiere Pro CS3 (windows)
Hi guy's the question is pretty much in the title.
Is it possible to import HD (AVCHD) footage into Premiere (with or without aditional software)?
Thanks.What I can't figure out is why such a major format does not have native support in in Premiere CS3.
http://en.wikipedia.org/wiki/AVCHD
This is a format that has been adopted by Sony and Panasonic and is compatible with most blue-ray players and even the Play Station 3. So why would so many of the small software companies, in competition with Adobe, have recognized the importance of the format and come up with solutions to read and edit the format when Adobe has not?
http://kb.adobe.com/selfservice/viewContent.do?externalId=kb403297&sliceId=2
I've been coming back to Adobe's web site for months hoping to find they are working on a solution and I have found nothing. I have been a huge fan of Adobe software for years and have pumped many a pay check in keeping my Adobe software current, the most recent being the purchase of the CS3 Master Suite. I'm not trying to bash the company but Adobe if your listening I really want to know want to know what the real story is. This goes beyond the "we are just busy and will get to it when can" statements I have been seeing on the adobe sites. It looks to me as though some other deal has been made and Adobe does not want to talk about why they are not incorporating the AVCHD format into Premiere CS3. -
How do I import mp4 video files into Premiere Pro Cs4
For sometime now, I've been finding it practically impossible to import video files into premiere Pro cs4 especially mp4 files which happens to be the commonest to me now, as I currently shoot with a Nokia Lumia 920 phone with Windows phone 8 OS. I have tried severally to convert the videos into various other formats using Xilisoft video converter version 7.7.2 and each time I do this, they would either not play fine in cs4 or not import at all.
Please what can I do to be able to import these mp4 files into Cs4 or what format or how do I convert them into a format that would play seamlessly for better editing?
Funny enough, I had once imported video files that were shot with the same phone and they worked well, just wondering why they aren't now.
Please any assistance would be appreciated.
Thanks
NKCI'm happy to announce to you all that my "mp4 importing" issues has been sorted out. Now I import mp4 shot with the same Windows Phone 8 Device into Adobe Premiere Pro CS4. Only that for the moment, it doesn't play as fast as with ordinary player.
But how did I get it to work, you may wonder;
I simply installed Itunes on the system, I also installed an app called media monkey. I can't say which of the apps did the magic but the next time I tried to import mp4 files into Premiere Pro after these installations, it imported seamlessly.
Obviously there's a link between the required codecs and the itunes itself.
You may want to try it and hope it works for you.
Kindly inform us if it works.
Thank you all.
Cheers. -
Porblems importing Canon C300 footage into Premiere Pro CC 2014: only import 30 seconds
Hi! I'm having problems importing Canon C300 footage into Adobe Premiere Pro 2014. I'm taking the files directly from the media browser to I can only import the first 30 seconds of each clip.
Why can be that? Do I need a specific plugin?
Thaks for your help
Begoña
editorSince you did not perform the copy process yourself, my thinking is that maybe something went wrong when it was done. Far too many people don't understand or follow the process that works.
My recommendation would be to get your hands on the cards and do it again, making sure to use only Explorer or Finder for the task. -
I cannot figure out how to edit my h.264 footage in Premiere Pro. Please help.
I have been trying to import AVI video into Premiere pro CS5. I have a new Dell Laptop with Windows 7. Every time I try to import the video into Premiere it only shows up as audio files. However, Windows Media Player plays the files just fine. I've tryed converting the files with Media Encoder but that sees the files as only audio files as well. I've used the G Spot program and it tells me that the Codec is the H264 codec and that the name is H.264/MPEG-4 AVC. It also tells me that the codec is already installed on my computer.
I've had problems trying to edit h.264 stuff for longer than I'd care to admit and I just want to figure it out once and for all. Any help would be greatly appreciated.
Thanks.Read the 2nd post for NEW ITEM pointer http://forums.adobe.com/thread/770072?tstart=0 and follow the instructions, to let PPro analyze the file for you
This is not going to help in the OP's circumstance; if the video doesn't play in Premiere, it's not going to magically start playing once dropped on the New Item button. That sets up a sequence with parameters that match the footage (is that what you mean by letting "PPro analyze the file?"), but Premiere is pretty black-or-white when it comes to format/codec support--it plays everywhere or it doesn't play at all.
If that were not true, DV footage would have to be edited only in a DV sequence, and AVCHD only in an AVCHD sequence. Of couse, that's not the case--sequences are format-agnostic. -
How do I ingest Sony FS7 footage into Premiere Pro?
Hi! I was told the Sony FS7 footage can natively ingest into Premiere. But my footage is crashing every time I try to import. Any ideas?
Perhaps depends on the camera. I've ,,, in my little experience ... come across some that was. Don't remember which brand/camera was used ... but it was a total stopper. It was the first AVCHD I'd worked with, and I copied (as is not uncommon for the uninitiated) the folders that seemed to have actual video content. Finally got VLC to play it from my computer, but it was only video ... so after a bit of learning over the net, figured out the error of my ways. Sure enough, soon as I added the folder that seemed to have something odd in it but not video ... I had sound. And from the things I've seen around here with the problems of those that have trouble with sound in AVCHD (among other things) ... perhaps I'd just assumed the same thing applied universally.
I've done only a little AVCHD with my GH3, just enough to test out the comments from others that the AVCHD was noisier than the MOV files ... which, yes, they are. Not terribly, but ... MOV is simpler to work with, why shoot a noisier codec?
Neil -
How Do you import C100 footage into Premiere Pro CC
I just tried importing Canon C100 footage into Premiere Pro CC, but get no sound. I'm not sure what I'm doing wrong and I pray I don't have to convert this footage before bringing it in. Is there a workflow anyone can recommend? Do I have to convert the footage first? Thanks, Lucian
Lucian,
PrPro should work natively with the Canon C100 footage ... it works with almost everything out there. And with the C100 shooting MP-4, AVCHD, & H.264, those are all handled easily by PrPro.
My question ... I would surmise (from what little info you include) you are shooting AVCHD? The reason I say this is that format splits audio & video into different files ... so it's a bit trickier to "import" than others that have the a & v in one file. Make sure you copied the whole top-leveL FOLDER and all sub-folders (not just the footage or contents of a folder) from the cam/card into the computer for AVCHD ... and then when you import into a project via the media browser your audio & video should be all connected by PrPro.
There have been numerous threads here where AVCHD users have "lost" their audio, only to find they'd simply left it behind by NOT copying all the folders & subfolders their camera had created. -
Importing DVC PRO 50 footage into Premiere Pro
I recently imported some DVC PRO 50 footage into Premiere Pro. I used a rented DVC PRO 50 deck via firewire 400. The footage came in at 480 x 720. Is this the actual resolution of that format or is it the default setting in the Premiere Pro import module? A few months ago, I imported some HD footage from a tape format using the videographer's camera via Firewire. It also came in at 720 even though it was supposed to be 1080 footage. Is there a way to set a target resolution in the PP import module before importing? Or does it bring in whatever resolution the source has?
DVCPRO50 is standard definition footage at 50Mbps. So 720x480 is correct.
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How Best to Import iPhone 4 video into Premier Pro CS5 - Settings for new import "sequence preset"?
Shooting video with my iPhone 4 (ATT version) and am trying to import file into Premiere Pro CS5 (5.0.3) running on Macintosh OS 10.6.6.
The problem is that I am simply guessing on how to import sequence, and the result is that I am getting motion artifacts and generally inferior quality. I am using iMovie 11 as my basis for comparison. Not surprisingly, iMovie 11 imports from iPhone beautifully, but when I've looked around inside of it for properties, there isn't much to see.
From using Apple's built in quicktime "inspector," it is possible to see that iPhone4 video has following properties:
".mov" file
dimensions: 1280 x 720
codecs: H.264, AAC
Color Profile: HD (1-1-1)
Audio Channels: 1
Total Bit Rate: 10,543
PPRO - PRESET DESCRIPTION:
<my comments in angle brackets>
???? = Question
General
Editing mode: DSLR < Correct? Best i could do, perhaps it should be "Mobile Device" perhaps it doesn't matter>
Timebase: 29.97fps
Video Settings
Frame size: 1280h 720v (1.0000) <from apple quicktime "inpector" window >
Frame rate: 29.97 frames/second <from apple quicktime "inpector" window >
Pixel Aspect Ratio: ????
Fields: N????
Audio Settings
Sample rate: ?????
Default Sequence
Total video tracks: 3
Master track type: Stereo
Mono tracks: 0
Stereo tracks: 3
5.1 tracks: 0
Submix mono tracks: 0
Submix stereo tracks: 0
Submix 5.1 tracks: 0
Seeking advice on how to smoothly and *losslessly* import/ingest iphone4 footage into PPro CS5. (I am not worried about exporting for iPhone display, which is what most of the information I can find relates to).
Thanks in advance, MichaelWow. Thanks Colin.
When I follow your approach, I don't get the same "sequence preset" dialog box popping up.
FU question, though, the motion is frequently jagged. Is there a way to smooth out/increase the quality of the rendering? I have 16gb ram, Mac Pro. which is able to handle iPhone video rending fine in quicktime. (I've tried rendering for "performance" and "memory" but both seem to produce, eh results.).
Michael -
Importing IMX50 footage into Premiere Pro CS5.5
Hi,
I've been trying to import a Final Cut 6 project into Premiere Pro CS 5.5 without any success. The footage is originally imx 50 codec. I do an xml import and I get a error message saying it cant read the .mov codec. It can see the sequence but can't associate any of the footage to it. I also tried transcoding the FCP sequnce to prores and then doing an xml export but with exactly the same result! Can anybody help?Hi Colin,
Here's the analyis you were looking for. I'll run those other test today and see what happens.
MEDIA INFO ANALYSIS begins:
General
Complete name : D:\Video Editing\Video Projects\RnR Rushes\RNR SERIES 16 EP 21 PRO RES\SCENES 17-21\radharc 2317 master tk2.mov
Format : MPEG-4
Format profile : QuickTime
Codec ID : qt
File size : 389 MiB
Duration : 50s 960ms
Overall bit rate mode : Variable
Overall bit rate : 64.0 Mbps
Encoded date : UTC 2011-10-12 11:17:39
Tagged date : UTC 2011-10-12 21:28:46
Writing library : Apple QuickTime
Original source medium : 001
©TSC : 25
©TSZ : 1
Video
ID : 1
Format : ProRes
Format profile : High
Codec ID : apch
Duration : 50s 960ms
Bit rate mode : Variable
Bit rate : 62.5 Mbps
Width : 720 pixels
Height : 576 pixels
Display aspect ratio : 5:4
Frame rate mode : Constant
Frame rate : 25.000 fps
Standard : PAL
Color space : YUV
Chroma subsampling : 4:2:2
Scan type : Interlaced
Scan order : Top Field First
Bits/(Pixel*Frame) : 6.026
Stream size : 380 MiB (98%)
Language : English
Encoded date : UTC 2011-10-12 11:17:39
Tagged date : UTC 2011-10-12 11:18:10
Audio
ID : 2
Format : PCM
Format settings, Endianness : Little
Format settings, Sign : Signed
Codec ID : sowt
Duration : 50s 960ms
Bit rate mode : Constant
Bit rate : 1 536 Kbps
Channel(s) : 2 channels
Sampling rate : 48.0 KHz
Bit depth : 16 bits
Stream size : 9.33 MiB (2%)
Language : English
Encoded date : UTC 2011-10-12 11:17:39
Tagged date : UTC 2011-10-12 11:18:10
Menu
ID : 3
Duration : 50s 960ms
Language : English
Encoded date : UTC 2011-10-12 11:18:10
Tagged date : UTC 2011-10-12 11:18:10
General
Complete name : D:\Video Editing\Video Projects\RnR Rushes\RNR SERIES 16 EP 21 PRO RES\SCENES 17-21\radharc 2317 pu1 tk1.mov
File size : 27.6 MiB
General
Complete name : D:\Video Editing\Video Projects\RnR Rushes\RNR SERIES 16 EP 21 PRO RES\SCENES 17-21\radharc 2319 master tk2
Format : MPEG-4
Format profile : QuickTime
Codec ID : qt
File size : 2.00 GiB
Duration : 7mn 13s
Overall bit rate mode : Variable
Overall bit rate : 39.6 Mbps
Encoded date : UTC 2011-10-12 11:23:04
Tagged date : UTC 2011-10-12 11:27:39
Writing library : Apple QuickTime
Original source medium : 02319
Media/UUID : 2EA70F55-C743-4789-ADBF-AA22D4838336
Media/History/UUID : 13421430-7675-40B8-B283-EBA8CAE840C2
Video
ID : 1
Format : ProRes
Format profile : High
Codec ID : apch
Duration : 7mn 13s
Bit rate mode : Variable
Bit rate : 62.4 Mbps
Width : 720 pixels
Height : 576 pixels
Display aspect ratio : 5:4
Frame rate mode : Constant
Frame rate : 25.000 fps
Standard : PAL
Color space : YUV
Chroma subsampling : 4:2:2
Scan type : Interlaced
Scan order : Top Field First
Bits/(Pixel*Frame) : 6.014
Stream size : 3.15 GiB
Language : English
Encoded date : UTC 2011-10-12 11:23:04
Tagged date : UTC 2011-10-12 11:27:39
Source : SCENES 17-21\radharc 2319 master tk2-av.mov1
Source_Info : Missing
Audio
ID : 2
Format : PCM
Format settings, Endianness : Little
Format settings, Sign : Signed
Codec ID : sowt
Duration : 7mn 13s
Bit rate mode : Constant
Bit rate : 1 536 Kbps
Channel(s) : 2 channels
Sampling rate : 48.0 KHz
Bit depth : 16 bits
Stream size : 79.4 MiB (4%)
Language : English
Encoded date : UTC 2011-10-12 11:23:04
Tagged date : UTC 2011-10-12 11:27:39
Source : SCENES 17-21\radharc 2319 master tk2-av.mov1
Source_Info : Missing
Menu
ID : 3
Duration : 7mn 13s
Language : English
Encoded date : UTC 2011-10-12 11:27:39
Tagged date : UTC 2011-10-12 11:27:39
General
Complete name : D:\Video Editing\Video Projects\RnR Rushes\RNR SERIES 16 EP 21 PRO RES\SCENES 17-21\radharc 2319 pu1 tk1
Format : MPEG-4
Format profile : QuickTime
Codec ID : qt
File size : 1.32 GiB
Duration : 2mn 55s
Overall bit rate mode : Variable
Overall bit rate : 64.6 Mbps
Encoded date : UTC 2011-10-12 11:27:39
Tagged date : UTC 2011-10-12 11:29:31
Writing library : Apple QuickTime
Original source medium : 001
Media/UUID : C0F8E421-089F-4DF8-84FD-C3282A9D7550
Media/History/UUID : 74A70F26-2E2B-42FF-8FAF-12AD13F96E6E
Video
ID : 1
Format : ProRes
Format profile : High
Codec ID : apch
Duration : 2mn 55s
Bit rate mode : Variable
Bit rate : 63.0 Mbps
Width : 720 pixels
Height : 576 pixels
Display aspect ratio : 5:4
Frame rate mode : Constant
Frame rate : 25.000 fps
Standard : PAL
Color space : YUV
Chroma subsampling : 4:2:2
Scan type : Interlaced
Scan order : Top Field First
Bits/(Pixel*Frame) : 6.080
Stream size : 1.29 GiB (98%)
Language : English
Encoded date : UTC 2011-10-12 11:27:39
Tagged date : UTC 2011-10-12 11:29:31
Audio
ID : 2
Format : PCM
Format settings, Endianness : Little
Format settings, Sign : Signed
Codec ID : sowt
Duration : 2mn 55s
Bit rate mode : Constant
Bit rate : 1 536 Kbps
Channel(s) : 2 channels
Sampling rate : 48.0 KHz
Bit depth : 16 bits
Stream size : 32.1 MiB (2%)
Language : English
Encoded date : UTC 2011-10-12 11:27:39
Tagged date : UTC 2011-10-12 11:29:31
Menu
ID : 3
Duration : 2mn 55s
Language : English
Encoded date : UTC 2011-10-12 11:29:31
Tagged date : UTC 2011-10-12 11:29:31
General
Complete name : D:\Video Editing\Video Projects\RnR Rushes\RNR SERIES 16 EP 21 PRO RES\SCENES 17-21\radharc 2320 pu1 tk1
Format : MPEG-4
Format profile : QuickTime
Codec ID : qt
File size : 1.64 GiB
Duration : 3mn 45s
Overall bit rate mode : Variable
Overall bit rate : 62.2 Mbps
Encoded date : UTC 2011-10-12 11:29:31
Tagged date : UTC 2011-10-12 11:31:52
Writing library : Apple QuickTime
Original source medium : 26
Media/UUID : 4E246055-0EF9-48C7-8A35-2364AD090B75
Media/History/UUID : A8DBFD8F-7069-44AC-8378-033005B0A581
Video
ID : 1
Format : ProRes
Format profile : High
Codec ID : apch
Duration : 3mn 45s
Bit rate mode : Variable
Bit rate : 60.7 Mbps
Width : 720 pixels
Height : 576 pixels
Display aspect ratio : 5:4
Frame rate mode : Constant
Frame rate : 25.000 fps
Standard : PAL
Color space : YUV
Chroma subsampling : 4:2:2
Scan type : Interlaced
Scan order : Top Field First
Bits/(Pixel*Frame) : 5.852
Stream size : 1.60 GiB (98%)
Language : English
Encoded date : UTC 2011-10-12 11:29:31
Tagged date : UTC 2011-10-12 11:31:52
Audio
ID : 2
Format : PCM
Format settings, Endianness : Little
Format settings, Sign : Signed
Codec ID : sowt
Duration : 3mn 45s
Bit rate mode : Constant
Bit rate : 1 536 Kbps
Channel(s) : 2 channels
Sampling rate : 48.0 KHz
Bit depth : 16 bits
Stream size : 41.4 MiB (2%)
Language : English
Encoded date : UTC 2011-10-12 11:29:31
Tagged date : UTC 2011-10-12 11:31:52
Menu
ID : 3
Duration : 3mn 45s
Language : English
Encoded date : UTC 2011-10-12 11:31:52
Tagged date : UTC 2011-10-12 11:31:52
General
Complete name : D:\Video Editing\Video Projects\RnR Rushes\RNR SERIES 16 EP 21 PRO RES\SCENES 17-21\radharc 2320 pu1 tk2
Format : MPEG-4
Format profile : QuickTime
Codec ID : qt
File size : 186 MiB
Duration : 25s 120ms
Overall bit rate mode : Variable
Overall bit rate : 62.2 Mbps
Encoded date : UTC 2011-10-12 11:31:52
Tagged date : UTC 2011-10-12 11:32:07
Writing library : Apple QuickTime
Original source medium : 001
Media/UUID : CD6679BE-8909-4A1E-91D6-30ACB7D0787B
Media/History/UUID : 2ED88EE8-565C-4AD9-8C49-22E7361338AB
Video
ID : 1
Format : ProRes
Format profile : High
Codec ID : apch
Duration : 25s 120ms
Bit rate mode : Variable
Bit rate : 60.6 Mbps
Width : 720 pixels
Height : 576 pixels
Display aspect ratio : 5:4
Frame rate mode : Constant
Frame rate : 25.000 fps
Standard : PAL
Color space : YUV
Chroma subsampling : 4:2:2
Scan type : Interlaced
Scan order : Top Field First
Bits/(Pixel*Frame) : 5.848
Stream size : 182 MiB (98%)
Language : English
Encoded date : UTC 2011-10-12 11:31:52
Tagged date : UTC 2011-10-12 11:32:07
Audio
ID : 2
Format : PCM
Format settings, Endianness : Little
Format settings, Sign : Signed
Codec ID : sowt
Duration : 25s 120ms
Bit rate mode : Constant
Bit rate : 1 536 Kbps
Channel(s) : 2 channels
Sampling rate : 48.0 KHz
Bit depth : 16 bits
Stream size : 4.60 MiB (2%)
Language : English
Encoded date : UTC 2011-10-12 11:31:52
Tagged date : UTC 2011-10-12 11:32:07
Menu
ID : 3
Duration : 25s 120ms
Language : English
Encoded date : UTC 2011-10-12 11:32:07
Tagged date : UTC 2011-10-12 11:32:07
General
Complete name : D:\Video Editing\Video Projects\RnR Rushes\RNR SERIES 16 EP 21 PRO RES\SCENES 17-21\radharc 2321 pu1 tk1
Format : MPEG-4
Format profile : QuickTime
Codec ID : qt
File size : 1.02 GiB
Duration : 2mn 12s
Overall bit rate mode : Variable
Overall bit rate : 66.1 Mbps
Encoded date : UTC 2011-10-12 11:32:07
Tagged date : UTC 2011-10-12 11:33:33
Writing library : Apple QuickTime
Original source medium : 001
Media/UUID : 388B8B8B-1D1E-41DA-925A-EE667EA4BB62
Media/History/UUID : 13755F55-1589-4033-8411-90D565DE4F17
Video
ID : 1
Format : ProRes
Format profile : High
Codec ID : apch
Duration : 2mn 12s
Bit rate mode : Variable
Bit rate : 64.5 Mbps
Width : 720 pixels
Height : 576 pixels
Display aspect ratio : 5:4
Frame rate mode : Constant
Frame rate : 25.000 fps
Standard : PAL
Color space : YUV
Chroma subsampling : 4:2:2
Scan type : Interlaced
Scan order : Top Field First
Bits/(Pixel*Frame) : 6.225
Stream size : 1 021 MiB (98%)
Language : English
Encoded date : UTC 2011-10-12 11:32:07
Tagged date : UTC 2011-10-12 11:33:33
Audio
ID : 2
Format : PCM
Format settings, Endianness : Little
Format settings, Sign : Signed
Codec ID : sowt
Duration : 2mn 12s
Bit rate mode : Constant
Bit rate : 1 536 Kbps
Channel(s) : 2 channels
Sampling rate : 48.0 KHz
Bit depth : 16 bits
Stream size : 24.3 MiB (2%)
Language : English
Encoded date : UTC 2011-10-12 11:32:07
Tagged date : UTC 2011-10-12 11:33:33
Menu
ID : 3
Duration : 2mn 12s
Language : English
Encoded date : UTC 2011-10-12 11:33:33
Tagged date : UTC 2011-10-12 11:33:33
General
Complete name : D:\Video Editing\Video Projects\RnR Rushes\RNR SERIES 16 EP 21 PRO RES\SCENES 17-21\radharc 2321 pu2 cam2 tk1
Format : MPEG-4
Format profile : QuickTime
Codec ID : qt
File size : 262 MiB
Duration : 35s 720ms
Overall bit rate mode : Variable
Overall bit rate : 61.6 Mbps
Encoded date : UTC 2011-10-12 11:33:33
Tagged date : UTC 2011-10-12 11:33:55
Writing library : Apple QuickTime
Original source medium : 001
Media/UUID : 0BA3D2D7-2464-4BB6-92BB-54560243ECB9
Media/History/UUID : 7FD2FBCF-C17F-42AE-BF5D-90F1805E5DE6
Video
ID : 1
Format : ProRes
Format profile : High
Codec ID : apch
Duration : 35s 720ms
Bit rate mode : Variable
Bit rate : 60.0 Mbps
Width : 720 pixels
Height : 576 pixels
Display aspect ratio : 5:4
Frame rate mode : Constant
Frame rate : 25.000 fps
Standard : PAL
Color space : YUV
Chroma subsampling : 4:2:2
Scan type : Interlaced
Scan order : Top Field First
Bits/(Pixel*Frame) : 5.790
Stream size : 256 MiB (97%)
Language : English
Encoded date : UTC 2011-10-12 11:33:33
Tagged date : UTC 2011-10-12 11:33:55
Audio
ID : 2
Format : PCM
Format settings, Endianness : Little
Format settings, Sign : Signed
Codec ID : sowt
Duration : 35s 720ms
Bit rate mode : Constant
Bit rate : 1 536 Kbps
Channel(s) : 2 channels
Sampling rate : 48.0 KHz
Bit depth : 16 bits
Stream size : 6.54 MiB (2%)
Language : English
Encoded date : UTC 2011-10-12 11:33:33
Tagged date : UTC 2011-10-12 11:33:55
Menu
ID : 3
Duration : 35s 720ms
Language : English
Encoded date : UTC 2011-10-12 11:33:55
Tagged date : UTC 2011-10-12 11:33:55
General
Complete name : D:\Video Editing\Video Projects\RnR Rushes\RNR SERIES 16 EP 21 PRO RES\SCENES 17-21\radharc 2321 pu2 tk1
Format : MPEG-4
Format profile : QuickTime
Codec ID : qt
File size : 1.27 GiB
Duration : 2mn 50s
Overall bit rate mode : Variable
Overall bit rate : 64.0 Mbps
Encoded date : UTC 2011-10-12 11:33:55
Tagged date : UTC 2011-10-12 11:35:43
Writing library : Apple QuickTime
Original source medium : 001
Media/UUID : C138D770-ED74-4FEA-865D-681D34ABAE7D
Media/History/UUID : CA3A07FF-5DEE-4C3E-96B4-0BCD1EE5633E
Video
ID : 1
Format : ProRes
Format profile : High
Codec ID : apch
Duration : 2mn 50s
Bit rate mode : Variable
Bit rate : 62.4 Mbps
Width : 720 pixels
Height : 576 pixels
Display aspect ratio : 5:4
Frame rate mode : Constant
Frame rate : 25.000 fps
Standard : PAL
Color space : YUV
Chroma subsampling : 4:2:2
Scan type : Interlaced
Scan order : Top Field First
Bits/(Pixel*Frame) : 6.019
Stream size : 1.24 GiB (98%)
Language : English
Encoded date : UTC 2011-10-12 11:33:55
Tagged date : UTC 2011-10-12 11:35:43
Audio
ID : 2
Format : PCM
Format settings, Endianness : Little
Format settings, Sign : Signed
Codec ID : sowt
Duration : 2mn 50s
Bit rate mode : Constant
Bit rate : 1 536 Kbps
Channel(s) : 2 channels
Sampling rate : 48.0 KHz
Bit depth : 16 bits
Stream size : 31.1 MiB (2%)
Language : English
Encoded date : UTC 2011-10-12 11:33:55
Tagged date : UTC 2011-10-12 11:35:43
Menu
ID : 3
Duration : 2mn 50s
Language : English
Encoded date : UTC 2011-10-12 11:35:43
Tagged date : UTC 2011-10-12 11:35:43
General
Complete name : D:\Video Editing\Video Projects\RnR Rushes\RNR SERIES 16 EP 21 PRO RES\SCENES 17-21\radharc 2321 tk3
Format : MPEG-4
Format profile : QuickTime
Codec ID : qt
File size : 526 MiB
Duration : 1mn 8s
Overall bit rate mode : Variable
Overall bit rate : 64.2 Mbps
Encoded date : UTC 2011-10-12 11:35:43
Tagged date : UTC 2011-10-12 11:36:27
Writing library : Apple QuickTime
Original source medium : 001
Media/UUID : 8FF7D341-111A-4535-AAB3-36F641389640
Media/History/UUID : AE250985-6D04-4D27-B1C8-8D590F8AB65B
Video
ID : 1
Format : ProRes
Format profile : High
Codec ID : apch
Duration : 1mn 8s
Bit rate mode : Variable
Bit rate : 62.6 Mbps
Width : 720 pixels
Height : 576 pixels
Display aspect ratio : 5:4
Frame rate mode : Constant
Frame rate : 25.000 fps
Standard : PAL
Color space : YUV
Chroma subsampling : 4:2:2
Scan type : Interlaced
Scan order : Top Field First
Bits/(Pixel*Frame) : 6.039
Stream size : 513 MiB (98%)
Language : English
Encoded date : UTC 2011-10-12 11:35:43
Tagged date : UTC 2011-10-12 11:36:27
Audio
ID : 2
Format : PCM
Format settings, Endianness : Little
Format settings, Sign : Signed
Codec ID : sowt
Duration : 1mn 8s
Bit rate mode : Constant
Bit rate : 1 536 Kbps
Channel(s) : 2 channels
Sampling rate : 48.0 KHz
Bit depth : 16 bits
Stream size : 12.6 MiB (2%)
Language : English
Encoded date : UTC 2011-10-12 11:35:43
Tagged date : UTC 2011-10-12 11:36:27
Menu
ID : 3
Duration : 1mn 8s
Language : English
Encoded date : UTC 2011-10-12 11:36:27
Tagged date : UTC 2011-10-12 11:36:27
General
Complete name : D:\Video Editing\Video Projects\RnR Rushes\RNR SERIES 16 EP 21 PRO RES\SCENES 17-21\radharc 2321 tk4
Format : MPEG-4
Format profile : QuickTime
Codec ID : qt
File size : 1.39 GiB
Duration : 3mn 7s
Overall bit rate mode : Variable
Overall bit rate : 63.6 Mbps
Encoded date : UTC 2011-10-12 11:36:27
Tagged date : UTC 2011-10-12 11:38:24
Writing library : Apple QuickTime
Original source medium : 001
Media/UUID : 250A8C23-93E8-4FD5-B529-19095DA598DA
Media/History/UUID : 06CF860D-F780-4876-A302-03AB6B1C851E
Video
ID : 1
Format : ProRes
Format profile : High
Codec ID : apch
Duration : 3mn 7s
Bit rate mode : Variable
Bit rate : 62.0 Mbps
Width : 720 pixels
Height : 576 pixels
Display aspect ratio : 5:4
Frame rate mode : Constant
Frame rate : 25.000 fps
Standard : PAL
Color space : YUV
Chroma subsampling : 4:2:2
Scan type : Interlaced
Scan order : Top Field First
Bits/(Pixel*Frame) : 5.981
Stream size : 1.35 GiB (98%)
Language : English
Encoded date : UTC 2011-10-12 11:36:27
Tagged date : UTC 2011-10-12 11:38:24
Audio
ID : 2
Format : PCM
Format settings, Endianness : Little
Format settings, Sign : Signed
Codec ID : sowt
Duration : 3mn 7s
Bit rate mode : Constant
Bit rate : 1 536 Kbps
Channel(s) : 2 channels
Sampling rate : 48.0 KHz
Bit depth : 16 bits
Stream size : 34.3 MiB (2%)
Language : English
Encoded date : UTC 2011-10-12 11:36:27
Tagged date : UTC 2011-10-12 11:38:24
Menu
ID : 3
Duration : 3mn 7s
Language : English
Encoded date : UTC 2011-10-12 11:38:24
Tagged date : UTC 2011-10-12 11:38:24 -
Issue with importing H.264 files into Premiere Pro CS6
I have some AVI files that will not import into Premiere Pro CS6 (not trial version). The Gspot utility says they are H.264/MPEG-4 AVC format and that the codec is installed. I can see and play the files in Bridge but when I try to import it says “Unsupported format or damaged file”. I tried importing in CS5.5 and the file imported, however only the audio plays. Why is this happening and how can I import these files?
Premiere does not support H.264 in an avi.
You need to convert first.
See post 3: Can't get PPro to accept video file. -
Importing .mts AVCHD files into Premiere Pro CS5.5: can it be done?
Is it possible to import .mts files from a memory card into Premiere Pro? Whenever I try to, I get a message that reads "Codec not supported".
My camera is a Sony Alpha A55, and this worked perfectly well in Final Cut Pro X.I am not using the Sony Alpha A55 which might use a different codec than my other Sony's (CX-550V and HX5V) BUT I am using PP on an iMac. For different reasons (one of which being that I already used this approach with FCE), I am converting my raw mts files into mov files using ClipWrap ($50, very fast, they have a trial version for download). This has many advantages:
- the footage is UNTOUCHED. It is just put into a different container.
- the mov files are WATCHABLE in the Finder (and everywhere else, including PP).
- the mts files can be dragged and dropped (without bothering about the folder structure) directly into ClipWrap (or first on your HD if you want).
This being said, my experience is that even those files are too much for my (I thought) powerful iMac to scrub through once basic editing has started. So I resorted to transcoding to proxy mpeg2 intermediate files (so that I don't fill up my HD too quickly) and only before exporting my sequence, replace the proxy footage by the original (well converted) mov files. I am still working out the ideal workflow...
Try the ClipWrap demo to see if the codec is supported. If not, they are a very responsive company and will most likely update their software rapidly (for free).
HTH.
PS: I paid for my software, so I am just a satisfied customer reporting on the product. -
CANNOT IMPORT FCP .XML FILE INTO PREMIERE PRO CS5
Hi,
Camera used:-Sony Pmw Ex3
Footage :- XDCAM sp(1440 * 1080i) PAL
Edited in :-final cut pro 7
Error :- failed to import .xml file into premiere pro cs5
I tried to import the .xml file into premiere CS5 ,it asked for the media files to relink .whn i linked the .mp4 files it showed the error messege "The selected file cannot be linked becouse it has 2 audio channel(s) and the clip was created with 1 audio channel(s).
then i tried to relink the .mov instead of .mp4 file (which i used in final cut pro on apple machine)i got the error "Codec missing or unavailable"
what should i do???..i almost done all the editing in final cut pro and i bought the adobe coz i thought i can finish all the pending FCP projects in Premier Pro..??What is the CODEC in your MOV file(s)? MOV is but a "wrapper," like AVI. This ARTICLE will give you some background. It could be that you just need the proper CODEC, or it could be that it is a Mac-only CODEC, and then you will need for the producer to Export in another CODEC, that is PC-compatible.
This ARTICLE will give you some background on CODEC's, in general.
Good luck,
Hunt
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