How do I join 2 clips in the timeline so that they "snap" together?

This is probably a very, very simple answer, but I cannot get it to work right. Here's my situation.
I trimmed a clip. So now there is a gaping hole in my timeline. Sure, I could drag the other after it until it matches up and plays continously with the one previous. However, I divided my clip into multiple clips and if that were the only solution I would have to drag the following to the one before it....for each one!
So I guess my question is 2-fold. How do I select multiple clips (everything after the cut?)...and then make them match up to the clip before the "gaping hole", so that there is not just blank footage for a couple seconds?
Thanks in advance.

Thanks Joost!! It was driving me nuts! And it makes me feel a little better that Manuel was stumped also
You guys hit the nail on the head. With the integration with Premeire now, I have already heard some people switch from Resolve and start using Speedgrade. Now if only the mask issues can be addressed
For what it's worth I may have beaten you to it (sort of). Look on YouTube for Speedgrade CC quick guide and zombie (don't ask, you'll see)
That said, I'd love to see what you come out with, and apparently it's time for me to come out with a "part 2". Thanks again!!

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    I cannot seem to effectively link my clips together in the timeline and it is causing me multiple problems. First of all, when I want to move a clip from one place to another, the other clips after it are not moving forward to close the gap. I tried grouping the whole lot of clips together but then I cannot move individual clips without ungrouping them. Other problems are occuring as I try to solve this problem; the audio seems to have separated from the video so that if I do move a clip, the associated audio isn't going with it. It's frustrating. Someone can help with this easy problem surely. I've only just started using Premiere CS6 so I am a novice.

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    Learn Premiere Pro CS6 | Adobe TV 

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  • How do I select multiple clips in the timeline!?

    Ok, not quite as simple as the subject! This is what I want to do:
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  • IMovie How do you join video clips that have been split

    In Imovie project, How do I join video clips that been split

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  • How do I select all instances of a clip in the timeline at once without manually shift clicking each instance?

    Title says it all!
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    Hi denniscallan,
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  • How do I see every frame of a clip on the timeline in Premier ?

    There are of course times when I need to see every frame of a clip to synchronize two clips. Imagine for example that you have a two camera shoot and both cameras were looking at a clapstick, or at a strobe. I want to put both clips on the timeline and zoom in to see every frame. Now I can align the two clips fo that one specific frame of each clip is over/under each other. However, when I have zoomed into the timeline it seems I can never zoom quite enough to see every frame What do I do to be able to zoome all the way in to the timeline so I can see every frame of the clips ? I haven't actually tried this yet with CC, but did with CS6 and it wouldn't do it.

    I'm not knocking the idea of using the program monitor to place markers on sync points and using that to synchronize clips. It should be a very good solution.
    What I am saying is that there are times when it would be advantageous to be able to see every frame of multiple clips on the timeline. When i first tried to do that I zoomed in and it looked as if it would display all the frames. I was dissappointed to find it wouldn't. As an editor who has done a lot of resynchronizing multiple camera shoots where there is no intentional visual sync cue, i can tell you it can be a big help to be able to see the frames as if we had a strip of film on each timeline. Sometimes we need to see several frames of each clip at the same time to make a decision about which frame represents the sync point, or to make the quickest possible decision about where to start and end a dissolve, or to chose which camera to use. In a scene shot with only one camera, there is no actual sync point. The action may have progressed slightly differently between shots. Being able to see 10 or 15 frames from each shot can help to make the quickest decision about how to line up the shots and where to do the transition. Would anyone out there say it would be a bad thing if Premier Pro could display every frame when we zoom all the way in ? It seems to me that it could only help. So i request Adobe consider it as a possible future improvement.
    Here is an example, the last time i tried to see every frame in Premier. I had a scene I used Maya to create, series of Tiffs. This scene shows an object appearing as if arriving through a time or dimensional portal. The scene includes plasma popping and flashing. There are two different shots of the same moment in time. The shots are frame numbered. So if I could see the frame numbers from the original tiffs on the timeline I could align the shots that way. But of course I lose the frame numbers. The overall scene is too long, and rendering time too long, especially for 3-D 1080, to render each shot from the beginning of the scene, which would make synchronizing very easy. So i needed to sync to the flashing plasma in the scene. I though I had the shots lined up using a flash. It turned out they were not the same flash. So if i did a slow dissolve between shots, the flashes form each shot would not line up in time. What I needed to do is line up several flashes happening over a couple of seconds, so I coud verify the flashes were the same flashes. There are different numbers of frames between each flash, so if I got three to line up they would have to be the same flashes. I spent a lot of time trying to get these shots lined up. If I could zoom into the time line and see evry frame I could synchronize several clips by lining up the flashes, in just a couple of minutes. To do this with markers, marking say five flashes from each of four shots, it would take several minutes to do it before being ready to do the synchronizing. It's a workable solution, but is not ideal, a compromise.

  • How do you move a sound clip in the timeline?

    I have not had this problem before. I have put many songs into the timeline, and repositioned them. Today I pulled up a project and attempted to reposition a song to fit in better with the clip, and I'm unable to do so. I can't select the song, or anything else. Obviously I have set or locked up this track, and I can't figure out how to unlock if that is what I have done. I have 6 songs on that track, Audio track 2, and I can't reposition any of them. I can't even remove them from that track. What am I doing wrong?

    Hunt, most of my music files, over 9000 songs, are mostly mp3 files and a few are wma, and because of copyright laws I wouldn't use them in a commercial project I'm working on anyway. When I am working on a project for a client I will generally use higher quality WAV files. This project was being done just to learn some new techniques, gain some more experience with PPCS4, and expand my knowledge with the program. I have this huge number of music files and styles to work with, so I can do a great deal of experimentation to see what different songs can do to the mood of the video.
    As a test, I did put the exact same songs into the timeline on a different audio track. The problem track is audio 2, and I duplicated those songs on audio 3. I did the exact same editing. I faded them in and out the same as before. Split one song into 3 sections had parts of it come in and out over a video section of 9 minutes duration. They are working perfectly. I was just working on one section of that project a half hour ago, and I was still able to select and move each of the four songs on that track any way that I wanted to. However, the track just above it in that same timeline, Track 2, is still frozen.
    Hunt, just a moment ago I solved my problem. Still not being that familiar with the program, two days ago I know that I was playing with all of the controls, and I obviously hit one of them without knowing one of its side effects. I hit the show "show track keyframes". I'm sure that you know it, but I didn't realize that when that function is selected, you can't do much else with the track but play with those keyframe. Even though I didn't have the track locked, in the traditional way, it was still, for all practicall reasons, locked. I unchecked that function and now everything is back to normal again on that track.
    Something very simple, as many things turn out to be when you understand it. However, maybe someone else will make the same mistake, and my posting here will help them.
    I will use your suggestions for using .WAV files. Thank you again. 
    Terry Lee Martin
    Date: Mon, 7 Sep 2009 14:29:37 -0600
    From: [email protected]
    To: [email protected]
    Subject: How do you move a sound clip in the timeline?
    Terry,
    What is the purpose of using the .WMA files? I'm sure that you have a good reason, but they can be problematic, at best. I only use them as a trasfer medium, when I need to get a DD 5.1 SS soundtrack into Audition for editing. There, I break them out into 6 discrete .WAV files, edit in Multi-track Mode and then usually Export as the 6 discrete WAV's to be encoded to DTS, or similar.
    If you do not have a compelling reason for using the .WMA, try PCM/WAV @ 48KHz 16-bit and see if the issues go away.
    Good luck, and let us know how it goes please,
    Hunt
    >

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