How do I render/export Videos to mp4 format ?

How do I render/export videos in the mp4 format ?

You need to ask in the program forum
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The Cloud forum is about the Cloud as a delivery & install process
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How do I save my video in jpeg format so I can add picture to it and burn a DVD through Photo Explosion version 4

How do I save my video in jpeg format so I can add picture to it and burn a DVD through Photo Explosion version 4

LRP
Thanks for the follow up.
In Premiere Elements 13/13.1, your export choices are in the Publish+Share section of the project. There are several choices and sub-choices.
Example: Publish+Share/Computer/and then a list of choices under that, such as, MPEG, AVI, AVCHD, XAVC-S, Windows Media, QuickTime, Image, Audio.
And each has Presets which define the export settings. Adobe offers default settings which are usually optimized ones. But, it also allows you to customize the preset selected. You do that by clicking on the Advanced Button of the selected preset and customizing the settings under the Video Tab, Audio Tab, and, if applicable, Multiplexer Tab.
From what you wrote, I thought that you might be asking about exporting a video with a video codec = Photo JPEG.
To do that you would to to
Publish+Share
Computer
QuickTime
with Presets = either the one for 4:3 of 16:9 as appropriate for your project,
and then clicking on the Advanced Button, and then the Video Tab under the Advanced Button.
Then selecting Photo JPEG for the video codec field.
Tip: The QuickTime choice is not seen unless you scroll down the list of Computer choices. Use the thin scroll bar to the right of the Computer choices.
Please explore Premiere Elements 13/13.1's Publish+Share/Disc/DVD with standard or widescreen preset for your creation of the DVD-VIDEO on DVD disc.
The Premiere Elements timeline destined for this choice could consistent of supported photos and or videos.
Please consider.
Any questions and need clarification, please do not hesitate to ask.
ATR

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HELP!!!!!!!!, I WANNA UPLOAD VIDEOS IN MP4 FORMAT BUT ITUNES SAYS THERE IS A PROBLEM AND SHUTS DOWN THE PROGRAM!!!!!!!!!!!!, PLEASE HELP I FEEL I HAVE GOTTEN RIPPED OFF!!!!!!!!!, I HAVE MICROSOFT XP. I ALRADY REBOOTED ITUNES LIKE 5 TIMES. I USED VIDORIA TO CONVERT THEM INTO MP4. i WENT TO ITUNES TO UPLOAD THE VIDEOS THEN IT SAYS ERROR WE NEED TO CLOSE THE PROGRAM AND I DONE EVEN HAVE A VIDEO ON THERE. PLEASE HELP!!!!!!!!!!!!!!!!!!!

Hold Please, i am having this very same problem and i feel the same way. I was having the problem every sents i got the video ipod. So Could you please tell me how you solve this problem. please!!

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How do you play a video with this format " DVDSCR XViD AC3-sC0rp" using quicktime?

Try this. It can handle formats Quicktime can't:
VLC

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To be more precise: You MUST shoot in mov. Then drag the Clip bins from the card to you hard drive. Then drag the clips to FCP timeline and FCP asks you if you want to change to the right codec and of course you say YES. Now you can start editing. Can not be more simple. This camera was specially designed for use with FCP.

I took video in a format (AVCHD) 60i/60p and it does not download into iphoto. Any way to get this video into MP4 format?

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How do I import a video in mp4 and export in QuickTime H.264?

Or is that even possible? Whenever I try I get a error "Incompatible codec..."

It's one file that was produced in a different video software that I used before purchasing Premiere Pro.
Most of it is composed of a series of stills, though there is a portion that is video (mp4 from the old software). I'm assuming I might have better luck creating a new video and exporting it in that format by importing the stills and video and working with them in Premiere Pro.

How to render animation to a MP4 format or something else?

Hello. I usually render my animation to uncompressed AVI because after it I have to render it again with different software for video motage. So there wasn't any problem. But today I have to render my animation directly from After Effects. So I can't render it to uncompressed AVI anymore. I try render to MP4 format but that doesn't exsist. Even after wathich that tutorial below, I don't have that option what we can see in this video:
So I try to do something else. And I found different format as QUICKTIME with H.264. But after render, I can't see my animation (I can see only voice, there is no video). What is strange because movies from Adobe Premiere rendered to H.264 codec work perectly! The same codec but if I render videos from After Effects I can't see it in Windows. But from Adobe Premeire I can. Strange!
So I render my animation to QUICKTIME -> Motion-A format. And it works, I can see a whole rendered video now. But... 5 sec is over 150MB! And this is way to heavy.
Please, tell me what I have to do to render my animation in a good preset.

MP4 is the best format for what you describe.
After Effects never did a good job of rendering to that format.
Instead of wasting development time trying to make AE better at it, the After Effects team chose to let the Adobe Media Encoder team work on encoding things and they would work on making After Effects perform better and have better features.
So, either render an intermediate file from AE and use that in the Adobe Media Encoder or send your AE comp directly to AME. Either way, you will use the Adobe Media Encoder to make an MP4. That's how I did it even when AE could make MP4's because AE wasn't good at making them. You can get better quality at smaller file sizes with AME. Go with it.
Here's the Adobe team's official word on it: using Adobe Media Encoder to create H.264, MPEG-2, and WMV videos from After Effects
They explain the proper workflow and they explain why they removed H.264 and WMV encoding from AE.

How can I properly export video w/ bars to Rec709 (16-235 in 8-bit) from Premiere's RGB (0-255)?

I have hit some real frustrations in working with Premiere to meet broadcast Rec709 standards for DVD & Blu-Ray. Avid Symphony works in a Rec709 space and clearly operates with its video signal from 16-235 (which matches IRE 7.5 to 100), but Premiere doesn't seem to have this understanding in its programming and engineering. Here are my issues:
1) I can't manually enter in the digital values in the RGB Curve tool's points. Why would Premiere's engineers lock this basic feature out? It's in Photoshop.
2) I can't properly export Premiere's color bars. In order to export to Rec709 standards, to get around issue #1, I hack into the RGB Curves preset XML file to lift the Master Curve's point 1 from 0 to 16 and set the final white point from 255 to 235. If I use Premiere's bars, on the waveform, I can see the sub-black values, but when I lift the blacks with the curves preset, it clips all sub-black values upon export. WHY?! To get around this problem, I import bars generated by a camera (for example, by a Sony EX-350, i.e. XDCAM footage). All of this wouldn't be an issue if there were an export function that specifies exporting to rec709's 16-235 values instead of 0-255, as Avid does.
3) Particularly, the Waveform scope lies to me. The 7.5 IRE setup button does NOTHING for me, it's just a preview option that causes more confusion than clarity. Does Premiere map 0 out of 0-255 as 0 IRE or 7.5 IRE? I think it does the former and just uses that setup button to make you think that it's at 7.5. so if you do set it to 7.5, how then do you export it to match that option? Also, why can't the waveform scope have multiple options for the units - not just IRE, but also digital values (8-bit, 10-bit, linearized, etc.)?!
4) Speaking of importing the bars and footage. To continue the example of the Sony EX-350 - it imports the bars automatically by putting the black values at 0 IRE, not 7.5 IRE.
If Adobe wants industry professionals to take Premiere seriously, it needs to open up these options and clearly present what happens to tonal values in the image. It's very frustrating to figure out all of these problems and create cockamamy work-arounds.
http://www.avsforum.com/avs-vb/showthread.php?t=1090642
http://www.glennchan.info/articles/technical/setup/75IREsetup.html

Steve,
Thanks for your reply! However, I hope you don't take my response the wrong way, but, with no meaning of disrespect to you personally, the notion that curves are the wrong tool for numeric adjustments extremely infuriates me and displays a real lack of understanding of why a colorist or cinematographer such as myself would want to use curves in the first place.
First, any LUT generation program or coloring program, such as Apple Color, gives complete access to numerical control to give precise, repeatable changes that you cannot get with the drag of a mouse. Photoshop, Avid Symphony, etc. all have curves tools with the ability to manually enter points.
Second, on a user level, there should be no wrong tool for numeric adjustments, especially curves - they are the most precise means to obtain a specific contrast response. Levels or RGB corrector will only give gamma, pedestal, and gain operations, but curves gives every possible shape of a contrast response in between. If I wanted to create a very specific S-curve, I must use the curves tool to do so.
Third, the question at hand is not Premiere Pro's ability to process natively in Rec709 with signal from 16-235 - Premiere's native ability to process all types of video input is the sole reason why I've switched to it as a platform. 'Sub-black values are not necessarily clamped'?! How then can I export a TIFF, for example, of Premiere's bars, with the sub-black values left intact? How do I even access these sub-black values, when all footage clips below 0 IRE? The primary question is, how does Premiere handle and export these IRE values with respect to digital values, whether they are 8-bit, 10-bit, 12-bit, etc.?
Adobe's video workflow lacks a concise, cohesive FAQ or explanation of its numerical signal chain. At least, I have missed it and can't find it anywhere. If I want to properly color grade footage with a proper final output in mind, I need to know my end goals to take the proper intermediary steps.
SteveHoeg wrote:
Hey Tim - Premiere Pro can process natively in Rec709 with signal from 16-235 you do not need special adjustments. Curves are the wrong tool for numeric adjustments, try Levels or RGB Corrector. Sub black values are not necessarily clamped on export. --sh

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Nobody can help you without system information and otehr details like document dimensions, color modes, timeline settings, render settings and so on. You could have used some weird combination of stuff, you could have a problem with your system's CoDecs. We can't know based on your non-information.
Mylenium

How to stop FCP exported videos from having a popping noise?

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It actually allowed me to export a different one, but not this one.

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Exporting videos to Ipod format qith QuickTime Pro

Hey guys,
i just recently bought an Ipod Video, and i use Quicktime Pro to convert videos to ipod format for it. My problem is that the converted video (M4V) never has any audio. Wheather i try listening to is on my computer or on the ipod, no audio at all. Did anyone experience the same thingf? Does anyone know what i'm doing wrong, or how to fix it?
thank you,
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Open the original video in QT Player and check MovieInfo. If it says the video is a muxed mpeg then QT Player Pro will not convert the sound from such videos: QT Mpeg Limitations
Some Windows users have reported success with this freeware Windows program.
http://www.videora.com/en-us/Converter/iPod/
Other report problems so no guarantee it will work for you.

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How do I render/export Videos to mp4 format ?

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