How do i reverse the stereo pan in Final Cut Pro X

how do i reverse the stereo pan in Final Cut Pro X

For anyone that wants to know: Final Cut Pro X: Configure audio channels

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  • How can I publish the "levels" effect to final cut pro x?

    Hello,
    I'm trying to publish all of the color correction plugins from motion into final cut pro x, the "levels" effect in particular. I have read the instructions in the manual and published all the parameters and then saved it to send it over to final cut pro x but the problem that I'm having is when I open it up in final cut pro x all the parameters are there except for the histogram and its controls, what am I doing wrong and how can I fix it? Thanks.

    The short answer is you can't publish the levels graphic UI (you can, but it doesn't work in FCPX - all you get is the collection of the individual slider controls.)
    You can create a shape with a gradient fill. Set a middle color tab and a second opacity tab. You can use Link parameter behaviors from the color/opacity tabs to the the filter > Levels parameter controls. Use the color tabs for Black In, Gamma and White In. Use the Opacity tabs for Black Out and White Out.
    You can publish the shape's gradient.
    The problem is, to publish this UI, you're publishing an actual gradient and people will be able to make alterations to the gradient (it won't change how it operates the levels controls.) The other problem with it is that it is possible for users to accidentally pull off or add new tabs which will immediately break the effect (and immediate "undo" should repair it though). Then, figuring out how to manipulate the Gamma control is going to be a trick (I haven't figured out yet.) The values go from 5 (all the way left) to 0 (all the way right - with 1 the 50% mark) for the Gamma control itself, but the UI controller (the middle tab on the gradient) moves the control in the opposite direction and the values are logarithmic in scale. You can use the mid-tab control on the gradient linked to the gamma parameter value, but it won't behave the same way as you would expect a genuine levels control to behave (left to right goes from black to white when the expectation would be the opposite.)
    A gradient with links into the filter is about the only way to go if you want it give it a shot.

  • How do I deactivate the serial for my Final Cut Pro?

    Hello, I have decided to sell my Mac Book Pro and am wondering how to deactivate the serial number for it. I have the serial for my version of fcp 6.0 on two computers already, I would like to be able to put the serials I purchased onto one of my own computers sometime in the future. I have already deactivated and uninstalled all of my Adobe products, but it is not obvious in FCP how this is done. This same problem exists for DVD Studio Pro... can anyone help?

    Great minds think alike!
    You never know how much other personal info resides on a computer, keychains, passswords, internet histories and caches, address books, etc, etc.
    Put in the install disc, boot from it, erase the hard drive, do the install from however many discs it takes, and when they tell you to restart your computer to finish the install process, just shut it down (no restart.)
    The buyer will boot it and get all the registration info etc, just like it was a new machine right from the factory. (Thanks to Brian Connor for that install tip.)

  • How do I trim the end off my Final Cut Pro X timeline?

    When I did my rough, rough cut, my timeline was 10 minutes long. I have since edited my video down to five minutes. Now I have five minutes of dead space trailing my five minute video. How do I snip those five minutes off the end?

    "Select" and "Delete" worked for me... but one important detail.
    The "Delete" key above my arrows keys (and under the "help" key) did nothing.
    The "Delete" key (aka backspace) actually worked.
    Note: Using an old Apple bluetooth keyboard with number keys.

  • How do I change the aspect ratio on Final Cut Pro X?

    Whenever I upload new media (regardless of what ratio it was filmed in) it plays in letterbox format. I would like to change the aspect ratio to 16:9. Thanks.

    Please open the clip in the QT player and post a screen shot of the movie inspector. Post a screen **** of what you're seeing in the viewer.
    You keep saying upload, do you mean import?

  • How do I revert to original footage in Final Cut Pro X version 10.0.9, for some reason I have lost some audio in my timeline and would like to start again but cannot get the original footage?

    How do I revert to original footage in Final Cut Pro X version 10.0.9?
    For some reason I have lost some audio in my timeline and would like to start again but cannot get the original footage?
    Only the edited version which is no good without the audio?
    Please  Help

    What format is your problem clip? Are there wave forms visible in the section without sound?
    Right click on the clip in the event broswer and choose Reveal in Finder; open the clip in Quick Time to confirm that there is sound throughout at that stage of your workflow.
    Russ

  • I shot video on a Panasonic P2 and I'm trying to import the MXF files to Final Cut Pro but when I try to import, the only thing that imports is a blurry image of each clip. There's no audio and no video...how can I import MXF files into Final Cut Pro?

    I shot video on a Panasonic P2 and I'm trying to import the MXF files to Final Cut Pro but when I try to import, the only thing that imports is a blurry image of each clip. There's no audio and no video...how can I import MXF files into Final Cut Pro?

    at the end, you say "import preferences", which program are you describing?
    So im safer using footage that is remotely being pulled from iphoto...
    vs
    using footage that is imported into FCP from imovie?
    Is there anything i can do in fcp to make this footage more reliable or safer or more stable as i pull remotely from iphoto?
    All the footage, and all the libraries to all programs, or on a new pegasus 12tb raid 5 setup fyi.

  • How do use the hum remover in final cut pro 5? Help

    How do use the hum remover in final cut pro 5? Help!!

    Simply drop the effect onto the appropriate audio track. Set the frequency for the hum frequency (50Hz or 60Hz depending on your power supply). Include whichever harmonics you think might be present eg. 100, 150, 200Hz.
    Note that I have generally had more success by using Soundtrack Pro's noise removal tool.
    Trevor

  • How do I continue editing a project from the trial version of final cut pro to the paid version

    I have been working on a project on the trial version of final cut pro x.  I  bought the full version even though my trial wasn't up yet.  When I opened the paid version my projects from the trial are not in there.  I also closed the trial and opening the paid version and my projects were still not there.  How do I get my projects to show in the paid version?

         I have a 'similar' problem, but your advice above does not work (or does not seem to work).  My Trail version of Final Cut Pro 10.1.1 expired before I completed my first/only movie project. 
         I purchased FCP yesterday.  Now I want to "import" the video files and the movie project (not sure if that's the correct terminology - I am still a newbie) into FCP 10.1.1 -  Please advise?

  • How can you create a swish pan in Final Cut X?

    How can you create a swish pan in Final Cut X?

    Andy's - http://andymees.wordpress.com/swish-transitions/
      How's that for service?
    Cheers!

  • How to change the white balance in Final Cut Pro?

    What is the best way to change the white balance in Final Cut Pro? I have some clips which are to green. I would like if possible something which might resemble the Camera Raw dialogue in Photoshop. Any way of measuring color (RGB values)?

    There is some specific help in this trainng book:
    http://www.amazon.com/Apple-Pro-Training-Correction-Studio/dp/0321635280/
    When using Color Corrector 3-Way to correct for a green tint, the bullet points are something like this:
    1) After loading the clip into the Viewer and applying the CC3W filter to the clip, open your scopes and move the window so you can see the Viewer (with the CC3W tab open) and the scopes
    2) First, if necessary, adjust the white and black levels using the video level sliders below the white and black color wheels (I use the slider above the scopes to make the trace in th4 scopes as bright as it will go without blooming)
    3) Looking at the Parade scope, the idea is to balance the whites, mids, and blacks on each color display (red, green and blue). So you watch the Parade and drag the dot that is in the center of each color wheel (starting with the whites) away from the color of your tint (in your case, green). Drag the dot until the highest portions in all three Parade displays are as even as you can make them
    4) Then do the same with the mids, using the Mids color wheel, moving its dot away from green
    5) Do the same thing with the blacks
    6) Double check the image on an external video display that is properly adjusted using color bars from Final Cut
    NOTE: This short reply is not sufficient to fully explain this technique, and you really need to understand Color Theory before doing this anyway. That's why I recommended the training book.

  • Does CC 2014 eliminate the need to have Final Cut Pro and/or Compressor installed to access Apple ProRes 422?

    Hello:
    Just today, I was working on a Mac system that does not have any of the applications that I would have expected to need to have installed in order to do more than just decompress movie files compressed with Apple ProRes 422.
    I was expecting to have to install Final Cut Studio 3, Final Cut Pro X, Compressor 4, and/or QuickTime 7 with the QuickTime Pro key; however, none of those applications are installed and I am able to create custom QuickTime Apple Pro Res422 Sequences in Premiere Pro as well as export using Apple ProRes 422.  After Effects and Adobe Media Encoder also show all the Apple ProRes variations.
    Does CC 2014 eliminate the need to have Final Cut Pro and/or Compressor installed to access Apple ProRes 422?  Is it something happening on the OS or QuickTime level that would affect CC or CS6 in the same way?
    I've done a web search, but haven't really come up with anything other than older articles about needing to have FCP installed (and I typically work on systems with Final Cut Studio 3 installed as well as CS6, CC, or CC 2014).  If more detailed information is available, it would be great to be able to read up on it.
    The system is a 21.5-inch iMac running Mac OS X 10.8.5, QuickTime Player 10.2, and Adobe Premiere Pro CC 2014 (8.0.0 - I know an update is available for PrPro, but it's not my system to make that change).
    Thanks in advance,
    Warren Heaton

    Hi Emil:
    I use ProRes all the time as well, but I have Final Cut Studio on my workstations.
    I had not come across MindPower009's YouTube video.  That explains how ProRes could be showing up without FCP or Compressor.
    So, the answer to my question would be, "No, CC 2014 does not eliminate the need to have Final Cut Pro and/or Compressor installed to access Apple ProRes 422; however, if you are willing to be in violation Apple's terms of use, you can install the ProRes codecs anyway."
    Even though MindPower009's YouTube video comments claim "FREE and LEGAL", it's clear from both the Apple download page and the ProRes codecs installer that Apple expects you to own at least one of their applications.
    Thanks again for the link!
    -Warren

  • How do i create a spotlight effect in final cut pro x

    How do i create a spolight effect in final cut pro x any help would be greatly recieved!!
    all i can find is tutorials for how to do the effect in the older version of final cut
    Many thanks!

    In the Timeline position your Playhead at the starting position.
    In the Viewport position the Shape Mask at the starting position.
    In the Inspector click the Add Keyframe button.
    Press Control-V to open the Animation Editor to see your keyframes.
    Move the Playhead and the Shape Mask to a new position.
    In the Inspector click the Add Keyframe button.
    Continue adding keyframes until you have defined the Shape Mask’s movement.
    Regards
    Nolan

  • How do I import a .fcpproject file into final cut pro?

    How do I import a .fcpproject file into final cut pro?

    You don't. The application opens it when it recognizes it in the correct folder structure.

  • What are the steps for buying Final Cut Pro X and downloading a full version.i have a license certificate,but i cant be able to license the trial version

    How do i download a full version of Final Cut Pro.I have the license agreement with the serial numbers.but now i am unable to license the trial.What needs to be done here.I was sent the license agreement by our Head Office

    Do you refer to Final Cut Pro as part of The Final Cut Studio bundle?
    Or FCP X?
    The former has serial numbers, the later is a direct purchase from the Apple App Store and no serial number is required.
    Al

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