How do I see every frame of a clip on the timeline in Premier ?

There are of course times when I need to see every frame of a clip to synchronize two clips. Imagine for example that you have a two camera shoot and both cameras were looking at a clapstick, or at a strobe. I want to put both clips on the timeline and zoom in to see every frame. Now I can align the two clips fo that one specific frame of each clip is over/under each other. However, when I have zoomed into the timeline it seems I can never zoom quite enough to see every frame What do I do to be able to zoome all the way in to the timeline so I can see every frame of the clips ? I haven't actually tried this yet with CC, but did with CS6 and it wouldn't do it.

I'm not knocking the idea of using the program monitor to place markers on sync points and using that to synchronize clips. It should be a very good solution.
What I am saying is that there are times when it would be advantageous to be able to see every frame of multiple clips on the timeline. When i first tried to do that I zoomed in and it looked as if it would display all the frames. I was dissappointed to find it wouldn't. As an editor who has done a lot of resynchronizing multiple camera shoots where there is no intentional visual sync cue, i can tell you it can be a big help to be able to see the frames as if we had a strip of film on each timeline. Sometimes we need to see several frames of each clip at the same time to make a decision about which frame represents the sync point, or to make the quickest possible decision about where to start and end a dissolve, or to chose which camera to use. In a scene shot with only one camera, there is no actual sync point. The action may have progressed slightly differently between shots. Being able to see 10 or 15 frames from each shot can help to make the quickest decision about how to line up the shots and where to do the transition. Would anyone out there say it would be a bad thing if Premier Pro could display every frame when we zoom all the way in ? It seems to me that it could only help. So i request Adobe consider it as a possible future improvement.
Here is an example, the last time i tried to see every frame in Premier. I had a scene I used Maya to create, series of Tiffs. This scene shows an object appearing as if arriving through a time or dimensional portal. The scene includes plasma popping and flashing. There are two different shots of the same moment in time. The shots are frame numbered. So if I could see the frame numbers from the original tiffs on the timeline I could align the shots that way. But of course I lose the frame numbers. The overall scene is too long, and rendering time too long, especially for 3-D 1080, to render each shot from the beginning of the scene, which would make synchronizing very easy. So i needed to sync to the flashing plasma in the scene. I though I had the shots lined up using a flash. It turned out they were not the same flash. So if i did a slow dissolve between shots, the flashes form each shot would not line up in time. What I needed to do is line up several flashes happening over a couple of seconds, so I coud verify the flashes were the same flashes. There are different numbers of frames between each flash, so if I got three to line up they would have to be the same flashes. I spent a lot of time trying to get these shots lined up. If I could zoom into the time line and see evry frame I could synchronize several clips by lining up the flashes, in just a couple of minutes. To do this with markers, marking say five flashes from each of four shots, it would take several minutes to do it before being ready to do the synchronizing. It's a workable solution, but is not ideal, a compromise.

Similar Messages

  • How do I select all instances of a clip in the timeline at once without manually shift clicking each instance?

    Title says it all!
    How do I select all instances of a clip in the timeline at once without manually shift+clicking each instance?
    The reason I want to do this is because I have a music video with MANY quick cuts. So clips are cut up and splattered all over the place. I am colour-correcting now and so I want to be able to select one clip everywhere it exists in the timeline so I can drag the effect onto all them at once, without having to find each instance of the clip in the timeline. This "batch select" would make it so I don't miss any instances of the clip and also saves a ton of time going through the timeline and shift clicking each time the clip turns up.
    I hope PP is smart enough to do this
    Thanks in advance!
    -- Tim

    Pick one instance of the clip, maybe even the first bit ... and use the new Master Clip feature ... here's first a written explanation and then a video tutorial on doing this ... it's a great feature.
    Adobe Premiere Pro Help | Master Clip Effects
    How to apply effects to all instances of a clip | Adobe Premiere Pro CC tutorials
    Neil

  • How do I display the individual frames of a clip in the timeline?

    I've imported an image sequence into Premiere Pro and dragged it into a video track so it shows up as a clip. So far, so good. But when I click on the display options for the track and "Show Frames", all it gives me are these large, unhelpful thumbnails along the the length of the clip that don't even match the timeline ruler at the top. I can't select individual frames to shuffle them around or delete them. I've tried looking in Preferences, View, etc., all over the internet through different forums, and right clicking everywhere in every window to try and find an option to turn on an individual frame view, and I found zilch. Any help with this problem would be much appreciated.

    No, it's not. The 'order' of animation is something that has to be carefully planned and tweaked by the animator, and anyway, there are different kinds of animation. Some is completely abstract, without any apparent order. And if all you have is a raw image sequence, like I do, then sometimes you have mistakes in one frame that were corrected in another, and you want to find them and take them out, not to mention experimenting with the timing. Let's say you have a motion that makes an arc in 12 drawings. If you take out 2 or 3 at different places towards the end, you can give the appearance that the animation subject complete the arc at an accelerated pace without the motion seeming 'incorrect.'
    What I need to do is to be able to grab and pull individual frames like this so I can properly put together my project.

  • How do I select an area on a clip in a timeline and copy and paste it ..

    How do I select an area of a clip in the timeline and copy and paste the video track only, several times on the tracks just above it?
    Thank You in Advance,
    Sebastian

    Select the range selection tool (ggg is the keyboard shortcut), then drag through the clip to select the area you want to copy then paste... it will paste only what's selected.
    Jerry

  • How can I hold a frame of a clip?

    I want to hold the first frame of a clip, then play the clip, then hold the last frame. Seems like there's some time remapping tools somewhere but I can't figure this out.
    I can't just take a screen shot and set that as the still because this is one window in the video and there's other stuff going on.
    Basically there are going to be four windows each with a video track. One will play, then freeze and the next will begin.
    Any thoughts on how to do this? I don't want to have to go into After Effects if I can help it.
    Thanks!

    To get a still of a clip in the timeline, go to the frame you want to freeze, select 'f' to match frame back to that clip and frame in the Viewer, select Sift+N' to create a Freeze of that frame, insert that into the Sequence.
    ... same for freeze at end.
    You said there's four windows - you mean on one screen? ... then I'd create 4 sequences, possibly of the same duration each; one each for the 4 frames you want. They would each start with a freeze, roll on, then freeze at the end. Make these SEQs longer than you need.
    One at a time, put them into the Viewer (don't double-click them) and edit them onto 4 tracks of master SEQs.
    Apply sizing and motion to each of those. Control-click the clips in the timeline and select 'Open In Viewer' to see their motion tabs.
    This method helps separate the roll off/to a freeze from the editing & motion (resizing/zooming etc.)
    Hope that helps.
    Neil.

  • How can I see my reminders in my Mac in the same way I see them in my iPad and iPhone

    How can I see my reminders in my Mac in the same way I see them in my iPad and iPhone, I is easier to work with reminders in Ipad and Iphone rather to see them like a list on ICal

    The calendar seems to be the only way to see reminders right now. I'm aware of no 3rd party program that deals with just reminders...but I'd like to find one.

  • Can only see first and last frame of clip in the timeline HELP PLEASE

    Hi, my first time and I did look for an answer, but can't find one. I have premiere elements 4 and I am trying out ver. 9. In ver. 4 the clips in the timelin shows all the frames, but in ver. 9 it only shows the first and last frame of the clips. Is there any way to make all the frames show. By "all the frames", I mean the clips fill with frames.I liked to see all the frames in the timeline, it is easier for me to select and trim the bits out.
    My specs are Core 2 Duo 6750, Nvidia 8600GTS, 4G Ram, Vista Home Premium. 3 HDD 3TB.
    Thank you for answering
    Werner

    As for the GUI, PrE had one more like PrPro (the early versions), up through PrE 3. With PrE 4, they streamlined the GUI (and some of the operation), and went with the "dark look." PrPro went in that direction starting with CS3, and now, the two programs' GUI looks more alike - darker. Personally, I like PrPro 2.0's brighter GUI. Now, one can alter the brightness, but the contrast can work against doing much of that - give me the lighter GUI....
    The look of PrE 4 thru PrE 9 is very similar, though things have moved about some. Still the look is similar. Same for PrPro CS 3 through CS 5.5.
    As for the trial, things have changed in PrPro, as of CS 5.5. Once, the PrPro trial was very crippled, but had no watermark. No more. No crippling, and still no watermark. The trial for PrE is far less crippled, but does have the watermark. We do not know what changes might be coming with the trial of PrE10. We will just have to wait and see. One great option that Adobe offers is the 30-day, money-back guarantee. If you buy Premiere (either flavor), and use it for 29 days, but do not like it, then you return it for your money back. This is the full-paid version (both flavors) with nothing crippled, and no watermark. Not that many companies make such an offer. Basically, on can use the trial for 30 days, to see some of the powers of the program, and then buy it, and try it fully for another 29 days. If not completely satisfied, they get their money back - essentially a 59 day trial.
    Were I doing AVCHD, I would definitely look at buying PrE 9, and giving it a 29 day shakedown. The only caveat is that AVCHD requires a lot of computer "horsepower," and not all computers (especially if more than a year, or so old) are up to that task. I find it amazing that a consumer format, like AVCHD, requires more computer power to process, than most professional formats, until one gets up to, say RED 2K/4K. However, that is the nature of the H.264 CODEC, and by that, I mean all H.264, not just the AVCHD version.
    Good luck and happy editing,
    Hunt

  • How do you see what bitrate your music is on the latest iTunes?

    How do you see what bitrate your music is on the latest iTunes?

    select
    Music
    Above the first song there are colums you can customize  ,  select bitrate from that menu
    tap two fingers on the trackpad will open up the menu to customize after moving the pointer to that field

  • How do I see the duration of a clip in the timeline ?

    Hi there,
    How do I see the duration of a clip in the timeline ?
    How do I change the duration by typing in a number (instead of dragging its ends) ?
    Thanks

    Tom Wolsky wrote:
    Select the clip. The display at the bottom of the timeline window will tell you the clips duration.
    Control-D will open the duration display in the dashboard.
    Control-D is the same as right click & select "Change Duration" ?
    But where is the dashboard ? Nothing pops out ! (ie no new windows appear)
    Any ideas ?

  • How do i see i messgaes on another phone on the account

    how do i see i messages on another phone on the account?

    What are you asking? The only kind of messages that you might be able to see on your phone for another phone on your account is if you are both using the same iCloud account and you could possibly see the iMessages depending on the settings. You will never see SMS messages. What are you trying to do?

  • How can I move a clip on the timeline less than one frame?

    I need to move an audio clip on the timeline to match the video but it snaps one frame at a time and I need to move it less than that.?

    I've just had a look.
    Try
    Edit
    Keyboard Shortcuts
    Panels
    Program Monitor Panel
    Program Monitor Panel Menu
    You should then find this:
    You can then set up your preferred shortcut key.

  • How can I configure my new Mac Pro to output the timeline via HDMI

    How can I configure my new Mac Pro to output the timeline in FCP 7 (yes, I have X, but I'm using 7 right now). I have two monitors running from TB2, but want to have the third for a client monitor.
    If I use all three via TB2, it's literally three monitors, and I want to edit on my CineDisplay. I only want the client to see the timeline video on the third monitor. When I hook up HDMI I get no signal, in fact, I can't have the HDMI cable hooked up for TB2 to work with the third.
    Thanks,
    GEvans
    DarthPro
    3.7 QCIntelXeonE5
    12 GB
    AMD FirePro dual D300 2048MB
    OSX 10.9.2

    If you use all ThunderBolt displays, or stick with DisplayPort and Mini DisplayPort (free conversion between the two with only a cheap cable) you can have up to six displays.
    If you attach "legacy" displays with "any-old adapter", you can have up to two, and the built-in HDMI counts as one if you use it.
    Any more requires ACTIVE Adapters.
    The US$100 Apple ACTIVE Mini DisplayPort to Dual-Link DVI adapter works in every case, even displays over 1920 wide.
    StarTech and Accell make US$35 ACTIVE adpters that work for displays up to 1920 wide.

  • I am moving clips to the timeline and they arrive zoomed in.  how can I stop this?

    need some help.  I'm moving clips to the timeline and they arrive zoomed in.  I don't want this effect.  How can I stop it?

    To expand a little on John's questions and link, every clip and every sequence has its own frame dimensions (and pixel aspect ratio & frame rate). By default, Premiere preserves the dimensions (or "resolution") of a clip when you add it to a sequence. That means that if a clip's resolution is greater than that of the sequence, it will appear to be zoomed in on the frame. Conversely, if the clip is lower res than the sequence, it will appear shrunk, with black borders.
    If all of your content is the same resolution (which is the ideal case), then you should use a sequence that matches. The easiest way to do so is the "New Item" method that John refers to--dragging a clip to the Project Panel's New Item button--or, in later releases of PPro CC, dragging it into an empty Timeline panel. If you're working with content of mixed resolution, then you have to pick your poison and scale smaller clips up or larger clips down. The latter option is generally preferred because the former--scaling clips up--often results in unacceptable pixelation.

  • How to rejoin two clips in the timeline in PrE 7?

    Hello all. Please excuse this newbisome question, but I've had no luck in figuring it out.
    I get one long clip into the timeline and then chop it up a lot (in a musical way that relates to quarter, eighth, sixteenth notes, etc). Often I find that I need to rejoin some of the clips, sometimes quite a bit of time after they've been split (so undo isn't an option).
    How can I do this?
    PS, this is the first video editing software I've used. I've had PrE for three hours, but have had quite a bit of experience with editing audio in one program or another.
    Cheers and thanks for your time.

    People, thanks for the quick replies.
    I understand that all the clips in the timeline are just instances; the same thing happens in audio software, but that software gives you the opportunity to re-glue clips (they're called regions in Logic) once they've been split.
    I'm interested in trying to make a video like this  http://www.youtube.com/watch?v=35Y7tr3mBtQ
    I can do this sort of thing quite easily with audio, and I think I'm on my way with the video stuff, but being able to re-glue clips would help with handling. I go through the “master clip” looking for beats and little sections that will do the trick. In my current proj, a  1/16th note lasts for four frames, so as you can imagine, I have a lot of 4-frame sub-clips to deal with. I generate each sub-clip from my original master clip after I have dragged it into the timeline from the organizer. I then copy, paste and resize the clips, all in the timeline. I only use the preview window as a way of reminding myself what clip x, y or z sounds like. Maybe I need to investigate the functions of the preview window more. The group option may be a work around as well.
    A lot of what I do is “suck and see”. I split off a piece, then listen to it in isolation in the preview window by double-clicking and using 'play from In to Out'.  A simple re-glue would be fast and convenient if the clip didn't pass the audition.
    Quite possibly I'm using an inefficient method (very new to this). Any advice would be gratefully received.
    Cheers,
    Mark

  • How to I get a marker name to show in the timeline?

    I must have done something to disable it, but I recall marker names displaying in the Timeline when a marker is selected. Now I have to open the marker to see the name. How to I re-enable the display so marker names show in the timeline?
    (Yes I looked in the FCP manual, but just try and find something like that in the PDF file!)
    thanks
    Scott
    Message was edited by: Scott Stark

    JR Steendahl wrote:
    Are the markers on the clips or the timeline?
    You might try view>show overlays
    They're on clips and on the timeline itself.
    Show Overlays does display them on the timeline (not in the Viewer), but it also displays in/out points and audio timecode. Is it all or nothing?
    thanks,
    Scott

Maybe you are looking for

  • I can no longer publish my ICal work calendar

    Just updated to the new calendar in mobile me but it deleted all previous calendars that were on my iCal app on desktop computer.  Fixed that with apple's help, but can no longer publish new calendar updates that are created on home desk top computer

  • Indication of Virtual Copy in Develop Module

    I'm working on Virtual Copies right now. Is there any indication within the Develop Module where I would see that what I'm workin on is a VC or an original? Not seeing it at all is kind of dangerous ... Beat Gossweiler Switzerland

  • Need PCL5 print codes to disable paper tray switching when tray is out of paper

    We have a  HP P4015n with 3 trays, tray one has letterhead, tray 2 has plain paper, tray 3 has preprinted forms (all 8.5"x11" paper size).  This is connected to a Linux system with print jobs coming from a legacy software package - they are mainly te

  • Captivate 7 Stuck Loading after installing Microsoft Office 2013

    Before the problem started, I initially had Adobe Captivate 5 (not 7) and have been working fine until I installed Microsoft Office 2013. As I tried to start Captivate 5, it gets stuck on the loading page-the welcome screen never shows up. After I ch

  • How do I stop second line indent

    How do I stop the second line indent in a list when using Pages?