How does LR3 handle virtual copies and xmp files?
Hi,
I see only 1 xmp file and yet I have several virtual copies of that same photograph... where are the corresponding xmp files? I am using exiftool to place some info in the CR2 files and then need to update the corresponding xmp file...
Thanks,
Juan
Hi Juan,
Virtual copies are only stored in the LR catalog, never in the XMP sidecars. If you update the XMP using exiftool and update the metadata in LR, both the original and the virtual copy will be updated with the XMP data.
Marc
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I may have completely misunderstood something, but I thought the metadata in a DNG file was contained within the file. The virtual copy function in LR1 is very interesting for making different versions of the same image, but if the image metadata for the virtual copies is in XMP files, does this preclude the use of this function with DNG files?
MartinThanks. So the XMP metadata block in a DNG file will just contain any non-destrictive edits made on the original file. The information about any edits in virtual copies are then in accompanying files (XML?). Or is this information only contained within the Lightroom database?
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How does FCP handle 23.98 DV Files?
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Has anyone Edited using the DV-NTSC 24P (23.98fps) Easy Setup?
1) How does FCP handle this video connected to a DV Converter Box like the Canopus ADVC-110?
2) Does it actually play at 23.98fps on a monitor connected to the DV Converter Box?
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KalaganHi,
Thanks for the feed back. I guess I should fill in the caps a little.
*DESCRIPTION OF ISSUE:*
One of our main Clients Disney, is migrating to a Tapeless Workflow based on ProRes HQ 422 @ 23.98fps. From here on out, they will only send us ProRes HQ 422 1920x1080 files @ 23.98fps and they want us to Edit every project we work on for them @ 23.98fps. At the moment, it doesn't sound like they care if we Edit our projects in ProRes HD or some SD format, but the important thing to them is that we edit @ 23.98fps.
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Our facility doesn't have the infrastructure to support 25 machines accessing ProRes HQ 422 files. Our facility was built to support DV NTSC @ 29.97fps and we have been working this way fairly well, for a number of years.
SOLUTION:
I am trying to find a way to continue to us our current equipment and satisfy Disney's request to work on all their projects at 23.98fps, starting from 1920x1080 ProRes HQ 422 files @ 23.98fps. So, it was my hope to be able to take the 23.98fps ProRes files and export them to 23.98fps DV NTSC. This way we wouldn't have to reconfigure our entire Facility (which would cost a couple hundred Thousand dollars).
My approach was to:
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2) Then import the newly created DV NTSC 23.98fps file into a FCP Project based on the DV NTSC 24(p) 23.98fps EASY SETUP. Which works well. No problems there.
3) Then Play the file in FCP out through a Firewire based Canopus ADVC-110 DV Converter connected to a SD Sony Monitor. This seemed to worked fine also.
The fact that it plays is great!!!! But, that brings up the question, is it really playing a 23.98fps?
My understanding of Standard Definition and specifically DV NTSC, is that it can only be displayed at 29.97fps, it doesn't support 23.98fps natively. So the fact that it played when I tested it got me thinking that I may be missing something here and DV NTSC and other SD equipment (like the Sony SD Monitor) can playback/support 23.98fps SD video. But that goes against everything I know up to this point!!!
Have I been wrong all this time?
1) Can SD Video and DV NTSC Video be displayed at 23.98fps?
2) Or is it getting converted to 29.97fps somewhere in the process before it is getting displayed?
3) If it is getting converted back to 29.97fps, then where is it getting converted, FCP or in the DV Converter Box?
I am sorry I went a little long on this email, but it is a problem that will have great influence on they way we work for a couple of years to come!!
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