How does Photos handle Aperture referenced photos

In order to keep my Aperture's working library at a reasonable size, I keep the latest 3 years of photos locally and move older photos onto my NAS drive. Aperture keeps previews and can reference/open the original files as soon as I have mounted my NAS.
How will the new Photos app handle these? If they simply disappears from my library, I am stuck with Aperture or have to move over to Lightroom.

The Photos.app can handle referenced images. And it can consolidate referenced images into the library.
I don't know, however, if Photos can work with referenced photos on a NAS.
Test it with a small library before you migrate.

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How do I combine my iphone contact list with my laptop pc contact list? And how does it handle duplicates with different information?

How do I combine my iphone contact list with my laptop pc contact list? And how does it handle duplicates that have different information?
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gspielman,
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How does FCP handle 23.98 DV Files?

Hi All,
Has anyone Edited using the DV-NTSC 24P (23.98fps) Easy Setup?
1) How does FCP handle this video connected to a DV Converter Box like the Canopus ADVC-110?
2) Does it actually play at 23.98fps on a monitor connected to the DV Converter Box?
3) Does it get converted to 29.97fps somewhere in the process before it gets displayed?
4) is it displayed at 29.97fps or is it really being displayed at 23.98fps?
these are things that I am not sure of.
sorry if I posted this message a couple of times. I didn't know that hitting the "Tab" Button posts the message, I thought it would just function like the Tab in a normal Text editor and indent a line. But here it doesn't.
thanks
Kalagan

Hi,
Thanks for the feed back. I guess I should fill in the caps a little.
*DESCRIPTION OF ISSUE:*
One of our main Clients Disney, is migrating to a Tapeless Workflow based on ProRes HQ 422 @ 23.98fps. From here on out, they will only send us ProRes HQ 422 1920x1080 files @ 23.98fps and they want us to Edit every project we work on for them @ 23.98fps. At the moment, it doesn't sound like they care if we Edit our projects in ProRes HD or some SD format, but the important thing to them is that we edit @ 23.98fps.
PROBLEM:
Our facility doesn't have the infrastructure to support 25 machines accessing ProRes HQ 422 files. Our facility was built to support DV NTSC @ 29.97fps and we have been working this way fairly well, for a number of years.
SOLUTION:
I am trying to find a way to continue to us our current equipment and satisfy Disney's request to work on all their projects at 23.98fps, starting from 1920x1080 ProRes HQ 422 files @ 23.98fps. So, it was my hope to be able to take the 23.98fps ProRes files and export them to 23.98fps DV NTSC. This way we wouldn't have to reconfigure our entire Facility (which would cost a couple hundred Thousand dollars).
My approach was to:
1) Use Media Manager to render a new DV NTSC file at 23.98fps, which it does pretty well for the most part. It keeps the Timecode consistent between the two files (very important), but doesn't allow you to Letterbox the 16x9 video in the 4x3 frame, it just stretches it to fill the entire 4x3 frame (not so good).
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3) Then Play the file in FCP out through a Firewire based Canopus ADVC-110 DV Converter connected to a SD Sony Monitor. This seemed to worked fine also.
The fact that it plays is great!!!! But, that brings up the question, is it really playing a 23.98fps?
My understanding of Standard Definition and specifically DV NTSC, is that it can only be displayed at 29.97fps, it doesn't support 23.98fps natively. So the fact that it played when I tested it got me thinking that I may be missing something here and DV NTSC and other SD equipment (like the Sony SD Monitor) can playback/support 23.98fps SD video. But that goes against everything I know up to this point!!!
Have I been wrong all this time?
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2) Or is it getting converted to 29.97fps somewhere in the process before it is getting displayed?
3) If it is getting converted back to 29.97fps, then where is it getting converted, FCP or in the DV Converter Box?
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Kalagan

How does Timeature tell Aperture something changed?

Does anyone know how Timeature communicates with Aperture? I know you can ask Aperture what photos are selected through Automator, but how do you tell Aperture to reread a photo? I have no idea how this sort of thing works, but it seems like it would be useful for other things, like using a Preview Automator action to flip pictures horizontally.
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JRG,
I don't think that's quite true. The way I've used Timeature was to 1) Select photos in Aperture Browser, 2) Launch Timeature, 3) Tell Timeature to grab all selected photos from Aperture, 4) Modify date and go.
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How does Photostream handle duplicate file names?

My sister has an iPhone and an iPad, and takes photos with both. Her husband has an iPhone, and also takes photos. They have a PC. Photostream is enabled on all of these devices.
Now, since all three devices use a simple sequential file numbering system (IMG_XXXX), they will produce duplicate file names.
This, of course, becomes an issue when you consolidate the photos taken by multiple iOS devices in one folder as is done by Photostream on PC.
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FOLLOWUP. Below, is a clearer explanation of my concern/question.
My sister has an iPhone and an iPad, and takes photos with both. Her husband has an iPhone, and also takes photos. Photostream is enabled on three devices. They have a PC. iCloud Control Panel for Windows is installed, and Photostream is enabled.
Now, since iOS devices use a simple sequential file numbering system (IMG_XXXX.JPG), when you consolidate these images into one folder as is done by Photostream on PC, you will sooner or later encounter two (or more) different photos that have the same file name. Different photos with the same file names can/will happen when you consolidate images taken with different iOS devices into the same folder.
Which brings me to my question:
How does Photostream (on PC) handle duplicate file names that are not duplicate images?
Q: Does it simply overwrite, perhaps keeping the one with the latest date taken? In this case Photostream will not contain all of the photos it should.
Q: Or, does it do something to create a unique filename when it encounters a duplicate file name? For example: IMG_0001, IMG_0001(1), IMG_0001(2)
Oddly, I have seen no discussion on this. I hope someone can help me understand how Photostream handles this so we can decide how best to use Photostream, or if it is a feature we want to disable.
Thank you,
Lilla

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On the IdP side, passing of multi-valued attributes is supported. Read this section:
http://download.oracle.com/docs/cd/E10773_01/doc/oim.1014/b25355/configuring.htm#BCGCGFCJ
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Hi,
My plans are to eventually get a camera that takes panoramic shots. Does iphoto4 handle panoramic pictures?
Thank you

Forestman,
From experience, I would suggest you consider buying software that can make panoramas from the photos you take with any decent camera.
I recommend PhotoShop ($$$) or PhotoShop Elements ($ the consumer version that has everything you will need.) There is surely good and inexpensive or free software out there but I don't use them.
Panoramas are very tricky. The Kodak manual Keith mentioned hints at that:
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using the program spring cleaning, i found all images outside of my iphoto library and imported them into my library. my question now is, if i run the search again, finding all images not in my iphoto library, can i safely delete those images since they have been copied into iphoto or are they still needed as a reference for the program? how does iphoto work with files exactly? i know there's an "original" and a "data file", but where are each of these stored? when a photo is imported to the iphoto library, does it make a copy of the original and the data file or what?

ryanfg
Unless you changed the default setting in the iPhoto preferences, then if a photo is in the iPhoto Window then it's in the iPhoto Library Folder.
A Note about the iPhoto Library Folder:
In this folder there are various files, which are the Library itself and some ancillary files. Then you have three folders
Originals are the photos as they were downloaded from your camera or scanner.
(ii) Modified contains edited pics, shots that you have cropped, rotated or changed in any way.
This allows the Photos -> Revert to Original command - very useful if you don't like the changes you've made.
(iii) Data holds the thumbnails the the app needs to show you the photos in the iPhoto Window.
Regards
TD

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Still working on getting audio exported to an AAF, and having problem doing this. So I need help understanding how FCPX is handling my audio.
When it's on the timeline, is it being conformed to the frame rate of the video?
When audio is exported, does FCPX force it to conform to the video frame rate in the project settings, audio properties, or both? Or does it allow the audio to export at whatever rate the original media is at?
I export an XML from FCPX, then open that with X2Pro and it makes an AAF file, but a report tells me that "Conform rates are not supported. The Conform rate at 01:04:49.23 has been ignored." So when I go to that timecode, all I see is video at 24p and a detached audio piece at 23.98. Why are these different? How would I fix?

FINALLY! Thank you God, this issue is resolved. Here's what I learned and had to do in case anyone else may be wrestling with this issue.
Apparently, FCPX handles audio like this:
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The X2Pro, program to convert FCPXML to AAF, spits out a report showing where all the conform errors were, 39 total, but still required calculating where exactly it was because it didn't identify precisely by frames. Once the offending detached audio clip was located, I then Expanded the Audio Components to see both the original and synchronized audio. Next I had to go find the external audio that had been synced, then do a replace edit on the old synchronized clip. This made the audio's video frame rate 24 and took away the conform errors! Then I had to sync up the new detached audio clip manually with the video clips above it.
Also, to get out to an AAF with X2Pro, it does not support retiming, so I had to strip out 22 instances of retiming.
Whew, glad that's all over! Hopefully this AAF will be pristine for my audio post supervisor to bring into ProTools!
Thank you all for your help and input along the way!

How does upgrade for aperture work if use the trial to download?

I have a new macbook pro. I have installed my Aperture 2.X on it. Can I download the trial and when I purchase get the "upgrade" price? If so, how does that work. Do I type in my 2.x serial number at some point?
Or, if I purchase the Aperture disk, how does the upgrade work then?

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ANOKNUSA wrote:
Leonid.I wrote:OK, I got it. The problem is indeed related to uninstalling: /media disappeared after removal of hal <snip>
Several folk had the same problem after upgrading to KDE 4.6; no one seemed sure precisely what the culprit is. I'm gonna try and reproduce this and check for/file a bug report. You may have maimed two birds with one stone, Leonid.I
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Last edited by Leonid.I (2011-03-01 19:04:43)

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Hello!
I have some question regarding the java.nio.MappedByteBuffer class. I am wondering how does it exactly handle the physical memory.
As first, I guess when I map a file into the the memory it does not mean that the whole file is being read into the physical memory. Am I right?
My second question is, if I map more files into the memory, is there a real danger that I will get an out-of-memory exception? Is available any official resource about the memory management of this class?
And my third question is, what is more efficient way at all, to use the MappedByteBuffer class or to use a FileChannel?
I am looking forward to your replies!

Tomi1226 wrote:
I have some question regarding the java.nio.MappedByteBuffer class. I am wondering how does it exactly handle the physical memory.Java maps the file into virtual memory, the OS determines how to translate virtual memory into physical memory. Java has no control over how the OS does this, nor should it need to.
As first, I guess when I map a file into the the memory it does not mean that the whole file is being read into the physical memory. Am I right?True, map != read or what would be the point.
My second question is, if I map more files into the memory, is there a real danger that I will get an out-of-memory exception? An out of memory ERROR occurs when you run out of heap space. If you create enough file maps you are likely to run out of file handles or some other resourfe before you run out of heap.
Exception != Error.
Is available any official resource about the memory management of this class?Which class?
And my third question is, what is more efficient way at all, to use the MappedByteBuffer class or to use a FileChannel?It depends on what you are doing.

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Hi,
I am using
HttpConnection hc = (HttpConnection) Connector.open(url);
hc.setRequestMethod(hc.POST);
to send bytes to a PHP-Skript. Header "Content-Length" is set to the exact value. It is greater than 2KB. I found out that:
a) If you set WTK-Preferences to HTTP/1.0 everything works fine.
b) But using HTTP/1.1 will get a 441 (Content-Length is missing)-Error from my script.
-> And the body is split up to chunks. Alongside with this, the WTK will drop my "Content-Length"-Header and replace it with "Transfer-Encoding: chunked". So,.. Eric D. Larson from SUN has wrote a mysterious article ( http://developers.sun.com/techtopics/mobility/midp/questions/chunking/ ), which left huge spaces in understanding this. What`s exactly the WTK doing here? All message-bodys greater than 2KB are forced to split to chunks. But how does the WTK exactly do this? Is there a BUG in WTK?
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So to add some serious questions:
1. Do I have do set some special headers if I have to deal with chunked requests? Server has to understand it... Or does WTK correctly and I have to use Tomcat only ;-)
2. Is there a way to force a midlet to use HTTP/1.0? setRequestProperty("Version", "HTTP/1.0") seems to be ignored.
3. Does anybody ever sent Bytes >2KB using HTTP/1.1 succesfully to a standard server??
Hope that someone can help...!

chunked should go just fine.
Forget the Content-Length. Never ever set it with a script it you know chunked is used.
Then: just read the api cods:
HttpConnection c = null;
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         try {
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How does Photos handle Aperture referenced photos

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