How much color in cardridge?

Hi,
I have a big problem. I bought a HP Deskjet 5650. First I installed it on my computer. It worked good, but after month it didn´t work. If I want print sth, it will give me a message, that no printer avaliable.
So, I reinstall drivers for printer, but it was same - no printer avaliable. Than I uninstall all software for this printer and install only driver for printer. It work good.
But, my problem is, that I don´t know, how much color in cardridge I have. Have someone any idea? Some software or something like this with which I can find how much color I have. Thank you very much for any idea.

Oops!! IOS 6

Similar Messages

The old calender iOS6, in the year view, it shows how much busy I am in a day by indicating the color intensity. But the new calendar year view is totally useless!!! also too bright!! Why apple does this?? What is the way to revert the calendar back???

The old calender iOS6, in the year view, it shows how much busy I am in a day by indicating the color intensity. But the new calendar year view is totally useless!!! also too bright!! Why apple does this?? What is the way to revert the calendar back???

Unfortunately, that's the way the cookie crumbles nowadays. Sir Jony Ive's GUI design for iOS7 has been met with much skepticism (to say the least). But until the company sees the compelling need for an adjustment or reversal, it "ain't happenin' ". So amble over to the feedback page ( http://www.apple.com/feedback/ ) and make your displeasure known to the company, OR make it known by not purchasing its products. Because as long as the iGadgets continue selling as fast as they can make them, they will see no need for change.
BTW, do note you are NOT talking to Apple here. This is just a user-to-user forum.
Edit: for now, you can also try out any of the alternate calendaring apps available in the App Store.

How much will it cost to get the screen fixed on an ipad. theres no crack, its just a big black line with small colored lines.

how much will it cost to get the screen fixed on an ipad. theres no crack, its just a big black line with small colored lines.

If it's not considered to be within warranty, then the cost (from http://support.apple.com/kb/index?page=servicefaq&geo=United_States&product=ipad for USA) will be :
iPad Wi-Fi
iPad 2 Wi-Fi
Out-of-Warranty Service Fee
16 GB
$269
32 GB
$299
64 GB
$349
iPad Wi-Fi
iPad 2 Wi-Fi
Out-of-Warranty Service Fee
16 GB
$319
32 GB
$369
64 GB
$419

I broke my iphone 5s gold screen and I wanna change it to new one how much will it cost me in dollars??? and can i change it to black color

i broke iphone 5s gold screen and i wanna change it to new one how much will it cost me ?

Apple wil replace your iPhone with an out of warranty replacement but that replacement is going to be exactly the same as the old one. Apple does not allow you to change it.
iPhone model
Out-of-Warranty Service
iPhone 5
$269
iPhone 4S
$199
iPhone 4, iPhone 3GS,
iPhone 3G, Original iPhone
$149

I need to add more RAM, what do I do and how much do I need?

I have an imac. It is a 21" 2011, 10.8 op system with 4 gigs of ram. It has begun to show the "colored wheel" and a few of the programs that require a lot of ram lock up. I was told I needed more RAM. Where do I buy it, what kind do I need, and how much do I need?
Do I need to buy it in pairs?
Thanks for the help, Mike

Many people on these forums speak well of the following supplier.
For North America contact OWC …        Upgrade Apple iMac Memory
This company has facilities to guide you and will recommend the correct memory package to meet whatever needs you describe to them.
Check out the basic memory costs and do your sums.
Guide to required RAM.    Lookup Mac Specs By Serial Number, Order, Model & EMC Number, Model ID @ EveryMac.com

HSB Color Space Question - How Many Colors Are There In Photoshop

Hello guys, I have a sort of basic question that I have been trying to figure out for a few days.
I am trying to find out how many colors there are in the Color Picker when the Hue radio button is selected.
I know there are 256^3 RGB (#Hex) colors, and I am trying to find some relationship when I am coloring with HSB color space in Photoshop.
It just confuses me because the Hue slider goes from 0-359 and the S and B goes from 0-99...
So how many HSB colors in Photoshop are there? Am I missing out on some colors by using HSB color space in Photoshop as oposed to using RGB?
Are there the exact same amount? Are there more and there are duplicates in HSB space mode?
Thank you all for all your help, much appreciated
Travis

misterfowly wrote:
I know there are 256^3 RGB (#Hex) colors, and I am trying to find some relationship when I am coloring with HSB color space in Photoshop.
It just confuses me because the Hue slider goes from 0-359 and the S and B goes from 0-99...
So how many HSB colors in Photoshop are there? Am I missing out on some colors by using HSB color space in Photoshop as oposed to using RGB?
The deficiency of such mathematical models is that they do not take into account noise and human perception. In an 24 bit RGB space (8 bits per channel) there may be 16 million colors, but this assumes that there are 256 discrete levels in each color channel. You could increase the number of colors by using a 48 bit space. In practice, noise will reduce the number of discrete levels, and this will vary with the camera and ISO used in that camera. For example, consider the Nikon D5000 as evaluated by DXO. At base ISO the camera can resolve only 21.8 bits of color information and this decreases to 15.6 bits at an effective ISO of 2079 (camera ISO setting of 3200).
http://www.dxomark.com/index.php/eng/Image-Quality-Database/Nikon/D5000
Then you have to consider how many of these colors can actually be differentiated by the human visual system. If you can't see a difference, it really doesn't matter.These differences are difficult to quantitate. One such effort uses MacAdam ellipses shown in this Wikipedia article on a CIE 1931 xy plot. How many of these ellipses are contained in the CIE xy space? The DXO site has similar ellipses for real world camera images.
http://en.wikipedia.org/wiki/MacAdam_ellipse
See this RIT FAQ for a more sober real world analysis. The actual number of colors is in the millions, but likely not 16 million.
http://www.cis.rit.edu/mcsl/outreach/faq.php?catnum=1#219
In a real world situation, I would not be overly concerned about differences between the RGB and HSB spaces, but one could increase precision by using a 48 bit space.

How to color-correct / color-match a lot of photos to a certain target.

Hi there,
I have something like 1,850 photos, taken in RAW and later converted to DNG, to create a stop motion. All the photos were taken with the same camera (Canon 5D Mk II) and most of them with a 24-70L. All were taken in the same lighting conditions (in an interior, with the house lighting from flourescent lights) and the same day, in a period of maybe 2 or 3 hours. Each "take" was with the exact same camera and exposure parameters.
When processing the photos in Lightroom (using the LR4 beta) I can see some minor but very noticeable differences between color an exposure in the photos of the same "take". The exposure can be more or less automatically corrected by the Matching total exposures (although I think this doesn't work when the exposures are really similar, but there are some subtle differences like in this case, say, something along ~1/5 stop or so), but I haven't found how to try to match the white balance. All of the photos have already been set to a specific WB (I took a ColorChecker Passport at the beginning of the session), but there are still some differences between some of the shots. Some of them look a tad more greener. I blame the flourescent bulbs, but I'm not sure of the real cause.
So, the question is: is there a way to match the color balance of a series of photos to a target one? I really don't want to go photo by photo setting the white balance manually. Is there a tool like the Match total exposures, but for color balance? I have already tried with the automatic white balance and it helps somewhat, but the problem is that the decided WB for the photos is not the one I need, and I need to have the same WB for all the session, and this could change from different takes. The difference between shots is usually around 4 or 5 "points" in the Tint scale, some are with Tint +11, some with +15.
Any ideas? Or any other tool that could process this after? At the end I'll use JPGs to create the stop motion, so if there is a tool that could process the exported jpgs it could work too.
Thanks in advance,
Rodrigo Gómez

Thanks Lee. I thought that could be the cause too. It's strange that some photos taken, for instance, at 1/100 doesn't show that problem but others taken at 1/30 do show that issue... Uhm, now that I think about this, here in Europe the frequency is 50hz, so it would make sense with this numbers.
I was expecting a more optimistic answer! But I've searched everywhere I can think of and haven't found anything, so I guess I'll have to test how much does it show in the stop motion and see if a correction it's really needed.
Thanks!

Exporting CP 5 to PDF - how much functionality should I expect?

Hello,
I've been reading the Captivate forum for hours and I've learned so much, thank you to all the awesome contributors. However, either I'm missing something or I'm trying to do something stupid that has a better solution. Anyway, I need to export a CP 5 project to pdf, and view it with Adobe Reader 9 or 10. It's working great EXCEPT - external links won't work (I posted a question on that yesterday and a reply said "they are aware of it and are working on it"). Also, I discovered today that highlight boxes won't show up in the pdf either (certainly not the end of the world). Am I just barking up the wrong tree here? Is it silly to try and export CP to pdf? I thought it was going to be the best thing since...yea, sliced bread. Now I think I'm just being thick-headed and there is an obvious, easier way to do things...Didn't CP4 have the export to pdf option? Is it really that new that it doesn't work? If anyone can even help me have a better perspective on this whole thing, even if you don't have a solution to the problem, I would be very grateful. It's either run out of trial time or pay $800. Which will it be???? Yikes. Advice? THANKS!

Hi
You are very patient and helpful and I am grateful.
Regarding *Issue 1: PDF
Thank you for the thorough workaround. I apologize for not providing all pertinent information. The customer wants a standalone pdf on a CD. Therefore, I can't resort to hosting the files on a web server. Here is more information about my project. I am creating 4 lesson modules for middle school science. Each lesson module lives on its own CD. Each module consists of about 15 lessons. Each lesson is a separate captivate project (or, I might get cute and create one big branching project for the whole module). I am using CP 5 (is that the correct abbreviation?) on a Mac OS X running 10.6.5. Each lesson has about 20 slides, including 10 quiz slides. At certain points in the presentation, a student is asked to click a button to open a small pdf that is an activity, a practice worksheet, or a text piece. Everything is colorful and snazzy and the little pdfs have the text entry boxes so they can type in answers and save their work, or print out the pdf and use a pencil. None of the lessons will be linked with LMS. I instruct the user that the lesson module must be opened with acrobat reader 9 or X. I am actually testing everything with reader X.
I used to create these lesson modules by using a combination of PP, acrobat 9 pro extended, flash movies, flash animations, and a couple of converters here and there. By trying captivate this week, I discovered that I can produce things that look better and take half the time. Except for the fact that I can't get the external links to open when I export to pdf. That's where I'm stuck. Perhaps, since CP is geared toward web hosting content, I need to look for a different tool. Help? Wouldn't I love to just publish to the customer's website and that would open up lots of fun possibilities! But alas, there are still schools in these great United States that have unreliable internet access, overworked and under-resourced IT departments, etc. That is what I am up against.
OH - one more piece of information. I create the reading, activity, and worksheet pieces in InDesign and save them as pdfs. I've only been using iD for a few months, I love it. I was a long-time framemaker user. Actually, seems like close to forever. I still have to use frame a little longer for some things while customer transitions to iD.
Regarding *Issue 2: Highlight box not showing up
Mac 10.6.5
highlight box settings:
No highlight box showing up in SWF or HTML
Acrobat Reader X
Note: I set the display time and appear after time by sliding the highlight box to the right place in the timeline where it matches the narration. I used to use final cut pro a lot and I love using the timeline in captivate. Previously, I had to go through all kinds of gyrations to sync narration with animated text like highlight boxes...
Finally, I would like to say again how much I appreciate your help. This forum has taught me a lot in a very short period of time. Two thumbs up!
Best,
Peezer

How much post-production is required to match wide and close-up shots from the Sony Z7U?

I own a Sony HVR-Z7U and I am interested in knowing how much work would have to be done in AVID or Adobe Premiere Pro CC to match colors between wide shots and close-up shots taken from the Sony HVR-Z7U?
The project in question is a movie trailer for a kickstarter campaign shooting this week. If you need further clarification of my question, please let me know.
Thank you for your time,
Adam

I own a Sony HVR-Z7U and I am interested in knowing how much work would have to be done in AVID or Adobe Premiere Pro CC to match colors between wide shots and close-up shots taken from the Sony HVR-Z7U?
The project in question is a movie trailer for a kickstarter campaign shooting this week. If you need further clarification of my question, please let me know.
Thank you for your time,
Adam

How much will GPU upgrade for Dual 1.25 G4 FW800 help HD rendering times

--"Oh great, not another 'I have an ancient Mac' thread, time to join the 21st century!"
Please hear me out. I don't have a lot of money. Any money I have needs to go to video/photography needs since that is my job. If I bought a proper editing station I couldn't afford to shoot. Currently I shoot HDV but will be shooting Canon 5D mark ii (h.264) soon. I use FCS2, but since I have a Dual 1.25 G4 FW800 I can't use Color or Motion. I would "like" to explore those programs.
Why don't I face reality and buy a new Mac? Because after reading threads like this I am afraid of missing the alleged 32nm Arrandale MBP coming out in a year. The past 7 years with the desktop I've needed to go portable at times so I'd like to get the MBP. I understand it will probably only last ~half as long as would a MacPro. Maybe I'll get rich and can buy a MacPro in a few years...
This Arrandale possibility has me shaken up. I've put off buying a new Mac for so long. I really haven't "needed" to edit intensively. A TV show I'm on is ending and I want to be doing more of my own stuff in the near future. How much, I don't know.
Would buying a new GPU such as the ATI 9800 Pro help me get back into the game? Could I use Color or Motion effectively and will render times in FCP6 be better? I've tried searching here and elsewhere and am certain this had to come up but can't find anything specific to my question. I run Leopard but could go back to Tiger if need be. I've read all the system requirements but want to know first hand knowledge, from those who've tried (FCS2 with a PPC G4). Is it worth an upgrade to hold out another year for a MBP?
Anything else I should say?

I wouldn't wait another day. There will always be some incredible new upgrade around the corner. Using G5s with HD makes me go insane. I can't imagine a G4. A new graphics card will not help you. Shooting with the Canon 5D will require you to render your h.264 video to an editable format. That only uses the CPU. The GPU will only expend its energy drawing the slowly-updating progress bar on screen. Last week I was on location with a year-old MBP and the conversion times for Canon 5D footage were a bit too long for my tastes. Doing it with an 8-core Mac Pro is significantly better.

How much difference between Premier Elements and PS VII?

How much difference is there between Premiere Elenebts and Photoshop Elements VII? Considereing upgrading, but need to know how much time I will have to spend in training?

It’s certainly worth considering the bundle PSE10 & PRE10 which is very favorably priced. The two applications seamlessly integrate. There are some interesting new video features - even for bringing your stills to life.
New color correction tools make it possible to enhance video clips, just like photos.
It’s also possible to burn HD quality movies to both Blu-ray disc and onto standard DVD’s. PRE10 is Adobe’s first consumer package with 64 bit support for enhanced performance (Windows 7 only)
Mac users were first introduced to PRE9 and can now use SmartSound® to add a variety of royalty free music soundtracks that automatically adjust to perfectly match the length of their movies.
To see the new features and system requirements click here for PDF
You Tube click here for video

How much of the RAW tonal range is conserved when using "Merge to HDR Pro"?

Hello,
I am wondering how much tonal range is saved when making a HDR image with Photoshop? I have three photographs with an EV diference of 3. I can combine them into one HDR file just fine, but I can't turn one of them into an HDR file. This has made me wonder the following. If Photoshop is unable to turn one RAW image into a 32-bit image, then how much range is lost in the conversion process? If I try to open a RAW file in Photoshop for saving into a EXR. file for instance then I notice that Photoshop simply turns my image into an ordinary 8-bit per channel image.
I am using a camera with a very good CMOS sensor and the RAW data that my camera produces is of a very high tonal range. It would be a shame if Photoshop discards said range. This is a question that is very hard to Google since everyone that is using HDR is obsessed with tonemapping. I have to clarify that I don't care about tonemapping I just need the range. I would love to have an official Adobe employee answer some of my questions.
So these are my questions:
Why can't Photoshop turn a single RAW file into a 32-bit image by using HDR Pro?
Does the fact that Photoshop can't turn a single RAW into a 32-bit image mean that all the range is lost when merging many RAW files?
Does anyone know of a way to capture the full dynamic range of a single RAW image without using time consuming nonsense like virtual bracketing?
If there is a way. How would you combine many 32-bit images into a single 32-bit image in order to maximize range.
Why is no one else wondering about these things?

I am looking forward to an anwer concerning the HDR preview-result-difference as well... Since some posts suggest to check out the color profile of the input files, i did so: they are both sRGB. And the immense change of saturation and brightness (in other examples even worse than below) couldn't be explained by a different profile anyway, IMHO.
working parameters:
Adobe Brigde CS6 (Tools/Photoshop/HDR PRO)
Adobe Photoshop CS6
sRGB both input and output...

Does any body have any opinions on how much better CS6 is than Cs4?

Does any body have any opinions on how much better CS6 is than Cs4? The reason I ask is I am trying to convince my business partner that CS6 is worth buying

My pattern has been that every other new version made it worth my while. I spent very little time working in CS4, since I went from CS3, to CS4 with an immediate upgrade to CS5. Then from CS5 to CS5.5 with an immediate upgrade to CS6. I have not gone to the cloud, so cannot comment on the features there. I would still evaluate your price for CS6 against the rental expense.
I like Todd Kopriva's page laying out the CS6 new/changes features:
Premiere Pro CS6: what’s new and changed
That page contains other links (e.g. CS5 and CS5.5 changes).
In addition to cc_merchant's points about 64 bit (which were HUGE and for CS6 included Encore going to 64 bit), I found these items from the "new" list as important to me:
adjustment layers (HUGE)
expanded multi-camera editing, with more multicam angles and improved interface (I hated only having 4 angles, although that usually worked)
improved color features, including integration with SpeedGrade and redesigned Three-Way Color Corrector effect
improved workflows with other applications in Adobe Creative Suite, as well as with Final Cut Pro and Avid software
faster Adobe Media Encoder, redesigned to make authoring for multiple outputs and mobile devices easier (batch processing was added with CS4, but it wasn't until CS6, with other enhancements that I really worked it)
enhanced Adobe Encore for creation of DVDs, Blu-ray Discs, and web DVDs (Bluray chapter playlists finally; I have used the flash output, which has gotten better at each step)

How much pressure can the macbook screen take??????

i have just bought a macbook pro retina late 2013. I was wondering how much pressure can the screen take???????

You said you verified a very close (hopefully with a magnifier) look with varying background colors at the point of impact that there was no color variation as indicative of a hairline crack.
So, AFTER the impact, the white line has appeared 3 times since?
If that is the case you have a hairline crack that you missed upon close inspection or actual, but rare, LCD damaged that didnt manifest an actual crack.
in which case make appt. with Apple on your display. If there IS a crack you missed at inspection or genuine LCD damage, there is no way to fix that, the display would have to be replaced.

How to tell how much toner in hPlaserjet CP1525nw

how to tell how much toner in hP laserjet CP1525nw

Hello lwwpbw, and welcome to the HP Forums, I hope you enjoy your experience!
I saw from your post that you are looking to find the levels of toner within your printer. I'd love to help with that today!
I have a document I would suggest using, containing the steps to check your toner levels: HP LaserJet Printers - Checking Toner Levels.
This document may also be helpful to you: HP LaserJet Pro CP1525n and CP1525nw Color Printers - Managing Print Cartridges.
Good luck and please let me know the results of your troubleshooting steps. Thank you for posting on the HP Forums!
Please click “Accept as Solution " if you feel my post solved your issue, it will help others find the solution.
Click the “Kudos, Thumbs Up" on the right to say “Thanks" for helping!
Jamieson
I work on behalf of HP
"Remember, I'm pulling for you, we're all in this together!" - Red Green.

How much color in cardridge?

Similar Messages

Maybe you are looking for