How should I incorporate 60p clips into 24p multicam clips?

I shot a music video recently on a 7D. I have three variety of clips:
24p
24p shot to slow playback, which needs to be sped up to 132% for sync
60p that needs to be conformed
How should I incorporate these clips into 24p multicam clips. Do I do all the conforming/speed changes in the multicam timeline after making the clip or is there a way to do it prior in the event browser and be able to take advantage of FCPX's syncing?

I'm having difficulty following your description. You shot with one camera and you want to make a multiclip…so should I asume you had three separate takes of a performance? And the audio? Is it recorded music that you want the talent lip-syncing to? Or something else?
Justin Powell! wrote:
24p shot to slow playback, which needs to be sped up to 132% for sync
60p that needs to be conformed
Could you also expand upon these statements? Why does the 24p need speeding up and why does the 60p need to be conformed?
With a typical multi-cam shoot, FCP does a great job of syncing different formats, including multiple frame rates. Those usually are synced by matching (automatically) the waveforms of the reference audio in the various cameras and any other sound sources. But yours does not sound like a typical shoot.
Russ

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Date: Mon, 19 Nov 2012 14:44:31 -0700
From: [email protected]
To: [email protected]
Subject: How do I get video clips into Organizer from Elements?
    Re: How do I get video clips into Organizer from Elements?
    created by whsprague in Premiere Elements - View the full discussion
karaannmbb wrote: I have broken my raw video into pieces in elements but can't get it to import into organizer. I am using Elements 11 Trial.Place the "Work Area Bars" (located on the time line) so that only a "piece" is covered. Then "Share" to a computer file. Pick a file type that suits your needs. Be sure to check the box titled "Share WorkArea Bar Only". Unfortunately, the clip piece will be re-encoded. PrE11 will do that well, but not perfect because any encoding always seems to loose a little. You did not say what camera you are using. The software that came with my Sony and Panasonic camcorders is much better for splitting clips into smaller clips. Some sort of magic is in them where re-encoding does not take place. The pieces have the same picture quality as the original.   So, when I do what you want, I break it into pieces with the camcorder software, the put the video together in PrE with all the creative tools it offers. Bill
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How should I incorporate 60p clips into 24p multicam clips?

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