How to adjust individual RGB channels?

Hi there, is is possible on a iMac to adjust the individual RGB channels? if so, how? if not, is there anyway to control the colour temperature of the screen? thanks

Hi,go to System Preferences and choose Displays, from there choose 'Color' and 'Calibrate' and then check the 'Expert Settings' box. You can then vary the colour temperature and each channel, saving your results as a profile so it can be easily switched or applied to an indiviual image in Preview.
mrtotes

Similar Messages

LR4.1 - Tone Curve - how to adjust individual RGB channels?

Hi,
I am having trouble figuring out how to adjust the curve of individual RGB channels. I am assuming the LR4 Tone Curve works like the PS Curves dialog with the channel dropdown.
The LR4.1 Help says:
To make adjustments to individual points on the tone curve, choose an option from the Point Curve menu, click the Edit Point Curve button , and do any of the following:
Choose an option from the Channel pop-up menu. You can edit all three channels at once, or choose to edit the Red, Green, or Blue channel individually.
When I click the little icon in the lower right corner of the Tone Curve panel, the panel shrinks so that I don't see the Regions sliders. If I click again, they are visible again. I can't find where to select one of the three indvidual channels.
The Help refers to "the Point Curve menu." Where is the Point Curve menu? Is the Point Curve different from the Tone Curve?
If I right-click (Windows) in the curve dialog, the context menu has a Show Info option. I click it on/off and don't see any change or any info. Where should I be looking for info?
Thanks for any help here.
John

Good morning John,
The point curve is the one without the sliders. The adjustments for the individual channels are only available with
PV2012. You must be editing a file with PV2010 or 2003. When in PV2012 you will see " Channels: RGB" below the curve window. Click on the doule triangles following the RGB
to pick the individual channel.
HTH
Rich

BCS Breakdown Check - how to adjust individual records?

Hi all,
I just arrived at a new client and have found several thousand inconsitent records.
Breakdown check shows us how many there are and also allows entry of a vlue for missing subassignments.
However, there is no option to adjust individual lines (not even to differentiate between totals records and journal entries), eg Item 800210 now requires breakdown by Partner Unit, however, there are 15 records with a blank value but only one line in breakdown check in which to enter a partner.
Obviously the user wants to enter different partners depending on further details (eg cons unit, amount, other breakdown values etc.),
where/how can such selections be made?

Thanks Dan,
Here is a response from SAP developers themselves:
If a customer introduces a new breakdown later and adopts old data, it
is very appropriate a fair to fill the newly introduced breakdown by one fixed value in all old data records. Otherwise, we would project a
degree of detail into historic data records, which was not available at
the time when these records were created.
So, this requirement does not make really sense, and we cannot support
it. For historic records, we only support entering one fix breakdown
value for all affected records. From that time on, the customer can of
course maintain a higher degree of detail on new postings.

How so select an RGB channel (like in AE)

I am trying to figure out how to toggle my display to show Red, Green, or Blue channels as output... much like you can in after effcts (see attached pic). Any help?

Hi dshrode,
You can only display composite video or alpha in Premiere Pro. Sorry.
You can submit feature requests and bug reports here: http://www.adobe.com/go/wish .
More on feedback for Premiere Pro:http://adobe.ly/q6pEBy
dThanks,
Kevin

RGB channels Curves adjustment please

Please, add the possibility to adjust individually each RGB channels in curves....

Are you saying that this tool is not UseFull ? Are you Saying that this tool is not usefull in Photoshop too ?
Look, It's okay for me if you like to cut your beefsteak with a butter knife.... But LightRoom is a production tool for professionals, and professional need precision and productivity.
RBG Adjustment tool is not about getting adjustment more easy, it's about getting precise and accurate adjustments in precise tones. Just try to do all this on the same image in Lightroom, and if you really can, for sure it's not faster as you could do it with the RGB Adjustment curves :
- increase the blues in the shadows
- reduce the blues in the Highlights
- reduce the reds in shadows
- increase the reds in highlights
- increase the greens in highlights
I'm looking forward to see how you do that in a fast way LR.

? Selecting 2 of 3 RGB channels in to adjust in Levels

This is a CS4 question (and let me express my ingratitude to Adobe for dropping support for an $1800 set of apps).
In Photoshop CS4, using a G5 (non-Intel), in the Channels view panel (alongside Layers, etc), when it is displaying RGB, Red, Green,and Blue I am able to shift-click, on say, the Red and Blue channels to sleect only those two. The image still displays in full RGB. When I issue command-L (Levels) I end up with the basic Levels disalog box, and instead of it choosing by default "RGB" for adjusting, I now have "RB" and I can adjust Red and Blue together with the sliders, avoiding the green channel. I can do this in, obviously, three combinations.
For some reason, when I try this same thing on a friend's Intel Mac with Photoshop CS4 (same!), shift-clicking the Red and Blue channels in the Channels palette chooses them but the image display now displays without the Green channel influencing the image, thus rendering it unusable for adjusting two channels at once.
I figure that since I am using the same App version on each Mac, maybe there is a setting somewhere I cannot find, or I am forgetting a step on the way to my friend's computer.
Q: How do I choose 2 channels in the Channels palette while still having my image display in full color, and also be able to choose those two channels for adjustment in the Levels?
For those of you who are wondering WHY I would want to adjust 2 channels at once, here's an example: an image looks lsightly too yellow, bt ther eis no yellow channel. Yellow is full Red & Green, so, using my method, I can choose both those channels, and reduce the yellow by reduing R and G together.

You should be able to shift click the red and blue channels, then make the rgb composite visible (make the EYE visible by clicking in that box)

Is there a way to change the individual color (rgb) channels of a clip, like in the previous version of iMovie?

I loved this feature in the older versions of iMovie for editing my underwater scenes to get ride of the greenish tint. Now I only see a color temperature slider adjustment in the new iMovie, but that doesn't give me enough control. Is there a way to get each color channel edit back?

iMovie version 10 doesn't have the individual RGB gain controls that version 9 does.
You'll find that version 9 was left behind in your Applications folder when you upgraded to 10.
Matt

PS CC - I have a B/W background which I flattened - Then, change to RGB and add an RGB color graphic - print out makes background a greenish color - Can't figure out how to adjust.

PS CC - I have a B/W background which I flattened - Then, change to RGB and add an RGB color graphic - print out makes background a greenish color - Can't figure out how to adjust.
Thanks,
Dave

If the grayscale looks ok on screen, you are probably not setting up your print correctly. What OS? What printer?

RGB Channels grayed out

In my Camera Raw 6.7, when using the Tone Curve, the RGB channels are grayed out and can not be switched on, probably because the Raw Defaults are missing.
How can they be restored?
Thanks,
Walter

I don't believe that individual color channels can be adjusted in camera raw 6.7, even though you see that.
They can be adjusted in camera raw 7.x and 8.x.
In camera raw 6.7 your always adjustng the composite RGB channels.
more info: (Jeff Schewe is an expert on adobe camera raw)
http://forums.adobe.com/thread/1154075

Need iMac G5 (iSight) monitor calibration help (RGB Channels?)

I understand the need to calibrate my display so that the final print matches what I see on my display. I plan to use the Gretag Macbeth Eye One Display calibrator, which I have already used on my last CRT monitor, with good results. I needed to adjust the Brightness, Contrast and RGB Channels individually to get the profile on the CRT monitor. I cannot seem to find these same controls in the iMac G5. Am I just blind...or do they not exist in this computer? Please help! Thank you, Regina
iMac G5 iSight Mac OS X (10.4.5)

You do not have individual channel calculation on an LCD at least not with the G-M software (apple's built-in calbrator does a software calibration for individual channels, but you'll still be closer with the Eye-One Match results). Brightness you can set with the slider in display or by using the keyboard controls. Contrast is in universal access, but you should just leave it alone. The default setting is the correct one for beginning a G-M calculation.
EDIT Are you aware that there was an update to the G-M software a couple of weeks ago? You can download it from their website.

How to adjust broadcast safe filters correctly (Filter currently compromises picture)

Hi guys,
Can anyone explain to me how to use the Broadcast Color filter properly? Before, when I was using FCP7, I just slapped on the Broadcast Safe filter and the edits passes the QC every time. Now we've moved to Premiere Pro CC and I added the filter twice, once to set the luma and once to set the saturation (both default at 110). The problem is that it completely changes the picture. I get banding and the colour is noticeably clamped. I've been working a lot with animations recently, so dealing with a lot of super saturated and bright colours. If I set the broadcast filter to both 120 on luma and saturation, it doesn't look too bad. Does anyone know at what number in the broadcast safe filter, will the become colour become not safe? Can I get away with 120 on the luma and sat? Please see images below:

I never use that BC Filter!
Test showed me its un reliable and it degrades the image. Basically it uses a "keying" type approach and this can leave some very nasty visual remnants ( patches).
I use the traditional method of working with scopes ( Luma and RGB Parades) and levels ( Levels Effect) and processing in various CC Tools.
To legalise color I work on the individual chroma ( RGB Channels). Red is usually the culprit that needs fixing.
The Levels Effect will automatically clip Luma. I generally drop Whites to 95-98 to be safe.
Unfortunately in PPro or Speedgrade...there is no soft clipping available . THere is in Resolve.

SAPScript: how tu adjust heigh and width of standard text (logo)?

Hi!
how to adjust heigh and width of standard text (logo)?
I do not want to edit the logo, because it is used elsewhere, so I need to adjust heigh and width when using it in a form.
For now stadard text comes over the window. Here is how I use it:
INCLUDE ZHEX-LOGO OBJECT TEXT ID ST
Will reward,
Mindaugas

Hi Mindaugas,
While uploading using RSTXLDMC. You have to maintain your size of the logo.
Go through below mentioned document.
Upload TIFF files to SAPscript texts
Description
The report RSTXLDMC allows a TIFF graphics file to be uploaded from the file system of the R/3 GUI to a standard text in the R/3 word processor SAPscript. (TIFF is a registered trademark of the Aldus Corporation.)
When uploading, the TIFF graphic is converted either into a black and white raster image (parameter type=BMON ) or as a color raster image with a maximum of 256 colors (parameter type=BCOL).
The black and white raster images ( BMON) can be printed using the following printer types:
PCL-5 printer
PostScript printer
Kyocera PRESCRIBE printer
Device type SAPWIN (with SAPlpd 32-bit as of Version 2.41 for Windows NT or Windows 95)
The color raster images (BCOL) can be printed using the following printer types:
PCL-5 printer with color capability (e.g. HP Color LaserJet). Color graphics are not printed properly on monochrome PCL-5 printers (e.g. HP LaserJet 5), because the printer cannot set the color palette as required and does not perform any gray-level conversion.
PostScript printer (color graphics are automatically converted to gray levels on black and white printers using PostScript) Device type SAPWIN (with SAPlpd 32-bit as of Version 2.41 for Windows NT or Windows 95) During TIFF graphic import, the basic set " Baseline TIFF 6.0 " of the TIFF specification 6.0 is supported.
To maintain compatibility with earlier versions of the report RSTXLDMC, it is also possible to convert the TIFF graphic directly into a black and white raster image for a particular printer type when uploading. These are the three printer types PCL-5 (parameter type=PCL ), PostScript (parameter type=POST) and Kyocera PRESCRIBE (parameter type=PRES ). A raster image uploaded in this manner can only be printed using the appropriate printer type.
Besides TIFF raster graphics, direct printer commands in the respective printer language (PCL-5, PostScript or Prescribe) can also be contained in the file which is to be uploaded (printer macros). They are then transferred to the standard text unmodified.
The graphics are output by inserting the standard text into the document which is to be printed, directly or using an INCLUDE command. The printer commands, which for example draw a company logo on the page, are only output if the print request is processed by the printer driver corresponding to the macro type, otherwise they are ignored. Example: A macro of type PCL is contained in a print request. If the request is output to a printer with type HPLJIIID (to which the driver HPL2 is assigned), the macro data is sent to the printer. If the request is printed on a printer of type POSTSCPT (to which the driver POST is assigned), the output of the macro data is suppressed.
In the standard text, the printer commands are inserted between the HEX ... ENDHEX command lines in hex notation. Various report parameters allow the graphic or printer macro to be placed on the page or at the current text position. Note: When the /:HEX command line which precedes the macro appears in the text, a line break is generally made before the graphic is output. The output of the macro therefore begins in the next text line at the left window border of the current page window, as long as a shift to the right is not specified (see below).
If your own printer macros are uploaded and not TIFF files, you must ensure yourself that the normal (text) output of the driver is not impaired when the printer commands are inserted in the output from the uploaded file. The printer drivers pass the data contained in the file to the printer unmodified, therefore without control over the individual actions this triggers on the printer. For example, syntax errors should not be generated by the PostScript commands (type POST), or form feeds should not be contained in the file (unless this was intended) for PCL-5 (type PCL).
Restrictions:
In general, the output of graphics generated via RSTXLDMC from R/3 is not suitable for mass printing (that is, unless you are using the "Graphic resident on printer" feature): the R/3 spooler has to hold significantly more data in its output files. If the graphics occur several times in a spool request, the data also reoccurs. Apart from this, the network is more heavily loaded in sending the increased volume of data to the printer and the printer output is slowed significantly (varies according to printer model) if raster graphics are output as well as the text.
If your graphics reside on your printer during a printing job, the degree of 'correctness' with which they are printed depends on the amount of memory available in your printer. R/3 print drivers are unable to determine whether the amount of memory available is enough! If one of the graphics that you have marked as resident is not displayed, try reloading the graphic and switching off the parameter "Graphic resident on printer".
When printing black and white graphics on PCL-5 printers, image data is compressed in order to greatly reduce the file size.
The output of graphics and macros on PCL-5 printers, PostScript printers and device type SAPWIN (type BMON, BCOL, PCL, POST) is adapted to the page orientation used, that is if landscape is used instead of portrait, the graphic is also turned when output. This is not the case for the PRESCRIBE printers (type BMON, PRES)! With these printers, the graphic is not automatically turned when landscape is used, but appears on the page in the identical position as for portrait. You are therefore recommended not to output raster images when printing in landscape on PRESCRIBE printers.
PRESCRIBE printers do not support the resolutions 200 and 600 dots per inch when printing raster images.
Not all PCL-5 compatible printers support the resolutions 200 and 600 dots per inch when printing raster images.
TIFF graphics with compression type 2 ("CCITT Group 3 1-Dimensional Modified Huffman run length encoding ") can currently not be imported although this is a component of the Baseline TIFF 6.0 specification for monochrome images.
Color TIFF graphics with full color representation (ie. a lot more than 256 colors) are automatically converted into 256 gray levels when uploading with type BCOL.
When TIFF graphics are converted to black and white raster images (type BMON, PCL, POST, PRES) there is no default simulation of gray levels or colors of the original image on the printer (for example, by using different tones of gray). Each pixel of the original image is converted to a white or black pixel on the printer according to its intensity value.
The parameter "Number of TIFF gray levels" does, however, allow a simulation of gray/colour tones of the original image through levels of gray on the printer, when using type PCL, POST or PRES. This parameter is ignored for type BMON.
The conversion of TIFF graphics can be so time-consuming that it is recommendable to execute the report RSTXLDMC in batch processing. Note: in batch, the file is always read from the file system of the application server (ie. not from the file system of the GUI).
The length of an individual text in the text file is limited. When importing TIFF graphics with very large dimensions, especially if more than 2 gray levels are used, a termination can therefore occur when saving the standard text ("EXPORT_TOO_MUCH_DATA"). This restriction can only be avoided by reducing the TIFF graphics. Note: The display of a raster image in Postscript or PRESCRIBE format needs from two to three times as much space as displaying in PCL-5.
When processing very large TIFF images on PostScript printers, a print termination can occur with PS error message "limitcheck". In this case the internal memory of the printer is insufficient to scale the required raster image. This implementation limit cannot be influenced by changing the report parameters when importing.
Requirement
The file which is to be uploaded can contain the following formats/ commands:
Baseline TIFF 6.0 raster image files. The image information of the TIFF file is converted into black and white/color raster images when uploading. Note: As the TIFF format allows a variety of variants, only a basic set of TIFF 6.0 formats is supported here described in the TIFF 6.0 specification as Baseline TIFF 6.0.
PCL : PCL-5, Hewlett Packard Printer Control Language 5 for HP LaserJet 3, 4, 5 series and compatible printers. The data is output by the printer driver HPL2 only.
PRES: Kyocera PRESCRIBE for Kyocera laser printers. The data is output by the printer driver PRES only.
POST: Adobe PostScript or EPS format (encapsulated PostScript ) for PostScript printers. The data is output by the printer driver POST only. In the upload, one of the end-of-file markers (CTRL-D, hex $04) which may be contained in the PostScript file is not transferred.
For PostScript files which contain a bounding box entry (for example, all EPS files) the macro/graphic can be scaled to a size specified by the user. In this case, a small lead text and trailer are generated by the report for the macro data and inserted in the standard text.
Parameters of RSTXLDMC
File name
Path and file name of the file to be uploaded in the file system of the R/3 frontend (dialog processing) or in the file system of the application server (batch processing)
Type
Way which the data contained in the file is to be converted. Possible values are BMON, BCOL, PCL, POST and PRES. With parameter values BMON and BCOL, a TIFF 6.0 file is expected. This is converted into either a black and white raster image (BMON) or a color raster image (BCOL). These raster images are printer-independent and can be printed using various printer types (see above).
With parameter values PCL, POST and PRES, either a TIFF 6.0 file or a file with printer commands in the appropriate printer langauge is expected. If the file is a TIFF file, it is converted into a black and white raster image for the printer type specified in the parameter. The presence of a TIFF file is recognized automatically. If the file is not a TIFF file, the file contents are regarded as the printer macro of the respective type. Data loaded with type PCL, POST or PRES can only be printed on the respective printer type.
Resolution for TIFF raster images
Resolution which should be used when importing a TIFF raster image, in dots per inch (dpi). If an allowed value is entered here, this overrides the resolution information in the TIFF file. The allowed values are:
75 dpi
100 dpi
150 dpi
200 dpi (not for type PRES, for PCL only HP LaserJet 4,5 series)
300 dpi
600 dpi (not for type PRES, for PCL only HP LaserJet 4,5 series)
Changing the resolution affects the size of the graphic on the printer. If a resolution of 300 dpi is stated in the TIFF file and this parameter is set to 75 dpi, the graphic is four times as big when printed as at the outset.
Note: Kyocera PRESCRIBE printers do not support 200 and 600 dpi resolutions.
Note: Not all PCL-5 printers support resolutions 200 and 600 dpi, for example HP LaserJet 3 series does not, but LaserJet 4 and 5 series do.
Graphic Resident on Printer
Normally, graphics that occur more than once in a printing job (a company logo that appears on each page, for example) are sent to the printer repeatedly each time they are needed. In order to avoid this kind of redundancy, you can select this checkbox on the selection screen. The R/3 print driver then stores the graphic in the printer's memory and the printer retrieves the 'resident' graphic memory every time that re-occurs in your job.
Caution: Whether or not the printer correctly reproduces the graphic depends on the amount of memory available in the printer during the printing job! You should avoid using this feature with color graphics since they take up a lot more memory than monochrome graphics.
This parameter can only be used with types "BMON" and "BCOL".
Absolute positioning
Determines whether the macro/graphic is positioned absolutely or is to be output at the current text position. If this checkbox is selected, the graphic is positioned absolutely (parameters "X-position" and "Y-position" are used), if this checkbox is not selected, the graphic is positioned at the current text position (parameters "Reserved height" and "Shift to right" are used)
Absolute X-position
Horizontal position (space from left border) of the macro/graphic, if absolute positioning is required. This is the parameter XPOS of the HEX command.
Absolute Y-position
Vertical position (space from upper border) of the macro/graphic, if absolute positioning is required. This is the parameter YPOS of the HEX command.
Reserve height automatically
If this checkbox is selected, the system automatically inserts the actual height of the graphic during printing into the subsequent "Reserved height" parameter.
Reserved height
If positioned at the current text position, this parameter specifies the horizontal spacing to be reserved for the macro/graphic, which must not be printed with text from the paragraph. This is the parameter HEIGHT of the HEX command.
Shift to right
If positioned at the current text position, this parameter specifies the space between the left border of the macro/graphic and the left border of the page window. If this value is increased, the macro/graphic is shifted to the right. This is the parameter LEFT of the HEX command.
Unit of measurement for positioning
The unit of measurement in which the position values (X,Y, height, shift) are specified. Possible values are CM (centimeters), MM (millimeters), IN (inches), PT (typographic point = 1/72 inch), TW (1/20 point = 1/1440 inch)
Text title
Comment used for the attribute "Title" of the standard text generated as well as as a comment line in the text itself
Line width
Number of columns to be used in the standard text when generating the HEX...ENDHEX command lines. The default value is 132
Text name
Name of the standard text to be generated. If an * character occurs in the name, it is replaced by the value of the parameter "Printer type". For example, if the entry is ZHEX-IMAGE1-* and the printer type = PCL, the text name ZHEX-IMAGE1-PCL is generated. The default value for the name is ZHEX-MACRO-<printer type>, but the standard text can be named as required (take into account customer reserve). Standard texts are client-dependent!
Note: The name of a standard text can be up to 32 characters long !
Text ID
ID of the standard text to be generated. The default value is ST (general standard texts)
Text language
Language key of the standard text to be generated. The default value is the logon language
PostScript scaling
Flag which determines how the macros/graphics of type POST are handled. If set to 'X', the report expects a PostScript comment line in the file
%%BoundingBox llx lly urx ury (e.g. %%BoundingBox -1.5 0 21.4 14.1)
as present, for example, in all EPS files, in which the dimensions and the position of the macro/graphic are specified (if a bounding box comment is not included, 0 0 1 1 is assumed as the default value). This information is then used by the report to insert PostScript commands which scale the macro/graphic to the size specified in the parameters "Width" and "Height" (listed below).
If the flag is set to ' ' (blank), the PostScript file is transferred to the standard text without any additions (any transformations to the coordinate system used by the printer driver must already be contained in the file).
The flag must be set to 'X' for the import of TIFF files for type POST.
Width according to PS scaling
Required width of the macro/graphic if the flag PostScript scaling is set. Can remain at zero for the import of TIFF files, the size is then determined by the resolution of the graphic.
Height according to PS scaling
Required height of the macro/graphic if the flag PostScript scaling is set. Can remain at zero for the import of TIFF files, the size is then determined by the resolution of the graphic.
If you want to scale the PostScript graphic with these parameters, one of the two values, width or height, can be specified with zero. The graphic is then scaled so that the width-to-height ratio remains unchanged and the original graphic is not distorted.
Unit of measurement for PS scaling
Unit of measurement in which the parameters "Width" and "Height" are specified. Possible values are CM (centimeters), MM (millimeters), IN (inches), PT (typographic point = 1/72 inch), TW (1/20 point = 1/1440 inch)
Number of TIFF gray levels
Number of gray tones which are to be used on the printer for displaying the original image. Note: This parameter is only evaluated when using types PCL, POST or PRES!
Possible values are 2,4,9. With the default value 2, each pixel of the original image is converted either to a white or a black pixel on the printer. With the value 4, each pixel of the original image is converted on the printer with 4 pixels, which simulate 4 different gray levels. With the value 9, each pixel of the original image is converted on the printer with 9 pixels which simulate 9 different gray levels.
Note: With values 4 or 9 the resolution of the image is doubled or tripled. The restrictions on the possible resolutions (see previous parameter) then apply for the resulting resolution.
Output
Individual steps of the upload procedure are logged in the report list generated and, if necessary, errors reported. The uploading of TIFF graphics, in particular, is cancelled if there is a variant which is not supported. A message to this effect is then issued. If execution is successful, the report generates a standard text with the key specified in the parameters. If the standard text already exists, a window appears with a warning before the text is overwritten.
Regards,
Ameer Baba.

How to generate individual HTML files from linked help?

Hi folks,
I'm trying to figure out how to generate individual web pages - based on heading types - from a help project this is linked to a FrameMaker book.
I'm linking to the FM book, rather than importing, because the import process ruins my graphics. So, I know how to create individual web help pages using the import process; but that's not an option for me. (The graphics issue is a whole other discussion, which I've since given up on.)
So, I'm using TCS 3.5 (RH9 and FM10). I've successfully linked to the FM book. Each topic represents a complete chapter and includes a single Heading 1 for the title and several Heading 2's. Again, these are all in the same help topic because I'm linked to the FM book.
What I want to do is generate the web help so that new web pages (files) are created. In other words, I want breaks before each Heading 2. I want the resulting web pages to be named based on the Heading 2.
Is this possible?
Thanks for reading,
Tom

I’m not sure I understand the problem (I’m using FM 10, RH9, TCS3): You can adjust .isf and all Conversion/CSS mapping, etc settings for an existing project (Linked or Imported) at:
File > Project Settings > FrameMaker Document > Edit Conversion settings for FrameMaker documents: (click Edit button).
Then, Go to FrameMaker Settings > Paragraph > Heading 1 etc. and click the box for Pagination.
What I don’t know is if you have to re-do your linking process from scratch to do your pagination settings right the first time (like create a new project with your Frame docs, which shouldn’t be hard to test if you have saved your CSS, Master Pages etc), or already have an .isf file with proper settings that you can specify at time of first import/linking. I already had these in place when I set up my linked project of a Frame book with 13 chapters – 350 pages – resulting in over 300 separate HTML files/topics (set H1, H2, and H3 levels to paginate). I don’t know if you can change these things post-linking, but it can definitely be done!
There is definitely no reason to have to have an entire FM chapter as one topic in RH. You may have to create a new project to achieve your desired results, I am not sure.
I hope this is helpful. Regarding RH ruining your images, I know what you mean. Through a painstaking process of research, trial, and error, I found that these Image options in the Conversion Settings produced the best results for me, though not as good as “ideal:”
·         Check the box for “Use Distiller to Generate Image”
·         Leave the “Do Not Regenerate Images” and “Preserve 3D Images” boxes unchecked
·         Under Preferred Dimensions: Check “Maintain Aspect Ratio” and check Width and Height – Set both to 0pt. (*This one was a key tip.) Leave “Scale” unchecked. (Scaling seems to do terrible things in RH.)
·         I left the Max Dimensions settings unchecked.
·         Set my personal preferences for margins (2pt all sides) and borders (solid, gray, 1 pt)
·         Under Advanced, Default format of PNG with color bit depth of 24. My graphics are all screenshots, so this is the reason for this in my instance.
Regards,
Virginia

How to adjust volume on Audio Timelines

A couple questions about volume adjustment on the various Audio Timelines on Premiere Pro CS 5.
1) How to adjust volume level of an mp3 on the Audio 2 timeline?
2) How to adjust or mute volume of an 'individual' video clip on the Video 1 and Audio 1 timeline? (I have many clips on the timeline and know how to mute them all, but in this case, I'm looking to only mute certain clips in the timeline.)

Along with the material covered in the Help File, that Ann linked to, see this ARTICLE. It goes into a little more detail on the differences between Clip Keyframes and Track Keyframes (generated with Audio Mixer). While the effect of those can be the same, there are nuances, that one should make note of.
Good luck,
Hunt

How to access individual pixels in a frame...

Hi there,
I am newbie in java and i basically want to know how to access individual pixels in the frame so that i can change the RGB color values of some definite block of pixels. I did have a look at the RotationEffect java example at
http://java.sun.com/products/java-media/jmf/2.1.1/solutions/RotationEffect.html but couldnt get much information from that.....If anybody has some information on this pls lemme know at the earliest...Regards, Kunal

The source code examples at http://www.exactfutures.com/index02.htm may help.

How to adjust individual RGB channels?

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