How To Capture Sync Sound for Film Project

Wisdom from the Greater Good Sought OR Please Point Me in the Right Direction
Gearing up to shoot and edit an independent feature. Everything shot on film (16 and 35) sound recored on DAT. Film will be Xfered to DV and DVCPRO HD. DV will be cut on new Powerbook G4 using offline RT. Online (still using FCP) will then be done on a G5 using the HD tapes. Should we sync the DAT audio with the film to DV and HD Xfer - or capture seperately with a DAT deck into the powerbook and sync up with FCP? Syncing during the film to tape Xfer seems the simplest - but may end up eating too much of our limited budget. What sort of workflow issues will I be in for if we decide to bring the DAT into the computer separately? What else do I need to consider?
Any thoughts, ideas, warnings appreciated. Thanks.

What Jerry says. About the only thing to be done with the DATs after that is pulling off all the wild tracks for the sound portion of the edit.
Locling them up in fcp is, to my way of thinking, a TERRIFIC waste of time and offers you the most potential headaches when thinks get unlinked.

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