How to de-interlace Page Peel transition?

I've used the FCE 4 Page Peel transition a number of times in a sequence I've been working on. When I was ready to export to a self-contained QuickTime Movie, I selected the entire NTSC anamorphic sequence and applied the De-interlace filter (the original video came from an SD camcorder recording in 16:9 format). After exporting the QuickTime movie and play it in the QuickTime Player, each Page Peel transition exhibits pretty severe interlacing artifacts (i.e., the edge of the peel has an obvious “comb” appearance instead of a sharp edge.
Is there any simple way to fix that? I tried going back and applying the De-interlace filter to each Page Peel transition, but all the Video Effects->Video filters where usually disabled (I did figure out how to make them enabled by a series of actions), but that didn't seem to affect the transitions.
Thanks.

No, I haven't displayed it on a TV CRT. This project will be burned on a DVD, and some will watch it on a computer, while others will watch on DVD players attached to TVs.
I've seen the interlacing artifacts on my Mac when I play back QuickTime movies from FCE that weren't de-interlaced before exporting: comb-like fringes along edges of moving objects. De-interlacing removes that in the moving images. I'm just trying to figure out how to get it out of the Page-Peel transitions, if possible.
I guess it brings up an interesting question. For video that will be played on both computers and TVs, is it better to leave interlacing alone, or to de-interlace. What looks worse: interlaced video on a computer display, or de-interlaced video on a standard (non-progressive) TV? I don't have much experience with the finer points of interlacing yet, so I'd be interested in what others on this forum think about this.

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With your added explanation it makes sense. As I suspected, this is a paradigm issue. I didn't realize one had to move the in & out points in order to "make" handles. One does not need to change in & out points when adding transitions to the beginning or end of a single clip, so this inconsistency threw me for a loop.
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Given how this works, it would make a lot of sense to be able to arbitrarily extend a clip within FCE by holding the last frame. But I don't see how to do that off-hand. The page you reference mentions a "Ripple" tool, but is that what a ripple tool does? That part of the web page didn't make sense to me, but probably because I'm unfamiliar with that paradigm as well.
Definitely thanks for the clarification and education, though!
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Message was edited by: Tom Wolsky

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