How to downscale from Final Cut pro not using bilinear method

I'm using Cinema Craft Pro MP to create my m2v's from FCP QT movies made from 422HQ sequences. I'm not getting the results that I know Cinema Craft can provide, the edges have significant jaggies, especially in high contrast color areas or black and white changes (But not always in every frame). I've been told I need to do a better job downscaling out of FCP for Compressor in a non-bilinear method? Anyone have any thoughts about that?
Mac pro quad core
FCP 7
Compressor 3.5
Canon XHA1 material shot at 30f
captured at 422hq 108030p sequence - qt movie looks good.

I probably could have looked up this cinema thingy but I figure it is the responsibility of the poster to provide adequate information about non-FCP products including necessary links. Kind of like those endless, "Video inside my Lx41 is shuddery"—style posts. Define shuddery and describe this Lx41 object which might be hardware or software or a typo and maybe we can get someplace sooner.
BTW, I did google bilinear and got a whole bunch of silly stuff, non of it video-relevant but I didn't look at but a few of the 10 billion search hits; perhaps they have confused bilinear with bicubic? Dunno.
bogiesan

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Import from Final Cut Pro not working correctly

I have a very simple project in FCP. (Ver 6) It is a HD clip that is about 5 min long with 7 chapter markers.
I exported the project as an XML file and imported that into Premiere Pro empty project.
I wind up with two assets, a .mov with same name as the .mov in FCP and a sequence with the same named sequence in FCP.
Right clicking on the .mov and selecting "New sequence from clip" creates a new sequence with the .mov on the timeline.
There are no markers.
Right clicking on the sequence asset and selecting "New sequence from clip" creates another sequence with the same name and the .mov on the timeline.
The markers are inside the .mov and audio tracks, not up on the top ruler line where markers appear when manually adding markers.
The keystrokes to move to markers do not work.
The "Clear all Markers" function is greyed out , like it is when no markers exist.
If a "Dynamic link to Encore is performed, there is no markers in Encore.
If you enter chapter markers manually and look at the project file (an XML file) you will see indexes with the chapter points , durations and names as children named "Markers" with attribute"ObjectID='22'.under "//PremiereData"
Following , in sequential order, are subsequent objects "Markers", ObjectID='23" through "ObjectID=n
However, if you look at the project file after importing a FCP project, this same function occurs, except that it is "Markers" "ObjectID=30 with the indexes and marker data 31 through n (further down in the file). This area is empty when adding the markers manually in Premiere Pro.
FYI , the project file is littered with the word "Marker" and "Markers" throughout the file, only their attributes make any node unique.
I am at 99.9 &% finished with a VB program to create / modify nodes, values and attributes, except that the XML date changes format at the node named "//WorkspaceSettings" so I am not able to edit values to make a file that will not crash when opening.
I would very much like the import from Final Cut Pro to work, or someone explain how to work with the nodes under "//WorkspaceSettings"
Thank millions for a solution.

It's a 2007 iMac with 2.4 GHz Intel Core 2 Duo. I had been using Final Cut Pro without any problems right until I upgraded to Yosemite. I'm hoping that upgrading to Yosemite doesn't mean I can't continue using Final Cut Pro - that would be extremely frustrating.

.Mov from Final Cut Pro not playing on PC

I've made a short video edited with Final Cut Pro. The file was saved as a .mov QuickTime movie. The demo looked great on a Mac but it has to go to people who only have PCs.
Loaded the demo onto the hard drive of the PC, but the demo is showing poor resolution. It Loaded the latest releases of QuickTime, tried putting QuickTime in safe mode, tried re-setting the screen resolution and tried using different PCs. Still get the same fuzzy screen. Even tried saving the demo in different formats from Final Cut Pro, but still no better.
Any suggestions? Thanks-- Foster

I have the same problem and need a good solution. On 2 seperate PC's. I believe (but don't know 4 sure) that it is something to do with Quicktime not using the Windows direct X environment.
You could try going into quicktime / Edit / preferences / quicktime preferences / advanced /tick the safe mode GDI only circle ... restart quicktime and try again.

How to export from Final Cut Pro after downloading Maverick

Final Cut Pro no longer exports after installing Maverick. I get this: The operation couldn’t be completed. (com.apple.Compressor.CompressorKit.ErrorDomain error -1.) - have paid for Compressor and instaled it - but it makes no difference.

But how do I update Final Cut Pro 10.0.3? Apple says all my updates for everything are fine. It worked well before I installed Maverick, and now I can't get any of my short films out of it! They won't copy over to IMovie so I have to start again and basically scrap Final Cut Pro - which seems a bit unfair just for updating to Maverick. Makes the free download a bit pricey in the long term.

Are the sound clips from Final Cut Pro Fair Use?, Are the sound clips from Final Cut Pro Fair Use?

I recently found YouTube had flaged a video for containing a "third party" sound clip. All clips I've used in videos for YouTube have come directly from Final Cut Pro X. Any idea if the sound clips are Fair Use? I'm not sure how to repsond to YouTube and don't want to get a mark against my account due to this.

You can pretty much forget about monetizing that specific video.
[Okay... I'm going to ramble now...]
To avoid problems with youtube, you need to post a copyright (like this: @2013 by Your Name) on the video (I recommend within the first 10 seconds) -- and you better have it *right*. If you use other audio and video, as long as you have secured the proper permissions for use, you can still claim a copyright to the video you post on YouTube -- it is your creation (but it better not be a single clip of somebody else's work being passed off as something you did -- just to be clear -- your videos need to have original content that you created in order to justify the © you put on it. If you use *other stuff* as long as it's *with* permissions, it's still your video.) [If your video is going to be monetized -- make absolutely sure you have that permission for *commercial* use! Quite a lot of sources will specify that their materials *cannot* be used for any commercial use without further permissions, if at all. With Apple Loops (pro apps music and sound) you do have that express permission to be used in commercial works as long as it follows the EULA. More below.)]
You also need to specify the music and/or sound effects are "licensed from Apple Computer and used with permission" and you might as well state they are "made with Apple Loops". YouTube understands the EULA of the Apple Pro software (Logic, STP, FCP/FCPX, etc...) -- but even Apple licensed all that stuff from outside sources. Apple just takes care of paying "them" for it in advance so you don't have to (you buy it with the cost of the software license.)
You cannot use any of the "music beds" by themselves, in their entirety (all those nice long demo pieces everybody likes so much and you hear several times a day on [local] TV commercials). The EULA actually specifically states this (although you might have to read it two or three times until it becomes clear...LOL). Even loops are not to be released "as is", in their entirety, in any "derivative work". So, basically, make sure some other sound is mixed in with it (if it's music, add drums or other percussion, harmony, or duck it under talking, etc...)
The point is, no matter what audio source you have, if it is *music* (or foley) and EVEN IF you are the creator of that music or sound effect, you need to specifically put it in writing IN the video (not in the description). You need to reference the source (e.g.: stock footage by BottledVideo.com) and state it's being used with (or by) permission. [According to YouTube: I have copyright infringed MYSELF!!! just for leaving out all this *stuff* from my subsequent videos (music that I composed and performed myself on guitar... I was livid... but it stuck!).]
I can pretty much guarantee that within minutes of posting your video (if it is monetized) -- some real live person at youtube puts eyes on that video to make sure it is properly "signed". I can tell by how long it takes for the monetize checkmark to go from dark to light green -- usually less than 10 minutes.
If your video is not monetized, and it's not a blatant violation, they probably will let you off with a warning, tell you that you don't need to do anything "right now" and it won't count as a mark against you... If it IS monetized, it won't be - they'll turn it right off and your chances of winning a challenge are almost 0 (unless you can PROVE you own the material -- and I have won a challenge -- see * below); and you will probably see a "Copyright Notices" (or similar) item in the menu on your channel settings. If you can redo the video - pull the old one, put in the new info and re-up it. It's a royal PITA, but in this day and age, it's a necessity.
All videos destined for youtube should be treated as mini motion pictures and be prepared as such with full "disclosures" in titling... Welcome to 21st Century Pox [This statement is not meant to be derogatory to 21st Century Fox or imply any association or criticism or slander, and is only to be intended to be received as a parody on a common phrase that is currently still in use... No words were harmed in the formation of this pun.]
Get the point? YouTube tries to tell everybody -- but they've done a pretty lousy job of doing it. It's taken me, oh, I guess a year or so to learn to "behave" after wandering through a mire of confusing information from too many different sources -- and even if I am the sole producer of 100% of all the content in the video, I *still* have to place that © and "commit" it; it is *not* taken on faith. I actually had to go back and reread all my licenses and interpret the legalese to figure it out. It would have been simpler if they just put it: Your video is a miniature professional production. Make sure it includes all titling to reflect all participants -- *just like you'd see in a modern major motion picture or a major broadcast television series* -- I think everyone would pretty much understand what that involves. You don't have to get quite that extreme, just cover you bases and your a©©.
I tried to cover it all... but I'm pretty sure I haven't... so... good luck!
*How I won my challenge with an Apple Loops composition:
1) the music, even though using "canned" loops, was an original complex composition (I'll argue theory with anyone about this... it will be based on limited sets and recombinants as well as the theory of instrumentation and timing. In other words - I massage the heck out of loops until they don't sound anything like the originals. I almost never use audio loops -- always MIDI.) [BTW - this was another instance of copyright infringing myself - I had used the same music in a previous video I produced a year or so earlier... when I, like you, thought I was "free" to use the clips as I saw fit.]
2) the music I used in the video was originally created in Logic and I made sure the ID3 tags were filled in with my name and copyright information
3) I have a YouTube Associated Website (think this is a "partner" thing... and google "sanctioned") but if you see it, make sure you associate your domain. [I think you might be able to create a Google+ account and associate a domain that way if it's not part of your YouTube settings.]
4) I uploaded the original mp3 with the ID3 tags to my associated domain.
5) in the challenge, I 1) attached the original mp3 (w/ID3 tags); 2) gave youtube a link to the copy on my associated website for *verification* that the files belonged to ME; (and they already had the URL to the video in question -- a basic 3 point verify.)
It worked. They accepted the verifcation. (And this was the first challenge I've been able to win.) [This was very recent. What about the others? I might get a chance to complete the verifications, but I know for some, I've used up my challenges. The only other option is to pull them and redo them...]
One last word of advice: It does not pay to get "huffy", indignant, or righteous with YouTube in a challenge. They don't care. <-- read that again a lot more slowly... They have their own behinds to take care of — and your video (and/or account) lives (or dies) by their grace. If you read that and infer that I have been those things, then yes, I have... to absolutely no avail... even though I thought I was right (to the best understanding I had at the time) — they have rules. Be respectful. In general, they're pretty relaxed about all this even though it might not look that way to many users. Once you get the rules down, everything goes a lot easier... even if it is a little more work. You have to take responsibility for your own work.

How can I upgrade from Final Cut Pro X 10.0.4 to 10.0.7

I need to upgrade from Final Cut Pro X 10.0.4 to 10.0.7 but can not find how to do this. Can anybody help?
Thanks.

You might do some web searching on "FCPx torrent ". I would think that if you have a legitimate copy of FCPx there would be no legal/moral issue with pulling down a 10.0.7 version via bittorrent, but I'm not a lawyer. And of course there are other issues relating to such software but as Tom implies, you can't get an older version from Apple so you'll have to find somebody, somewhere with a 10.0.7 copy that you can install.

All of my titles, themes and generators seem to be completely missing from Final cut pro x. Do you know how to get them back?

All of my titles, themes and generators seem to be completely missing from Final cut pro x. Do you know how to get them back?

Do you mean that when you click the title browser, for example, nothing is there?
Do you at least see several categories listed in the effects browser?
First make sure that you have nothing typed into the search box (not even spaces).
If you still see nothing, try this in order:
1) Window->Revert to Original Layout
2) Quit FCP X, delete preferences using Preference Manager (a free download from Digital Rebellion)
3) Download FCS Remover, and use it to completely remove FCP X. This will NOT delete your content, just the application.
4) Reinstall FCP X from the Mac App Store: log in with the same Apple ID that you used to buy FCP X, click on "Purchases", locate FCP X and click Install.

How to import project from Final cut pro 7 to X ?

how to import project from Final Cut Pro 7 to X ?

please tell me if FCP 7can create any kind of file that FCP X can read ?
I can read FCP 7 .mov file with QuickTime, but not with FCP X ? what can I do ?
Sould I use a Premiere on PC to make files compatibles in between 2 apple Softwares ?
I have a lot a files that have been created with FCP 7 and I just buy FCP X , so I am Stuck !!!
thank you in advance

TS1233 How do I get chapter markers for iDVD from Final Cut Pro X?

It seems like a tremendous short-coming that Final Cut Pro X doesn't allow for chapter markers that can be used in iDVD or DVD Pro. Surely there is some way to get used-defined markers from Final Cut Pro X or at least re-define the Final Cut Pro X markers in the DVD authoring applications. Does anyone know how to do this?

I have decided to say that my problem is solved by the work-a-rounds that have been submitted. I STILL don't like the fact tha Apple has decided that DVD's are a thing of the past and therefore (chapter) markers are of no use. That may be true is the publishing world of YouTube, Vimeo, etc. but it certainly NOT true for many of us advanced hobbyists that still like distribution on DVD's to our friends or a more localized (private) community -- especially to those who are not computer literate. If Apple wants to exclude us from their customer base, I suggest that base will become even smaller than their competitors who still have chapter markers in their products. I'll get off my soapbox now. . .

How do I export a project from Final Cut Pro onto my desktop?

How do I export a project from Final Cut Pro to my desktop as a movie?

Can anyone please help me.. when I click on my timeline in my project library and try to export movie nothing happens! and when I try to "share" to youtube I get an error message stating that it cannot be exported because it contains "no video"... The 4 minute music video that I've created with shots off my Canon T2i looks and plays great....If I uploaded the videos into Final Cut but did not save them on my desktop or anywhere else on the Mac would this be a reason to get this message? I have never experienced this before...the only option under "share" that works is "email"
[email protected]

How do I stop Final Cut Pro 10.1 from introducing artifacts?

How do I stop Final Cut Pro 10.1 from introducing artifacts?
Can someone please tell me what do do differently so that my edited video does not develop artifacts that were not in the original camera file. My Sony HDR CX900 produces crazy detailed XAVC S video that FCPX seems to import with no problem but FCPX is introducing artifacts: some on import and more on share. The artifact in the examples below appears above and below the horizontal rope line on this model boat. Please look closely. It doesn't look to bad here, but it dances on my screen. Also, the video generally degrades much more than I would have hoped. How can I get more professional results? Sorry for the long post, but more information now might save time and questions.
Below is a portion of a frame opened in quicktime directly from camera's card.
Below is the associated Inspector for above frame
Here is the same after it is imported into FCPX. Optimized and Proxy Media were created, but FCPX seems to select what to play so I can't tell you which one is shown here.
Here is the associated Inspector capture from FCPX.
Here is the same frame once again after it is Shared as ProRes 422. Note the horizontal lines above and below the rope lines on this model yacht.
Here is Inspector for the above file.
Here is the same once again after it is Shared as H.264 Better Quality.
I tried converting to Proress with 5Dto RGB and Brorsoft Video Converter. They both went though the process, but introduced similar artifacts.
How can I get more professional results?
And here is the associated Inspector for the above video.
I tried converting to Proress with 5Dto RGB and Brorsoft Video Converter. They both went though the process, but introduced similar artifacts.
How can I get more professional results?

Russ H.
When I right click on the clip in the browser and select Transcode Media, the dialog box opens, Optimize Media is checked, but OK is greyed out. Transcode is not an option. I think this points to the fact that FCPX is doesn't need to transcode XAVC-S or FCPX can't transcode XAVC-S. This is a new Sony codec produced by the new HDR CX900. The codec is HD at 50Mbps.
Tom Wolsky,
I selected Optimized Media in the viewer and both the timeline and exports (422 and H.264) look great.
The 24 second long exported video jumps a couple of times as if skipping a frame, as it plays. Could this be related to 29.97 instead of 30fps?
Thank you so much for getting the image right. Now if I can just eliminate those couple of small jumps.

How to play an HD movie exported from Final Cut Pro?

How to play an HD movie exported from Final Cut Pro? on a mac???
thanks

How to play an HD movie exported from Final Cut Pro? on a mac?
Most FCP users export them in a high-effeciency distribution/delivery compression format (e,g,, H.264/AAC) targeted for a particular application and/or device. For example, you could export using H.264/AAC at full display resolution for playback in the QT Player at an appropriate data rate if your platform and display can handle the output. TV would limid the video to 960x540 at 30/29.97 fps and normal AAC audio to 160 kbps at 48.0 KHz. Files exported for display an the Internet would be restricted by the bandwidth being targeted. Etc, etc, etc. Unless the file will only be played on your own platform, what you do not want to do is use an FCP only compression format which would limit viewers to those recipients have the same FCP codecs installed.

How Can I do an export that from Final Cut Pro 7 that is specific to these settings?

Hi
I am current trying to export out a movie from Final Cut Pro 7 but the settings that are required are very specific and I was going to try it through compressor as well but I wasn't sure if that would work either.
Here are the settings:
HD:
1 Video CODEC                 XDCAMHD50
2 Wrapper format           QuickTime Self-Contained
3 Bit rate                              50 Mbit/s Constant Bit Rate (CBR)
4 GOP                                   Long GOP
                                             Closed GOP
5 Time code                       Must include embedded time code. Start-timecode: 10:00:00:00
6 Movie version               UK Home Video Version
7 Delivery time                 As per contract. Supplier to specify filename, delivery format and estimated time of arrival via email at least 60 days before                                                           transmission unless otherwise specified in contract. This should be accompanied by an IMDB link.
1 HD video format           720 line progressively scanned (720p) @ 50Hz (25 FPS)
                                          1080 line interlace scanned (1080i) @ 50Hz (25 FPS)
2 Resolution                      1280 x 720
                                           1920 x 1080
3 Aspect ratio                    Content should be 16:9, however 4:3 will be accepted on exception (such as for older movies shot in 4:3)
4 Graphics                           Must be within 16:9 safe graphics area (EBU R95-2000)
5 Chroma format              4:2:2
1 HD audio format           24 bits/sample 48 kHz sampling rate
2 Track layout                    Track 1 – 2.0 Stereo L mono
                                            Track 2 – 2.0 Stereo R mono
                                            Track 3 – L
                                            Track 4 – R
                                            Track 5 – C
                                            Track 6 - Low frequency effects LFE
                                            Track 7 – L Surround
                                            Track 8 – R Surround

First of all, what are your sequence settings? Looks like they want stereo AND dolby 5.1 audio tracks embedded in the quicktime (I've delivered a few films like this). Do you have a surround sound mix?
You will almost always have more options and control in compressor over fcp so that's the way I'd go, but not sure compressor will give you the ability to match these specs.
Do you understand about safe zones for graphics? If not, post back.
I don't see any option to set the GOP in xdcam in compressor. This may be built in to the xdcam format.
I don't see any option for 720 xdcam hd in compressor.
There are many other tools available for this kind of work, but they may be out of your price range. You might want to just find a facility with experience in deliverying this sort of thing.

My files from final cut pro trial aren't transferring to final cut pro x - how do I fix this?

I had been making a video in the final cut pro trial and didn't realize my trial was going to run out as soon as it did that day. I downloaded final cut pro x and was planning on finishing up editing tonight, but none of my files from final cut pro trial transferred over to final cut pro x. Everywhere I have read online said they should transfer automatically, but that's not happening. Is there a fix?

you're tried using the 'Open Library' command?
http://help.apple.com/finalcutpro/mac/10.1/?lang=en#ver217d6e77d
Where are your Projects & Events located?

How do I get the files from final cut pro trial to final cut pro

I purchased Final Cut Pro after using the trial version and I don't know how to get the project I was working on into the new purchased version?

You should be able to determine which version your trial is by control-clicking it on your desktop and selecting "Get Info" from the contextual menu that appears.

How to downscale from Final Cut pro not using bilinear method

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