How to edit frame-by-frame and export results in H264?

I wish to edit some videos and then export them in H264 so I can use them on a website.
I have tried to edit with iMovie 08 but can only edit second-by-second. I want to edit frame-by-frame ie to the millisecond. And it appears that iMovie 08 does not export in H264.
I have looked at iMovie 11 which has a Precision Editor which would work to edit as I want but for that I would have to upgrade from Leopard to Snow Leopard which I don't want. It would export H264.
I also have QuickTime Player 7 Pro but that too seems to edit only by the second not by the frame; it does however seem to produce H264
How can I edit these videos precisely and produce H264? Is there another application which would work better (and doesn't cost a fortune).
Thanks for any ideas

For anyone who has the same problem as me, I also found this answer very helpful.
http://discussions.apple.com/message.jspa?messageID=12894822#12894822

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Trying to find out how to edit artwork, keywords, titles, and descriptions

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I have a similar question, I would like to edit the artwork for EACH episode in the podcast, as well as have one artwork for the entire podcast series. Any suggestions? This is a podcast that I've created -- I did the same thing for a TV Show where I was able to do custom artwork for each episode, but not one single artwork for the entire series. Does anyone have suggestions of how i should proceed?
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One image for entire Podcast Series (or TV show)
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How to do frame-by-frame editing in iMovie 08 and export in H264?

I wish to edit some videos and then export them in H264 so I can use them on a website.
I have tried to edit with iMovie 08 but can only edit second-by-second. I want to edit frame-by-frame ie to the millisecond. And it appears that iMovie 08 does not export in H264.
I have looked at iMovie 11 which has a Precision Editor which would work to edit as I want but for that I would have to upgrade from Leopard to Snow Leopard which I don't want. It would export H264.
I also have QuickTime Player 7 Pro but that too seems to edit only by the second not by the frame; it does however seem to produce H264
How can I edit these videos precisely and produce H264? Is there another application which would work better (and doesn't cost a fortune).
Thanks for any ideas

iMovie exports in h.264 by default. All the presets are h.264 (except Tiny).
If you need to adjust the h.264 in some way, then SHARE.EXPORT USING QUICKTIME.
To edit to the nearest frame, Go to iMovie/Preferences and select Display Time Codes.

How to embed SWF in InDesign and export as PDF?

I am trying to do something that seems very simple, but I can't get it to work. I have a simple SWF animation that I have exported from Flash CS5, and I have placed it into my Indesign CS5 document. I checked these items in the Media panel:
Play on Page Load
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Hi, I have the same issue??
Even when exporting as an interactive pdf.
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I have created an interactive presentation with buttons, effects etc. After which I exported to swf so that all the effects work.
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Even though after placing the swf file, in the media window I ticked play on page load as well as chose a cover image for the swf file. Still just a white screen when exporting.
To repeat, I need to know how to convert my swf file into an interactive pdf.
Any pointers please would be great I have some swf presentations I need to change into pdf as soon as possible or before tomorrow to be exact before our monthly meeting with clients.
Please help

Editing a 320x240 vid and exporting

Question: How can I edit a video with 320x240 res in FCP and export it while maintaining its native resolution.
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To expand on Chris's good suggestion, you need to duplicate a current Easy Setup and adjust the settings to match EXACTLY the settings of the clips you are importing.
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"There's no need to fear, UNDERDOG is here!"

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I don't see how this question is at all related to Digital I/O but it sounds like you just need a shift register with the concantanate string function.

Premiere CC 7.1 - Red frames in playback and export

Having some problems after the 7.1 update.
In a variety of projects, on a variety of footage, we're experiencing random fully red frames (#ff000). Sometimes there are 1-2 frames in a clip, and occaisionally it's 80%-90% of the frames in a clip (this is less frequent). It has never been all of the frames of a clip.
This happens:
- On an undrendered timeline (you'll be watching an edit and you'll see a red frame - if you scrub back to it it'll still be there)
- On a rendered timeline
- In exports
Red frames that are visible on a timeline, are sometimes carried through to the export and sometimes not. Sometimes an exported file will display red frames that were not present on the timeline.
Red frames seem to be based on clips, not sequence frames. For example, in one of my exports, I had video footage with a lower third graphic over it. In one frame of the export, a red box appeared over the graphic, but the main shot was not affected.
This has happened to the following types of footage:
- .MTS (from C100)
- .MXF (from C300)
- ProRes 422 MOV
- ProRes 4444 MOV with alpha channel
Fixes that seem to work:
- If an export has red frames, re-export. Watch the new one like a hawk. Repeat until you get lucky.
- If a clip on a timeline has red frames, force a re-render via a Crop filter or similar
- Quit Premiere and reopen it
System/environment details:
- OSX 10.8.5
- Premiere Pro CC 7.1
- Mercury Playback Engine Software Only
- Often (always?) I-Frame Only MPEG sequence settings
- Much (all?) of the footage we've been working with has been on AFP shares via GigE with MTU of 9000
I haven't been able to confirm yet:
- Whether this ever happens with locally stored footage
- Whether this ever happens when Queueing to media encoder (rather than Exporting from Premiere)
- Whether changing to a QuickTime Desktop based sequence setting resolves the issue
Is anyone else experiencing this issue? It's frutstratingly un-testable, since it seems to happen at random. We'll continue to gather data points though and see if we notice any other trends.
Edit: Added additional system context

the error also appears with PRORES 422 files, but only after a certain amount of source data from prores 422 clips is processed / read
i made a test comp in AE with only one gigantic prores 422 source clip (8000 pixels x 1000 pixels @25fps) and the error first appeared at around 1500 frames read from the source file (equalling a few GB of source read and processed). after the red frames error appears once, the erroneous red frames appear more often but never in the same place when rendering the same comp several times)
i also made a test comp containing only a few full HD prores 422 clips (1920 x 1080, @25fps), there the error appeared only seldom (but still randomly). so it can be that a broader user base never experiences this erroneous behaviour at all.
i also made a testcomp containing about 40 full HD prores 422 clips (each 1920 x 1080, scaled down to 10% in size and distributed all over the comp so i can see them all at once). the erroneous red frames appeared within the first rendered frames!! obviously, many qt files had to be open and read in parallel, and so the error appeared from the very beginning of the rendering / export.
i suspect that the AE / PR applications open a RAM buffer for each open prores source file they need to read, and that this buffers somehow becomes compromised when it overflows and when buffer resize / buffer clear / flush operations take place.
of course i tested all sorts of RAM assignents for MP rendering (1GB per core, 2GB, 4GB, 6GB) and i rendered with several different settings of how many cores and ram should be available to other tasks. but the error always appeared. randomly.
--> fact in AE is, that nearly all MP renders / exports using prores clips as source files contained the bad red frames. when rendering without the MP option on (but of course up to 20x slower) so far i never experienced this error (of course always after fresh restarts once the error appeared)
PLEASE FIX THIS ASAP
mac pro 2011, 12 cores, osx 10.8.5, 64 GB ram, angelbird SSD, ati hd radeon 5770 1GB

Red Frames in Playback and Export

After finding out that others have had this problem and found solutions, I expected the solutions to work, but no luck so far.
I am working with HDV 1080i60 footage in Premiere Pro CC 7.2.1 on OS 10.9.1. When I play my footage through the source window (by double-clicking it in the Project window) or on a sequence timeline, I see intermittent red frames - a lot of them. The red frames persist through export, leaving me with no way to edit this footage except to transcode it to a different format - presumably with an encoder other than Adobe Media Encoder.
Adobe, you have posted possible solutions for other people with this problem, but obviously it persists. What's the nex step?

LFedit, my red frames do not appear only on cross dissolves. They appear during normal playback in the source monitor as well as in the program monitor AND in the small preview area in the project window.
I've seen posts about this problem from the end of 2013, but I'm glad to know I'm not the only still experiencing trouble. I've already submitted a bug request to Adobe. Please do the same, LFedit. The more people report it, the more likely Adobe will pay attention.

How to edit a freeze frame in Photoshop?

When making a freeze frame, the file that FCE creates is videofile AVI or MOV, the same as the source clip is. If I would like to edit the image in photoshop, it should be converted to still image?
Is there any way to do that in FCE?

OK. Thanks!
Eventhough I use Quick Time almost daily to export and compress movies, I´ve never before noticed that pop up menu.
I´ve been only wondering where all those formats disappeared from the main dialog box where all the other setting are done.
So I got two answers at the same time.

Edit in lower bitrate and export in higher bitrate

Is there a way i can edit HD movie in a lower bitrate for better workflow, and then when im finished edititing the movie, i can export the movie out in original HD bitrate.

dont know, never did it...
I did edit one thing ONLINE..then switch the files to HD....in other words, I would maybe consider having your assets dv and hd separate..
edit the dv stuff online...like thats your project ....back it up, copies, etc...do your edit...
then when done dump the dv stuff, by moving your assets from one folder to another...swith them out...and if everyhthing is named exactly the same you should be able to just reopen the project and ( magic ) now you have the HD stuff there instead of dv..if your machine can handle it.
Then just export your final product from there and pray a lot.
Its not unlike what an intermediate FCP ( prores ) file does with footage...but in this case its not mac and not prores... but back it all up etc cause who knows what will happen when you switch out the files.
as far as size for dv goes, keep your apect ratio and frame rate and so on and do custom, desktop whatever ( anamorphic ) whatever you have to do to edit the real "final" product with the hd footage....you know?...do a small test first and see if it works OK, through the whole thing...including burning blue ray or deliver to whatever you need for final product... little test and see if it works...then go for it ( remember your machine capablilities ...or you'll have to transfer everything to external drives and bring to post house instead )

How to edit together NTSC, PAL, and Mpeg Formats

for this Museum installation that I am compiling I have to get footage from a variety of sources and media, mostly VHS and DVD. The final output would be as a Mpeg2 to be played on a server. What is the best compression to use for editing? DVpal, was my first guess, but then I also have some NTSC material which would have to be edited together with PAL stuff. How do I convert one to the other. Should I use an uncompressed format for quality, or edit in the Mpeg2 format I hope to export.
Thanks very much for your help on this confusing subject
Peter

If your final output will be in PAL then it would likely be best to edit using DV-PAL as was your first guess, especially as most of your footage will be coming from low resolution sources anyway. Of course, higher quality will always be better, but if its not for projection and/or broadcast then the relatively lower quality of DV or DV50 woud be ample.
For capture from VHS you would definately benefit if you could run it through a TBC (timebase corrector), see if you can get hold of one.
For converting NTSC to PAL you can go with a cheap convertor (you'll get a cheap looking conversion) or you could just render it out from FCP (you'll have long render times and a cheap looking conversion) ... you could use Compressor, which would get you a much better conversion, but if you have any kind of budget, then invest in Graeme Natress's very affordable Standards Converter plugins - they'll give you top quality conversions that would give a very expensive hardware based converter a run for its money ... and they render faster than Apple's bulit-in conversion too.
Good luck
Andy

Zen Touch: How to edit multiple songs artists and genres at once with new firmwa

With the old firmware I was able to do that with Nomad Explorer. But with the V2 firmware, I cannot use the Nomad Explorer anymore, and Media Source Organizer only alows to edit one track at once. Zen Touch Explorer also does not allow me to do that.
I tried to use Windows Media Player 0 and it worked, but after I closed the program and started it again, all my edits at the Library were gone. If I edit the library and sync to my Zen Touch will it apply what I edited on the library or will it keep the original ID3 tag from the song? How to make the modification permanent to the MP3 ID3 tag on the PC?
I think creative should allow edition of multiple songs with Zen Touch Explorer on the same way Nomad Explorer used to do with firmware V.

I haven't seen a program which does batch editing for MTP devices. Real Player does allow you to edit the ID3 tags of songs on the player, but one at a time.
With most music programs when you change an ID tag on your computer it doesn't update on the player, so you would have to delete it from the player first then retransfer it, or find a program which edits the tags on the player such as Real Player.
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How to edit a standard form and print progarm

hi experts,
              I have lot of standard scripts for my works.but it is very tough to change the print progarm according to our own forms.Is there any easy way yo change the print progarm????
and some of the print progarms are not avilable for smarttforms .i am using ECC 6.0
but the smartform is available .when we try to run it it is saying the fm doesnt exists.what i ahev to do?

Hi
In most of the cases there is no need to EDIT/Change the Std driver programs.
We just need to copy the std forms/smartforms and need to change them and to asign the same changed forsm to the driver programs.
see few Scripts/programs
SALES ORDER
Output type         : BA00
ScriptForm Name     : RVORDER01
Driver Program Name : RVADR01
smartform name
DELIVERY NOTE
Output type         : LD00
ScriptForm Name     : RVDELNOTE
Driver Program Name : RVADDN01
smartform name      : LE_SHP_DELNOTE
Smartform Driver Pgm: RLE_DELNOTE
INVOICE
Output type         : RD00
ScriptForm Name     : RVINVOICE01
Driver Program Name : RVADIN01
smartform name      : LB_BIL_INVOICE
Smartform Driver Pgm: RLB_INVOICE
PUCHASE ORDER
Output type         : NEU
ScriptForm Name     : MEDRUCK
Driver Program Name : SAPMF06P
smartform name      : /SMB40/MMPO_L
Reward points if useful
Regards
Anji

How to edit frame-by-frame and export results in H264?

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