How to Have file/camera info in jpeg copy

I have a Nikon D80. If I make a picture copy in PSD, the camera info (flash, aperature, etc.) is lost.However, the XMP/IPTC info is fine. What should I do? Changing th preferences from sidecar to database didn't help. Thanks!

mfuller52654 wrote:
I'm using CS4. My profile contained my system info (click my name). …
Sorry, as a long-time user of these forums, I'm not in the habit of clicking on user profiles in order to dig for information—and I'm not inclined to begin to do so now. As a matter of fact, I have such forum "features" blocked through Firefox add-ons. In these forums, it has been the common practice for the last decade or longer to include all pertinent data in the original post if a speedy and relevant reply is desired. At the very least, typing in your post an indication to look in your profile would be appreciated. I'm mentioning this hoping it might be helpful to you in the future.
As to your issue, I cannot replicate what you describe. The screen shots you included mean little to me as I am not a Nikon software user, but they do give me the general idea of what data you're referencing.
I had to dig waaaay back in order to find a JPEG from the camera, as I generally shoot raw. I found a six-year old grab shot from a Pentax *istD DSLR to attempt to replicate your issue, and I was unable to do so. It was the second shot generated by that camera ever, and I was just checking the camera for the first time.
I opened the JPEG in Photoshop 11.0.2 ("CS4"), ran a quick Shadow and highlight adjustment, then did a Save As. All pertinent data was retained (meaning all lines for which I had checked the box in Bridge preferences), as shown in the screen shots below.
Note that Bridge shows only the data you have specified in preferences. If that's where you have been looking, go to your Bridge Preferences > Metadata and click on the boxes corresponding to the info you want to display in that looooooong list.
Command-Click on thumbnail for full-size image
— Incidentally, JPEGs deteriorate every single time you save them or resave them, with no exceptions. The image is compressed (deteriorated) for the first time in the camera when it's recorded to the card. When you resave or "save as" later, you loose quality every single time. That's why I don't generally touch JPEGs. The exceptions are low-res JPEGs to illustrate a point here, usually screen shots like the one above.
Wo Tai Lao Le
我太老了

Similar Messages

Photoshop CS6 - How to export form Camera Raw to Jpeg of 300dpi?

Photoshop CS6 - How to export form Camera Raw to Jpeg of 300dpi?

What does your package include besides this disc?
If your artistry and production are at a high-level and you are charging tens of thousands of dollars then protecting your reputation and future-sales possibilities by not giving them a disc might be wise, but if you just want to be done with things after you get paid, then a disc or flash-drive of native-resolution (not resized) and uncropped JPGs might give the most freedom for the client, although if I was your client, I’d want the RAWs or at least DNGs with your settings saved to them. If there is enough space on the media then you could put a folder of JPGs and a folder of TIFs, separately. It depends on how many you’re giving them. If you’re high-end you could give them an Wi-Fi iPad with the photos on it, or at least a non-Apple tablet with a removable flash-card for more easy offloading.

How to have files have 2 names, my file name and client file name?

I need to name files for a corporate client in a very specific way for them, however I'd rather also keep my file name structure. I could output the files and rename them, but then when they come back to me and ask for retouching etc on a particular file, I wouldn't have that name in my archive (I'm delivering several thousand files).
Is there a way to have 2 files names associated with the files, or embed the original file name in the files metadata somewhere. Please keep in mind there are several thousand files, so need this to be automatic.
Thanks!

The way I solve a similar problem is to give each photo a copy name that matches the client's requested name. Then export the files with the option to rename using the copy name and send them. This way I can maintain my own naming structure and keep track of the files sent under a different file name. I do it in a much, much, smaller scale (tens of images at most each time) and it works really well for me, but using this method for several thousand images can be a huge task, that I'd rather not take
HTH

I have my camera (Canon 5D MARK 2) set to take both JPEG Large and Raw files with each shot. I uploaded the images from the card to my Pro (Aperture 3) and while the import info said 1500 images were uploaded, I can't find the RAW images. Aperture put ab

I have my camera (Canon 5D Mark 2) set to take both JPEG Large and Raw files with each shot. I uploaded the images from the card to my Pro (Aperture 3) and while the import info said 1500 images were uploaded, I can't find the RAW images. Aperture put about 700 images in an untitled project folder, but all the images are the JPEGs. What am I missing?
Thanks,
upsjdris

Have you checked your "Import" settings for "Raw&Jpeg" pairs in the "Import" panel?
You can set Aperture to import raw, jpeg, or raw&jpeg.
If you imported Raw&Jpeg, but have set Aperture to use the Jpeg as original, you will see the imported image as Jpeg image, not as a raw image, even if the raw has also been imported. You can switch between Raw and Jpeg originals for selected images from the Photos menu:
Photos > Use Raw as original.
Regards
Léonie

Adobe Camera Raw (ACR), Jpeg Files and Metadata

I have been using Adobe Camera Raw (ACR) with my Canon EOS 30D, an 8 MP camera, for a while now. I would make non-destructive changes to the raw file (.CR2) in ACR where the changes would be stored in an adjoining .xmp file. Jpegs of the unedited and edited camera raw files would be created so I have a before and after versions of the images that can be viewed anywhere.
Now I have a Canon EOS 5D Mark III, a 22 MP camera and the raw files are much larger. I’m looking at using camera raw on jpeg files for some for my more casual photo shoots in order to save disk space. From what I have read, I can use ACR on jpeg files and that the changes would be stored in the metadata in the jpeg file. Is there a way for the changes to be stored in an adjoining .xmp file so that the original jpeg file is not modified, much like it is done with the .CR2 files?
I am using Adobe Photoshop CS5 on a Windows 7 machine. All software is up-to-date.
Also, I have found that Adobe’s camera raw handing is different than the raw handling of the photos using Canon’s software (DPP). Is there a way to make ACR closer to what Canon’s software does?
Thanks,
Mike

Probably not going to happen.
I agree, Canon's color is better than Adobe's in general - I just didn't know how good the Camera Standard profile might be for your particular camera. I had hoped maybe they'd made it a very close match.
Some time ago I got a very nice genius-level Camera Raw forum member named Vit to make me a custom profile that exactly matches the Canon color for my 40D, even to the point of emulating the way Canon fits the entire gamut of the captured image into the sRGB color space, so I'm more than happy.
Others might tell you that you're silly for wanting the color to match, but I understand completely your position - if you do get that kind of feedback just ignore it and push on.
Once you've set up a default to use Camera Standard, you may well be able to tweak the dozens of color controls to bring the Adobe default into line with the Canon color. I did that once before getting my special 40D profile, comparing embedded raw file JPEGs with the Camera Raw preview display with a variety of images - it was tedious but effective.
Best of luck.
-Noel

How to get thumbnails to indicate whether JPEGs or Raw files?

In earlier versions of iPhoto I could look at a photo thumbnail and immediately tell whether it was a JPEG or a RAW file because the description below the thumbnail indicated such. With iPhoto version 9.2 the thumbnails do not include this information. Is there anyway I can cause this information to be displayed beneath the thumbnails? I shoot JPEG + RAW and would like to distinguish between JPEG and RAW files by merely looking at the thumbnails.
Bob

Try this from a different perspective:
Why are you shooting Raw?
In order to obtain the highest quality images my D700 is capable of producing.
When a camera takes a shot a Raw is generated, this Raw is processed by the camera into a Jpeg and that's goes onto your computer.
High end cameras allow you to step into that process. It stops the Jpeg being processed and allow you to bring the Raw data directly to your computer so that you can do the final step yourself: process and out put the Jpeg.
But the point of the exercise is to produce a Jpeg that can be used/shared/printed etc.
The point of shooting Raw is that you prefer the results when you process the Raw compared to what the camera does.
If you think the job the camera does is good, then don't shoot Raw.
If you think it's not, then shoot Raw and don't shoot Jpeg.
Shooting both makes little sense - excepting the scenario detailed in my para above.
On my iMac monitor I’m looking at the thumbnail of the last RAW file I processed. Since a RAW file is not even an image I presume that what I am actually seeing is the JPEG preview you referred to. Correct?
No. The thumbnail is different again. Usually, it's actually a thumb copied from the one created by the camera and stored in the Raw file.
To see the Preview drag the shot to the Desktop from the iPhoto Window - that's it. Open it in Preview and compare that with the Jpeg version from the camera - just visually, not file sizes etc. (I'll come to that later on.)
I do all of my editing in Photoshop Elements, so in order to convert this RAW file I right clicked on the thumbnail and selected “Edit in External Editor” whereupon the RAW file opened up in Adobe Camera Raw.
In the iPhoto Preferences -> Advanced, have you selected to 'Use Raw when using external editor' ? If not then you're not processing Raw at all, just the Jpeg preview.
Yes, I selected "Use RAW when using external editor."
That workflow is quite convoluted
Camera to iPhoto, iPhoto to ACR, ACR to Elements, Elements to Finder (tiff), Finder to iPhoto (Sharpening), iPhoto to Finder (Jpeg) and then Finder to iPhoto.
At the end of it you're left with the Raw, Camera Jpeg, iPhoto Preview, a tiff and a couple of Jpegs, right?
Only one JPEG.
That's too complex and worse, there is no connection between the Master Raw and the final Jpeg. They're not even linked in the iPhoto database. You can't revert from the Final Jpeg to the master Raw.
I can't think of a reason why I would I want to revert from the final JPEG to the master RAW. The master RAW is already available.
Even though my workflow gives me good results it is more complex than I would like it to be. Since acquiring my new iMac last January I have been seriously thinking about downloading Aperture 3 from the Apps Store for a mere $79 and using it to manage and edit my images. Presumably that would give me a less convoluted workflow. A big question will be what to do with all of the thousands of images I have stored in iPhoto--leave them where they are as referenced files or move them into Aperture where they will be managed files. My initial inclination is to leave them in iPhoto.
To use the iPhoto preview just... use it. If you import a Raw and then try do anything with it, email, upload, print etc then it's the Jpeg Preview that is used.
If you process the Raw in iPhoto then the Preview is regenerated incorporating the decisions you made.
If you export (File -> Export) you can use many settings to set the level of compression, size and so on of the resulting file.
Put it this way: I'd be 99% sure that the iPhoto preview will be good enough for sharing by email or online. It may also be perfectly good enough for printing too - but if it's not that's when you export to the quality you prefer.
This is good to know. Sometimes I just want to quickly e-mail a group of JPEGs without having to go through the process of generating JPEGs by processing the RAW files. I previously mentioned that by dragging the thumbnail labelled RAW to my desktop it becomes a JPEG which can then be dragged back into the iPhoto Library. If I'm shooting only RAW is that the best way to quickly obtain a JPEG? By the way, I just did this with one of my thumbnails labelled RAW. The size of the JPEG thereby obtained was 6.3 MB. This is larger than the size of the high quality camera-generated JPEG which is 5.8 MB. This would seem to indicate that the iPhoto-generated JPEGs are of high quality. In a side-buy-side comparison the two images looked very similar except for the iPhoto-generated JPEG being a little brighter than the camera-generated one.
So if I am understanding this situation correctly it appears that I can cease shooting JPEG +RAW and instead shoot only RAW. Then for best results I will process RAW files to produce highest quality JPEGs and for less demanding requirements and for quick responses I can use the iPhoto-generated JPEGs.
Question: Even though I have been shooting JPEG + RAW for a relatively short time I have managed to accumulate a goodly number of camera-generated JPEGs. How can I most readily delete these JPEGs without having to go through my iPhoto library and tediously deleting them one-by-one?
Regards
TD

How Do I export photo's with the camera info attached?

I'm trying to export some photo's to another photographer for some constructive feedback. Is there a way to include my camera info used on each shot, such as ISO, Aperture, Shutter speed, etc attached with the photos?

A few notes:
• Exposure settings are stored in the EXIF information which is stored in the image-format file.
• Any file viewer should be able to show you the EXIF information. You just have to know how to use the viewer.
• As shown, in the OS X program "Preview" use "Tools ▹ Show Inspector" to see the EXIF
• Your friend will have to know how to show the EXIF with the viewer s/he uses.
• The OS X program "Preview" should not be confused with what in Aperture is called a "Preview".
• Previews in Aperture are, in effect, large JPG-format thumbnails. Their existence and size are set in Aperture Preferences.
• Previews exported from Aperture _should_ contain the EXIF info. (Sorry, I can't confirm this right now -- but it is easy to check.)
• Files created by exporting Images from Aperture contain the EXIF by default.
• You can put the exposure settings _on_ the picture or on a border around the picture using the highly-regarded Aperture plug-in BorderFX. I suggest doing this, saving the BorderFX preset, and re-using it for each Image you want to share with your friend.
• Example:
(Sorry -- will add later. Forum software not allowing me to include a picture file.)

I have adobe CS6 on my old hard drive and i wish to transfer it over to my new hard drive. I no longer have the disc which it came on. How do I do this? also i have only ever put a single copy on a laptop and it is alowed 2........if that matters.

I have adobe CS6 on my old hard drive and i wish to transfer it over to my new hard drive. I no longer have the disc which it came on. How do I do this? also i have only ever put a single copy on a laptop and it is alowed 2........if that matters.

deactivate (help>deactivate) on your old hd.
then install using the installation file(s) and your serial number.
Downloadable installation files available:
Suites and Programs: CC 2014 | CC | CS6 | CS5.5 | CS5 | CS4, CS4 Web Standard | CS3
Acrobat: XI, X | 9,8 | 9 standard
Premiere Elements: 13 |12 | 11, 10 | 9, 8, 7
Photoshop Elements: 13 |12 | 11, 10 | 9,8,7
Lightroom: 5.7.1| 5 | 4 | 3 | 2.7(win),2.7(mac)
Captivate: 8 | 7 | 6 | 5
Contribute: CS5 | CS4, CS3
Download and installation help for Adobe links
Download and installation help for Prodesigntools links are listed on most linked pages. They are critical; especially steps 1, 2 and 3. If you click a link that does not have those steps listed, open a second window using the Lightroom 3 link to see those 'Important Instructions'.
window using the Lightroom 3 link to see those 'Important Instructions'.

How to have a live feed from application server log file (realtime viewr )

how to have a live feed from application server log file (realtime viewr for apps log files)
hi , thank you for reading my post.
is there any way to have a live feed of Application server log ?
for example is there any application that can watch the log file and show the changes as new log items come in ?
can some one with more experience help ?

Your question would be more suited to the Developer Forums
http://devforums.apple.com
but anyway...
My goal is to develop a web application that is able to run on iPhone too, to capture the audio and video content from its camera and mic.
Web Apps running in Safari don't have access to the camera or mic hardware.
Or I should built a native application distributed through Apple store?
That is your only option, although such a system already exists:
http://itunes.apple.com/us/app/ustream-live-broadcaster/id319362690?mt=8

How do I import Map Info Tab files into Spatial for a map of europe?

How do I import Map Info Tab files into Spatial for a map of europe via FME and have oracle spatial draw the map without problems?
So far I've got to the stage where I can import the data, spatially index it (in oracle 9i) and get my SVG (scaleable vector graphics) application to view the map.
The problem is that countries that have more than one polygon (more than one row in the database) do not draw properly.
When I view the Map Info tab file in the FME viewer I can see that the data is fine, but I can also see that some of the polygons used to draw a country are donugts and some aren't.
This seems to cause a problem when I import the data into oracle spatial as I don't know if a row in the table needs to be inserted as an independent SDO_GEOMETRY or if it should form part of a larger SDO_GEOMETRY (as in 2 or more rows make up the polygon shape for a country).
I have a feeling that I'm not using FME correctly, because at the moment I have to import the tab file into Oracle then re-insert the data into a spatially formatted table (one with a spatial index) - I get the impression that FME should do that for me but as I'm new to this I don't really know.
Any Help welcome :|
Tim

Tim,
MapInfo has a free utility called EasyLoader that allows you to upload a table directly to Oracle. EasyLoader creates the geometries and spatial index. You can download it free from http://www.mapinfo.com/products/download.cfm?ProductID=1044
Andy Greis
CompuTech Inc.

My computer crashed and I no longer have the itunes library. i get an error msg that my iphone is synced to another library - how can I get the info from the phone to the itunes library?

my computer crashed and I no longer have the itunes library. i get an error msg that my iphone 3g is synced to another library - how can I get the info from the phone to the itunes library without losing everything? How do I delete old audiobooks from my iphone?

You can transfer itunes purchases: File>Devices>Transfer Purchases
The iphone is not a storage/backup device. The sync is one way - computer to iphone. The exception is itunes purchases.
It has always been very basic to always maintain a backup copy of your computer. Use your backup copy to put everything back.

How do i burn camera raw files from Adobe Bridge to a cd

Can someone give me step by step instructions on how to burn Adobe Camera Raw files from Adobe Brige/Photoshop onto a blank cd.

Hi..
http://docs.info.apple.com/article.html?path=Mac/10.7/en/mchlp1363.html
and
http://support.apple.com/kb/index?page=search&src=support_site.home.search&local e=en_US&q=burn%20cd
/Dennis

How cn I install camera raw on to my computer. I have CS5 but no separate camera raw application ? Thank you

How can I install camera raw on to my computer. I have CS5 but no separate camera raw application ? Thank you

Camera Raw is not a separate application that can be identified and used separately from Photosho. It is a plug-in that is accessed from Photoshop or Bridge or Photoshop Elements. When you attempt to open a raw image the plug-in is activated if it is able to recognize the files created by the camera you used. However, support must be provided for every individual camera model. Updates must be provided with this new support. The latest version of Camera Raw that can be used with Photoshop CS5 is Camera Raw 6.7. You can find out what version of Camera Raw is installed by going to the help menu in Photoshop and then clicking on plug-ins->Camera Raw. If the version that is reported is older than 6.7 then you can click on help->updates and obtain an installation of the last version of Camera Raw you can use. If your camera is newer than what was supported in Camera Raw 6.7 then you will have to use the DNG converter or purchase Photoshop CS6, or subscribe to the creative cloud photography plan ($9.99/month).

How to get the extension Info from firefox? Do we have any firefox API to communicate with the browser? I couldnt see the HTML of the widget displayed in the toolbar how to access the widget using JS or any way

How to get the extension Info from firefox? Do we have any firefox API to communicate with the browser? I couldnt see the HTML of the widget displayed in the toolbar how to access the widget using JS or any way

Hi,
Thanks for the suggestion. I've been playing around with some of the classes of the java.net package and java.io
Using the URL class i can get the content of the data from a STATIC page and output that response to file so that is does not display to the client broswer.
But this only works if the URL i give points to a static html page.
So the problem i'm getting is if i'm righting in arguments in the URL, this means that server needs to process the arguments i give and its sends back a dynamic result. Because its dynamic the URL class can not handle this and throws me an exception everytime :(
Have u ever tried to do some things like this?
Rahul

How do I get Camera Raw for Pentax PEF file to open in Photoshop CS4?

How do I get Camera Raw in CS4 to recognize Pentax PEF files? I have downloaded and installed the Camera Raw Plug Ins but I still cannot open the file. I have done this on my older computer but can't seem to get it to work on my new one.

I just looked that up. You need at least Adobe Camera Raw 8.3 which only Photoshop CS6 and above has.
Adobe Camera RAW 8.3 include Pentax K-3 support - PentaxForums.com
So in order to read it in ACR 5.7, you will need to use the free Adobe DNG Converter and convert those Pentax raw files to DNG.
Adobe - Adobe Camera Raw and DNG Converter : For Windows : Adobe DNG Converter 8.7.1 Needs Windows 7.
Here's a great instructional video for it. Camera Raw: How to use Adobe DNG Converter - YouTube

How to Have file/camera info in jpeg copy

Similar Messages

Maybe you are looking for