How To 'Log and Transfer' to an external HDD

I can't figure out how to stick all of my videos onto an externall HD - rather than importing all onto my poor internal
any help?

Hi -
You choose which disk will be the target disk for your video ingest video by designating it in the Scratch Disk pane.
Choose menu Final Cut Pro > System Settings and select the Scratch Disk tab.
Set the external drive, selecting Video capture, Audio Capture ( and the appropriate render selections, if you want your render files to end up their too). Deselect those settings from your internal disk.
Click OK, and you will be Log and Transferring to your external disc.
!http://www.spotsbeforeyoureyes.com/ScratchDiskTab.jpg!
Hope this helps.

Similar Messages

How to log and transfer in FCP X

The Share option in Final Cut Pro X does not offer the possibility to transfer clip to a DVCam drive. Can some one tells how to proceed ?.

This is the Final Cut studio forum, you'll probably get an answer over at the FCPX forum here.
https://discussions.apple.com/community/professional_applications/final_cut_pro_ x
DM

Log and Transfer to edit... How do I save to a hard drive?

I have a new Canon XA10, and I use Log and Transfer to download my videos to my computer and edit. How do I save them onto an external hard drive as to not take up so much space on my computer?

I was going to say to set up your scratch disk, but you are using FCPX, and this is the FCS forum... I don't know how the other program functions so you'll want to post in the correct forum.
https://discussions.apple.com/community/professional_applications/final_cut_pro_ x

How to overwrite a log and bad file in external table in oracle 10g

Hi,
I have used external table in oracle 10g.whenever use select query in external table orace internally create one log file in specified directory,
but this log file is growing.How can i overwrite the log file(old to replace with new).I need overwrite a log and bad file in external table.
kindly give the solutions.
By
Siva

I don't believe that is possible with the LOGFILE clause, but it may be with the BADFILE clause. Here is an excerpt from the documentation :
The LOGFILE clause names the file that contains messages generated by the external tables utility while it was accessing data in the datafile. If a log file already exists by the same name, the access driver reopens that log file and appends new log information to the end. This is different from bad files and discard files, which overwrite any existing file. NOLOGFILE is used to prevent creation of a log file.
If you specify LOGFILE, you must specify a filename or you will receive an error.
If neither LOGFILE nor NOLOGFILE is specified, the default is to create a log file. The name of the file will be the table name followed by _%p and it will have an extension of .log.

When I do log and transfer in final cut pro 7 from external hard it will not responding, and i will force quit from final cut, plz help!!

When I do log and transfer in final cut pro 7 from external hard it will not responding,
and i will do force quit from final cut, plz help!!
i have alot work to do plllllllllz help

Hi. Your FCP7 question should be posted in this forum. https://discussions.apple.com/community/professional_applications/final_cut_stud io
Good luck.
Russ

How to name clips in Log and Transfer

I work at a production company and we log and transfer a lot of High Definition footage. We can't seem to figure out an efficient way to label all of our clips though. I can name the Reel but how do you name clips without spending all day clicking on each clip and renaming.

When renaming clips in Log and Transfer, I found out the hard way that these names are stored with the FCP project file that is open at the time, and this data will disappear if you try ingest it while another FCP files is open.
In other words, if you are working on a project and want video you ingested for a different project, using Log and Transfer to get those clips will leave you without all of the clip names that you spend so much time adding.
Has anyone found a way around this?
Thanks,
Kurtis

How to batch mpeg-4 log and transfer?

I have 28GB of mpeg-4 from an FS100 camera to log and transfer so I can edit it tomorrow for Monday. The Settings are 1080p24 it's AVC HD (mpeg-4 said the cameraman).
I started to "Add to cue" each clip: it transfers in real time. Can you please tell me how to do it as a batch? Thank you.

Just hitting Add Selection to Cue should bring all the files in the L&T pane. Or you cam select the clips you want.
Russ

How to speed up Log and Transfer in FCP 7.0 of Canon 7D footage on my Macbook

Hey there,
I'm using Final Cut Pro 7.0 and the Log and Transfer of my Canon 7D footage is taking forever.
I have both the Canon XF MPEG2 plugin and the Canon EOS Movie plugin.
Any suggestions?
Cheers!

Are you transferring the files directly from the camera, via a USB cable?
Try taking the card out of the camera and using a good quality card reader, or better yet, try copying the camera storage card to a hard disk (preserving the complete card file structure) and then Log and Transfer from that copy on hard disk.
See if that speeds up the L&T ingest.
MtD

How to import Canon FS100 footage (.MOD) via Log and Transfer?

I have a Canon FS100 video camera. I records in standard definition 480p video, and saves the files in the .MOD format. Lately, I've just been using iMovie to edit my videos because it can easily import to files. Final Cut Express cannot, though, as far as I'm aware. What I've been doing is copying the files onto my computer, then using a convertor to convert the MOD files into .MOV files, but then FCE has trouble editing it. It causes it to have to render after each edit. Is there an easier way to edit my video? I've tried converting the MOD files into other formats such as DV video, but it still has the rendering problem. My FS100 doesn't show up in the Log and Transfer window of FCE. Is there a way I can make it appear? Thanks.

.mod files are a problem. Are you shooting in 4:3 or 16:9 mode?
What app are you using to convert them ... and what are you converting them to?
The .moi files are index information associated with the .mod files that contain the actual video.
MPEG Streamclip should be able to convert the .mod files. You may need the QuickTime MPEG2 Playback Componen, if you don't already have it on your Mac. ($20 download from the Apple Store). (You may need to change the .mod file extension to .mpg then open it in MPEG Streamclip.) If you are shooting 4:3 then in MPEG Streamclip convert the videos to QuickTime using Apple DV/DVCPRO-NTSC compression (this is a selection on the conversion screen).

How do I select ProRes 422 on Log and Transfer window?

I went to preferences in upper right of log and transfer window, saw ProRes 422 was listed there but, still not seeing my clips after ingest say ProRes 422.
I have Capture preset also set to ProRes 422 in FCP 6.06

Yes, it only has that choice of ProRes 422 but, its not in that format after ingest.
I select TRANSCODE TO and it only has Apple ProRes 422 check marked.
Format says HDV1080p30 under compressor column in my log in Bin not ProRes422.
Wish I knew why its not importing correctly.
24p imports and converts to ProRes422 perfectly but, Im in 30p on this project.

Working with AVCHD: Log and Transfer FAQs

Disclaimer: Apple does not necessarily endorse any suggestions, solutions, or third-party software products that may be mentioned in the topic below. Apple encourages you to first seek a solution at Apple Support. The following links are provided as is, with no guarantee of the effectiveness or reliability of the information. Apple does not guarantee that these links will be maintained or functional at any given time. Use the information below at your own discretion.
Working with AVCHD: Log and Transfer FAQs
Log and Transfer was introduced to the product chain in Final Cut Express 4, and is the program's process for ingesting files in the AVCHD format utilizing MPEG-4 AVC/H.264 video coding and either Dolby AC-3 or uncompressed linear PCM audio coding. The most frequently observed problems relating to the Log and Transfer process are generally quite easily addressed.
What should I know before attempting to ingest my footage?
The following facts regarding the Log and Transfer process were adapted from the [Apple Knowledge Base article|http://support.apple.com/kb/TA24840?viewlocale=en_US] on transferring AVCHD in Final Cut Pro 6.0.1 but still hold true for the current version of FCE:
AVCHD support is available only on Intel-based Macintosh computers.
AVCHD camcorders typically connect to computers via USB 2.0, not FireWire.
DVD-based AVCHD camcorders are not supported in Mac OS X 10.4 or earlier.
Standard definition video recorded with AVCHD camcorders cannot be accessed in the Log and Transfer window. SD and HD clips should not be mixed on the same HDD.
Preview of AVCHD video in the Log and Transfer window is limited to 1x forward playback. Scrubbing the playhead does not update the video in the Preview area until you stop scrubbing.
When you choose to transfer AVCHD audio in the Logging area, audio is automatically mixed down to stereo.
AVCHD footage is not ingested natively but is transcoded to the Apple Intermediate Codec.
Apple Intermediate Codec files are significantly larger than the original AVCHD files. FCE does not estimate the size of a transcoded AVCHD file before ingesting, so it is possible to exceed the available space on your capture disk during transfer. Before ingesting, keep in mind that the disk space required is about ten times greater than the size of the native AVCHD file.
Which specific formats can be ingested by Log and Transfer?
Only AVCHD footage can be ingested through the Log and Transfer process. Other formats and variants such as AVCHD Lite are not supported. All video should be recorded in a frame size of either 1440x1080 or 1920x1080 and a frame rate of 25 or 29.97 frames per second. Audio recorded on AVCHD camcorders is generally at a rate of 48kHz. If your camera shoots in a format that does not comply with one of these setups then it is most likely not supported by the application and is not guaranteed to work correctly.
Which Easy Setup preset should I select before ingesting my footage?
It is extremely important to select the preset that matches your media before you attempt to ingest via Log and Transfer. There is only one Easy Setup preset that matches the frame size and rate of your footage. If you intend to ingest AVCHD clips through Log and Transfer you will first need to select one of the following presets:
AVCHD-Apple Intermediate Codec 1440x1080i50
AVCHD-Apple Intermediate Codec 1440x1080i60
AVCHD-Apple Intermediate Codec 1920x1080i50
AVCHD-Apple Intermediate Codec 1920x1080i60
If these four options do not appear under your Easy Setup list then you probably need to run Software Update and update to FCE 4.0.1. DO NOT cycle through the available presets until you find one that works - there is only one preset that matches your media and it should be evident which one to choose by the way it is named. Select the AVCHD preset that mentions your frame size and frame rate (i50 presets support both 50i and 25p frame rates; similarly, i60 presets support both 60i and 29.97p frame rates). If you do cycle through many options in the hope of selecting the correct one through guess-and-check you will probably have corrupted your preference file and need to [trash your preferences|http://support.apple.com/kb/TS2611] before continuing.
Why don't my clips appear when I open the Log and Transfer window?
Make sure your camcorder records AVCHD in a format supported by FCE4. It should be connected to one of your computer's USB ports (never connect it to an external hard drive or other external device such as your keyboard or a USB hub), powered on, and set to video playback mode.
If the camcorder +does not+ mount on your Desktop your USB port or cable may be malfunctioning. Try plugging it in to another port or using a different USB cable to see if it makes a difference.
If the camcorder does mount on your Desktop but the clips do not appear in the Log and Transfer window you will need to point the program to the directory that contains your media.
First, click the Add Folder button in the upper left of the Log and Transfer window. The button looks like this:
Then, you will need to navigate to the root directory in which your media is stored. Most camcorders call this folder "PRIVATE" or "AVCHD" and it should be located at the very top level of the camcorder when mounted. If your camcorder records to a valid AVCHD directory structure then your clips should load after the Add Folder process is completed.
I would like to keep a working backup of my original clips so that I can delete them off the camcorder's internal memory. How should I do this?
There are two main ways to keep a backup of your clips. The first is to ingest every clip on your camcorder through the Log and Transfer process, and store the Apple Intermediate Codec files the application creates in an easily accessible place such as an external FireWire drive. The advantage of this method is that you have the ability to open back up old editing projects, reconnect the media as necessary, and keep going as if you'd never left. However, due to the large amount of space AIC takes up (usually somewhere in the vicinity of 41-50GB an hour when transcoded from AVCHD), this is not always feasible.
Another often preferable approach is to copy over the root directory in which your clips are stored (usually named "PRIVATE" or "AVCHD") from the camcorder to your computer or an external drive. As long as you maintain the original file structure, you will be able to ingest your clips again at a later date using the "Add Folder" process detailed above to navigate to their new location.
My clips appear, but when I attempt to ingest a red exclamation point appears and the window displays the message "Error: No Data"
This is one of the most common problems that users experience when trying to ingest their media through the Log and Transfer process. Luckily, it also has one of the easiest solutions.
In the Log and Transfer window, click on the gear icon in the top right and select "Preferences" in the contextual menu that appears.
Make sure the video is set to transcode to the Apple Intermediate Codec and the audio is set to Plain Stereo.
After doing so, hit OK and try to ingest again.
I am experiencing a problem that is not covered in this tip or the solutions here do not work.
The best thing to do at this point would be to trash your preferences and start a new topic in the [FCE Forum|http://discussions.apple.com/forum.jspa?forumID=936&start=0] with a detailed description of your problem. Check out the user tip on [Basic Troubleshooting in Final Cut Express|http://discussions.apple.com/thread.jspa?threadID=2662419] for more information.
This is the 1st version of this tip. It was submitted on December 03, 2010 by skalicki`.
Do you want to provide feedback on this User Contributed Tip or contribute your own? If you have achieved Level 2 status, visit the User Tips Library Contributions forum for more information.

Disclaimer: Apple does not necessarily endorse any suggestions, solutions, or third-party software products that may be mentioned in the topic below. Apple encourages you to first seek a solution at Apple Support. The following links are provided as is, with no guarantee of the effectiveness or reliability of the information. Apple does not guarantee that these links will be maintained or functional at any given time. Use the information below at your own discretion.
Working with AVCHD: Log and Transfer FAQs
Log and Transfer was introduced to the product chain in Final Cut Express 4, and is the program's process for ingesting files in the AVCHD format utilizing MPEG-4 AVC/H.264 video coding and either Dolby AC-3 or uncompressed linear PCM audio coding. The most frequently observed problems relating to the Log and Transfer process are generally quite easily addressed.
What should I know before attempting to ingest my footage?
The following facts regarding the Log and Transfer process were adapted from the [Apple Knowledge Base article|http://support.apple.com/kb/TA24840?viewlocale=en_US] on transferring AVCHD in Final Cut Pro 6.0.1 but still hold true for the current version of FCE:
AVCHD support is available only on Intel-based Macintosh computers.
AVCHD camcorders typically connect to computers via USB 2.0, not FireWire.
DVD-based AVCHD camcorders are not supported in Mac OS X 10.4 or earlier.
Standard definition video recorded with AVCHD camcorders cannot be accessed in the Log and Transfer window. SD and HD clips should not be mixed on the same HDD.
Preview of AVCHD video in the Log and Transfer window is limited to 1x forward playback. Scrubbing the playhead does not update the video in the Preview area until you stop scrubbing.
When you choose to transfer AVCHD audio in the Logging area, audio is automatically mixed down to stereo.
AVCHD footage is not ingested natively but is transcoded to the Apple Intermediate Codec.
Apple Intermediate Codec files are significantly larger than the original AVCHD files. FCE does not estimate the size of a transcoded AVCHD file before ingesting, so it is possible to exceed the available space on your capture disk during transfer. Before ingesting, keep in mind that the disk space required is about ten times greater than the size of the native AVCHD file.
Which specific formats can be ingested by Log and Transfer?
Only AVCHD footage can be ingested through the Log and Transfer process. Other formats and variants such as AVCHD Lite are not supported. All video should be recorded in a frame size of either 1440x1080 or 1920x1080 and a frame rate of 25 or 29.97 frames per second. Audio recorded on AVCHD camcorders is generally at a rate of 48kHz. If your camera shoots in a format that does not comply with one of these setups then it is most likely not supported by the application and is not guaranteed to work correctly.
Which Easy Setup preset should I select before ingesting my footage?
It is extremely important to select the preset that matches your media before you attempt to ingest via Log and Transfer. There is only one Easy Setup preset that matches the frame size and rate of your footage. If you intend to ingest AVCHD clips through Log and Transfer you will first need to select one of the following presets:
AVCHD-Apple Intermediate Codec 1440x1080i50
AVCHD-Apple Intermediate Codec 1440x1080i60
AVCHD-Apple Intermediate Codec 1920x1080i50
AVCHD-Apple Intermediate Codec 1920x1080i60
If these four options do not appear under your Easy Setup list then you probably need to run Software Update and update to FCE 4.0.1. DO NOT cycle through the available presets until you find one that works - there is only one preset that matches your media and it should be evident which one to choose by the way it is named. Select the AVCHD preset that mentions your frame size and frame rate (i50 presets support both 50i and 25p frame rates; similarly, i60 presets support both 60i and 29.97p frame rates). If you do cycle through many options in the hope of selecting the correct one through guess-and-check you will probably have corrupted your preference file and need to [trash your preferences|http://support.apple.com/kb/TS2611] before continuing.
Why don't my clips appear when I open the Log and Transfer window?
Make sure your camcorder records AVCHD in a format supported by FCE4. It should be connected to one of your computer's USB ports (never connect it to an external hard drive or other external device such as your keyboard or a USB hub), powered on, and set to video playback mode.
If the camcorder +does not+ mount on your Desktop your USB port or cable may be malfunctioning. Try plugging it in to another port or using a different USB cable to see if it makes a difference.
If the camcorder does mount on your Desktop but the clips do not appear in the Log and Transfer window you will need to point the program to the directory that contains your media.
First, click the Add Folder button in the upper left of the Log and Transfer window. The button looks like this:
Then, you will need to navigate to the root directory in which your media is stored. Most camcorders call this folder "PRIVATE" or "AVCHD" and it should be located at the very top level of the camcorder when mounted. If your camcorder records to a valid AVCHD directory structure then your clips should load after the Add Folder process is completed.
I would like to keep a working backup of my original clips so that I can delete them off the camcorder's internal memory. How should I do this?
There are two main ways to keep a backup of your clips. The first is to ingest every clip on your camcorder through the Log and Transfer process, and store the Apple Intermediate Codec files the application creates in an easily accessible place such as an external FireWire drive. The advantage of this method is that you have the ability to open back up old editing projects, reconnect the media as necessary, and keep going as if you'd never left. However, due to the large amount of space AIC takes up (usually somewhere in the vicinity of 41-50GB an hour when transcoded from AVCHD), this is not always feasible.
Another often preferable approach is to copy over the root directory in which your clips are stored (usually named "PRIVATE" or "AVCHD") from the camcorder to your computer or an external drive. As long as you maintain the original file structure, you will be able to ingest your clips again at a later date using the "Add Folder" process detailed above to navigate to their new location.
My clips appear, but when I attempt to ingest a red exclamation point appears and the window displays the message "Error: No Data"
This is one of the most common problems that users experience when trying to ingest their media through the Log and Transfer process. Luckily, it also has one of the easiest solutions.
In the Log and Transfer window, click on the gear icon in the top right and select "Preferences" in the contextual menu that appears.
Make sure the video is set to transcode to the Apple Intermediate Codec and the audio is set to Plain Stereo.
After doing so, hit OK and try to ingest again.
I am experiencing a problem that is not covered in this tip or the solutions here do not work.
The best thing to do at this point would be to trash your preferences and start a new topic in the [FCE Forum|http://discussions.apple.com/forum.jspa?forumID=936&start=0] with a detailed description of your problem. Check out the user tip on [Basic Troubleshooting in Final Cut Express|http://discussions.apple.com/thread.jspa?threadID=2662419] for more information.
This is the 1st version of this tip. It was submitted on December 03, 2010 by skalicki`.
Do you want to provide feedback on this User Contributed Tip or contribute your own? If you have achieved Level 2 status, visit the User Tips Library Contributions forum for more information.

A conclusion to ALL the AVCHD/.mts Log and Transfer Final Cut Pro 7 issues

Hey all! Happy 2011!
So this is my first post here and hopefully when this thread concludes with all your help we should be able to help a lot of people and save them the heartache that I have recently had to endure by stating these things in plain English. I have some questions at the end which I think could be answered very easily! Please, no gobbledygook!
It would be great if people in the know can confirm/deny or comment on my points so those that are in a similar position to me can save their time and just get on with it.
1) I have a Panasonic HDC-TM300 and it records in AVCHD/.mts files
2) FCP 7 can deal with AVCHD files via the Log and Transfer feature if you do it straight from the camera or memory card and can convert to ProRes 422 (LT)?
3) Log and Transfer _*DOES NOT WORK*_ if you move the AVCHD/.mts to an external drive without maintaining the folder structure?
4) What is required from the folder structure that makes FCP act this way?
5) Basically I have f*ed it by doing the part 3 above which I think is the most natural thing in the world to do! Im sure that many people have done the same thing as me please correct me if i’m wrong
After a lot of research on the internet I have come up with the following solutions and in brackets my thoughts on them. If anyone has any experience with them please please let me and other people know so I can get on with my life and editing these files.
a) Harass the people that make FCP 7.0 and make sure that the next update solves this stupid/idiotic/ridiculous oversight. (This could take a while but i think we should do it for the sake of future generations)
b) Someone could let us know about a workaround to this that may be the folder structure that FCP needs to be able to do L&T (needs to be simple so that everyone can do it. This would be the best short term solution until part a is completed)
c) Buy one of the converter programs such as ClipWrap, Toast Titanium or Aunsoft mts converter. If so which is the most/ least recommended and why? (Least desirable option due to requirement for extra program so extra faffing and extra cost).
Thanks y’all and keep up the awesome work!!
K*

2) FCP 7 can deal with AVCHD files via the Log and Transfer feature if you do it straight from the camera or memory card and can convert to ProRes 422 (LT)?
Yes.
3) Log and Transfer DOES NOT WORK if you move the AVCHD/.mts to an external drive without maintaining the folder structure?
This is true of ANY tapeless format.
4) What is required from the folder structure that makes FCP act this way?
This is due to the fact that most of them have files in those other folders in that structure that FCP needs to access in order to get all the proper components assembled properly. Sure, there are formats that have folders with nothing in them. Doesn't matter, FCP is designed to look at the full structure and work from that.
5) Basically I have f*ed it by doing the part 3 above which I think is the most natural thing in the world to do!
The most natural thing in the world is to NOT backup everything? Well, that might be the case, since this comes up so darn often. But, it is wrong. The full structure must be maintained. This is true of many tapeless formats and more than just FCP. Avid and Premiere need this for certain tapeless formats too.
a) Harass the people that make FCP 7.0 and make sure that the next update solves this stupid/idiotic/ridiculous oversight.
It isn't an oversight. It is designed like this on purpose. You need to learn how to do things right. You obviously know what that is now...keep the full card structure. So now it is up to you to continue to do things properly. Instead of insisting that an NLE conform the way it works to suit your needs.
b) Someone could let us know about a workaround to this that may be the folder structure that FCP needs to be able to do L&T (needs to be simple so that everyone can do it. This would be the best short term solution until part a is completed)
Easy. Shoot a small bit on another card. Look at the folder structure. Recreate that structure in your backed up footage. Often this will mean making folders with exact names, even if they are empty. But if they have files in them, even small ones, then the first backup you did might not work....because those might be some of the small files FCP needs in order to do the L&T process properly. Always worth trying though.
c) Buy one of the converter programs such as ClipWrap, Toast Titanium or Aunsoft mts converter. If so which is the most/ least recommended and why?
I highly recommend Clipwrap. Mainly because I haven't tried the others. But also because the author is always following the latest formats, and works hard to make sure his software works with them. It solved an importing issue I had with the Sony NXCam camera...within a week of me moaning about the issue.
Want a tutorial to walk you through the tapeless workflow in FCP? I have one. Tapeless Workflow for FCP 7 Tutorial You might know most of this, but watch it for other tips.
Shane

Log and Transfer File Naming

When AVCHD files are imported with log and transfer, it designates a file name number sequence that includes the "#" sign both in the browser and on the external hard drive that it copies to. How can I eliminate this "#" sign and have it still assign a different number for each file?
Thanks in advance to any and all help

The clip number us assigned in the camera. You would have to manually remove the # mark in the log and transfer window before the shot was transcoded.

Log and Transfer with Panasonic HD

Recently I purchased the Panasonic HDC-HS 100, which is a hybrid SD card/HDD, (AVCHD). I use the Mac OS X (10.4.11) with Final Cut Pro 6.0.5. I am having problems importing my footage onto my computer. When opening the log and transfer window in FCP, it does not recognize the camera (error messages indicate there is an invalid directory structure). Also, the media has been saved to my computers hard drive. How do I get this footage on my computer so I can start editing! Thanks for the help.

Do you have an external card reader? Or are you playing back from the camera? When you copied the contents of the card to the computer, did you copy the whole card, or just the video clips? You have to copy the ENTIRE card, as is. Create a folder on your external hard drive and name it P2(name of project)#. So if you have 3 cards you used for the project "My Haircut" you would have 3 folders named
P2myHaircut-1
P2myHaircut-2
P2myHaircut-3
That is just a sample naming scheme. You can use what you want, just be consistent so you can find your footage easily. Then, mount your SD card on the desktop, open it, select all, and drag to the appropriate folder. Make sure you select all. Then, open Log and Transfer, go to the upper right corner of the Log and Transfer browser and click on the drop down button. You will see a choice that says Create Custom Path. Click that, then locate the Folder you just created. Click once on that folder and then "choose". DON'T choose the internal folders, just choose your P2myHaircut# folder. You should see your clips pop up in that browser. If this doesn't work, you may be missing a component for that camera. Honestly, I don't know anything about your camera, but that is the process for Log and Transfer.

Log and Transfer disk image jerky in FCP7

Saved SDHCs as a Disk Image onto external HD. Opening OK via Log and Transfer - but the result is the video is jerky.
Can't work-out what went wrong or how to fix it. Lots of back-ups this way and would really apprciate some guidence, please.
Keith

First time saving and importing.
Panasonic 151 camcorder used at 1280 x 720p 50fps (Apple ProRes 422 14MB/sec 48.0 Khz, 16-bit & Square Pixel Aspect) with the capture scratch onto another external HD.
Just importing as I would direct from the SDHC.
Strangely, the video plays fine in the L&C window when deciding on I&O points but not inside FCP7 project (?).
Keith

How To 'Log and Transfer' to an external HDD

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