How to make standard def cable look better on hi-def tv?

I have a 24" Insignia LED TV model number NS-24E340A13. When I got it, I did not anticipate that my standard definition cable would not look very good on it. I have messed with the settings, but it doesn't look any better. Does anyone have any ideas?

Non-HD content should look fine on a 24" HDTV. I watch standard def on my 37" all the time, it's defnitely not as sharp as HD, but I don't have any complaints about it. Have you had any other devices hooked up to it? How do they look?
You have a digital camera? If so, take a picture and upload an image to somewhere like imgur.com, so we can check it out.

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Can someone tell me how to make the letters that look like fabric?

Can someone tell me how to make the letters that look like fabric?

pharrout wrote:
Can someone tell me how to make the letters that look like fabric?
It could be as simple as clipping an image of the fabric of your choice, to a text layer.
In this example the Hessian texture was downloaded from Google images, and placed over a Type layer. You then Alt (Opt) click the intersection of the Type and Hessian layer to clip them together. This just means that only the shape of the underlying layer will show in the clipped layer.

How to make third party cables work on iphone?

I have been using the original Apple charger cable that came with my phone (iPhone 5C) for a good year, but then it broke. So I bought this non-Apple cable because I didn't really wanna spend a lot of money for an original one. I have already charged my phone with third-party cables before, so I thought it would work. The first time I used the non-Apple cord, there were minor difficulties because I had to plug and un-plug it several times before it actually charged. 2 days later, I plugged an original cable (which was my sister's) to charge my iPhone. Obviously, it worked. But later on, when I went to charge my iPhone with the non-Apple cable, a message popped up (This accessory may not be supported). I dismissed it, thinking it would still charge. No such luck. I tried to unplug and plug it, but still, it won't charge. Now, I have to charge through my laptop. Can anyone tell me how to make third-party cables work? I don't really wanna bring my laptop everytime I charge. I'm planning to only use this cable until I get my hands on an original one. Please help.

Are you seeing the EE (or T-Mobile) network name and network bars in the top right hand corner of the screen? Turn off WiFi (Settings>WiFi - turn this off). Is there anything next to the network name in the top right hand corner (3G, E or o)? E is Edge and o = GPRS.
If there's nothing next to the network name, turn off the iPhone and then turn it back on. To do this, press and hold down the button on the top until you see the 'Slide to Power Off' message. Slide and then wait for the iPhone to shut down. To turn it back on again, press and hold the top button again unti lkthe Apple logo shows on the screen.
EE and signal bars top left = Yes
Turned off Wifi and next to the EE is 'o' which you say is GPRS? What does that mean please??
Got this reply from another forum but still no success???

How to make fonts in firefox look prettier? For example like in sleipnir

Hello,
I wonder if there is a way to make fonts in firefox look smooth and easy to read?
I've tried using Sleinpir browser (http://www.fenrir-inc.com/us/sleipnir/) which has aimed to provide smooth and readable text and almost every piece of text looks just better and more pleasant to read.
I've tried almost every setting both in Options dialog and in about:config (under gfx.font filter).
Enabling rendering via directwrite helped a lot, but it's still nothing compared to Sleipnir.
Here are some screenshots:
Default firefox - http://s5.postimg.org/8ifmq7u7p/ff_default.png
Firefox with directwrite enabled - http://s5.postimg.org/k15xb3c1h/ff_directdraw.png
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Thanks a lot
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Hi stmr,
I am glad to hear that you are looking to contact FF developers to make an add on. For more information on this mdn has developers answering questions in stackoverflow.com
There is also documentation
*[https://developer.mozilla.org/en-US/docs/Developing_add-ons MDN Developing Add ons]
*[https://developer.mozilla.org/en-US/docs/Mozilla/MathML_Project/Fonts Math ML Fonts]
*[https://developer.mozilla.org/en-US/docs/Web/CSS/font-smooth CSS font-smooth]
If you have not already, please mark this thread as solved by marking the solution.<br>
I hope you continue using our products and thank you for contacting Mozilla Support.

How to make Standard SRM fields as display fields on the screen

Hi,
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Is there any way to control the standard SRM fields on the Basic data of the SC?
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Thanks in advance.
Mrudula Patel

OK here is the solution.
Create a Transaction variant via SHD0 Tcode
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activate the transaction variant
All the best.
Let me know if any problems.
Get me ur email id --- maybe i can you a document on how to create a screen variant and activate it.
Message was edited by:
Gummadi

How to make embedded HTML form look normal?

Hello,
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<br>
Last name:<br>
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<br><br>
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</form>
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* I have experimented with specifying an HTML border and width in the above code, with no change in results.
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I answered my own problem.
It seems that the solution is having knowledge of CSS, which I don't. That's what Muse is supposed to provide, and I'm not a CSS expert.
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Why did you repost this question??????
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You also haven't listened to the other advice, you just reposted the question word for word.

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In equipment master if I want to make standard class as mandatory field [Check standard class].
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Reward points are available
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Hanamanta

hi,
Just follow the menu path given.
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with regards,

How to make LR3 convert .erf files better [Epson R-D1s]

How can I help Adobe make LR3 convert .erf files [Epson digtial rangefinder R-D1s raw format] better?
After testing LR3 I have re-evaluated my policy for converting two of the three different raw-formats I use: .nef, .x3f and .erf. With the camera calibration beta 2 features for .nef files I cannot see any difference between Capture NX2 output and that of LR3 – well done. And while Sigma’s Photo Pro might still have a slight edge on absolute quality for .x3f files, LR3 has a definite advantage in minimizing (almost eliminating) the green cast problem of high ISO .x3f files. That is one very impressive result.
But for the .erf files there is no marked improvement in LR3 over LR2 and the difference between PhotoRAW and LR3 is almost unbelievable and not to LR3’s advantage. I have tried all possible combinations of process (2003, 2010), profiles (ACR 2.4, 4.4 and Adobe standard) and color space on direct import of raw-files (.erf, .erf converted to .dng, differently sized .tiffs and jpegs) as well as all different combinations of .tiff and .jpegs (size and bit) imports via PhotoRAW and nothing in LR3 comes even close.
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Now the question is: how can I help Adobe improve the conversion routine for these files?
Regards
Xpanded
PS: If anybody out there has the magic conversion bullet, then please do share.

How can I help Adobe make LR3 convert .erf files [Epson digtial rangefinder R-D1s raw format] better?
After testing LR3 I have re-evaluated my policy for converting two of the three different raw-formats I use: .nef, .x3f and .erf. With the camera calibration beta 2 features for .nef files I cannot see any difference between Capture NX2 output and that of LR3 – well done. And while Sigma’s Photo Pro might still have a slight edge on absolute quality for .x3f files, LR3 has a definite advantage in minimizing (almost eliminating) the green cast problem of high ISO .x3f files. That is one very impressive result.
But for the .erf files there is no marked improvement in LR3 over LR2 and the difference between PhotoRAW and LR3 is almost unbelievable and not to LR3’s advantage. I have tried all possible combinations of process (2003, 2010), profiles (ACR 2.4, 4.4 and Adobe standard) and color space on direct import of raw-files (.erf, .erf converted to .dng, differently sized .tiffs and jpegs) as well as all different combinations of .tiff and .jpegs (size and bit) imports via PhotoRAW and nothing in LR3 comes even close.
The .erf files in PhotoRAW have a certain look to them [a combination of a 3D effect and a brilliance that reminds me of a high quality film transparancy] which is what users of R-D1s love and non-users cannot understand is possible to extract from a 6 megapixel sensor. Although it is possible to use PhotoRAW as an editor from within LR, even the imported .tiff files do not have the same brilliance/3D effect.
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Regards
Xpanded
PS: If anybody out there has the magic conversion bullet, then please do share.

How to make my Aluminum Casing Look new again

How can I clean up my physical appearence of my mac so as to make it look all new and shiny. There are sever ***** and dents which I can open it up and smooth it out, but there are some scratches and spots where the paint has rubbed of and I want to paint over it.

Your best bet would be to just go on eBay and find someone who sells the LCD casing by itself. I got one for $50+ from LaptopAid (user ID / seller).
Or, you can buy one BRAND NEW from WeLoveMacs.com for $99.99 (or it might have been $79.99). An Apple OEM part.
There's no other way to make your lid/casing brand new. And it's "easy" to pop off and put the new one in. You don't have to take off the display unit just to do it, as I learned.
Also, the top casing where the keyboard is is also replaceable. Also got mine on eBay. The model A1106 and after are easy to take off. Before that, is harder, since there was a "latch" on the top of the optical drive area that had to be undone before you could replace the top case or even remove it. Putting it back together was a pain, and most people who've done so have shown evidence of doing so, since the top case and bottom pan don't line up anymore.
Although, do you have an Aluminum or a Titanium?? You said "there are some scratches and spots where the paint has rubbed off and I want to paint over it."
Our aluminums don't have paint on it. It's strictly aluminum. So there's no paint to paint over.

How to make a handwriting font look like real handwriting in InDesign CS5

This is a script I've written (AppleScript) that addresses the problem most handwriting fonts have — they look like fonts, mostly because they're settled so regularly along the baseline and their glyphs are so uniform.
It began as a way for me to address a need for a project I was working on, something designed to look like a scrapbook. I was using the "Journal" typeface designed by Fontourist (http://www.dafont.com/journal.font), which gave me a good balance of readability and organic feel, but of course it had the same issues as all other fonts of its ilk.
To address that I wrote a script to trawl the taxt frames in a specified CS5 INDD document, looking fist to see if they had that font as their active one, after which the script shifts each glyph up or down the baseline by a random amount, gives each glyph a random stroke weight change, and finally tints each glyph a random amount off of its basic tint.
Each of these changes is very subtle, with the result being something that looks considerably more organic and hand-made than the font did out of the can. The script should be easily modified by anyone who wants to run it using a different font instead of "Journal". Here it is. Enjoy!
-- This script changes the baseline offset, stroke width, and color tint
-- of any type set in the "Journal" typeface to randomized values, giving
-- the text a much more organic look and feel.
-- Written by Warren Ockrassa, http://indigestible.nightwares.com/
-- Free to use, modify and distribute, but I'd prefer attribution.
-- Note that this script can take quite a while to execute with larger
-- or more complex files.
set theItem to 0
set theItem to choose file with prompt "Select a CS5 InDesign document to modify..."
if theItem is not equal to 0 then
     tell application "Adobe InDesign CS5"
         open theItem
         tell active document
             -- Determine how many text frames we need to change
             set myFrames to the number of text frames
             if myFrames is not equal to 0 then
                 set theFrame to 1
                 repeat until theFrame > myFrames
                     set myText to text frame theFrame
                     set myFont to applied font of character 1 of myText as string
                     -- Check to make sure we're only modifying text frames
                     -- that have been set in the "Journal" typeface
                     if word 1 of myFont is "Journal" then
                         repeat with thisCharacter in (characters of myText)
                             -- Randomize the values of baseline shift, stroke, and tint
                             set baselineShift to ((random number from -5 to 5) / 10)
                             set strokeWeight to (((random number 10)) / 100)
                             set myTint to (100 - (random number 10))
                             set fillColor to fill color of thisCharacter
                             set baseline shift of thisCharacter to baselineShift
                             set stroke color of thisCharacter to fillColor
                             set stroke weight of thisCharacter to strokeWeight
                             set fill tint of thisCharacter to myTint
                             set stroke tint of thisCharacter to myTint
                         end repeat
                     end if
                     set theFrame to (theFrame + 1)
                 end repeat
             end if
         end tell
     end tell
     beep
     display dialog "Modifications finished!" buttons {"Groovy!"} default button 1
else
     display dialog "Operation cancelled" buttons {"OK"} default button 1
end if

For the fonts, the really cheap and dirty method would probably be to load the names of the fonts you want to use into an array variable in the AppleScript, then get a random index count to grab one of the font names out of that array.
The script as it exists now goes character by character - you'd want to revise it so it went word by word instead, or else you'd end up setting each word's character to one of your random font choices. Instead of
repeat with thisCharacter in (characters of myText)
you'd do something like
repeat with thisWord in (words of myText)
As for loading an array variable in AppleScript - I've not done that before, but it's probably something like:
set myFontArray to {"Papyrus", "Arial", "Comic Sans"}
The curly braces are necessary, as it appears that AppleScript supports lists rather than arrays (a minor but not entirely unimportant detail). Anyway, from there, you'd grab one font at a time, randomly, probably like this:
set myWordFontNumber to random ( length of myFontArray ) - 1
set myWordFont to item myWordFontNumber of myFontArray
You do the first line to get a random number based on the number of items in your list of fonts. You subtract 1 from it because the count on the actual list begins at 0 rather than 1, which means that sometimes you'll get a random number that's actually 1 larger than the number of items in the list, and you'll never see the first item (which is at position 0). This is a very old-school gotcha when working with arrays and lists - a ten-item list will count from 0 to 9, not 1 to 10.
From there, you'd set the given word in your text frame's font to the name of the font you pulled out of the myFontArray variable. You'll want to make sure that the font names you load into your list are the actual names of the fonts you're working with - the examples I used here probably won't work.
Please note that this is just a high-level gloss of what you'd need to do in order to modify the script. You'll have to hit the AppleScript documentation (and InDesign's scripting documentation) to get the precise syntax.

How to make a rasterized word look like it was written with dirt?

Im trying to make an image where this word looks like it is written in dirt on the sidewalk. Iv' already taken a pile of dirt and created a clip mask out of it but it doesnt look natural enough. How do I do this so it looks realistic? And this is a graphic not font and I am using photoshop cs6. Thank you.

I'll just add a little footnote to the above, while I'm thinking about it. One problem with layer styles - especially complex ones like Bevel & Emboss, is that you have limited control of the different aspects of the effect. I didn't use Bevel & Emboss in the above example because the highlights were too strong, and made it look wrong.
A way round this is to right click the effect and choose 'Create layers'. This breaks up the effect into one or more layers, so you can reduce, say, the highlight without effecting the shadow.
I think if I was trying to do a stand out job, I'd use a finer font, so it looked like it had been drawn with a stick, and I'd use a combination of Bevel and Emboss layer style to get the depth, but I'd also use JJ's idea of a displacement map clipped to the text layer, to roughen the edges realistically, and add texture to the bottom of the indented text.
An alternative is to find a suitable texture, and save it as a Pattern. That would make it available to use as a 'Texture' in the Bevel Emboss sub options. The beauty of this is that the texture works very much like a Displacement map with depth and lighting effects. In fact, I think that might be the easiest way to go about it.

How to make alaw_rtp's tonal quality better?

I write my own alaw Encode , Decode and Packetizer. But i have a hard problem is thar the sound is so bad.
The volume is so low and the sound have noise.
How should i do to make it better?
the code :
encode:
package media.codec.audio.alaw;
import com.ibm.media.codec.audio.AudioCodec;
import javax.media.Buffer;
import javax.media.Control;
import javax.media.Format;
import javax.media.ResourceUnavailableException;
import javax.media.format.AudioFormat;
public class JavaEncode extends AudioCodec {
    private Format lastFormat = null;
    private int inputSampleSize;
    private boolean bigEndian = false;
    public JavaEncode() {
        supportedInputFormats = new AudioFormat[]{
                    new AudioFormat(
                    AudioFormat.LINEAR,
                    Format.NOT_SPECIFIED,
                    16,
                    1,
                    Format.NOT_SPECIFIED,
                    Format.NOT_SPECIFIED),
                    new AudioFormat(
                    AudioFormat.LINEAR,
                    Format.NOT_SPECIFIED,
                    8,
                    1,
                    Format.NOT_SPECIFIED,
                    Format.NOT_SPECIFIED)};
        defaultOutputFormats = new AudioFormat[]{
                    new AudioFormat(
                    AudioFormat.ALAW,
                    8000,
                    8,
                    1,
                    Format.NOT_SPECIFIED,
                    Format.NOT_SPECIFIED)};
    @Override
    public String getName() {
        PLUGIN_NAME = "pcm to alaw converter";
        return PLUGIN_NAME;
    @Override
    protected Format[] getMatchingOutputFormats(Format in) {
        AudioFormat inFormat = (AudioFormat) in;
        int sampleRate = (int) (inFormat.getSampleRate());
        supportedOutputFormats = new AudioFormat[]{
                    new AudioFormat(
                    AudioFormat.ALAW,
                    sampleRate,
                    8,
                    1,
                    Format.NOT_SPECIFIED,
                    Format.NOT_SPECIFIED)};
        return supportedOutputFormats;
    @Override
    public void open() throws ResourceUnavailableException {
    @Override
    public void close() {
    private int calculateOutputSize(int inputLength) {
        if (inputSampleSize == 16) {
            inputLength /= 2;
        return inputLength;
    //网络上的A律编码程序...
    private void initConverter(AudioFormat inFormat) {
        lastFormat = inFormat;
        inputSampleSize = inFormat.getSampleSizeInBits();
        bigEndian = inFormat.getEndian() == AudioFormat.BIG_ENDIAN;
    public int process(Buffer inputBuffer, Buffer outputBuffer) {
        if (!checkInputBuffer(inputBuffer)) {
            return BUFFER_PROCESSED_FAILED;
        if (isEOM(inputBuffer)) {
            propagateEOM(outputBuffer);
            return BUFFER_PROCESSED_OK;
        Format newFormat = inputBuffer.getFormat();
        if (lastFormat != newFormat) {
            initConverter((AudioFormat) newFormat);
        int outLength = calculateOutputSize(inputBuffer.getLength());
        byte[] inpData = (byte[]) inputBuffer.getData();
        byte[] outData = validateByteArraySize(outputBuffer, outLength);
        pcm162alaw(inpData, inputBuffer.getOffset(), outData, outputBuffer.getOffset(), outData.length, bigEndian);
        updateOutput(outputBuffer, outputFormat, outLength, outputBuffer.getOffset());
        return BUFFER_PROCESSED_OK;
    private static final byte QUANT_MASK = 0xf; /* Quantization field mask. */
    private static final byte SEG_SHIFT = 4;
    /* Left shift for segment number. */
    private static final short[] seg_end = {
        0xFF, 0x1FF, 0x3FF, 0x7FF, 0xFFF, 0x1FFF, 0x3FFF, 0x7FFF
    private static byte linear2alaw(short pcm_val) /* 2's complement (16-bit range) */ {
        byte mask;
        byte seg = 8;
        byte aval;
        if (pcm_val >= 0) {
            mask = (byte) 0xD5; /* sign (7th) bit = 1 */
        } else {
            mask = 0x55; /* sign bit = 0 */
            pcm_val = (short) (-pcm_val - 8);
        /* Convert the scaled magnitude to segment number. */
        for (int i = 0; i < 8; i++) {
            if (pcm_val <= seg_end) {
seg = (byte) i;
break;
/* Combine the sign, segment, and quantization bits. */
if (seg >= 8) /* out of range, return maximum value. */ {
return (byte) ((0x7F ^ mask) & 0xFF);
} else {
aval = (byte) (seg << SEG_SHIFT);
if (seg < 2) {
aval |= (pcm_val >> 4) & QUANT_MASK;
} else {
aval |= (pcm_val >> (seg + 3)) & QUANT_MASK;
return (byte) ((aval ^ mask) & 0xFF);
private static void pcm162alaw(byte[] inBuffer, int inByteOffset,
byte[] outBuffer, int outByteOffset,
int sampleCount, boolean bigEndian) {
int shortIndex = inByteOffset;
int alawIndex = outByteOffset;
if (bigEndian) { //bigEndian
while (sampleCount > 0) {
outBuffer[alawIndex++] = linear2alaw(bytesToShort16(inBuffer[shortIndex],
inBuffer[shortIndex + 1]));
shortIndex++;
shortIndex++;
sampleCount--;
} else {
while (sampleCount > 0) {
outBuffer[alawIndex++] = linear2alaw(bytesToShort16(inBuffer[shortIndex + 1],
inBuffer[shortIndex]));
shortIndex++;
shortIndex++;
sampleCount--;
private static short bytesToShort16(byte highByte, byte lowByte) {
return (short) ((highByte << 8) | (lowByte & 0xFF));
//增加回声抑制
@Override
public java.lang.Object[] getControls() {
if (controls == null) {
controls = new Control[1];
controls[0] = new com.sun.media.controls.SilenceSuppressionAdapter(this, false, false);
return (Object[]) controls;

the command of use alaw_rtp:
                audio_format = new AudioFormat("ALAW_RTP", 8000.0, 8, 1);
                switch (payload) {
                    case PayLoad_Ulaw:
                        try {
                            Codec[] codec = new Codec[3];
                            codec[0] = new com.ibm.media.codec.audio.rc.RCModule();
                            codec[1] = new com.ibm.media.codec.audio.ulaw.JavaEncoder();
                            codec[2] = new com.sun.media.codec.audio.ulaw.Packetizer();
                            ((com.sun.media.codec.audio.ulaw.Packetizer) codec[2]).setPacketSize(ptime * 8);
                            (tracks).setCodecChain(codec);
} catch (Exception ex) {
System.err.println("payload error:" + ex);
break;
case PayLoad_Alaw:
try {
Codec[] codec = new Codec[3];
codec[0] = new com.ibm.media.codec.audio.rc.RCModule();
codec[1] = new AlawEncoder();
codec[2] = new AlawPacketizer();
((AlawPacketizer) codec[2]).setPacketSize(ptime * 8);
(tracks[i]).setCodecChain(codec);
} catch (Exception ex) {
System.err.println("payload error:" + ex);
break;
default:
break;
tracks[i].setEnabled(true);
the voice is so bad, have noise.
Some one could tell what's wrong in my code?
Thank you very much for your share!

How to make standard def cable look better on hi-def tv?

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