How to manage media cache files in Premiere Pro CS5.5?

I hope my question is not too complicated but I still haven't figured this one out.
Here goes:
Whenever I open a project in Premiere Pro, the media cache files used are always the same ones from a prior project.
For example, if I open project ABC, the scratch disk used, the media cache and media cache files are from the ABC project file.
Then, if I open another document, XYZ, the scratch disk and the media cache files are again stored in the ABC project file.
HOW DO I CHANGE THE SETTINGS SO THE SCRATCH DISK AND MEDIA CACHE ARE THE ONES SPECIFIC TO THE PARTICULAR PROJECT I OPEN?
So I don't have to move all the cache files manually or change the settings in Premiere every time I open a project.
Sorry for the long description. Thanks for your help. Daniel Martel. Quebec. Canada.

You can't (unless you want to store them next to the originals, a proposition I find untenable). Some of the scratch disk settings are stored at the project level (things like video and audio previews), but the one's you're talking about are global - one setting for the whole program.
I don't like that arrangement myself. ALL scratch disks should be stored per project.
https://www.adobe.com/cfusion/mmform/index.cfm?name=wishform

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Camera used:-Sony Pmw Ex3
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Date: Thu, 21 Apr 2011 17:40:14 -0600
From: [email protected]
To: [email protected]
Subject: importing mov files in premiere pro cs5
Zone Alarm, eh? I used to use that program, but it got in the way of almost everything that I did, that I canned it completely.
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>

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Hi again Salazaroo....
Thanx for your answer...
I am working in a project shot with RedOne and the output will be 35mm and DCP.... we´ll made the prints with Cinevator system as well... same as yours...
What I did is open the Pr project in After effects and from there export the R3d as DPX to work in the compositings... I am trying different ways to do this... change the R3D settings to RedLog and RedSpace before to export as DPX OverRange, or PDLog985 and RedSpace before to export as DPX Standard (as Mark Christiansen says in THIS SITE) ...
Once I do it, I import the DPX to start the composition... so I change the Cineon Settings to OverRange or Standard (depending of the settings at export) and apply the Cineon Converter LogToLin... but then everything looks too overbright to work... I am working with the DPX and .psd and tiffs together so it is like crazy to match everything together...
I tried to export as PDLog985, RedSpace and OverRange Cineon Settings (instead of Standard) and it looks much better... I check the picture looking at the Info panel and everything is Ok, or close the 'Iris simulator' and detail appear in the image, ...but when I check different elements coming from matte painters and 3d artist, whites clip at 1... how can i match everything together in the same space color to work and then apply the Cineon Converter LintoLog before export???
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Thank you man.... I really appreciate your help....

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