How to rejoin two clips in the timeline in PrE 7?

Hello all. Please excuse this newbisome question, but I've had no luck in figuring it out.
I get one long clip into the timeline and then chop it up a lot (in a musical way that relates to quarter, eighth, sixteenth notes, etc). Often I find that I need to rejoin some of the clips, sometimes quite a bit of time after they've been split (so undo isn't an option).
How can I do this?
PS, this is the first video editing software I've used. I've had PrE for three hours, but have had quite a bit of experience with editing audio in one program or another.
Cheers and thanks for your time.

People, thanks for the quick replies.
I understand that all the clips in the timeline are just instances; the same thing happens in audio software, but that software gives you the opportunity to re-glue clips (they're called regions in Logic) once they've been split.
I'm interested in trying to make a video like this http://www.youtube.com/watch?v=35Y7tr3mBtQ
I can do this sort of thing quite easily with audio, and I think I'm on my way with the video stuff, but being able to re-glue clips would help with handling. I go through the “master clip” looking for beats and little sections that will do the trick. In my current proj, a 1/16th note lasts for four frames, so as you can imagine, I have a lot of 4-frame sub-clips to deal with. I generate each sub-clip from my original master clip after I have dragged it into the timeline from the organizer. I then copy, paste and resize the clips, all in the timeline. I only use the preview window as a way of reminding myself what clip x, y or z sounds like. Maybe I need to investigate the functions of the preview window more. The group option may be a work around as well.
A lot of what I do is “suck and see”. I split off a piece, then listen to it in isolation in the preview window by double-clicking and using 'play from In to Out'. A simple re-glue would be fast and convenient if the clip didn't pass the audition.
Quite possibly I'm using an inefficient method (very new to this). Any advice would be gratefully received.
Cheers,
Mark

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Hunt, most of my music files, over 9000 songs, are mostly mp3 files and a few are wma, and because of copyright laws I wouldn't use them in a commercial project I'm working on anyway. When I am working on a project for a client I will generally use higher quality WAV files. This project was being done just to learn some new techniques, gain some more experience with PPCS4, and expand my knowledge with the program. I have this huge number of music files and styles to work with, so I can do a great deal of experimentation to see what different songs can do to the mood of the video.
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Something very simple, as many things turn out to be when you understand it. However, maybe someone else will make the same mistake, and my posting here will help them.
I will use your suggestions for using .WAV files. Thank you again.
Terry Lee Martin
Date: Mon, 7 Sep 2009 14:29:37 -0600
From: [email protected]
To: [email protected]
Subject: How do you move a sound clip in the timeline?
Terry,
What is the purpose of using the .WMA files? I'm sure that you have a good reason, but they can be problematic, at best. I only use them as a trasfer medium, when I need to get a DD 5.1 SS soundtrack into Audition for editing. There, I break them out into 6 discrete .WAV files, edit in Multi-track Mode and then usually Export as the 6 discrete WAV's to be encoded to DTS, or similar.
If you do not have a compelling reason for using the .WMA, try PCM/WAV @ 48KHz 16-bit and see if the issues go away.
Good luck, and let us know how it goes please,
Hunt
>

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