How to set up Final Cut Pro, Pro Res and H.264 project

Before I dive into this edit, I want to be sure it will all be compatible. Here's what I have:
Pro Res HQ422 footag, imported it into Final Cut Pro. I also have H.264 footage imported into Final Cut Pro. Will it be possible to mix the H.264 footage on the ProRes timeline? The ProRes footage was shot on a Canon 7d Mk II with an Atomos Ninja Star. I have another batch of footage I'd like to use shot on a Canon 6d (full frame) that imports in as H.264. This project will also use stills in the edit.
Any suggestions or comments appreciated.
thanks
JR

Many of us will tell you it's no big deal to mix your media codecs. Your modern Macintosh can handle the job. Mostly.
Myself, I use workflows that carry over from ye olden days. I transcode everything to my planned release codec before beginning to edit and the timeline is the release medium's codec. In this case, I'd be moving everything to ProRes422 (not HQ) because you can't really gain anything by converting your DSLRs' MPEG4 to ProResHQ. I have really good reasons for this step but my reasons probably are not valid to anyone else.
Whatever advice you receive here, you must design and conduct some useful tests to determine if said advice is any good for your workflow and machine's specs. Know what your release medium is going to be; how high does the editing, rendering, and sharing quality need to be before you hit the ceiling?

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