How to split stereo track into 2 mono

How to split a stereo audio track into two seperate mono tracks (Left, Right).
(Have searched the manual..)
Bonqui

Also, where you select mono or stereo for a track below the level meter you can click + hold and select L or R. Instead of bouncing, you can convert the files, for me this gives fewer room for error. Also disabling UTM works in some cases, but this is not ideal for every session.
J

Similar Messages

  • Splitting stereo tracks to mono for separate editing?

    Does anyone know of a way to split a stereo track into two mono tracks inside of Logic Pro 8?
    I'll explain my problem, I have a track made from samples of a song. In the track that I recorded, there is one particular sound that I can't get rid of no matter how hard I try. I recorded the passage with the ESX24 in stereo and I noticed that the noise is only on the left track. My first solution was to pan the track all the way right, create a duplicate of that and pan it hard left. Unfortunately, it loses a lot of clarity and texture when I use this method..
    Looking on the forums, all I could find was instructions to bounce the tracks to split stereo, but I need them to form separate tracks within Logic so I can apply a LowPass filter to the problematic left track, then mix them back together as one stereo track later....
    Any suggestions?

    You guys are talking about different things. The OP says he's using an exs24 instrument with a sample that has a noise on one side of the stereo field of a SAMPLE not an audio region recorded into logic. Samples used by the EXS24 are not added to the audio bin, only into the EXS24's RAM. You could pan the instrument track to the side without the noise, and then output the result to a bus track that is set to MONO. That will pan your one sided sampler back to center. You can also bring the sample into logic (using the browser) and then split it as eriksimon suggested, and then create a new EXS24 instrument using only the good side of the sample.

  • How to split audio tracks into left and right channels as we do in FCP or Avid needed for dubbing?

    We are recording in two languages, one in left and the other in right channel. However, in Adobe Premiere Pro we are not able to split the track when we take up for rought cut. Both the tracks are found mixed. Pl help. Since we need to maintian the split track to dubb into other languages.

    You need to do this before adding the footage to the sequence:
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    Menu > Clip > Modify > Audio Channels (Shift G)
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  • How to configure stereo outs to mono via Mainstage?

    I'm currently running Mainstage through my Presonus FireStudio Project. The outputs are linked together (i.e. 1-2, 3-4, 5-6), but i need to separate the stereo tracks into mono in order to run one track to monitors and a completely separate track to speakers. Also, when i select a track to go through a certain out like 1-2, it seems to not mean a thing because I can plug the speakers into any other out (like 3-4 or 5-6) and I still get signal. Why is this?

    Ah! Thank you, Sir! It was so simple!
    The applet control panel for my mixer had all the outputs linked!
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  • How to combine mutiple tracks into one album in itunes 12

    How to combine mutiple tracks into one album in itunes 12

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  • How to split one page into different frames in ADF?

    Hi,
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  • How to split invoice/document  into two venders?

    Can anyone please tell me how to split invoice/document into two vendors.  Like if I get an invoice for $1000 and it needs to be splitted between father and son, $500 to each.  How would I set that up in SAP?  I am not sure if this will be an invoice split or a document split.
    Thanks
    Monika

    If you are using an FI  entry F-43 to generate invoice this can be done by giving the same invoice ref. in the Inv. Ref. field  for two vendors. This is manual
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  • Split Stereo to Two Mono Tracks - Need Help

    We're having trouble with STP working with two non-stereo tracks.
    We have footage that we're editing in Final Cut Pro that was captured with two separate mics providing the audio. (A wireless lav and a shotgun.) The sequence is set up with two mono tracks.
    When sending the project to SoundTrack Pro, it's opened up as a pair of stereo tracks. We cannot find a way to edit just one of the tracks without it affecting both at the same time.
    How can we separate the tracks so they can be tweaked individually and then sent back to Final Cut Pro?
    Thanks for any help you can provide.

    ...and when doing that, make sure when you export, you don't fall over one of the many bugs in STP:
    You will probably find that the clip with the right channel selected actually plays the left channel after being exported (sound fine on the timeline - problem only on the exported file).
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  • How to split stereo to 5.1 speakers (connect MP3)

    I need adaptor connect mp3 to 5.1 speakers.
    I want that it will be so:
    stereo signal on front and rear speakers and mono of the same signal on center,sub.

    How to split it duh? huh!!
    let me teach you...
    go to Adobe Premiere 2.0, and then drag an audio clip you desire and put it in the time frame, then select the Audio transition, and selected 5. sound. Drag the transition into the audio and save it now!! LOl...>ROFL....LMAO!!!
    is this helping you?
    or, try the CMSS-3D setting to Stereo-Surround 50% !

  • Change stereo tracks to mono?

    I accidently recorded 3 vocal tracks in stereo. Is there a way to change them to mono without having to re-record them? They only come out of 1 speaker now no matter what I do.
    I'm in GB3.
    Thanks in advance
    Randy

    First, I didn't mean to be rude, hence my preface "I don't mean to be a dick...". I just didn't want to hear the same wrong answer over and over. It doesn't work, try it.
    Second, I recorded the track with an SM58 (mono mic)plugged into an M-box FW Solo (mono interface).
    The track shows up as stereo but I only get sound from the right. There are 2 level meters (left & right) in the mixer column. One meter shows activity, one meter does not. I must have accidentally had the input set to Channel 1 & 2 (stereo) when it was recorded. Changing it to mono only affects subsequently recorded tracks, not tracks that are already recorded.
    I want to know how I can take this stereo track and change it to mono so I can get sound from both left and right.
    Thanks

  • FCP is turning my stereo audio into mono... bleeding?

    Final Cut Pro is somehow turning my audio, which is in stereo into mono. Meaning that on each channel, there is some bleeding going on from the other channel. What gives? This is not the case when I initially drag the file into the timeline, but does happen over the course of time or at some unknown point. Does anyone know why this is? Can I change this so that it goes back to how it's suppose to be???

    Hi
    *Not knowing the origin to Your problem - General approach when in trouble is as follows.*
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    and I am up and running.
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  • Sharing a stereo track in Mono

    Hi -
    I just upgraded to 10.0.2. In the previous version of Garageband, I was able to specify that when I wanted to share my track to iTunes, I could have it export in mono. I have to play my track on speakers that aren't reliably set up to support good stereo, so this is a pretty critical function for me.
    Is it possible to export the track to mono? I've tried changing the input to Mono on the track, but then I lost the left side of my audio. I want it to play evenly all the time out of both speakers.
    Thanks!

    If you center pan all the material in your sequence it will be effectively mono. The output is always two tracks at least. You could make the output dual mono and send everything to one track and leave the other track empty, but I don't think you can export just one track of audio. Is there some special reason you only need one track?

  • Crystal report - how to split a field into more fields

    Hello,
    I`m new to Crystal reports and I`ve got a trouble. I have field which contains an address - street, city, zip code. The example is:
    STEHLIKOVA 977 165 00 PRAHA 620 - SUCHDOL 165 00.
    What I need to achieve is to split this string into three separated fields. I`ve trouhg a couple of forums but haven`t been able to find a proper answer. The problem is that the addresses differ so I can`t use an absolute defining of a start position. Looking at the DB (HEXA code) the parts in the string are divided by two dots:
    STEHLIKOVA 977..165 00 PRAHA 620 - SUCHDOL..165 00
    I`ve been able to work out this solution:
    stringVar array x := split({cparty.STREET_ADD},"..");
    Local numberVar i;
    Local stringVar outputString := "";
    For i:=1 to Count(x) do
    outputString := outputString + x[i] + Chr(10)
    outputString;
    It splits the string into three rows:
    STEHLIKOVA 977
    165 00 PRAHA 620 - SUCHDOL
    165 00
    And I don`t know how to find the end of each row so to be able to separate the strings and report them as three different fields.
    Would be anyone so kind and help me out with this?
    Thank you.
    Petr

    Hi
    Actually using a for loop is not necessary here. All you need to do is to add several formula fields: one for street, one for city and one for zipcode. In @street field you add formula:
    stringVar array x := split({cparty.STREET_ADD},Chr(13));
    x[1];
    Then you drag such formula field to details section of your report and watch preview to check if everything looks alright. Repeat for every formula field that you'd like see in your report.
    In @city you add almost identical formula but you change index, i. e. instead of x[1] you need to use x[2]. Then for @zip x[3].
    You may need to check if your address has all three parts - for example if you want to use formula in the second part of your address field you may need check first if there are at least two parts after split:
    stringVar array := split({cparty.STREET_ADD},Chr(13));
    numbervar c; 
    c := count(x); 
    if 2 <= c then 
    x[c]; 
    Var 'c' is used to store the number of elements in array after split. Then I'd like to check if the part (second) actually exists. So I try to check if number of part that I want to refer to is not bigger than the number of elements in array after split (here stored in var 'c').
    Actually the code presented above is not enough since you have no guarantee that you'll always get address structured in the very same way. For example in demo PL database I have zip code and city in the same row after split with Chr(13) as delimiter.
    You'll need to experiment or ask someone to prepare correctly structured data coming from B1 to your report.
    Kind regards,
    Radek

  • How to split video files into clips

    please help this noob. i have adobe master collection cs3 and i'm totally lost as to how i can take a large video file and split it into various clips... example being a 20 minute fireworks display and i want to split that movie into a few dozen clips of specific fire works events. what package do i use and how might i go about setting the various start and finish markers and then export those chosen clips.
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    thanks much
    michael

    Exporting segments out one at a time is hardly rocket surgery.
    At the top of the timeline is a movable bar called the "Work Area Bar". You can set the in and out points of this bar over the area you wish to export, go to "File/Export/Movie" and make sure you have "Work Area Bar" selected rather than "Entire Sequence". Export to the same project settings you're working with. Repeat for each section.

  • How to export all tracks into audio files with the same duration

    Hi everybody.
    I am trying to export all the tracks into different audio files.
    It's 10 soft. instruments and an audio track. I tried with "File>Export>All Tracks as Audio File but the result is 11 audio files with different lengths. As the song is 3 minutes and 20 seconds I would like every single track to be 3.22 sec long.
    How do I do it? In fact, each track is composed not only by played instruments but also by moments of silence.
    Thanks!!
    Alessandro

    sambino wrote:
    I tried with "File>Export>All Tracks as Audio File but the result is 11 audio files with different lengths. As the song is 3 minutes and 20 seconds I would like every single track to be 3.22 sec long.
    The files are different lengths because each instrument does not stop playing at the same moment. It would accomplish nothing other than waste disk space if Logic appended silence to the end of each file in order to make each track the same length. The different lengths you see mean nothing because the absence of appended silence means nothing.
    each track is composed not only by played instruments but also by moments of silence.
    Naturally. And that silence is accounted for in your exported files, when the silence appears at the beginning of the track, and when it appears during the track. It just isn't appended at the end because that would be pointless. Consider this project, consisting of four tracks:
    When I use the command File > Export > All Tracks as Audio Files, Logic will produce four files that look like this:
    The files are not equal in length, which is perfectly fine. What's important is that they all start at bar 1, and will align properly when imported into some other program. So all you need is the command you already used: File > Export > All Tracks as Audio Files. In one step, it will produce all the files you need, and it will produce them correctly.
    By using Bounce, you would be gaining nothing except extra work, because you would have to do it separately for each file you wanted to produce. With Export > All Tracks as Audio Files, you get all your files with just one command.
    iSchwartz wrote:
    exporting tracks means that any panning or automation will not be rendered. So if you want the engineer to put up all of your tracks at unity gain (all faders at zero) and have your tracks & stems reproduce the mix you're hearing at your studio, use bounce, not export.
    If you want to have your tracks & stems reproduce the mix you're hearing at your studio, there's no need to go to the extra effort of using Bounce instead of Export. You only need to enable (in the Export dialog) the checkbox "Include Volume/Pan Automation." This is explained on p. 1022. When you do this, any panning or automation will indeed be rendered.

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