How to transcode H.264 to apple pro rez 422

What's the best way to transcode H.264 video footage from a Canon DSLR to Apple ProRez 422 and inport into FCP 7?
thanks,
Eve

No problem. In this screen shot, the disclosure triangle has been twirled open so you can see more details for the plug-in.
Good luck.
Russ

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All my settings are Apple Pro Rez 422 but when i log and transfer, i'm getting dvcprohd. what's going on?

All my settings are Apple Pro Rez 422 but when i log and transfer, i'm getting dvcprohd. what's going on?

If your camera shoots DVCPRO HD to P2 cards...like the HVX200, HPX170, HPX500, HPX2000...then it will come in as DVCPRO HD. Only AVCIntra P2 comes in as ProRes. DVCPRO HD P2 comes in native.

Converting h.264 to apple pro res 422

when using compressor to transcode h.264 1920x1080 to apple prores 422 (using the stock compressor setting), noticed that there is a slight shift in chroma & hue and a slighter change in contrast in the prores files. have done this many times and never noticed before. is this normal?

Yes. You are going from an 8-bit 4:2:0 file to a 10-bit 4:2:2 file. Color information is changing slightly.

Converting 7D camera footage to Apple Pro Res 422 HQ

I shot footage with the Canon 7D. I brought the footage to Compressor (latest version as part of Final Cut Studio). I am transcoding the footage to Apple Pro Res 422 HQ for editing in Final Cut Pro 7.
A few clips have been transcoded. I open up the original file and the Pro Res HQ file and compare them side by side on my Mac Book Pro. I would like to attach the screenshot but don't think I can do it that here. Anyway, the Pro Res clip is slightly smaller when opened with Quicktime 7 and 10. Also, the colors seem to be darker and the clip a lot muddier than before.
Has anyone had any experience with this? Thanks.

My clips do experience a slight color shift but nothing nominal. However, I have no problems converting my files using the preset and opening them up in FCP 7. When I open them in QTX they appear the same size as their original. Have you checked the inspector pane on your MBP? I have had issues where QTX will not open a video full size due to screen resolution limitations and would always downsize instead. That could be your issue since the MBP cannot display a 1080p file at full resolution.

DVCPRO HD/Apple Pro Res 422 HQ slow to transcode to DVD on 8 core Mac Pro's

I've been conducting some tests and narrowed down the slow transcode times I'm having specifically to DVCPRO HD or Apple Pro Res 422 HQ clips when transcoding to 90-150 MPEG-2 DVD Presets. These formats take forever to render on a Mac Pro 8 core when compared to a G5 or a quad 2.66GHz Mac Pro. DV and DVCPRO 50 are transcoding at very fast speeds on a Mac Pro 8 core. I would like other Mac Pro 8 core users out there to confirm this... that way Compressor developers can do soemthing about these slow MPEG-2 transcode times. A 6 minute DVCPRO HD clip is taking 52 minutes to transcode to a MPEG-2 90 minute DVD Best Preset in Compressor. This is in comparison to 20 minutes on a G5 and 10 minutes on a Mac Pro 2.66GHz for the same transcode. This problem does not happen while transcoding to MPEG-1 or HD DVD MPEGs.
I've tried everything:
1. Wiped the system
2. Switched memory
3. Tried virtual clusters.. still slow even at 750% cpu utilization.
4. Tried with updates and without updates.
5. Tried with multiple other clips.
6. Looked at my file permissions for each clip
7. Made sure that each file is self contained.
8. Tried custom presets.
9. Googled to see if other people are having the same problem... found this: http://forums.creativecow.net/thread/155/866630
10. Compared times to DVD Studio Pro's encoder... DVD Studio Pro is way faster.
11. I've written to Ken Stone and Mike from HDforindies.com... just to confirm the problem... waiting for their response.
12. I've also written a suggestion/problem report to Compressor developers.
Message was edited by: Trancepriest
Message was edited by: Trancepriest
Message was edited by: Trancepriest

I've had the same chooppy/ipxelated results that you are having with DVD Studio Pro's encoder at different settings. If DVD Studio Pro had worked well... I would have dropped this issue somewhat. I'm so irritated that a Mac Pro 8 core... top of the line machine is getting floored by G5's and Quad Mac Pro's. Even though it's just with the DVD 90-150 minute presets... its still a major issue because i need to make DVD's on a regular basis. I woud feel so much better if I knew someone was looking at the problem. Including you I've found 3 others with the same issue. I'm hoping to get them on this thread.

Hi there. I shot with a nikon d7000. The clips look great on the viewer but quite bad on canvas (also after its been exported) I converted my clips to apple pro res 422 using mpeg streamclip. The size I used was 1920 x 1080. How can I fix these?

Hi there. I shot with a nikon d7000. The clips look great on the viewer but quite bad on canvas (also after its been exported) I converted my clips to apple pro res 422 using mpeg streamclip. The size I used was 1920 x 1080. How can I fix this?

This is the clip:
This is the sequence:
I know they both should match. Question is, should I re convert the clips in mpeg using different size settings? Or should I change the sequence settings? how?
Thanks A LOT.

Converting H.264 files to Pro res 422

Hi
I've been given some H.264 files (.MOV and .THM) that were dragged onto my harddrive.
I want to covert them to Pro Res 422 to edit them in Final Cut
I tried to create a droplet to do this by: FILE - Create Droplets and selecting the Apple Pro Res 422 option in the Quicktime settings folder.
Is this correct? Or have I missed out a/some stage/s?
Do I need to convert both the .MOV and .THM files?
And how can I tell if the new clips are in the correct format?
Thanks.

If you import these files into Final cut just go to your sequence settings and transcode to APR.
Jeff

Log and Transfer: Options besides Apple Pro Res 422 ?

Hi, I am now using a camcorder that records files to a card. When I use Log and Transfer in FCP, the resulting files default to Apple Pro Res 422, which are absolutely huge. Is there a way to set this up to transfer to a smaller file type, maybe of a quality similar to HDV?
Thanks, BOb

There's a reason HDV files are small - they're highly compressed files. Final Cut is a professional product - it's built for high quality video, which requires storage space.
In some instances can change Log and Transfer preferences to transcode to ProRes422 LT, which is a lighter weight version of ProRes422. The files will be smaller, but they probably won't be as small as you're hoping they will be.
Open the Log and Transfer window. On the upper region there will be a gear, pick that and pick preferences. Find the camera type you're using and change the Target Format to ProRes422 LT if possible. As you did not tell us what kind of camera this is it is impossible to tell which one you need to change.
All that said, storage is pretty cheap. If you don't do a whole lot of editing a 320gb G-Drive Slim for $80 would be a great investment. If that isn't an option and you really need small files I would suggest editing in iMovie. I believe it converts everything to H.264, which is very small in comparison to ProRes. Don't try editing H.264 in FCP.

Apple pro res 422 file consuming more space than usual

hi everyone!
I've been working with FCP 7 since 2008 and at the same time I started working with Canon T2 from 2 years ago and I haven't had any problems with my FCP workflow files, editing and output used to be H. 264 based files until I started to have problems with my hd DSRL projects. Recently when editing the audio went out of sync and I was suggested to change the Quicktime video settings from FCP 7 to imovie (which is th application I commonly use to create chapters and share to iDVD) this worked perfectly. It was the first time I which I had to change the Quictime Settings to Apple Pro Res 422 The Out of sync problem was resolved but the space consumed by the file was enourmosly ncreased instead. ie. A 5 min project usually would take like a 500 mbs quicktime file and now using the Apple Pro Res 422 this 5 min project went up to 5.3 Ggs!! And also the exporting process is taking forever!! For instance I'm working with a 30 min project and the Quicktime conversion never ends. It's taking about 12 hrs and is not taking more than the 20% of the process. Is there something I'm doing wrong? I need help in a extremely urgent way! Thank you all guys! And best regards from Mexico!!
Mac Pro early 2008
Processor 2.8 GHz Quad-Core Intel Xeon
Memory 10 GB 800 MHz DDR2 FB-DIMM
Graphics ATI Radeon HD 2600 XT 256 MB
Software OS X 10.8.4 (12E55)

>using the Apple Pro Res 422 this 5 min project went up to 5.3 Ggs
That's about right for a ProRes 422 file. High quality video takes a lot of space. It's sufficient to use the lighter ProRes LT for the footage from your T2 by the way. Your MacPro can also have up to 4 hard drives for plenty of storage.
Why are you using QuickTime Conversion?
Exporting to QuickTime with current settings and self contained is the better way. Then you use Compressor to make your delivery format from that master. Compressor is faster because it can take advantage of multiple cores - FCP doesn't. It will also give you far more control and choice over the encoding.

Export to quicktime audio out of sync Apple Pro Res 422

hello forum!
In a tizz as have an film due tomorrow but when I export to quicktime from final cut 7, the audio is out of sync...
I've scoured the forums and lots of other people seem to have this problem when using H264, however I converted to Apple Pro Res 422 (LT) before pulling files into final cut, plus all of the sequence and final cut settings (as far as I can tell) are already set to Apple Pro Res 422 (LT). I don't understand what I am doing wrong!
nb. the files seem to play okay in VLC

Thanks for your reply David! Indeed my audio is 16 bit 48 kHz and there is no MP3 audio (have a wav music file included).
I just spoke to a techy friend who said the fact it is playing smoothly in VLC indicates the problem is with quicktime and not with the film itself, so I am currently compressing to something smaller and will see how I fare from there!

Exporting FCE project to Apple Pro Res 422 HQ Quicktime conversion file

Hi Folks,
I have recently tried exporting an FCE project (HD 1080 16:9) as:
1. Quicktime file
2. Quicktime conversion using Apple Pro Res 422 HQ
and noticed that the Pro Res file is 2Gb. larger than the standard Quicktime file.
Does this mean the quality is 2Gb better? (it certainly looks crisp and clear)
Should I be doing this everytime I export from now on?
Any information much appreciated. Regards.

Transcoding your material from one codec to a higher quality codec will not improve the quality of your source material. You are always limited by the quality of the image prior to the transcode.
If you have a pair of shoes you want to store, you can put them is a shoe box, or you can put them in a shipping crate - but neither method will improve the shoes.
The shipping crate will just take up more space.
The only possible advantage of transcoding your AIC sequence from FCE to ProRes would be:
1) you force the need to repeatedly decompress and recompress the file - ProRes will bear this better than AIC
or
2) you plan to use the file in an edit system that supports working directly in Pro Res.
MtD

Exporting AVI to Apple Pro Res 422

I am using Adobe Premiere Pro CS4 4.2.1 and I would like to export my source file (AVI) to Apple Pro Res 422. Is that possible?
If not, which format do I export my video to be used on a Mac running Final Cut Pro. I realize I can export using Quicktime, but then Final Cut Pro would have to render the video. I am hoping to avoid the additional rendering step.

Open the AVI file in MPEG Streamclip, and choose prores 422 as the export option, and see if that works.
Here Is A Link To A Tutorial On How To Do It

Apple Pro Res 422 versus Apple Intermediate Codec

I'm new to the world of FCE HD. I'm transfering video from a Canon HG10 to my MacBookPro and storing on an external drive. Earlier projects are bringing in video with Apple Intermediate Codec compressor... no problems, editing doesn't require rendering... Now video is being brought in as Apple Pro Res 422. The Pro Res is requiring that I render everything once I bring it from the viewer to the canvas. I've searched all menus, preferences and settings looking for where and how to change this setting. Does anyone have a solution to this snag?
The data rate for Pro Res 422 is 15.3mb/s and for Apple intermediate codec is 9.9
None of this makes sense to me... please assist.

Hi(Bonjour)!
How did you convert to ProRes 422?
ProRes 422 codec is a part of final cut studio 2.
FCE HD cannot edit nor render in ProRes like Final Cut Pro. You material havs to be NTSC, PAL or AVCHD and HDV (converted to Apple Intermediate Codec).
Michel Boissonneault

Apple pro Rez vs proxy files workflow

Hi all
I have a question , I have hours and hours of footage coming in on apple pro rez (hq) for a doccie, I dont want to have to work with all that footage as it might cause problems with the machine and external drives been so large should I:
A. convert it to say a proxy file (if that is possible with (HQ) ) or LT.
B. edit then and reconnect to the original (HQ) files making sure it is frame accurate.
C. if i worked with say just a pro rez file and not a pro rez hq will it make a difference when using color for grading?
I would imagine all the HQ files need to be converted in Compressor to LT first , then edited , then media managed and reconnected to HQ files is this the right way to do it?
Thanks in Advance

If the footage already exists as HQ, and you don't have enough room to store it...how are you storing it? I mean, it already exists as HQ...why not edit that? Because it would be too many drives attached?
DO NOT USE COMPRESSOR!
If you want to do the offline/online workflow, then use the MEDIA MANAGER to RECOMPRESS the footage as ProRes Proxy...not LT. Edit, then take the PRoxy offline, bring all the HQ footage online, and reconnect.

Apple Pro Res 422 / FCP7 render issues

Hello,
I do a lot of timelapses and have pretty good workflow for all this. However, I am experiencing one issue that makes everything a bit difficult. I appreciate if anybody could help me.
My workflow is:
1. Shoot some stills RAW
2. Develop in Adobe Camera RAW
3. Import stills sequence and render in AfterEffects CS4 to AppleProRes 422
4. Import to FCP7 and edit
5. Grading / color correction
6. Publishing
All works fine, however I am having very often an unpredictable issues with the Apple Pro Res 422 codec under FCP7.
I always render a bunch of sequences from AE using the same settings for all files. The only difference is resolution.
My render settings for exporting from AE are:
- Apple Pro Res 422 wrapped in MOV
- render in 10-bit YUV from RAW 16 bit sequence files
- AE project in 16 bit
- Resolutions of rendered all files around 3500x2500 px, this vary from file to file.
The sequences render fine in AE.
The sequences play properly in QT, I can import them to FCP properly, play in FCP properly. I can drag to timeline, scale, rotate, scrub etc.
However: Some sequences fail to render in FCP7.
When I drag them to my working sequence in timeline (Usually a Full HD 1080p, Pro Res 422, YUV), scale down (usually) and try to render timeline footage (don't mean exporting here yet) I get the following error:
"Codec not found. You may be using a compression type without the corresponding hardware card."
This happens on many computers including iMac, MacbookPro and a Mac Pro.
I discovered that setting the footage size to even width and height figures when exporting from AE eliminates the problem sometimes, but it does not help in all cases.
Also it sometimes help if i take such sequence, crop and export using QT under the same settings, just a few pixels less in size. But again - it helps sometimes.
Can anybody help me with these?
Anybody experiencing similar issues?
Thanks a lot.

I had the same problem when we started to edit on Pro Res timelines. The solution I found was to go the Sequence Settings > Video Processing > and change the Render setting to "Render in 8-bit YUV" that allowed me to actually render the timeline and view my work. Hope that helps.

How to transcode H.264 to apple pro rez 422

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