How to use Premiere Pro for live shoots (newbie needing some answers)

My school is about to delve into the world of live streaming. We have a homemade Tricaster setup of sorts which allows for us to use three camcorders through as switcher which allows for some nice streaming capabilities.
My question is, how do I use Premiere Pro, or something else, to run live titles/graphics, etc. into the production? You know, things like lower thirds, etc.?
Is this as simple as running another computer into a source on the switcher? If so, how do I get the graphics etc. to appear as simple key pages?
Sorry, I've never used Adobe during a live shoot before.
I'd love for someone in the know to explain the workflow here. Thank you so much!
I'd also be interested in knowing best practices for running b-roll into the switcher. PP again? Same computer as the graphics or a seperate one?

I dont't 'know anything from Adobe that could do this.
Look at this:
http://www.compix.tv/
http://www.broadcast.harris.com/productsandsolutions/Graphics/
http://www.powercg.com/Index.html

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Would I use Premiere Pro for making a DVD?

I am looking to put my graphic design porfolio on a DVD. I want to have an interactive DVD with a menu where user to pick which area of design they want to explore and my resume itself. Then when they pick a piece...I want to have the information page to pop up first then the user have the ability to pick the piece where it will enlarge on the screen or vice versa. It's all still pieces, no video. Then I want to author the DVD.
However, I am not sure which Adobe programs to use to do this DVD. I was thinking of using Premiere Pro CS4 and Encore?? Am I correct?
I need direction and advice!! Thank you!
Rachel

Web or Internet functions on a DVD
Macromedia Director http://www.adobe.com/products/director/ for mixed content

How to use Premiere Pro CS4 and AE together to stabilize a shaky video.

Hello,
I know where to find and apply the stabilization tool in AE CS4, problem is I don't really understand compositions. I have a very very basic understanding of AE in general, more so the workflow and what some of the buttons here and there do.
Maybe this will be easier to answer.
I have my raw footage in Premiere Pro Cs4 right now, before I edit it I want to stabilize it. How to a connect PP and AE?
Will AE change the quality of my video? I need to keep it HD. I'm in a professional setting.
I do I take the stabilized video from AE and put it back into PP for further editing?
And finally, maybe this is redundant, but do I have to export out of AE or can I put the edited work back into PP for the rendering (exporting) process?
I can clarify on anything you need if I'm not making sense.
Thanks in advance for you the help!
-Mark

The "Working with After Effects and Premiere Pro" page gives an overview of the ways to move data back and forth between Premiere Pro and After Effects, and it also includes links to a few basic video tutorials on the subject.
It sounds like you need to learn the basics of After Effects first. I suggest starting on this page.

How to use Phone camera for live streaming rather than using WireCast camera in Live streaming using Azure Media Services

Hi,
am planning to develop a live streaming app using C# and xaml.
I have gone through the below sample and am able to stream the live content using wireacst camera.
Azure Media Services Live Streaming Sample
But i want to use Phone camera to stream the live video rather using wirecast camera.
How can i use that? How to get the published URL from the C# code, is there any API to get that?
Anybody please help me
Regards,
Santhosh

Hello,
There are no in box components that will allow you to transmit captured video from a Windows Phone device to Azure Media Services. You will need to create you own implementation. You can do this by creating a custom Media Foundation sync that can plug into
the MediaCapture element's pipeline. You will then need to modify the captured and compressed video to align to one of the two protocols that Azure Media services can use. At this time Azure Media services can use either Smooth Streaming or RTMP for ingestion.
You will need to create your own packager (or find compatible packager code from a 3rd party) to package the MP4 encoded data into the necessary format.
Here is an example of how to create a custom Media Foundation sync (please note you must write your Media Foundation components using C++ MoCOM. We do not support Media Foundation components written in managed languages):
Real-time communication sample
I hope this helps,
James
Windows SDK Technologies - Microsoft Developer Services - http://blogs.msdn.com/mediasdkstuff/

How to use Logic Pro for Windows 7?

I'm autistic, and am interesting in the music keyboards Apple sells. I would like to get Garageband and/or Logic Pro, but I have Windows 7 so I'm not sure if those kinds of software would work on that kind of system. Would they work on Windows 7, or if there's anything else I have to do?

Hi,
None of the software (Logic, Garageband) is compatible between Mac OSX and Windows 7.
Your best choice is to look for similar programs avaialble on Windows.
There are several.. "Cubase" by Steinberg, "Sonar" by 12-Tone, and "ProTools" by Digidesign.
pancenter-

How to use publisher Pro For pages ?

It can not be used in pages ,

I dont't 'know anything from Adobe that could do this.
Look at this:
http://www.compix.tv/
http://www.broadcast.harris.com/productsandsolutions/Graphics/
http://www.powercg.com/Index.html

How to remove shine or glare from face ( forehead cheeks and nose) using Premiere Pro?

Hi there,
I need to remore some glare from a person's face during a footage. This person has a darker skin tone and the lights we had in the room reflected on his forehead and nose. Can I do that using Premiere Pro or any other adobe software? I would prefere to watcha video tutorial or read some step by step instructions. If you know where I can find the answer to this I would apreaciate it !
Thanks

If you're just needing to bring down the highlights in some hot spots on the face, then using the Curves effect or the Three-Way Color Corrector to just pull down the highlights would be an easy thing to do. Since you probably only want to target the face and not modify the rest of the scene, you'd probably be better off doing this in After Effects because of its superior masking and adjustment layer features.
Feel free to come on over to the After Effects forum to ask for specifics. Here are a couple of movies that show how to target just a face with an effect:
using motion tracking and rotoscoping
using Roto Brush

I'm using premiere pro CC 2014 for 4k editing. whenever I play the sequence cut off only window (premiere pro cc 2014).

I'm using premiere pro CC 2014 (trial version) for 4k editing.
but I saw the play sequence problem.
whenever I play the sequence cut off only window (premiere pro cc 2014).
but mac was fine.
I can't using realtime play.
my sequence setting information
sequence > sequence settings
editing mode : custom
timebase : 59.94 frames/second
video
frame size 3840*2160
pixel aspect ration : square pixels(1.0)
fields : no fields (progressive scan)
display format : 60fps
audio
sample rate : 48000 Hz
display format : audio sample
video previews
preview file format : quick time
codec : Gopro Cineform
Maxium bit depth : uncheck
Maxium render quality : uncheck
composite in linear color : check
check it please my workstation spec.
1. HP Workstation (Z840)
    * CPU : Intel Xeon E5-2690v3 2.6Ghz
    * RAM : 128GB
    * Graphic Card : Quadro K5200

Now I see is fully integrate with the OS preference. If you change the scale in windows resolution Preference, Premiere Pro scale too.
Thanks.

My webcam turns on when using Premiere Pro CC. How do I make this stop?

Got a weird one here folks...
It seems as though my webcam (Logitech C110) is turning itself on whenever I am using Premiere Pro CC.
When any window within Premiere is selected the green light besides the lens turns on...when I click "out of" Premiere...it goes off.
I seriously doubt Adobe is pulling some NSA-esque reconnaissance here. Does anyone else have this "problem" and if so do you know a way to fix this?
Best,
Alex

I believe this issue has been present since day one of signing up for CC. Anyone have a solution?

I am a final cut pro user and i recently started using adobe premiere pro. for anyone firmiliar with fcp, there are interesting ways of doing introductions on it and im wondering if anyone could tell me if premiere pro has preset introductions i can use

i am a final cut pro user and i recently started using adobe premiere pro. for anyone firmiliar with fcp, there are interesting ways of doing introductions on it and im wondering if anyone could tell me if premiere pro has preset introductions i can use.

Singenu wrote:
I tought about looking in Monitor Activity to see what happens...
Well, when I start working (should I say try to work with FCPX, activity monitor in the %processor column for FCPX jumps rapidly over 100% and reaches more than 200% ??? What the **** is that ?
200% or more is not strange. Remember that your mac has 4 cores (you say it's 3 months old, so I assume it is a new model), so 200% amounts to using 2 of these 4 cores to the max.
Regarding the question of creating a new admin user: while it sits in the same system, it may help if the problem is caused by some user-specific preferences or settings. Not likely in your case, since you seem to have reinstalled from scratch, but still it is worth a try. It takes 5 minutes and may help pinpoint the problem.

Websites, books, and other resources for learning to use Premiere Pro

What websites, books, tutorials, and other resources have you found useful for learning to use Premiere Pro?
I want to make sure that we have a comprehensive list of good resources for Premiere Pro. See this page for a list of high-quality After Effects resources that I put together; I want something like this for Premiere Pro.
I'll start. In no particular order, here are some resources that I've found valuable:
this forum (of course)
Premiere Pro Help documents and Help & Support pages in several languages
Community Help search for Premiere Pro
Getting started with Premiere Pro by video2brain
Premiere Pro CS5: Learn By Video by video2brain
video tutorials on Adobe TV and Video Workshop
Premiere Pro CS5 Classroom in a Book
Premiere Pro team blog
Premiere Pro team Facebook page and Twitter feed
PPBM5 (Premiere Pro CS5 benchmark) for performance information
Best of Premiere Pro by Eran Stern

> I see mention above of Lynda.com, but either missed Total Training, or perhaps they have merged?
I didn't mention Lynda.com.
And, no, Total Training and Lynda.com certainly haven't merged.
Total Training has some good Premiere Pro stuff, but it's not the first place that I'd point someone for Premiere Pro.

How much does Premiere Pro and After Effects rely on the hard drive it's installed on?

This may be a really dumb question, but how much does Premiere Pro and After Effects rely on the hard drive it's installed on if all your video files, assets, disk cache, etc are on different drives than the one the program itself is installed on?
The reason I am asking is that I currently have a "relatively" slow Sata II SSD for my C drive that has just my OS (windows 7 64bit) and programs (adobe editing programs, no games) installed on it and nothing else. All of the files used in my projects are saved on either a very fast Sata III SSD or a slower HDD depending on what the files are. For example, disk cache on the Sata III, stills on the HDD.
Being cyber monday I have the opportunity to buy another very fast Sata III SSD to replace my current Sata II SSD C Drive (just OS and programs). Both synthetic and real world benchmarks show a near double in performance. I just want to know if anyone thinks the upgrade is even worth it because for all I know there won't be any increase in performance since no videos, still, cach, etc will be stored on the C Drive.
The alternative is to get a second monitor because I currently only use one 21" monitor.
I suppose another alternative would be to not buy anything on the cyber monday deals and just save money for something else.
Any advice or input would be greatly appreciated. Thanks!

Thanks Alex! I think you are right about not being able to notice the difference between the SSDs. I ended up finding a deal to get about $80 off a great monitor that I've been looking at for a while and decided to pull the trigger on it. I thought about it and realized that there have already been a bunch of times where I want to watch a tutorial on youtube and follow allong in AE or PrePro, but have to keep switching windows. I also frequently want to have my video preview on a separate monitor so I can have a taller timeline window. This monitor will help a lot with that. Thanks again for your help!

Using premiere pro and replacing with after effects composition

Hi I am using premiere pro CS4.
I have created a multi camera sequence from 2 cameras, on a separate sequence. when I go to replace the time line footage with an after effects composition, after effects starts up but what I get is the footage in the after effects is from the other camera the exact time length.
what can I do to keep the correct footage from each of the cameras on the time line
Thanks
Rodney

I don't think that is possible at all. It may be a limitation on how multicam works. Since it doesn't produce genuinely separate clips, there is no way for AE to determine which one is actually being used currently. I would imagine, that you would have to insert the relevant snippet as a separate clip to get this working....
Mylenium

Using Premiere Pro 6 - Capturing HDV .mpegs - These can't be seen by other programs like Compressor?

I'm using XHA1's using a Canon HV20 to capture via FW to my IMAC with 10.7. I'm using Premiere Pro 6 and have been using Plural Eyes to do audio sync for the past year.
About 6 months ago when I upgraded to Plural Eyes 3 (which they don't support video thumbnail preview for HDV) I noticed my MPEG files created in Premiere Pro could not be opened in Compressor to change to Apple Pro Res or do anything else with.
So, what I would like to know is there a way of capturing to some other file format than .mpeg using an HDV preset in Premiere Pro? I do weddings every weekend with 3 cameras doing hour long ceremonies. So, audio sync is real important and being able to see those thumbnails would be great.
Finally, when I export my XML to the desktop and bring it back into to Premiere Pro it "squeeshes" the HDV footage into 4:3 aspect ratio. Which I then create a new Sequence, select all, copy and paste and now I have 2 sequences to keep track of.
I realize these are not earth shattering - but they would sure save precious hours over a weeks time while doing many repetive actions. Thanks for any advice.

I have same experience/problem:
- PluralEyes does not show HDV thumbnails
- Windows version crashes (I tryed initial version when WIN support was added)
- Premiere still needs XML export-import, so stereo audio becomes double mono audio
I'm still using PluralEyes version 2, which is at least working:
- use PluralEyes Connector to export from Premiere directly, that opens PE2 and asks you which timeline you want to sync
- when done, exit PE and it will automatickly open Premiere, import project, and highlight added bins
- grab highlighted bins and drag them to the "new folder" icon in project bin; that will create new bin and put all imported bins/clips in to that bin.
- open synced project and copy all clips and paste them in original timeline (where unsorted clips vere).
OPTIONAL: I do replace all clips than with original clips from project bin, just to get stereo audio back. After I replace all clips I delete added bins/clips, because Premiere duplicate all (it will add them every time you re-import clips, instead of knowing it is already imported). So just to keep premiere project file smaller, I remove doubled clips.
If I need to sync just some files I use Premiere CC built in syncer. But PluralEyes does resolve harder to understand clips and Premiere solution is limited by how many clips is capable of syncing. And it does not work with several video/audio tracks, but only two. At least in my case, if I try to sync more than two clips it is grayed out.
Yes, I'm dissapointed by PluralEyes3, because this was my main reason I bought licence, Only to now using version 2.
regards,
MIHAEL

HD to SD using Premiere Pro CS4

Hi there.
I have imported AVCHD footage into Premiere Pro CS4 from my Sony HDR-SR11 and now I would like to export for DVD. The specs of the source video are:
Image Size: 1920 x 1080
Pixel Depth: 32
Frame Rate: 29.97
I watched Jeff Bellune’s video on ‘Scaling HD to SD Using Premiere Pro CS4’, and replicated all export settings according to 1080i60 (please tell me if I’m wrong here) but the resulting quality it poor.
The one thing I could not replicate was the ‘Use Maximum Render Quality’. I do not have it as an option under the Fly Out Menu for the Video Settings tab.
Can anyone help me with this?
Thanks,
David

I'm using the trial version....
And I am considering purchasing Adobe Production Suite CS5 and just want to make sure that I will be able to export high quality SD DVD's from my AVCHD footage. I watched Jeff Bellune's video on HD to SD using Premiere Pro CS4 and it explains it all clearly but I have been unable to use the ‘Use Maximum Render Quality’ option.
So without being able to see the end product, has anyonen else done this and be willing to tell me how good the DVD's look after that import? They pretty much look awful when I use all of the settings minus the ‘Use Maximum Render Quality’ setting.
Thanks and take care,
David

How to use Premiere Pro for live shoots (newbie needing some answers)

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