How to view JPEG of JPEG + RAW pair

I import JPEG+RAW and designate the RAW as master. How can I view the original camera-produced JPEG? There doesn't seem to be any way to toggle that.
Thanks in advance.

Go to *File->Photos->JPG as Master* or else right click on the image and select *set JPG as master* from the contextual menu.
Had you designated the JPG as master the wording of the commands would have been reversed, that is it would have said* RAW* as master.

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How to view the Nikon D4 RAW images in Bridge CS3

I am in the process of buying the lattest Nikon camera the D4. However, I am still using CS3. I am wondering if I am still going to be able to view and process the RAW images in Bridge? Will I need a plug in? If so, where can I download?

I am wondering if I am still going to be able to view and process the RAW images in Bridge?
No, according to this overview:
http://helpx.adobe.com/creative-suite/kb/camera-raw-plug-supported-cameras.html
the earliest support for Nikon D4 is ACR 6.7, the latest and last update of the Camera raw plug in that came with PSCS5
Will I need a plug in? If so, where can I download?
You can use the DNG route, meaning downloading the free DNG converter from Adobe and those DNG files will be viewable in CS3 and you can work with them.
Windows: http://www.adobe.com/support/downloads/product.jsp?product=106&platform=Windows
Mac: http://www.adobe.com/support/downloads/product.jsp?platform=Macintosh&product=106
While it is none of my business I just wonder why you buy a 5K $ state of the art top dSLR from 2012 and still use an 'old' piece of software released in 2007 to try and get the most out of it.
And sadly enough CS3 Bridge is known to be the worst version ever, you sure will benefit from at least CS5 but CS6 offers the new 2012 Process in ACR.

How to view contents in Long Raw datatype column

Hi,
We have two node RAC database with 10.2.0.4.0 version.
OS - IBM AIX.
We have a table with a column with datatype "LONG RAW" in production. It stores image files.
We need to send the images from few rows to third party vendor. Basically, they need to view the images.
Earlier, I have exported to dump file using datapump and sent to vendor. but vendor is telling that they are not able to view the images. Can you please suggest best method to transfer the images (LONG RAW datatype) and the method to view them.

We have a table with a column with datatype "LONG RAW" in production. It stores image files.
We need to send the images from few rows to third party vendor. Basically, they need to view the images.
Earlier, I have exported to dump file using datapump and sent to vendor. but vendor is telling that they are not able to view the images. Can you please suggest best method to transfer the images (LONG RAW datatype) and the method to view them.How is the vendor trying to use the extracted images? Data exported with datapump must be imported into another database with datapump. The same applies to the exp utility (must use imp to load into a database).
If you're careful you should be able to write a binary file using utl_file.
Regarding the long raw, is there any way you could convert to BLOBS? Longs and Long raws are notoriously hard to work with

OM-D: how to view entire 4:3 RAW file when aspect ratio set in-camera to 3:2?

When shooting RAW, the OM-D records 4:3 files no matter what the aspect ratio is set to. If you set it to 3:2 (for example), the camera records some sort of metadata to communicate this information to Lightroom, which honors the setting. So far, so good.
My question is, is there any way to override that setting? I have a photo shot at 3:2, but I can see from the in-camera preview that it'd be a better shot with the whole thing. But I can't figure out how to get LR 4.1rc2 to show me the whole thing!
Thanks,
Ben

Unfortunately, there is no way in LR directly. You may be able to restore the settings directly in the raw file using exiftool (tags "aspectratio" and "aspectframe", there are instructions in some forums I think), but it is generally not advisable to manipulate original raws that way (at least, a backup should be made).
See also:
http://feedback.photoshop.com/photoshop_family/topics/lightroom_4_1_rc_trouble_with_canon_ 5d_mark_iii_aspect_ratio
http://feedback.photoshop.com/photoshop_family/topics/importing_orf_files_does_not_import_ all_image_area

How to have iPad (iOS 5) import only the JPEG from a RAW JPEG pair?

I have an iPad 2 16 GB, running iOS 5. I also have a Canon EOS 7D. I purchased a CF Card Reader for the iPad (see http://store.micgadget.com/card-readers/280-ipad-2-cf-card-camera-connection-kit .html) so that I can view and edit photos quickly in the field, without having to lug my laptop around. To make this easier, I set my camera to shoot RAW+JPEG. I shoot with the smallest JPEG files possible, still a relatively large for the iPad 2,592x1,728, with the idea that I'd only import the JPEG files to the iPad, but still have the RAW files to work with when I get back to my computer. This works great with one exception: the iPad doesn't allow me to import only the JPEG files, but grabs the RAW files along with them. As you can imagine, this fills up my iPad rather quickly, and takes quite a bit longer to import than if it only grabbed the JPEGs.
So here is my question: How do I have my iPad import only the JPEGs from the RAW+JPEG pairs on the memory card?
One workaround that helps slightly. If I connect my iPad to my computer after the import, I can go in via Image Capture, select all the RAW images and delete them, leaving the JPEGs behind. This is an underwhelming solution, but does save space after the fact.

What you are seeing is how Safari works now in iOS 5. There is no way to get that icon in Safari now. There other much better browsers available in the App Store. Look at iCab Mobile, Mercury, Atomic, ....
I have been running iOS 5x for so long now, that I don't even remember if that icon did appear in earlier iOS versions

Raw + JPEG : How do you view only the Camera Raw?

Hi there,
Here's my problem.... I started importing many of my pictures (shot Camera Raw + JPEG) using the import window. Using the import window caused both the Camera Raw and the Jpeg to appear side by side in any album. Later on, I accidentally discovered that if I dragged a folder with the Raw + JPEG files into the aperture library, the Jpegs would be hidden from site. However, they would appear when I used the "export masters" command, which is exactly what I want (to see one image, but have the Jpegs hidden). I don't want to confuse and clutter things by having side by side duplicate photos in my albums. Is there any way to go back and retroactively make it so that only the camera raw pictures are displayed in a case of Raw +Jpeg? I don't want to erase the original Jpegs created by the camera either. There must be a way to do this.
Any help here would be appreciated. Thanks.
G5 Mac OS X (10.4.8)

Hi Cliff,
If you don't mind using Automater Actions, the following link will allow you to separate your .jpeg from your RAW files. I have not personally used/tested it because Aperture does not currently support the Nikon D80 RAW files yet. However, when they do, I will certainly give it a try. I hope this helps! Don
http://www.apple.com/downloads/macosx/automator/separatejpegs.html

How to Delete imported JPEGS after matching RAW files are imported as masters

Using a 5D Mark III and shoot JPEG (SD) and RAW (CF).
Aperture 3.5.1, using a managed library
Perviously, using a 7D so new to shooting JPEG and RAWs from an aperture Aperture workflow standpoint.
I know that i can import the JPEGs > delete images that do not make the cut > then import the matching RAW files in the import dialogue that correspond to the JPEGs in the Aperture Library.
I use the RAW files as my Camera Master images and once the RAW files are imported, the smaller resolution JPEGs are no longer needed or viewed in my normal edit workflow. I only need the JPEGs to quickly go through the images to find out which RAW files i need to import at a later time to increase the speed of import > edit > deliver.
My Assumptions:
1. Logic would lead me to believe that after import the user should see a stack like image representation with whatever file type is considered Master to be on top and the viewable secondary file type on the bottom. clicking on the image stack should allow you to see both file types as you would normally see with image stacks with the same files types. This is not the case... What am i missing here?
2. Logic again would lead me to believe that when i have the ability to delete one of the 2 image types as i do not need both in the end. After the import process is complete and RAWs are backed up, I want to delete the JPEG files as they are just taking up more space on my DAS drive array... There is no need to keep a duplicate of every file in both JPEG and RAW format. This is not the case as when i delete the JPEG or RAW, both files formats are deleted simultaneously. What am i missing here?
Problems: (correspond to Assumptions above)
1. I do not seem to have access to both images (JPEG & RAW) in a stack where i can expand and close the stack to see both? It seems like i only have access to the image type i have selected as Master? This seems counter intuitive to what the workflow should be as why would aperture 'lock the secondary file types away' so you can't easily view both file types as the same time for comparison?
2a. Reality seems to be that i do not have access to the JPEG and RAW image files. I can only see one at a time by selecting the images and choosing 'make JPEG master’ and then respectively... 'make RAW master', but you can't see both at the same time for file comparison.
2b. Also, I can't find a way to delete the JPEG images after the RAW files have been imported. I would presume most professional photographers shoot RAW and do not shoot JPEG as their camera master or editing master images. I do not understand why aperture has captured both as a pair in the library that does not allow me to delete the JPEG (in this case) as i have selected the RAW as my master.
If someone can please help... The function seems like either i am missing something obvious or that the implemented function of using RAW + JPEGs files for import is broken from a real world workflow standpoint.

leonie...
thank you for clearing that up for me.
I think that at this point it is silly to use the JPEG+RAW import functionality as it seems that it takes longer to do the above steps than to just import only the RAW files and press on from there.
I seems what i have done in the past of only importing the RAW files and then using the quick preview functionality to reduce image load times is the best thing in can come up with without keeping 'duplicates' in the database.
That really baffels me that there is no built in functionality to remove the JPEG from a RAW+JPEG pair and i wonder how the real world photographers who help Apple test and implement software to solve real world workflow problems thought the JPEG+RAW import was going to be used.
I do understand that i can use a smaller JPEG file size to reduce the bloat of the database, but used over hundreds of thousands of images is certainly going to make a dent in my total aperture database size and therefore storage needs down the road.
If you have any other workflow thoughts, or know of a 3rd party plugin/ etc... to fix this obvious shortcoming then i am all ears..
thank you again Leonie and have a great week

How to view .jpeg files in Yosemite

Am using Yosemite (10.10.2) on my iMac and want to view rather old .jpeg photos. When I attempt to open them, I get an error message saying Photoshop 3.0 is required. When the file titles are displayed in Finder, I can see the little-bitty picture, so I think the Mac knows the picture is there, just reluctant to let me view it. (I tried using Preview and iPhoto and neither one works for this.)
Is there some way to view these photos with the existing Mac programs?
Thank you,
TBS2

Thanks for all the replies. I tried to respond to everyone individually, but the rules say I can only post content every 30 seconds. Hence this combined reply.
Don't have "Quick Look" on my iMac. I did use the "Get Info" option to open all .jpeg files with Preview. Didn't work. Did try to open the files from within Preview using the "Open file" option.
Tried opening with Firefox (thanks to whomever posted that hint somewhere on the blog) and the Firefox error message says there is an error in the file.
I am able to open other .jpeg files with Preview, so I am now of the belief there is a problem with the file, not with how my system is handling it.
Suppose a "fixer" of some kind is in order, but I don't know what that is!
Thanks again for everyones help.
TBS2

How do I open jpegs in Camera Raw?

I can't seem to find any instruction on how to open jpegs in Camera Raw. It says that it will do it, but I haven't found the way to do it. Command R is never highlighted when I'm in Bridge and click on a jpeg. Help!
Thank you,
Gregg

I am encountering the same problem in Bridge. Although I marked the preference to open jpeg in Camera Raw. Everytime SC3 opens with the picture.
In early July I folowwed a thread discussing the same problem - without solution. Could it be that this is a bug in Bridge and hopefully Adobe is working on an update?

Deleting all the JPEGs from my RAW+JPEG pairs

Parts of my Aperture library are only JPEG, only RAW or RAW+JPEG. I am ready to dump all the JPEGs where a RAW is available. Any idea how to do this? I'm not too great at navigating Aperture. I'd prefer to do this from within Aperture, but any suggestions would be great.
(Come to think of that, I would also like to do that with some of the pictures I have imported to my iPad with the Camera Connection Kit.)
Thanks in advance to anyone who can help...

I guess you could use the brute force option and export them as masters, delete them from the library and then re-import only the RAW files. You would lose any adjustments and metadata work that way.
With less brute force, but even more work - a slightly modified procedure of Thomas's approach.
Make sure, you have all images set to use the raw version as original (From the main menu bar: Photos > Use Raw as Originals).
Export the Raw originals, with IPTC tags included.
Flag the old versions in the library.
Import the raw originals again and create an album with both the old and the new versions, sort it by capture date, so that you have the old versions and the newly imported side by side.
Use the Lift & Stamp tool to transfer all metadata tags and edits from the previous version to the new versions.
Delete the flagged old versions.
If only a few of your images have adjustments or tags, you could use a search for "Keywords are applied" or "Adjustments are applied" to selectively stamp only the images that need readjusting.
The quick and dirty approach - simply deleting the redundant jpegs from the Aperture library - will not work - I tried with a test library. Aperture will not forget that there is supposed to be a jpeg version and you will continuously see warning messages that thejpeg is missing.
Regards
Léonie

How do I find BOTH the raw and the cameras jpeg files?

I've got Aperture 3 importing raw plus jpegs from my Nikon D600 camera. The D600 produces amazing jpegs!
Aperture is set to use the raw file as the master.
I'd hoped that I'd have access to both the raw AND the camera jpeg but I only see the raw file and as soon as I open it, the cameras jpeg is replaced by something that aperture generates. It's quite frustrating because the jpegs from my Nikon look fantastic but only for a couple of seconds before aperture replaces them with a horrible, jpeg.
I want to have access to both the camera's jpeg and the raw file. Aperture's jpegs just aren't that good compared to the Nikon original jpegs. Not even close!
Is there any way that I can get back my Nikon camera's jpegs or are they gone, forever?
Thanks in advance!

Roy Martin German wrote:
For some unknown reason, although I can see both the "Use JPEG as Original" and the "Use RAW as Original", both of these menu items are grayed out?
A couple of ways this can happen is (1) if only one format is actually on the camera's card (i.e., the camera's Quality setting is incorrect), or (2) if "Import RAW files only" or "Import JPEG files only" was selected in the RAW+JPEG Pairs panel in the import dialog. So (1) are you sure the card contains RAW and JPEG images (e.g., have you looked at it with Finder), and (2) what setting was used during import?
Roy Martin German wrote:
but I only see the raw file and as soon as I open it, the cameras jpeg is replaced by something that aperture generates.
Not sure what you mean by this statement. By design Aperture doesn't "replace" anything. Can you clarify?

Viewing Jpeg next to Raw in grid view LR 5

Hi
I have been using LR since version 2 and since upgrading to LR5 I can't find a way to view the jpeg files next to the raw file. in grid view it just shows RAW + JPEG on a single photo but I want to split them so I can see the jpeg type. I changed my preferences to 'treat jpegs as separate files' but what do I do with all the files I already imported and corrected?
Thanks
Mica

studiomigo wrote:
So mamy years with LR and still don't get the workflow....-)
Importing RAW+JPEG (together as one) is for people who only use the JPEG *outside* Lightroom. I mean, the jpeg is *inaccessible* in Lightroom - it's kept with the raw as a courtesy (on disk, i.e. when moving/renaming), and that is all.
Import raw and jpegs separately if you want any kind of access to the jpeg in Lightroom.
There is room for raw+jpeg handling improvement i.m.o. but we may not see it until a more thorough revamping of "related file handling" - mere speculation...
Rob

Raf files + jpeg - How to view the jpegs

Hi,
I have always shot into raw files but after seeing the jpeg quality out of my Fuji x-t1 I decided to try the b&w jpeg quality from the camera.
Shooting raw + fine the files download into LR5, appear first as b&w but convert into colour thumbnails, and are tagged as raf +jpeg.
How can I see the jpegs separated from the raw files for adjustments. I have usually produced b&w images from the raf files but I would like
to be able to compare my b&w conversions to the ooc versions.
Roger

No need to feel that way. There are a lot of options in Lightroom, and it takes time to understand the options and what is available and to get Lightroom configured appropriately for your personal use.

HT4007 I have just transferred all my raw, jpeg & tiff files into LR4 and using to opportunity to delete old raw files to free up disc space. How can i completely remove a raw file from my msc disc??

I have just transferred all my raw, jpeg & tiff files into LR4 and using the opportunity to delete old raw files to free up disc space. How can i completely remove a raw file from my mac disc??

I'd be careful here: LR references files. It can copy them, like from an SD card to your hard drive, but it doesn't necessarily make duplicates. So when you say you "transferred" those files "into" LR it just means you referenced existing files. And if you delete those they're gone, unless you've made copies. LR does not import files by copying them into a managed library like Aperture does.

How to stop CS4 opening JPEGs in Camera Raw?

Hi guys,
I'm hoping someone out there can help. Recently for some reason CS4 decided it wanted to open all JPEGs in Camera Raw.
I am trying to restore whatever setting has changed so JPEGs open directly in Photoshop not Camera Raw.
And before anyone states the obvious yes, I have deselected "Open JPEGs in Camera Raw" under Camera Raw prefs.
I am on a mac (OS X 10.5.7) and have installed the latest updates for CS4 (Camera Raw is version 5.0.0.178).
Any (constructive) input would be welcome. Cheers.

Generally, once a JPG has been opened in ACR and has an embedded adjustment
recipe it will continue to be opened in ACR even though you have the
preference set to not prefer ACR for JPGs.
Your verbiage is different than what I see for Camera RAW Preferences in ACR
5.4 on Windows, so maybe you need to update to the latest ACR or maybe Mac
and PC versions of ACR are different.
In my CS4 Extended (11.0.1) / Edit / Preferences / Camera RAW preferences
for ACR 5.4, down at the bottom, you can set JPG and TIFF Handling - JPEG to
Disable JPEG Support instead of Automatically open JPEGs with Settings to
make it ignore the settings in JPEG and/or TIFF files.

How do I delete the jpeg from raw+jpeg imported images?

Hi,
Back in the day, I shot lots of images using raw+jpeg and imported them into Lightroom. Now I realize those jpegs add no value and I'd like to recover the disk space that they're collectively occupying.
Is there a good way to:
1. Identify all images in a catalog which have raw+jpeg?
2. Remove just the jpeg for these images?
Thanks!

$$PhotoHobby wrote:
I'm very hesistant to take the chance on any 3rd party script.
Just so ya know, what the deletion feature in RawPlusJpeg does is ultra simple:
1. Identifies extraneous jpeg files.
2. Presents them for you to review.
3. Deletes the extraneous jpeg files, if you approve. (puts them in the recycle bin if possible).
It does nothing to the database nor anything else.
You sync folders with 'Treat JPEG files next to raw files separately' afterward, which is what sets the database right.
The only potential for trouble is the criteria for determining which jpegs are extraneous.
It has no direct access to the database, so what it does is check for jpegs with same base name as raw (which *must* be present in catalog, and on disk), that aren't in the catalog, which includes the jpegs associated with RAW+JPEG (imported as a unit), *and* any jpegs that were imported separately, but subsequently removed from the catalog, or had never been imported.
So, what it does will be the perfect thing to do, *if* you first synchronize folders (with 'Treat JPEG files next to raw files separately' checked) to pull any jpegs in to the catalog that were previously imported separately, but may have been inadvertently removed from the catalog (or had never been imported), before invoking the delete feature of the plugin.
Note: You must do that for any manual procedure too, or you will have the same problem, except in the manual case, you won't have the benefit of the plugin checking your work, and presenting the files to be deleted, before you commit.
It's your call, obviously, and to save Geoff the Kiwi from pointing this out: the plugin comes with no guarantee, warranty, or any other kind of tea.
Consider backing up catalog and photo files before doing this maintenance, whether manual, or plugin-assisted.
In my opinion, the plugin-assisted method is much safer than the manual method, which is the only reason it was written, *not* to save steps, although it does that too. For example, you can not, with the plugin, delete any jpegs that do not have a corresponding RAW in the catalog and on disk, period. - unless there is a bug of course, but there probably isn't , at least not one that would change the aforementioned assertion... - it wouldn't take much of a bug to cause it to barf, but it would take a big bug to cause it to delete files that weren't on the list, etc...
Seriously, I don't think you have to wait for Adobe on this one. I wouldn't (I didn't - my catalog is all clean now!...).
PS - there is *very* little recorded in the database about the jpeg sidecar - it's existence upon import (when "as a unit") - that's about it. Most of the funny business about updating that we were fumbling with above, stems from the software (and the person at the keyboard), *not* the database. Syncing folders with 'Treat JPEG files next to raw files separately' checked, once the jpeg sidecars have been cleaned up, *will* set the database straight!
Cheers,
Rob.

How to view JPEG of JPEG + RAW pair

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