I can't see a H.264 Blu Ray Format on AME CS6.

Good day!
I just wanna ask how can't I see the format H.264 Blu Ray on my AME CS6. I've provided a screen capture for you to see.
Thanks.

I already reinstalled it.
I'm gonna try installing After Effects and see if that Blu Ray appears.
Wish me luck!

Similar Messages

  • Downsides to multiplexing audio for H.264 Blu-ray disc?

    I have a 9 minute video; personal/consumer use; 1280x720; 59.94; source video from a Contour+ helmet camera that stores .mov, H.264; audio is on a separate track from my own selection of mp3 files (it is a music video).   I have three intended playback targets: Blu-ray disc, Sony PS3 native, and PC/Windows Media Player.   Is there a big downside on video or audio quality in this case using multiplexing to produce a single .m2t file imported into Encore to produce the BD vs. separate .m4v/.wav files?   Not a huge deal, but having to maintain one production files vs. three is a minor plus if it makes little to no difference on the BD front.
    Depending on the answer, If I use the H.264 Blu-ray format/preset in PP to produce the .m2t file does Encore have to re-encode?   I am assuming Encore does not reencode if I am using separate .m4v/.wav files.
    Thanks

    You must always remember gents, when you multiplex, there is a BUFFER attached to that (computer term that means a chunk of size and bit defined fast memory space that holds an intermediate piece of data for shuttling to the next piece of hardware).  This changes the MAX Bitrate allowed for your video (but it doesn't show in AME cs6 and I don't think it shows in lower versions; not sure about cc).  Since you are tying one stream to another, and effectively weaving the data into one stream, you are maxing out the amount of data you can pass in that stream.  Only certain types of data can be read in this manner.  Think of it this way, you have taken two sets of data with different bit widths, and different bit-sample rates, and tied them together into one stream.  This stream still has to fit in the max data rates of the medium.  Your video cannot exceed 30mb\s and you are also left with another problem.  Audio, without mux, has so many different formats and bit fiddling profiles that it would be difficult to make sure it was within the sizing for data.  If, however, you limit it to one major codec, and use predefined bit\sample rates that can be sized up, you'll be able to tell if all the settings are "legal" or not, as you then have a predefined data-size for both audio and video.  If you don't multiplex, you get 2 streams.  It takes longer to load the disc, but both streams are cached.  Typically, with more motion, I like to non-plex, but with more emphasis on audio, I start leaning toward a TS file.  IF you want forward compatibility, select an intermediate codec, with little to no compression, save to a disc image, then burn a disc and file it away.  Every 10-15 years, hire an intern to turn their hair white recoding all your video and following the same procedure (unpaid internship time), but make them happy by hiring them as "Labor" on a short job or two and pay them well for standing around or stroking the egos of the "Talent".  What can I say, we all work more diligently and creatively when we feel more connected with it, whether we're brooding and trying to communicate the angst of a lost generation, or felling powerful enough to choreograph leaping tall buildings in a single bound.  Misery loves company, and powerful loves to be reminded it is by everybody whether it is or isn't.
    If you need better clarification...
    Lets go back to dvd for a moment.  DVD structure is Video TS and Audio TS.  TS is Transport Stream.  A stream is a BUFFERED movement of data that is transferred quickly in set sized chunks.  In DVD there were two transport streams to play back early on.  Later, many started muxing those streams and encrypting them, so that upon Decrypting they could be played.  Muxing made the encryption easier, as only one stream needed to be encrypted and it was all in the Video TS.  Audio TS folders are still written, but there is little data there.  In fact, removing this folder when no data is actually present has shown in some cases to do no damage, while in others, it will not play.  This is because, it is used as a shell to copy.  It initiates the audio stream playback on older players, and on newer players it isn't necessary.
    Blu-ray yields similar limitations.  You need to match the size of the buffer you are feeding.  Most players max out around 35mps from the old sets, and newer players actually pull more like 50mps.  If you don't know your target, you'll be out of luck.  I've seen blu-rays that don't play on older players being sold at video stores, at Frys, everywhere.  I've played them on an old one and found them to be unplayable.  Newer formats do not work with older players, but, they note it on the package that you need to meet certain specs, and those specs can usually be found on a sticker on your device so you can see if they match.  Remember your Target BitRate and Max Bitrate.  The Target should be less than the max for the device you aim for.  CS6 won't usually allow anything over 32.7mps, anyway, so setting this in AME even with dynamic linking could cause problems.  However, you do have the choice to locate a transcode... ...presents an interesting possibility.  I've been trying to get a project done or I'd try this myself:
    I'd use the x264 free codec, with some basic options and blu-ray-compatible flag, with --fake-interlaced, to create a transcode and link it into encore.  However, encore hasn't liked any of my transcodes that use multiple passes.  I'm going to try with a single pass later, and produce an intermediate output for now.

  • Adobe Media Encoder - Encore - H.264 Blu-ray

    I just exported a Premiere Pro timeline using the Media Encoder with H.264 Blu-ray format and the 1080i 29.97 HQ preset. Presumably, you would choose this so that you do not have to transcode when you get to Encore. However, when I put my 16GB M4V file in a timeline, it wants to transcode saying it is "Untranscoded". Why? It also says the Blu-ray disc is only 11GB.
    Please tell me there is something I can do to prevent from having to re-encode or transcode this file when it is already in a Blu-ray format.

    hello,
    "This bug is with only H264 VBR 2 Pass presets and if you change to VBR 1 Pass keeping evverything same, the bug should not be there."
    honestly speaking, most everyone agrees that 2 pass is better quality than 1 pass
    and if this issue has been happening since cs4 and we just received our first update
    to cs5.5.1 for ppro, why does adobe still require us to 'lower' quality settings...
    it's almost like adobe doesn't want us exporting a full quality BD...
    doesn't adobe have the resources to fix this issue already?
    unless there is an acceptable answer, then shouldn't this be unacceptable...?
    this is almost like saying, "yeah the full hd presets don't work, but if you use the standard def presets, you should be okay..."
    especially if other authoring programs can do 2pass BD discs...
    is there an acceptable answer as to why this issue hasn't been fixed?
    is there any plans to update encore?
    thanks,
    jeffrey

  • AME H.264 Blu-ray Presets

    The PAL H.264  Blu-ray presets in AME have "Profile" set as High, but in the printed manual for Encore on page 48 at the top there is a warning in italics
    "Note: for Blu-ray projects, the encoding profile must be Main when you select H.264 as the encoding format.  You cannot burn a Blu-ray disc when the encoding profile is set to High."
    Can anyone give a definitive answer as to which is correct, please?
    Message was edited by: Alan Craven

    I think that I may have the answer to my own question.  I scrolled down the list of H.264 presets in Adobe Media Encoder and found that ALL the HD presets, PAL or NTSC; 1920,1440, or 720; interlaced or progressive, have the Profile set at High.  Only the four High Quality SD presets at the bottom have Profile set at Main.
    A little research makes me suspect that the warning in the printed Encore CS4 manual that I quote in my first post has the crucial words "Standard  Definition" missing from it:
    http://en.wikipedia.org/wiki/H.264/MPEG-4_AVC#Profiles
    A search of the Adobe on-line help throws up a blank for this topic, and the equivalent section to pp 47-8 of my printed Encore CS4 manual is taken from the CS3 Help files, and does not include much of the information that is in my manual.

  • HT4528 I can't see the new light blue font on many of the displays.  Is there a way to change this color?

    I can't see the new light blue font on many of the displays.  Is there a way to change this color?

    No you can change your wallpaper to make the font stand out more on your homepages and folders or you can adjustr the font size, bold and contrast here:
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  • Is PrProCS3 able to encode H.264 Blu-ray file?

    It seems I overestimated the capabilities of CS3.  I have been unable to export a file to create a Blu-ray disc.
    System specs:
    2009 Mac Pro 4,1 3.33GHz Quad core
    ATI Radeon HD 4870 512 (Apple)
    16GB RAM
    640GB HD for OS X 10.6.4, and all programs
    3x 1TB HD in RAID 0 via Apple RAID card for data, scratch
    LG WH10LS30 10x Super-Multi Blu-ray burner (kit for Mac Pro from OWC)
    Adobe Production Premium CS3 (updated to 3.2.0 for Pr)
    File specs:
    DVCProHD P2 MXF footage, shot on Panasonic AG-HVX200P
    1280x1080 29.97(24P), aspect ratio = 1.5
    Project settings:
    DVCProHD 1080i/1080p, 60Hz
    23.976 frame rate, progressive scan
    The project is 1 hour 32 minutes long, and I've tried Export to Encore, Export to AME and Export Movie to H.264 Blu-ray m4v, using the preset for 1080p High Quality 24p and 23.976fps.  Codec is MainConcept H.264.  The target bitrate is 25Mbps, Max 30Mbps.  I've tried both Main and High profile.  After I post this question, I'll be trying to change VBR to 1-pass, since it gets through the first pass during encoding every time, but crashes Pr during the second pass.  It doesn't even make it to Encore... it just won't encode the export file, despite my attempts to follow all the rules.
    I'm out of ideas.  I don't want to give up and say Premiere Pro CS3 is worthless to me until I can confirm that as a fact.  I purchased CS5, and it's sitting on my shelf awaiting installation, but I thought switching versions in the middle of a feature film edit was bad, so I've been holding off.  However, if CS3 is unable to produce a Blu-ray copy, I might have to try that next.

    Hi,
    I have cs3 but dont have a machine powerful enough to edit HD of any kind that is more than about maybe 20 min ...I have a PC.
    It slows up a LOT if I have HD on my timeline and I add effects etc.  That is why I haven't responded to your thread.
    I have (approx ) a dual core 3ghz cpu and 4 gig ram, 2 hard drives with OS and programs on boot drive and projects on 2nd drive. I have no problems with SD video at all but HD is just NOT something I can do.
    I suspect there may be some others using CS3 that also shun large HD projects simply due to the machines they have.
    With the new 64bit OS and CS5, allowing PC users to actually "see" more than 4gig of ram, most HD users are now using new 64 bit OS and CS5....with a lot of ram and multiple cpu's and raid drive setups.
    Although this doesnt help you out a lot re: your problem, at least it might explain a little bit why so few have responded yet...it's simply because I don't think that many cs3 ( 32 bit program ) users have done what you are trying to do.
    Perhaps you could try exporting to encore for blue ray a very small segment of ONE timeline, and see if your hardware works OK with THAT...  ??  Sorry I can't help more

  • Adobe prem / media encoder h.264 blu-ray jitters, flickers /w slow-mo

    hello
    using the Adobe Production Premium CS4 pack... hardware is not an issue, also all the latest updates are installed.. prem 4.2.1 (003), encoder 4.2.0.006
    after export and authoring, we are having strange glowing flickers, and bad slo-motion effect playback
    the problem seems to be consistent with slo-motion and time remapping, frame holds and especially when an additive dissolve is thrown in.
    the edit's are far from saturated with these effects, but a simple frame-hold with motion-rotation and motion-scale occurring with keyframes. the problem also happens with something as simple as a 30% speed/duration added onto a clip..
    the footage is captured and on a timeline at - 1440x1080 (1.3333) HD Anamorphic, 25fps (50i)
    the export profile after edit is - H.264 Blu-ray - 1440 x 1080i 25 High Quality
    i get the feeling the problem may be occurring as the footage is remaining as interlaced footage through-out and not being blended or discarded to progressive.
    i have tried making the footage progressive on export thinking it might solve the problem, but it turns out there is no such thing as progressive HD PAL in media encoder and encore
    i love adobe's workflow but we have never been fond of main-concept from the start with things like this, even Mpeg2-DVD exports come out softer than you'd expect
    any thoughts, light or general directions on what to do to help figure out the problem would be great..

    after around 30 small sample exports, builds and different renders... I have discovered the problem and am now on track to fixing it..
    it turns out certain adobe effects such as 'lighting effects' do NOT work well with slo-mo or frame held clips.. upon taking this one effect off, the clip looks flatter and less dynamic in context of my edit, but the clip plays normally no matter what the export settings, codec or format..
    what's hallarious is that these effects and edits export and author perfectly fine onto DVD through Mpeg2.. i guess they just flatten better etc.. i get the impression when Adobe started crafting their software for HD they just built on top of the normal effects etc they already had and expected them to work.. if only Premiere could get the updates, priority and attention Photoshop does..
    again, i love premiere's work flow, i just can't see how they can put the word 'Pro / Professional' near this software...
    many thanks all
    Steve

  • PR and AME 8.1.0 Export H.264 Blu-ray Creates Malformed xmpses File

    Posting this here in PR, but this also applies to AME. The bug report was coded to AME. The only symptom may be upon import to Encore. See issue and bug report in this thread: Re: Re: Encore won't import markers with bluray vid output from Premiere through Media Encoder
    Bug report filed. This appears to affect H.264 Blu-ray exports from PR 8.1.0 directly or through AME 8.1.0. It does not affect MPEG2 Blu-ray. The only practical symptom identified so far is a failure of files to import to Encore without deleting the xmpses file, which results in loss of chapter markers. A possible workaround is to modify the xmpses file.
    Has this already been identified as a bug? Are there any other consequences?

    Hey Kevin -
    Having this issue on my new PC. I posted this on the Encore thread too but figured I'd update this thread as well. Hopefully the fix is coming in the next update (8.1.1?) Interestingly, I'm using 8.0.1 right now and I'm in my first week using my new PC (switched last week from long time Mac user) and both projects I exported had this issue. What's strange is that on my PC when exporting projects to the H264 Bluray format I get the xmpses and and xmp file whereas on the mac I only got the xmpses file. Even stranger is that I never had this issue on my Mac and when I bring in a project that I just exported using my mac into Encore on my PC it doesn't give the "error parsing MPEG..." message and all chapter markers come in just fine. These exports were just from last week using the same version of Premiere (8.0.1) I'm using AME 2014.1 though on this new PC whereas I can't remember on my mac if I had updated it yet to 2014.1  I don't think I did. Can't remember and I already wiped and sold it. Anyway, glad to hear the bug has been isolated and hope for a fix real soon. Thank you!
    Premiere 8.0.1
    AME 8.1.0.122
    X99 5930K 6-Core
    32GB Ram
    GTX 970
    Windows 8.1 Pro
    (total side note: I wish in the signature of posts every forum member could have stored their specs so it would automatically be on each post for reference. Random thought.)

  • Premiere Pro CC H.264 Blu-ray rendering problem

    Hi!
    I have a problem when try to render AVCHD files (.m2ts) to H.264 Blu-ray. This is the issue that follows me from Premiere Pro CS6 and old machine. When I create a sequence from AVCHD (.m2ts) files and try to export it with H.264 Blu-ray settings (only two changes I made in default settings are multiplexing to TS and change audio to Dolby digital) i got few seconds shorter video file than the original timeline and automatically audio and video are out of sync. I notice that when I try to play rendered video with Windows media player (Media player classic and VLC player also play it the same way) after a while audio is starting to be out of sync. When I import rendered file again into Premiere Pro CC and put it in timeline I can see that my rendered video is shorter than original timeline (I have 4h 30min project and rendered video is 4sec shorter; everything is there but 4sec shorter - probably faster, it is hard to notice how faster because of long timeline, but obviously 4sec faster)
    Also, when I take that same project to my friend and render it again everything is ok. He is running a little bit better machine but also he is running Premiere Pro CS6 and I'm running Premiere Pro CC. That was the issue also when he was running Premiere Pro CS 5.5 and run Premiere Pro CS6 a year ago. All settings stays the same when I render and when my friend render the same sequence. I have audio out of sync and he haven't
    One more question: Premiere Pro and AME not using Mercury Payback Engine GPU Acceleration at all. In AME I chose renderer: Mercury Payback Engine GPU Acceleration but when I look at NVIDIA inspector I can see that GPU usage is 0% when rendering is in progress. Any idea?
    THX!

    Thank you Jim,
    but I'm confused. Same project, absolutely same settings but with different hardware got different results?
    About 2 years ago I had AMD Athlon 3200+, ATI Radeon X800XL, 8GB DDR2 RAM, Win 7, Premiere Pro CS6 (AVCHD input, rendering to .m2t, all settings to default, just multiplexing set to TS because I need audio and video multiplexed to be able to play directly from external HDD to LED TV via USB) - result: audio is out of sync.
    My friend had Intel i7, nVidia GTX 550, 16GB DDR3 RAM, Win 7, Premiere Pro CS5.5 (same project, AVCHD input, rendering to .m2t, all settings to default, just multiplexing set to TS) - result: everything OK.
    Few days ago same thing, but with new hardware - my hardware: Intel i5, nVidia GTX 760, 16GB DDR3 RAM, Win 8.1, Premiere Pro CC (AVCHD input, rendering to .m2t, all settings to default, just multiplexing set to TS) - result: audio out of sync (as a matter of fact video is shorter - I didn't realize that few years ago, but just now).
    My friend with his same hardware as above, few years old (AVCHD input, rendering to .m2t, all settings to default, just multiplexing set to TS) - result: everything OK.
    Why is video (rendered) shorter than the original timeline? Is it possible because of multiplexing to TS? If it is the reason, why Adobe left us to choose do we want to use multiplexig or not, when it causes such drastic problem? Why Adobe left us so much option to play with? They don't want to certificate every peace of hardware (graphic card, although many graphic cards are compatible and can be used "at our own risk") because, as they said, it can cause problems, and they left us so much option to change before rendering, and some of them causing problems and aren't compatible with each other If I check some box then I got bad result, and if I not check it, then everything is OK? Don't understand why they left us that option when it's not OK to use it, because it produce bad result?
    Not to mention that rendering (AVCHD to H.264 or MPG2 Blu-ray) is significantly faster with i7 than with i5, because, as I can see, GPU Acceleration is not used at all for rendering (maybe just for few effects, that I didn't used yet).
    THX!

  • Color Shifts when rendering to H.264 Blu-ray

    Since upgrading to After Effects CS5 I am seeing the following:
    Whenever I render out a video file using the "H.264 Blu-ray" Output Module option, the resulting m4v video has a different color appearance than the After Effects composition from which it was rendered. The rendered file appears to have a yellow cast to it, especially evident in red highlights. This appearance is seen within After Effects (after importing the file and dropping it in a composition) as well as in VLC media player. In addition, a blu-ray disc created using the m4v file also has the yellow appearance when viewed on an HDTV. In other words, the color shift is consistant in various players as well as within After Effects itself.
    Here is the bug report I submitted:
    ******BUG******
    Concise problem statement:
    Steps to reproduce bug:
    1. Create a project with HDTV (Rec. 709) color space, 8 bit.
    2. Import a 1920x1080 video file (any kind).
    3. Render out to H.264 Blu-ray (using project color space).
    4. Import the resulting m4v file and compare it to the original video.
    Results: The color has been shifted; has a yellow cast to it.
    Expected results: the color should appear the same for the rendered file as the original.

    Chris,
    Thanks for your input.
    "I can assure you this isn't a widespread problem as I've rendered a fair amount of h.264 directly out of AE and haven't noticed it. Nor have I heard anything from our testing department."
    Try this simple test:
    Make a 1920x1080 comp in AE with your choice of footage, using any AE settings/color management etc. you want to.
    Render to format "H.264 Blu-ray" (or plain "H.264") with any settings you care to choose, with the goal being best color fidelity possible.
    After rendering, import the output file into After Effects.
    Drop it in the original comp.
    A / B the two and compare the color.
    Do they match?
    If so, then you have achieved what I cannot, and what no one so far has demonstrated to me that they can do, and at that point I would greatly appreciate your sharing with me the secret of your success.
    If not, then join the club, because I can assure you that I am not the only one.

  • Exporting H.264 Blu-ray material in CS3

    System:
    2009 Mac Pro 3.33GHz Quad core
    Snow Leopard 10.6.5
    16GB RAM
    Radeon HD 5870
    Adobe Premiere Pro CS3, 3.2.0
    Video material:
    DVCProHD, 1080p60i/24p, 23.976fps shot on P2, MXF file format.
    Exporting to:
    H.264 Blu-ray via Adobe Media Encoder
    I can render Blu-ray material, and even burn it in an internal LG 10x Blu-ray burner that I installed.  The result was wonderful when played back on a Blu-ray player and HDTV.
    What I cannot figure out is why I have to render projects in small little segments, rather than one large one, and then line them all up on a timeline in Encore.  I then have to rearrange my chapter points, since Encore places a chapter marker at each clip.  It's not the biggest deal in the world, but it's just annoying.
    I've tried different settings, and the one that gives me the most success is starting with the preset for H.264 (Blu-ray), HDTV 1080p 23.976 High Quality, and switching the Profile from High to Main, and leaving the rest alone.  I'm not sure if I tried HDTV 1080i 29.97... maybe I should.  Whether it crashes or not seems to depend on how many effects are in the clip, or how long the segment is, but I can usually get away with up to about 10000 frames of video without a crash.  The crash almost always occurs during the second pass of VBR encoding.  It closes Premiere and offers the crash report window, which I am not good at decyphering.  Anyway, I always submit the crash report with what I was trying to do.  Adobe has many of them from me now.
    Can anyone shed some light as to why it only allows 6000-10000 frames go through this encoding process?  My system will show that it only used about 6 out of 16 GB of RAM after a fresh reboot.  It helps if I reboot between each encode session, as well.  If I try to encode two short segments without rebooting between, I usually get a crash.  Also, I can encode DVDs just fine with the same project.  I encoded the 105 minute movie with all the same effects, clips, etc. and the DVD was flawless on the first try.  It's just the H.264 Blu-ray setting that jacks it up.
    I'm glad I can get the thing done piecemeal, but I was hoping someone could at least explain why it's so difficult. (:

    I would agree, and I think it must have to do with RAM.  When I get a segment exported successfully, the Activity Monitor shows very close to all 16 GB used in many cases.  I surmise that when the program sucks too close to all 16GB up, it crashes.

  • AE CS4 render engine / Adobe Media Encoder won't create a container for h.264 blu-ray

    here's the problem.
    First, I tried to render a comp using the render engine inside AE using h.264 blu-ray preset.
    It was supposed to create 1 file, but I ended up with 3 : audio track, video and a file with .xmpses extension.
    I then decided to render it in lossless .mov, which works fine, but 3:40 minutes is taking up over 8gb, which is of course, unacceptable.
    After that, I've put the .mov file into Media Encoder to try h.264 blu-ray there.
    Absolutely the same ********.
    I'm using the Mac version of AE CS4.
    Here is the screenshot of original .mov file and the result. As you see, it refuses to make a container. This is absolutely unacceptable

    It raises another question: what settings do I need to encode the comp in 720p resolution without taking up lots of space?
    Well, it depends on whether you need a production master (something for broadcast, for example, or to use as a source for other encoding tasks) or if you want a version for distribution. If it's the former, there's nothing wrong with "lots of space" - A Quicktime file with PNG or Animation codec is a good idea, but it will take a lot of space. If it's the latter, H264 is perfect but there's no built-in preset to take 720 material to the web.
    You could do this:
    * Pick the generic H264 template. You'll see that it will give an error if you attempt to render, because the default setting uses an H264 profile/level which doesn't let you use HD resolutions.
    * In the H264 video options, set the "Profile" menu to "Main" and "Level" to 4.0. That will keep it compatible to Quicktime and Flash player, while allowing larger frame sizes and higher bit rates.
    * Set Target Bitrate to 5-8 Mbps and Maximum Bitrate to 9-10 Mbps if you're targetting web delivery. That's a bit over what Apple uses for 720p content on the Apple TV, for example.
    The H264 original preset will instruct you in the comment field to stretch to 640x480 in Output Module. There's no need, since you are using a profile/level combination which allows higher frame sizes.

  • CS4 - Adobe Media Encoder - Encore - H.264 Blu-ray

    As many folks are aware, Encore's transcoding can sometimes be less than optimal. I played with the AME settings and with the help of other folks on these and other forums finally determined all the right settings so that Encore would treat my DVD quality videos as native and not attempt to transcode them.
    I am now trying my hand at Blu-Ray and am running into similar problems but so far I have not really found any answers that have worked. Based on my research, the following settings should work:
    AME
    Format: H.264 Blu-ray
    _Video_
    TV Standard: NTSC
    Frame Dimensions: 1920x1080
    Frame Rame: 23.976
    Field Order: None (Progressive)
    Pixel Aspect Ratio: Widescreen 16:9
    Profile: High
    Level: 4.1
    _Bitrate Settings
    Bitrate Encoding: VBR, 1 Pass
    Target Bitrate: 18
    Max Bitrate: 22
    _Audio_
    I have Multiplexing disabled because I am using DD 5.1 encoding and for DVD quality, I learned that Multiplexing is a no-no to prevent Encore from trying to transcode things. I assume the same thing applies to Blu-Ray so I'm not really worried about the Audio.
    Encore
    _Project Settings_
    Authoring Mode: Blu-ray
    _Settings
    Television Standard: NTSC
    Codec: H.265
    Dimensions: 1920x1080
    Frame Rate: 23.976
    Fields: No Fields (Progressive Scan)
    _Automatic Transcoding
    Maximum Audio/Video Bitrate: 25.0 Mbps
    _Audio Transcoding
    Audio Transcoding Scheme: Dolby Digital
    I have tried a number of other settings around these (including using 29.97 frame rate to match my source), but after 4 days of trying different things with AME, I am completely stumped. What I am primarily looking for is someone to be kind enough to post their settings, in the level of detail above, that allow them to import an asset into Encore so that it doesn't want to transcode the video.
    I know there are other tools out there that can do these things, but I paid my $ for Adobe Mastersuite so that it would do all these things for me. If at all possible, I would really like to stick with just these tools.
    I am not sure if it matters, but my source is a Panasonic HDC-TM700 set to record in 1080p30 (I don't use their proprietary 60 frame format). I have successfully downconverted this source with AME to DVD quality. I have also successfully outputted from AME to 1080p that was uploadable to Youtube. Again, I'm not sure that it matters other than I can make useable video from my source. Here are the properties of the video according to Premiere:
    Type: MPEG Movie
    File Size: 2.6 GB
    Image Size: 1920 x 1080
    Pixel Depth: 32
    Frame Rate: 29.97
    Source Audio Format: 48000 Hz - compressed - 6 channels
    Project Audio Format: 48000 Hz - 32 bit floating point - 6 channels
    Total Duration: 00;22;23;25
    Average Data Rate: 2.0 MB / second
    Pixel Aspect Ratio: 1.0
    My actual clip is about 6min, but my intention would be to use clips of up to an hour in length.
    Oh, I'm not sure if it is clear from my above information, but I am not using Adobe Dynamic Link. I'm not sure if that is where my problem lies, but my one attempt to use it did not produce the results I was looking for either.
    Thanks in advance for your time and for making it this far into my post
    -Jay

    Well, that's a bit of a disappointment. I have to imagine most Adobe users are bald due to Adobe providing settings/output options that it's own software doesn't like. I really don't understand the sense of that.
    In any event, I attempted to use:
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