I imported uncompressed 10-bit 4:2:2 to DVDSP

and when I simulate it, i see the horizontal lines. What can I do ?
When I play it in QT it looks fine..

when i burned to a disc and watched it and it looks fine..
i guess it was just a preview problem..

Similar Messages

File Import Error / distorted image CS3 3.2.0 - Blackmagic Uncompressed 10-bit YUV NTSC 4:3

Hi All-
I have been capturing some old VHS tapes using Blackmagic Media Express via a Decklink HD Extreme 2 card (composite in, RCA audio in) and then subsequently editing the files in Premiere Pro CS3 ver. 3.2.0. But I'm running into a strange problem with the image being very distorted upon import into Premiere.
The capture settings in Blackmagic Media Express are as follows: NTSC, Uncompressed 10-bit YUV, 29.97, drop frame. After capture and before editing in Premiere, I watch the capture file in Windows media player and it looks and sounds fine.
When I create a new Premiere project to edit the clip, I use the following preset: Blackmagic Design, NTSC, 10-bit YUV, 4 x 3.
When I import the .avi file created during the media express capture into the new Premiere project, the image becomes extremely distorted. However, if I choose any other preset in Premiere, the image looks OK, which seems strange because the other presets do not match the import file settings. I should note that when I render the distorted looking file out using the Premiere media encoder, the file looks OK.
Any suggestions? I cannot figure out why the video is not importing or showing correctly in Premiere. Help!
Thanks a bunch,
Rex

Has this process EVER produced non-distorted video when imported into Premiere?
If this is a NEW problem, then what has changed since the process last worked properly?
If this is a FIRST TIME process and problem, my guess is a video driver that is not 100% compatible with what you are doing... you provide no other information, so it could be you need a newer (or, sometimes, older) video driver
Windows updates have been known to cause problems
Work through all of the steps (ideas) listed at http://ppro.wikia.com/wiki/Troubleshooting
If your problem isn't fixed after you follow all of the steps, report back with ALL OF THE DETAILS asked for in the FINALLY section, the questions at the end of the troubleshooting link... most especially the codec used... see Question 1

Converting avi. files to 720 x 486 uncompressed 8 bit 4:2:2

I am importing some avi. files into a project that is using uncompressed 8 bit 4:2:2 (720 x 486) material. FCP7 keeps asking me to convert the files using Media Manager. I have many times using my custom compressor settings but the copied files still end up being DV/DVCPRO 720 x 480. What am I doing wrong?

"What am I doing wrong?"
Listening to FCP7? Come on, that's the same lot that told you to export via Compressor...
You should be able to transcode from your source AVIs using Compressor (and your custom settings) without involving FCP at all. Then you should be able to bring the footage in using the Import command. (If your project requires logging there'll be some manual work.)
Media Manager has done many good things for me and several evil things as well. I avoid it.

Uncompressed 8-bit Field Order?

Hello!
In FCP, I'm working with an Uncompressed 8-bit sequence with the field dominance set to "None." After having done a bit of research, I realize that choosing "none" was fruitless since Uncompressed 8-bit is an interlaced format (right?). Anyway, when I export my sequence to a QT file for compression, Compressor sets field dominance to "Upper First." Does that sound right? First of all I've got my sequence set to "none" for field dominance. But if I'm right that Uncompressed 8-bit can't really be set to "none," shouldn't Compressor at least recognize it as "Lower" aka "Bottom First?"
I've read several posts about this but nothing to do with Uncompressed 8-bit specifically, so sorry if this seems like a repeat post.
Thanks for any help!
Cameron

I was looking for some posts concerning interlaced source material and came across this thread. I have to say I don't think it's accurate to say that almost everything other than DV is upper (odd) field dominant. For example, the uncompressed codec AJA uses is lower field first, as well as the Avid codec.
The most important thing is to tell your encoding software what field dominance the SOURCE material is. It can then interpolate and output correctly.
Also, don't judge anything interlacing-related on a computer monitor - look at it on a tv monitor. You won't notice some interlacing problems until you see them output NTSC.
I have had MAJOR problems when importing interlaced source material into Compressor. Number one, it almost always guesses the wrong filed order on import. Number two, at least when bringing in D1 resolution material from Final Cut and cropping in Compressor, the resulting files flicker when played on tv. I actually haven't used compressor - but a great alternative called BitVice by Innobits. It handles interlacing with ease - like it should.
I bring this up because I have never heard anything official from Apple that addresses problems with interlaced source material, and after thinking for a long time that I was missing something, I now realize it's not me - it's them. Try BitVice. It lacks the user interface of Compressor but it's a great (and dependable) encoder.
If anyone can point out posts that address these issues that I've missed, please let me know!
Dual 2 GHz G5 Mac OS X (10.3.7)

Exported dvpal 720by576 file to uncompressed 10 bit

help help help please
i have a client that i edited a 26minute film for,i captured the footage as dv pal 720by576 edited as the same and exported as a quicktime ,current settings .
now the client needs the file sent to the states and has asked for it to be uncompressed ,
can i import the dv pal file and then export that as a uncompressed 10 bit file ,which i have done and there is a noticable difference in quality on my computer monitor.10 bit looks great but the playback is prone to stop&pause
is that because of memory or is there a problem in the process of exporting a dvpal to uncompressed file.
as they want to broadcast this ,which should i do send the dv pal file or the uncompressed 10bit.
any help is appreciated.
cheers
simon

I wouldn't have thought the camera footage would look any different. If you have stills, text or other graphics they will certainly look cleaner if you put them onto an uncompressed timeline. If this is the case then there may be a case for sending an uncompressed file.
As stated by lots of people in lots of posts, the computer monitor is only an approximation of the final output. For a start it is non-interlaced. For critical assessment of image quality you need to be looking at a good quality PAL (in your case) monitor. If you don't have an analogue capture card you aren't going to be able to do a valid comparison between your DV timeline and your Uncompressed timeline. The only way you are going to be able to get an output to your monitor without an analogue capture card is through your firewire, which will take you back to DV anyway.

Apple Uncompressed 10 Bit 4:2:2 for After FX7

Hello All
I work in a post product digital facility and we have currently upgraded our department to After Effects 7.
The G5 workstation run on Mac OSX 10.4.8 and have a mixture of Aja Kona and Blackmagic cards.
However we would like to render out Quicktimes to the generic Apple Uncompressed 10 bit which is usually featured in After Effects, but is no longer available as option in either After Effect 6.5 and 7 since we upgraded.
Qucktimes are rendered out from After Effects and then they are layed off to tape via Final Cut Pro.
Please could you tell me where i can download the generic apple uncompressed 10 bit 4:2:2 ?
Once codecs are imported where are they stalled is it in User - Library - Preference....somewhere?
Also does anybody know how to import a generic Apple Uncompressed 10 bit codec into After Effects7, is this done through interpretation rules.txt * refer to attached jpeg.
Furthermore how can we import codecs into After 6.5 to use?
Here is a link to an article I have recently read on workflow tips and 10 bit renders for After Effects which has been helpful.
http://www.hdforindies.com/2006/06/after-effects-stuff-workflow-tips-and.html
Advice would be much appreciated.
Kind Regards
i-choi

AIC is an Apple QuickTime codec and is only available on Apple platforms. It is an all-iFrame format and is normally used for high def video (HDV and AVCHD). FCE automatically transcodes HDV and AVCHD video into QuickTime/AIC when you capture/ingest the video from your camcorder.
AIC supports 16:9 aspect ratio, 8-bit 4:2:0 and can handle variable data rates. Supported frame sizes/rates are 720p30, 1080i50 and 1080i60. There is a bit more info in this article: Final Cut Pro 5: About HDV and Apple Intermediate Codec.
You asked this question in the Final Cut Express Forum. FCE can't use 10-bit 4:2:2 video, nor can it use Apple ProRes. For 10-bit 4:2:2 suppport you would need ProRes and Final Cut Studio.

Uncompressed 10-bit 4:2:2 with Audio in FCP

Hi,
I've imported an Uncompressed 10-bit 4:2:2 HD (1920x1080) video (it's a capture of an HD transfer from 35mm film) into FCP 6 and now I'm trying to sync up my audio mix. I've got it synced with the pop at 2 and I've confirmed that the mix is synchronous with the print. But when I try playing it back (albeit very slowly) the audio is out of sync about 8-24 frames depending on what point of the film I play it at. Why is this?
Also, I should mention that I asked FCP to just convert my sequence to the settings embedded in the video file. The Sample and Bit rate also match up for the audio between the mix and FCP. Any ideas?
P.S. I should also mention that if I place the timeline at a certain point in the movie it will show me a particular frame. But if I decide to make a cut at that point all of a sudden the viewer will show me a different frame about a second or two earlier in the movie. Seems like it would be a frame rate issue, but I've got 23.98 video playing on a 23.98 timeline. Quicktime seems to think the video is 23.68 fps, which is weird. I don't know what to do with all of this, but hopefully someone does?

Most likely. It is not a consumer format.
x

Trouble exporting with QuickTime 7 to UNCOMPRESSED 10-bit 4:2:2

I have succeeded with shorter videos, but my 90 minute video returns "error -2125".
Somehow I managed to do this before, I'm not sure what has changed on my system. Does anyone else have trouble exporting to Uncompressed 10-bit 4:2:2 ? I'm now exporting to ProRes instead, but would prefer uncompressed video for the sake of quality.

You don't say what's the source of your clips.
If standard DV (..though I doubt that an agency would accept standard def video any more..) NTSC DV is compressed in the camera as 4:1:1, and PAL DV is compressed as 4:2:0 ..so you won't get true 4:2:2 from normal DV, unless you're using a broadcast camera (..probably feeding into the capture device via SDI inputs).
If the source was tape-based HDV or any other hi-def source, then iMovie converts that, during import, into Apple Intermediate Codec, and wouldn't be able to output proper Uncompressed 4:2:2 material.
For Uncompressed 4:2:2, I think you'll need to be using a dedicated capture card - and massive-capacity hard discs! - to be able to import the material in the first place.
iMovie certainly isn't the program to handle pro video of this nature.
Ask in the Final Cut Pro Discussions..
"..I've also tried doing this on my Macbook with Intel processor.." ..but maybe that's just not fast enough (older Mac portables have "shared graphics memory" ..meaning their graphics processor may have to compete with the main processor to temporarily grab free RAM)!

I cannot export to "Uncompressed 10-bit 4:2:2" format. Help!

I need to deliver clips to a stock agency but I cannot export the footage from iMovie with the uncompressed format I need. Not in iMovieHD, nor in iMovie8, nor in FCE. I tried it with a 10 second clip, so it can not be the length or files getting too big!
So what happens?
Exporting to Uncompressed 10-bit 4:2:2
If I try this setting, on all occasions iMovie simply crashes and I get the "iMovie quit unexpectedly" window. The same thing happens in FCE.
Exporting to Uncompressed 8-bit 4:2:2
When I export using this seting, iMovie SEEMS to export the file as it should. But when I open the file in Quicktime, the timebar indicates the full 10 seconds, but the video & audio freezes after about 1 or 2 seconds, the clip keeps playing and I hear & see the last second of the clip again. The same thing happens with files exported with this setting in iMovieHD, iMovie8 and FCE.
I've read on the forum that I should not worry about the quicktime movie not playing right, because the file can be imported into Final Cut without any problems. So I try not to worry about this and hope the stock agency can work with the files... But that still does not explain why I cannot export to 10-bit 4:2:2 without my video programs crashing!
And yes, I've also tried doing this on my Macbook with Intel processor. With the same result.
Can somebody please help me with any suggestions? Thanks!!
Daniëlla

You don't say what's the source of your clips.
If standard DV (..though I doubt that an agency would accept standard def video any more..) NTSC DV is compressed in the camera as 4:1:1, and PAL DV is compressed as 4:2:0 ..so you won't get true 4:2:2 from normal DV, unless you're using a broadcast camera (..probably feeding into the capture device via SDI inputs).
If the source was tape-based HDV or any other hi-def source, then iMovie converts that, during import, into Apple Intermediate Codec, and wouldn't be able to output proper Uncompressed 4:2:2 material.
For Uncompressed 4:2:2, I think you'll need to be using a dedicated capture card - and massive-capacity hard discs! - to be able to import the material in the first place.
iMovie certainly isn't the program to handle pro video of this nature.
Ask in the Final Cut Pro Discussions..
"..I've also tried doing this on my Macbook with Intel processor.." ..but maybe that's just not fast enough (older Mac portables have "shared graphics memory" ..meaning their graphics processor may have to compete with the main processor to temporarily grab free RAM)!

Best workflow for Uncompressed 8-bit 4:2:2?

I need to submit Uncompressed 10-bit or 8-bit video to a stock agency. I shoot HDV 1080i.
*Current workflow:*
When I import my clips, I use the HDV Apple intermediate codec 1080i50, as it is the only HDV codec that I see in te list of "easy setup" that suits my camera. But I can see that it produces a framesize of 1440 x 1080. Afterwards I export to quicktime, using the Uncompressed 8-bit 4:2:2 setting in Quicktime, sizing my video to 1920 x 1080 as requested by the stock agency.
Is this the correct workflow? I feel as if I'm blowing up/interpolating my original material which can not result in the optimum quality... Or am I wrong about this? Your tips on the right importing settings or workflow are highly appreciated!
+(I posted in the Quicktime forum that I can't export to Uncompressed 10-bit 4:2:2 without FCE crashing - but this is a different issue.)+

Hi(Bonjour)!
Sony FX1000 shoot in HDV and miniDV. You already know that HDV is a compressed format.
3CMOS and a quality lens will make a huge difference in term of quality but, the material will be compressed to HDV. May be you can think about renting a professionnal model. As Tom said, FCP is the way to go if you want better control over the compression shem and worklow toward professionnal output.
If you think about any color correction, HDV is not a good choice. FCP allows to capture and edit in ProRes422, thus the color corection and compisiting give better results. ProRes is only available with Final Cut Studio 2 package.
Think to upgrade your RAM, and buy an dedicated hard drive for video storage if you go this way. You did mention how you will distribute the material to tha agence, but uncompressed material can represent an issue on DVD data storage.
Michel Boissonneault

Uncompressing 128 bit rate

Is it possible to uncompress 128 bit rate to something like 160 or higher? I see the option of switching imported songs to higher quality under preferences. when I switch then convert the song in iTunes I see a change in the memory of the song, but is it really changing the quality of sound. If this works then what is the point of DRM free music having 256 quality if you can upconvert, if this is possible.

if you are throwing out the cd and want to keep your songs close to cd quality.
Don't throw out your CDs! They are the best quality version of the song, and they are not subject to loss in hard drive crashes. If you are really tight on storage space, toss the plastic jewel cases and save only the discs.
by the way what is cd rate?
Technically it is 1411 kb/s, although because of the different coding scheme, that number can't really be compared to the bit rate of a compressed format like AAC or mp3. It would be "reasonably accurate" to think of CD quality as equal to a compressed format at 320.
Windows XP & 30GB iPod

Is uncompressed 8-bit PAL 48 KHz the most compatible format for a HDV dvd

I have shot a project in HDV, edited in HDV sequence. I now want to produce a dvd, that is compatible on both widescreen and 4:3 tv's.
A friend suggested exporting a quicktime movie in uncompressed 8-bit PAL 48 KHz to ensure maximum compatibility.
Would people agree with using this setting?

Mark
There are a boatload of posts on exactly this topic, they come in waves ... nobody will ask this question for a week or two, then it'll be the same question 2 or 3 times a day
Nobody has asked for a week or two so I guess yours signals the start of the next wave! If you use the search function and you'll find the hundreds of answers that have gone before ...
... or just use one of the many tutorials freely available on the subject: for example, http://www.kenstone.net/fcphomepage/hdv_to_sddvd.html
Have fun
Andy

CS3 Mac: No Uncompressed 10-bit codec available

We have a roomful of machines here with the CS3 Suite on them, as well as blackmagic codecs installed, and Final Cut Studio. The Blackmagic codecs are available to us, but Apple Uncompressed 10-bit 4:2:2 does not appear available to us to render with in After Effects. This is a huge problem because our clients ask for this codec (not blackmagic or aja, specifically) as as delivery spec. We've got other problems dealing with this codec in the Apple suite of tools as well, but that's a separate discussion for Apple forums. This has been driving us mad for weeks now!
Any ideas?

Mylenium - I bet you can understand my frustration after not knowing what is going on for a long time now
Adolfo! Removing Blackmagic and AJA from that folder allowed UC10B to show up!
However, I notice a strange anomaly - If I have neither AJA or BMD in the folder, I get "Uncompressed 10-bit 4:2:2" available to me. If I put AJA *back*, I get "Apple FCP Uncompressed 10-bit 4:2:2". How bizarre? How do I know which setup to use?
I guess in theory you have solved my problem. Though now it presents a new one - How to get blackmagic *and* apple FCP available at the *same time*. I think I will have to ask Blackmagic support about it though.
Thank you!! and to Mylenium too!

"Uncompressed 10-bit" vs. "None" Compression settings

Hello,
I work at a FX/finishing/color grading facility that provides the final masters for commercials seen on television.
I am trying to gain some insight on the difference between some compression settings, so that I can educate a client on the proper file to provide us.
We have been provided Quicktime files with an "Uncompressed 10-bit NTSC" tag attached to it, though they always come with an FCP wrapper that requires a special codec for us to access the files. They are usually relatively smaller files, which also has us suspecting that they are actually compressed.
We would prefer files with a universal Quicktime codec, such as exporting it with "None" as done in the Quicktime conversion in FCP. Problem being, these files get so huge and unmanageable even when derived from low-end acquisition formats.
A 5 second clip exported with "Uncompressed 10 bit" comes to are 115megs, while "None" is at 457 megs.
Can someone explain to me the differences between these codecs and what causes the vast difference in file sizes?

La diferencia en clara, tú tienes un file uncompressed y otro sin none compresion, paresen igula pero no es así, ambos te dicen sin compresion, pero el none comprsesion es puro, es el file en crudo por esa razon pesa mucho mas, tú tiens que ver que deseas porque ambos se ven bien el resultado en ambos en optimo, ecepto cuando los tienes en FCP y los exportas como DV, ahí se ven la diferencia pues la compresion a DV siempre baja un poco la calidad del producto final.
El file "none" pesa más del doble que el "uncompressed-8bits"
mi recomendacion es depende de lo qué quieres y que capacidad de tu HD estas dispusto a ocupar y par qué trabajo usarlo? será el formato que escojas pero ambos son muy buenos..
pd:puedes contestar en ingles si deseas.. thanks

Uncompressed 8-bit Preset problems

Hi,
I'm trying to solve a jaggy text problem by creating a new uncompressed 8-bit sequence (which I've never used before).
I try using the preset for Uncompressed 8-bit and click OK... but then I get the following message:
"Video Compressor Uncompressed 8-bit 4:2:2 was not found. Please check that the hardware is present and enabled for this compressor. Setting the video to Animation."
I'm not sure what this means. Do I need a better Video Card? (My friend has FCP 5 on his old 867MHz Powerbook and it works fine on that... so I can't see how my dual 1 GHz doesn't have the right hardware...).
Please advise if you have encountered this error...
Thanks.
G

The file... it's not a file but an edited sequence... I "captured" it using firewire DV preset... miniDV consumer camera.
Edited the whole show into a 30 second sequence.
Was trying to put superimposed title graphics which were "jaggy"
Someone suggested creating an uncompressed sequence and then cutting in the DV sequence and graphics into it...
But I couldn't create the uncompressed sequence.
I tried creating a brand new project using the uncompressed preset... and got the same error message.
G

I imported uncompressed 10-bit 4:2:2 to DVDSP

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