I need premiere pro on my pc

i need premiere pro on my pc

Buy CS6 at http://www.adobe.com/products/catalog/cs6._sl_id-contentfilter_sl_catalog_sl_software_sl_c reativesuite6.html?promoid=KFPMZ on the 2nd page
Go to the Cloud Forum http://forums.adobe.com/community/creative_cloud to learn how to use the Cloud, then come back here if you have specific Premiere Pro Cloud questions

Similar Messages

Is it possible to upgrade CC for photographers to complete educational abo when I realize that I need Premiere Pro too?

I am not sure if I really need Premiere Pro. Is it possible to upgrade to the complete edition later if I start with Photography only ?

Upgrade single to all Cloud http://forums.adobe.com/thread/1235382 may help

[URGENT HELP NEEDED] Premiere Pro CS6 failed rendering

Hello!
I`ll try to make this quick because I need help asap. I`ve been starting to make YouTube gaming videos 3 weeks ago and my channel is growing up pretty fast. I promised I would make a video everyday but it`s been a full week since I couldn`t upload because I was busy and when I tried to render it failed.
Anyway here`s how it goes.I`ve recorded with fraps some gameplay footage with the resolution of 1360x706. One of my friends reccommanded me Adobe Premiere Pro for editing so I`m using the trial version of CS6. I create a new project and choose a format of 720 25 (cant really remember the exact name). I then import my recorded files and when I place them in the sequence it tells me the resolution is different and asks me if I want to change the sequence settings according to the files. Usually, I ignore it and when I export the Media I just tick the option: "Scale to Fill" and that usually works just fine, quality HD on YT...
But this week it has driven me crazy, I really don`t want to explain how much stress and dissapointment this has caused to me because I think I`ll end up raging...I`ll just tell you I`ve been trying for a couple of days more than 7 time to render the project(each time it takes about an hour and a bit more, so let`s just call it 7 hours wasted). The problem actually is that when I check the output file after exporting the media, the file size is ONLY 24 bytes!!! Other times the file size gets to like half of the one that should be or less, but mainly the render even so takes up a normal length of time of processing but in the end the file is only 24 bytes..Thing is I don`t encounter any error whatsoever...
I really need some urgent help!
Thanks!

1st, some FRAPS information
These are for Premiere Elements, but may help with PPro
Fraps & Elements http://forums.adobe.com/thread/871095
-and more Elements http://forums.adobe.com/thread/943772
-and yet more Elements http://forums.adobe.com/thread/967201
2nd, it is REALLY better to have your project sequence match your video
Please NOTE that the PPro CS6 screen may look a bit different (I use CS5)
For CS5 and later, the easy way to insure that your video and your project match
See 2nd post for picture of NEW ITEM process http://forums.adobe.com/thread/872666
-and a FAQ on sequence setting http://forums.adobe.com/message/3804341

Need Premiere Pro compatible camera - inexpensive

Hi,
I need to buy an inexpensive camera that is compatible with Premiere Pro and firewire. any suggestions?

Hello Everyone.
I am using the latest version in Creative Cloud, which i guess is CS6 on the Windows 8 OS. I have a pc powered by an AMD A10 Processor, 16 gig ram, with an SSD/HD comibination for my drives. I have a Focusrite Saffire Pro 40 sound interface. I am wanting something that Premiere will capture the video real time with 2 - 4 tracks of audio. I'm putting together videos of me playing guitar to backing tracks and i want to record the video and 2-4 tracks of audio into file simultaneously.
all i have now is an older Logitech webcam. I'm just looking for an inexpensive camera to get the job done maybe less than $300 or so. I thought premiere pro would only capture real time from a firewire camera. Maybe I should use a different software, but I'm paying for Creative Cloud. The key here (i think) is i have to have multiple tracks of audio like in Premiere Pro CS6
this is all new to me. thanks to all who reply.
cp

Premiere Pro CC crashes after 25% rendering, has particular issues with directional blur effect

I've only been using Premiere for a single project as my university specified we should use it, I'm not used to such a complex programme, or even video editing to be honest, so bear with me. (I'm following that guide on what information to add to questions on this forum)
I'm using Premiere Pro CC with the 7.2.1 update, that's the most recent update
I'm on Windows 7
Version
6.1.7601 Service Pack 1 Build 7601
I'm not actually sure what a codec is but my source material is just one .jpg image, I put effects on it in one project then imported it to another project though
Here's the problem message
Problem Event Name:
APPCRASH
Application Name:
Adobe Premiere Pro.exe
Application Version:
7.2.1.4
Application Timestamp:
52aed7f3
Fault Module Name:
OpenCL.dll
Fault Module Version:
1.2.11.0
Fault Module Timestamp:
52a242a8
Exception Code:
c0000005
Exception Offset:
0000000000002b89
OS Version:
6.1.7601.2.1.0.768.3
Locale ID:
2057
Additional Information 1:
5273
Additional Information 2:
52739eafd9c00fbd41b66266050284b2
Additional Information 3:
750c
Additional Information 4:
750c2263c4fb3446348e7454d5714618
Computer:
Processor
Intel(R) Core(TM) i7-3770K CPU @ 3.50GHz, 3501 Mhz, 4 Core(s), 8 Logical Processor(s)
I THINK I have a AMD Radeon HD 7870 which isn't supposed to be supported for GPU acceleration
Premier crashes when it gets to the point in my sequence where I used the directional blur effect (I'm pretty sure that's when it crashes anyway), it also can't export I assume because it can't render
this is like 4 seonds of video as well
I reaaaaally need it to work soon because I have university deadlines to meet and I need Premiere Pro to finish my work
Hope someone can give some advice

I tried it without the directional blur effect and it rendered fine, for some reason it just can't deal with directional blur...

Smart rendering for DNxHD quicktimes not working in Premiere Pro CC

Hi if I understand things correcty PPCC should be able to smart render DNxHD codec in a quicktime wrapper back . If so this does not appear to be working. I am noticing small differences if I pull in a DNxHD quickitme clip in to Premiere and just render straight back out again no effects just cuts as DNxHD Quicktime. My sequence is set up to be the same as the codec. Although I do notice that trying to set the exact settings for the quicktime codec is not easy as it resets back to the defaults of DNxHD 220 59.94i so maybe this has something to do with it and their is no option to choose the MXF setting for my medi a as Adobe have neglected to make a DNxHD115 preset.
If you look on the YC waveform you can see the changes occuring when you compare the two side by side. This however does not happen if you render out as Opt1a MXF as it does appear to smart render and when ingested back in you see no difference with the source DNxHD clip. I also notice that when you choose the Opt1a option it has an extra check box for smart rendering.
Anyone noticed this. It all works perfectly for ProRes quickitmes so just wondering why its not working for DNxHD quicktimes.
Simon

Hi Simon,
Here's what I have for you:
Smart Render support for DNxHD wrapped in QuickTime was added in Premiere Pro CC
You must have Avid codecs installed
No option to check to enable smart rendering is needed, Premiere Pro always tries to smart render by default
The first thing I would check is to see if the DNxHD (QuickTime) codecs are installed or not.
Thanks,
Kevin

Error launching premiere pro

every time i try to start premiere pro an error pops up. every other product works from creative cloud but the main one i need (premiere pro)

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1. Check the FAQ or Search by typing your question. Your answer may already be there.

I need to reinstall my computer, how do I deal with Premiere pro and After effects?

Hello,
As my question states I need to reinstall my computer (laptop) and I'm not quite sure on how to deal with Premiere pro and After effects.
I am thinking that I need to do some sort of backup and save my projects and footage on a sepparate drive.
If I reinstall my computer, install my creative suit production premium, and move back all of my projects and footage, won't I have to re-link every single clip?
I am currently workning on several different projects and having to re-link everything is something I don't even want to think about, that would take me days if not weeks.
Another option on my mind would be to use Creative cloud. I do have the free version but I have never used it even once before and I'm not quite sure what the purpose of the cloud is and if this is a way to use it.
I have no idea how to go about this computer reinstalation without either loosing tons of work or having to re-link every single clip used.
I am videoediting only as a hobby so I have no experience working with other people and sharing projects or the like, wich is my understanding of what the cloud is for.
Any and all help would be grealty appreciated, I know this is probably really easy but ever since i got my Suit I haven't reinstalled, upgraded och changed my computer so I am just clueless as to how to go about this.
I have Creative suit production premium, I also have the free Creative cloud.
It is only Premiere pro and After effects that I am using and am worried about.
Thank you for any help.
-Lisa Kajupank
(and oh, I just notice my name - umustbejoking - I think I just wrote that cause they wouldn't let me use anything else, saying it was already taken. So nevermind that haha.)
Message was edited by: umustbejoking

If the computer's running Mac OS X, move the cursor to the very top of the computer's screen, click on Store, and choose Authorize this Computer.
If the computer's running Windows, press the Alt and S keys and choose Authorize this Computer, or click here, follow the instructions, click on Store in the menu bar, and choose Authorize this Computer.
(84620)

Help needed with Avid AAF to Premiere Pro CC (w/wo/AE in the loop)

Folks,
I am taking over a feature film edit to finish in Premiere Pro. I want to use AE's Pro Importer to convert the Avid edit (AAF export) to an AE session and then export to PP CC.
The 1st editor was cutting with Avid Media Composer. All the source footage is Sony AVCHD camera creating .MTS files. The Avid made .MXF proxies using Avid media DNx36.
Here are the reasons for my problems (don't laugh):
1. There are 20 days of footage in 20 folders. Inside each folder are X number of shots, the highest volume has 91.
2. each day's footage starts with shot# "00000.MTS" which means there are 20 files named "00000.MTS" in this project.
3. none of the source .MTS footage has any of the metadata filled out. Using an EDL an manually re-linking every single shot is a ROYAL PAIN, having to hunt for the right shot# 00041.MTS, example.
4. The script supervisor's End of Day reports are riddled with mistakes of which scenes were shot on which days - says scene 8 was Day 13 but no Scene 8 footage in the Day 13 folder.
5. Avid editor NEVER uses AAF export for Video, only audio. Everytime he tries, the AAF files either copy and link to the .MXF proxies in a new Custom folder OR are Offline/Missing on AE Pro Import looking at the AAF folder instead of my AVCHD folder contain all of the original footage.
Can one of you MegaMinds help me help the Avid Editor (MAC-based) in AVID MC
a. take his existing edit and re-link media to the original files
b. export said edit to a NEW AAF with the original source footage files linked to the timeline
c. get Pro Importer (AE) OR Premiere Pro to correctly import the AAF data with the original pathways (folder structure) for re-linking footage on my (PC-based) RAID
-FYI- Premiere Pro CC currently hangs up on import of his current AAF files.
Help me Obi-wan Adobe, you're my only hope!

Having similar issues.
Premiere CC 2014 seems to have fixed AAF import hanging up.
Avid "updated" the info contained in AAF relating to AMA linked material beginning with MC 6.5 and as a result AAF comes in with blank sequence.
Avid says adobe needs to update AAF input.
The workaround I have been using is to copy filename to clipname in MC relink to DNX media export AAF import into premiere and manually relink.
Hoping Adobe will address issue.
Thanks

Top 15 Issues/Fixes Needed in the next Premiere Pro release/update (CS6.5 or CS7)

I’m excited for what’s coming next in Premiere Pro CS6.5 or CS7 (whichever update is next). As a former FCP7 user myself, Premiere CS6 was a quick and necessary switch (especially after changing the main keyboard shortcuts back to what I was used to). I’ve since gone back to FCP7 on occasion for certain things and I can tell you that I’m so glad I’ve switched. For all the headaches and serious errors that I still get daily/weekly with Premiere Pro CS6, it’s still definitely a big step up. I'm encouraged by staff members like Mitch W. that have expressed confidence that many of these issues will be resolved in the next release. Here is my personal list of “Top 15 issues/fixes” needed in the current Premiere Pro CS6…
(Adobe STAFF...feel free to print this out and hand it to the engineers responsible for making changes )
1) The infamous multicam FLAW. Needing no introduction…when you are editing your video in the multicam window and you hit pause or stop Premiere has decided that’s a great time to make a cut on your timeline and also switch angles back to the original angle whether you like it or not. You cannot stop ever while editing multicam without Premiere making these unwanted cuts and angle changes. Awful. Multicam in PPro is otherwise pretty nice, but this issue is terribly counter-productive especially when you are editing longer complex multicam sequences. Imagine if every time you hit pause or stop in the regular timeline it made a cut there and switched clips. Ugh. You get my point.
2) The audio meters/levels do not work while in the multicam window. A staff member in the forums (I think it was you) said this was a bug. Hope it will get fixed. The audio levels work in every other window and its essential to be able to keep an eye on the levels while editing multicam.
3) Ticktime.cpp-207 error. Ugh. What a nightmare. I have confidence that it will be fixed soon. Mitch W. from the forums is my new hero for taking on this error. How to replicate it?…simply have 6 (or 7) or more clips with the warp stabilizer effect added on the same timeline as a nested multicam clip and you get this error upon reopening your project. The more warp stabilizers you use, the more times you’ll have to hit “continue” to get through the error before you can open your project or export it to AME. I deal with this every single day because all my projects use these two elements. Most of my projects I have to hit “continue” on the error message upwards of 350-450 times to open my projects. Gets old fast.
4) Icon View order control. When you display all your clips in icon view instead of a list view (In the project window), there is no metadata to allow you to put the clips in order somehow (or at least maintain the order that you have in the list). There are roundabout workarounds, but c’mon.
5) Warp Stabilizer fixes…it is an AMAZING tool (far, far, far better than smoothcam in FCP7) BUT…it has it’s issues. Since I use hundreds of times/week (no exaggeration) I know it’s functions/flaws really well. The issues with Warp Stabilizer:
a) #3 above
b) Toggle OFF the effect after it’s applied and then hit Analyze again and PPro crashes. (easy to avoid but annoying bug)
c) If a clip is in the middle of stabilizing (not just analyzing…but the final step labeled “analyzing”) when Auto-save comes up…most of the time PPro freezes and crashes.
d) The DEFAULT “method” (in the settings for Warp Stabilizer) should NOT be “Subspace Warp”…it should be “Position, Scale, Rotation”. Why? It’s FAAAAARRRR better and more efficient. 95 out of 100 times it causes MUCH less “wobble” in the final stabilized clips AND most importantly 95 out of 100 times it scales the video less. Way better method.
6) The ability to open multiple projects simultaneously. As simple as FCP7 had it…or even better…as cool and efficient as FCPX does it would be nice.
7) The ability to mark a clip and not just a point on a timeline (because if you move the clip, the marker doesn’t go with it). I know you can use “Clip Marker” but it's very limiting, can't be moved, can't add notes, can't advance to the next marker (as far as I know). Also a marker list like FCPX has would be nice so you can see your markers all in a list at a glance and adjust them as needed.
8) Ability to select a clip in the Project window and find out where it’s used in the timeline. I LOVE how you can do the reverse and take a clip in the timeline and “Reveal in Project Window” but it would really help to go the other way around. Dealing with several hundred clips for every project I’ve missed this feature from time to time (FCPX handles this really well).
9) Add a through-edit indicator in timeline and “re-join clips” option. If you cut a clip but keep both clips together it’s just one continuous clip. But I really hope Premiere adds the not only an indicator of some sort (like FCP7′s way of having two small red triangles facing each other on that cut) so you know it’s one continuous clip BUT ALSO the ability to right-click and “re-join” the two clips into one.
10) When clip is double-clicked in timeline, CTI position in source viewer should match location in timeline. This one is pretty annoying and a fix would be incredibly helpful. The way it is now is very counter-productive. Definitely hope this gets fixed ASAP.
11) Better border controls for images/videos. Can’t do much with images right now in PPro. At least allow to customize the color and size/strength of it’s borders and shadows.
12) Better support for Mac/Apple's top end computers/GPU's. I'm still surprised that 2011 top of the line iMac cards (AMD 6970M) that have 2gb of ram are not supported. I’m sure/I hope 2012 iMac’s will be supported with their new Nvidia GPU’s…but I’ll hold out hope that the top iMac (up until 3 months ago) is supported at least at it’s full power. All around better Mac support would be great considering the wave of new users coming over from FCP.
13) Opacity/Transparency issues with EXPORTED videos with Cross Dissolves, etc. For some odd reason videos exported from Premiere CS6 have issues with cross dissolves or minor transparency. I’ll try to explain…in the program window of PPro CS6 cross dissolves look fine. Also, if you take a clip and stack it on top of another clip and put the top clip at say 99% opacity instead of 100 it looks like it should in PPro. But, if you export the clips you’ll quickly see that there are issues. It’s almost like the exported videos dissolve from 5 to 95. They skip the subtle beginning (0-5%) and subtle end (95-100%) of any fade. A clip in PPro as described above that is on top of another but set at 99% will look more like 90-95% in the exported file ESPECIALLY if the two clips are contrasting (eg. top layer dark, bottom layer with bright elements). It’s like the opposit of ease-in/ease-out. I have to ease-in/ease-out of every dissolve to avoid this issue…and even then, it’s not THAT much of an “ease” as one would hope. Another user in a forum once posted a video that shows how abruptly exported videos end their transparency changes…see: THIS SAMPLE VIDEO Perhaps this is a GPU/processing issue with AME vs. Premiere Pro but whatever it is, it should be fixed so videos you export look like the videos you edited!
14) Better control in Creative Cloud over which devices are “activated/deactivated” We have 3 computers and it would be nice if one could log in to their Creative Cloud account and see a list of which devices they have and just toggle on/off which one’s are activated/deactivated. This is especially helpful when you are mobile and forget to deactivate one of your two home/office devices so you’re stuck now until you get back to the home/office to deactivate it. This is not a Premiere thing, but just a general wish.
15) Ability to sync multicam clips automatically using the audio. Plural eyes apparently does this well. Would be nice to have it built into Premiere like FCPX does. Select all the shots you want to sync, One button click, wait a few seconds, done.
That’s my top 15. Everything else is awesome in my opinion for what I do 10 hours a day 6-7 days a week. I’ve included bug reports/feature requests for all of these at one point but if you are someone else reading this go to the following link and ask for these issues to be fixed: FEATURE REQUEST/BUG REPORT
I wish Adobe did smaller updates more often. Because even if they were smaller updates, we’d at least know you are working on fixing some of these issues that have plagued this NLE for years. Holding off fixes for one or two big “updates” every year is tough to deal with in a world of the ever updating apps we live and play with daily on our phones. I realize Premiere is a much larger scale and far more professional than a phone app, but hopefully you get my point. Here’s to hoping the next release (NAB 2013?) resolves all my top 15 issues. Here’s to hoping that these issues will be resolved sooner than later so I can stop raising hell in various forums. I’m honestly ready to start praising and defending Premiere Pro instead of griping about it’s bugs and flaws. It’s a fantastic program “on the way” to being the best. I hope.

Nice list, however it does seem a little bit like you may be hoping that Adobe provides the Final Cut 8 package that Apple never delivered on. Having edited primarily with P-Pro for the last decade, I hope Adobe focuses more on getting the next release to run as smooth as CS5x does, strangling and crucifying all the codec and playback bugs that arose in CS6. To me, it appeared that too many of the changes in CS6 were semantic or cosmetic, meant to give a FCP user more familiarity. Why change the name of an edit function from "overlay" to "overwrite" after 15 years? Because it enhances the product, or because that is what Apple called the function in FCP? If Adobe renames the Program Monitor to the "Canvas" with the next release, I think that I might be sick. There were nice additions to the Creative Suite as a whole, but I hope the next Premiere release reverses some missteps made in CS6, and focuses more on stability and enhanced functionality. I also really hope that they have an open ear towards criticism; Apple did not and their users ended up with FCP-X
It saddens me that the fixes I want most in a future release were purposeful changes between CS5x and CS6x.
1) Provide the options for transport controls in the source and program monitors. All of the users at my office hate that the jog and shuttle were removed in CS6. JKL was an option prior to CS6 and if we liked it we would have used it. I keep reading the justification that this change was meant to save space and streamline the UI. I can't express cordially how much this bothers me to look at the empty wasted space in my CS6 UI where the transport controls should be. The experiment has gone on long enough.
2) Restore the 3 Way Color Corrector to its previous functionality. The 3 way color corrector has been effectively neutered in CS6. Where in CS5x and earlier releases one could separately target the input/output levels of Highlights, Midtones, and Shadows, CS6 has only a master input/output level control. Why is less control better? Is it a 3-Way Color Corrector or a 1-Way Color Corrector?
3) Restore Clip and Timeline markers to their previous functionality. I don't even.... I can't. A user shouldn't have to do work arounds to create a modicum of functionality. This again was an attribute that wasn't broken in earlier releases.
4) Simplify the the task of pasting media into a targeted track. As it is now, pasted items will always go to the lowest activated track instead of the targeted track.
Lastly I would like the Adobe Premiere teams to consider what an amazing accomplishment Premiere CS5x was. Upon CS5's release, a good portion of competitor's workflows became obsolete. CS5.5 refined, stabilized, and expanded functionality.
CS6 changed the UI around, moving or deleting buttons, changed keyboard shortcuts, and renamed functions. Oh, and added hoverscrub, you know...like FCPX. In exchanged there was loss of functionality, stability issues and broken codecs.
I really hope the next release is more like CS5x and less like FCPX

I'm a new user and learning, I bought and installed Premiere Pro cs6. I got a nice video clip but has a baby cried in the background and very annoying. My question is, is this noise remover is separate from the cs6 or I need to get this software downloa

I'm a new user and learning, I bought and installed Premiere Pro cs6. I got a nice video clip but has a baby cried in the background and very annoying. I have tried all of the sounds in Prem cs6 but didn't work. My question is, do I need to get a separate sound software download and install to be able to use it?

In the CS versions, there was some audio capability in PrPro but you needed to get a separate audio program for major work. Lessening a baby definitely qualifies as major work. That's lessening, i dont mean eliminating. Adobe's audio program is Audition. There are others "out there'. In the CC versions one just downloads Audution also.
Neil

I own an iMac 2011. I am unable to reinstall and launch premiere pro cc. We I attempt to run the program I get a error message saying that the adobe application manager is missing or need to be updated. I reinstalled the manager but I am still unable to l

I own an iMac 2011. I am unable to reinstall and launch premiere pro cc. We I attempt to run the program I get a error message saying that the adobe application manager is missing or need to be updated. I reinstalled the manager but I am still unable to launch any of my programs from adobe. I tried to do a trail with a program and I am still getting the same message.

Davinci thank you for the update.
Please utilize any available uninstallers that are located in the Applications/Utilities/Adobe Installers folder. Once all of the available uninstallers have been run you will then want to rerun the CC Cleaner Tool. You can find directions on the use of the CC Cleaner Tool and a download link at Use the CC Cleaner Tool to solve installation problems | CC, CS3-CS6 - http://helpx.adobe.com/creative-suite/kb/cs5-cleaner-tool-installation-problems.html. After the CC Cleaner Tool is run then please reinstall the Creative Cloud Desktop application from Creative Cloud Help | Creative Cloud for desktop.
The CC Cleaner Tool is designed to be used after running the uninstallers. Without running the uninstallers first then a complete removal may not be possible.

Help! I have an Adobe Premiere Pro CC 2014 sequence @ 59.94 fps and need to export the video as 23.976 but the video looks glitchy! Please Help!

Help! I have an Adobe Premiere Pro CC 2014 sequence @ 59.94 fps and need to export the video as 23.976 but the final video render looks glitchy! Please Help!
I made a new sequence at 23.976 and imported my 1280x720 59.94 video into the sequence... when i rendered it out it looks glitchy!
my client is not allowing 1280 x720 59.94 video files they want 29.97 progressive,25,24,or 23.98
Please Help what do i do! where did i go wrong! this is horrible omg!!!! please help!
Thank you!

Nice!
In my export setting i switched the frame rate to 29.97 and it looks good to me!
Thank you!

Need help with 24fps in Premiere Pro CS4

I am having issues working with 24fps imported video. My computer hardware is an AMD dual core processor running at 2.6GHz. It has 2GB of Kingston Hyper-X memory, 2x 300GB hard drives (not RAID), and an Nvidia 7900GS video card with 256MB video ram. My operating system is Windows Vista Ultimate with SP1. I am running Premiere Pro CS4 with all the current updates.
So here is the issue I am having. I captured video on a Canon XL2 in 24fps, 16:9 widescreen, and 2:3:3:2 pulldown. My CS4 project settings were set up as DV-24P Widescreen 48KHz. I did not try changing other settings on the other tabs. I captured the video directly from the XL2 with no dropped frames. The resulting AVI plays back in Windows Media Player 11 correctly. What I mean by that is the is no jerky video, I get no raster lines, and the video quality is very clear. When I load the video into the time line and play it back in the program monitor the video jerks like it is dropping frames, I get raster lines and it looks like video clarity fades in and out.
At first I thought nothing about it. I used Adobe Media Encoder, and burned a DVD. Playback on my widescreen TV looked jerky, rastered, and the video was only clear in static scenes. So I made some test projects with different settings. Still had no success. The original capture looks good, but whatever I do in Premiere the video jerks and looks like old VHS video.
I did another test. I set the XL2 to 30P and 4:3, and captured the video. Again the captured AVI looks good. Put it on the Premiere timeline and played it in the program monitor. It plays fine - good video quality, no rastering, and no jerking. Made a DVD with no problems in the video. So my question is what setting in Premiere do I need to capture, edit, and export 24fps 16:9 widescreen video so that it plays back with with the same video quality as it was captured? Do you think it is an encoder problem? The captured AVI is what ever encoder came with Windows/Premiere as I have not added any other encoders.
Any help would be apperciated. If I have not supplied enough information, please just ask.

If the video is playing back badly in Premiere Pro from the timeline, then the things I would check would be the program monitor quality - is it set to highest...if you don't know where that it is, click on the 4 horizontal lines in the top corner of the program monitor - make sure highest quality is selected. It also may be a video card issue - are your drivers up to date? If the clips are only playing back badly on the PPro timeline (and anything exported from it), but fine in Windows Media Player - something is up.
As for the frame rate - no, you don't have to work at 24P...as mentioned before, the camera actually records at 29.97 fps, but is able to be played back and edited at 23.976 fps (or 24P)...it's a complicated explanation on how it all works...
If you're going to finish to a regular DVD, then working at 29.97 is the way to go. As for the interpret footage command, highlight the clips in your bin, then right click on them - in the menu, you'll see interpret footage - click on that and a new window should open...you should see a box with a check next to it that says remove 24P pulldown - click it (removing the check) and the footage frame rate should change to 29.97 - then click OK...create a 29.97 sequence (DV NTSC Widescreen 48Khz), and edit away.

Need Help Fast Re: Problems with capturing in Adobe Premiere Pro CS4

I am working on a project with a deadline. I am using Adobe Premiere Pro CS4. My camera is a Sony Digital Video Recorder DCR-HC26. My computer is a Dell with OS of Windows Vista. I have been capturing numerous clips from hundreds of mini digital video cassettes. Yesterday, I attempted to capture from a Radio Shack Mini DV Metal Evaporated mini DV digital videocassette. For whatever reason it will not capture. I have never used one of these tapes before. Could it be the tape? After I click on "Capture," the screen shows NO PICTURE of sound, however, it plays on the camera. It can't be the camera settings because all the other tapes work. . . Any advice?

you need to post in the correct forum olivia.
http://forums.adobe.com/community/premiere/premierepro_current

I need premiere pro on my pc

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