I was given a PowerMac G5, how best should I utilise this machine?
I am new to mac but not a total dummy as I used them for design in Art School.
Hardware Overview:
Machine Name: Power Mac G5
Machine Model: PowerMac7,2
CPU Type: PowerPC 970 (2.2)
Number Of CPUs: 1
CPU Speed: 1.6 GHz
L2 Cache (per CPU): 512 KB
Memory: 4 GB
Bus Speed: 800 MHz
Boot ROM Version: 5.1.5f2
So what can do with this beast?
Can I give it any more nads, and if so how?
What components are compatible?
If I get a more current logic board what existing components can be utalised or would it even be worth it?
thanks!
Can I give it any more nads, and if so how?
Gut it and build a Sandy Bridge based i7 Intel processor hackintosh......
https://tonymacx86.com/viewtopic.php?f=76&t=48471
Other than that, nothing that you might do should be based on return of value. Do it for fun or don't do it.....
Max the RAM.
Add a new hard drive or two (new drives are faster than the originals).
Heck, get a SSD.
Get a graphics card like a Geforce 6800 GT or Ultra or even a Radeon X800XT.
Or, just stuff it with big drives and use it as a music server. It's too slow to be a video (large format) server.
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Hi, Can anyone recommended software to import dvd to iMovies. I need to import about a dozen homemade DVD's and edit them into a single DVD comprising the 'best bits'. How best can I do this. I have an external hard drive available for the job
You need to convert the VOB files in the TS-Folder of the DVD back to DV which iMovie is designed to handle. For that you need mpegStreamclip:
http://www.squared5.com/svideo/mpeg-streamclip-mac.html
which is free, but you must also have the Apple mpeg2 plugin :
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(unless you are running Lion in which case see below))
which is a mere $20.
Another possibility is to use DVDxDV:
http://www.dvdxdv.com/NewFolderLookSite/Products/DVDxDV.overview.htm
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For the benefit of others who may read this thread:
Obviously the foregoing only applies to DVDs you have made yourself, or other home-made DVDs that have been given to you. It will NOT work on copy-protected commercial DVDs, which in any case would be illegal.
And from the TOU of these forums:
Keep within the Law
No material may be submitted that is intended to promote or commit an illegal act.
Do not submit software or descriptions of processes that break or otherwise ‘work around’ digital rights management software or hardware. This includes conversations about ‘ripping’ DVDs or working around FairPlay software used on the iTunes Store.
If you are running Lion or later:
From the MPEG Streamclip homepage
The installer of the MPEG-2 Playback Component may refuse to install the component in Lion. Apple states the component is unnecessary in Lion onwards, however MPEG Streamclip still needs it. See this:
http://support.apple.com/kb/HT3381
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How best can i optimise this script
I have a script the loops through a table and function. it works fine but it takes a longer time complete even though resources are given. the code below is just the same code i used how best can i represent it for speed even though i have all resources.
For each_member in ( select from MemberTable where MemberID = 'ALL')*
Loop
Begin
if Age >= 18 then
hold:= 'Adult'
end if;
For Each_history in (select Acct,fx_function(each_member.ID,each_member.Acct) BR,
Movement from History a where history_ID =each_member.Id)
loop
Begin
insert into NewFilteredData (act,BR,mvt)
values (Each_history.Acct,Each_history.BR,Each_history.Movement);
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end loop;
end loop;
commit;
How best can i optimize this script to move data faster because they are a lot about 6000000 records to be moved.
please help.
Edited by: kama021 on Aug 25, 2009 12:48 PM
Edited by: kama021 on Aug 25, 2009 12:48 PMUnless something is horribly wrong (i.e. the optimizer picks a radically incorrect plan), if you can do something in SQL, it will always be faster to do it in SQL. Doing things in PL/SQL, particularly using cursor FOR loops and single row inserts, is the slowest possible way to do anything (well, other than having nested FOR loops).
Long before you start looking at things like the APPEND hint, I would focus on implementing a single SQL statement that generates the correct results. Once you have that and you have a benchmark, you can decide whether it is "fast enough". If it is (and I suspect it will be), you don't have to delve any deeper. If you need more performance, you can start looking into parallelism, the APPEND hint, etc. but be aware that this generally increases the complexity of the system.
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How best I can tune this query
select /*+ first_rows index(WI,WF_ITEMS_N3) */
WI.END_DATE, WI.ITEM_TYPE, WI.ITEM_KEY
from WF_ITEMS WI
where WI.END_DATE <= SYSDATE
and WI.END_DATE > to_date(1, 'J')
and exists
(select null
from WF_ITEM_TYPES WIT
where WI.END_DATE+nvl(WIT.PERSISTENCE_DAYS,0)<=SYSDATE
and WI.ITEM_TYPE = WIT.NAME
and WIT.PERSISTENCE_TYPE = 'TEMP')
and not exists
(select null
from WF_ITEMS WI2
WHERE WI2.END_DATE IS NULL
START WITH WI2.ITEM_TYPE = WI.ITEM_TYPE
AND WI2.ITEM_KEY = WI.ITEM_KEY
CONNECT BY PRIOR WI2.ITEM_TYPE = WI2.PARENT_ITEM_TYPE
AND PRIOR WI2.ITEM_KEY = WI2.PARENT_ITEM_KEY
UNION ALL
select null
from WF_ITEMS WI2
WHERE WI2.END_DATE IS NULL
START WITH WI2.ITEM_TYPE = WI.ITEM_TYPE
AND WI2.ITEM_KEY = WI.ITEM_KEY
CONNECT BY PRIOR WI2.PARENT_ITEM_TYPE = WI2.ITEM_TYPE
AND PRIOR WI2.PARENT_ITEM_KEY = WI2.ITEM_KEY)
| Id | Operation | Name | Rows | Bytes | Cost (%CPU)|
| 0 | SELECT STATEMENT | | 7576 | 199K| 257K (1)|
|* 1 | FILTER | | | | |
|* 2 | FILTER | | | | |
| 3 | TABLE ACCESS BY INDEX ROWID | WF_ITEMS | 3121K| 80M| 226K (1)|
|* 4 | INDEX RANGE SCAN | WF_ITEMS_N3 | 3063K| | 19441 (1)|
|* 5 | TABLE ACCESS BY INDEX ROWID | WF_ITEM_TYPES | 1 | 16 | 2 (0)|
|* 6 | INDEX UNIQUE SCAN | WF_ITEM_TYPES_PK | 1 | | 1 (0)|
| 7 | UNION-ALL | | | | |
|* 8 | FILTER | | | | |
|* 9 | CONNECT BY WITH FILTERING | | | | |
| 10 | TABLE ACCESS BY INDEX ROWID | WF_ITEMS | | | |
|* 11 | INDEX UNIQUE SCAN | WF_ITEMS_PK | 1 | 19 | 2 (0)|
| 12 | NESTED LOOPS | | | | |
| 13 | BUFFER SORT | | | | |
| 14 | CONNECT BY PUMP | | | | |
| 15 | TABLE ACCESS BY INDEX ROWID| WF_ITEMS | 1 | 32 | 4 (0)|
|* 16 | INDEX RANGE SCAN | WF_ITEMS_N1 | 1 | | 3 (0)|
|* 17 | TABLE ACCESS FULL | WF_ITEMS | 1 | 32 | 4 (0)|
|* 18 | FILTER | | | | |
|* 19 | CONNECT BY WITH FILTERING | | | | |
| 20 | TABLE ACCESS BY INDEX ROWID | WF_ITEMS | | | |
|* 21 | INDEX UNIQUE SCAN | WF_ITEMS_PK | 1 | 19 | 2 (0)|
| 22 | NESTED LOOPS | | | | |
| 23 | BUFFER SORT | | | | |
| 24 | CONNECT BY PUMP | | | | |
| 25 | TABLE ACCESS BY INDEX ROWID| WF_ITEMS | 1 | 32 | 3 (0)|
|* 26 | INDEX UNIQUE SCAN | WF_ITEMS_PK | 1 | | 2 (0)|
|* 27 | TABLE ACCESS FULL | WF_ITEMS | 1 | 32 | 3 (0)|
------------------------------------------------------------------------------------------The query is taking too much time to excute (more than 3-4 hrs)and just by seing the plan table output and reducing the cost I dont think I will get properly tuned query.Also is it advisable I remove the hint.
Thanks.
Message was edited by:
user486336Below is the plan after removing the hint.
| Id | Operation | Name | Rows | Bytes | Cost (%CPU)|
| 0 | SELECT STATEMENT | | 7576 | 199K| 85381 (1)|
|* 1 | FILTER | | | | |
|* 2 | FILTER | | | | |
|* 3 | TABLE ACCESS FULL | WF_ITEMS | 3121K| 80M| 54424 (1)|
|* 4 | TABLE ACCESS BY INDEX ROWID | WF_ITEM_TYPES | 1 | 16 | 2 (0)|
|* 5 | INDEX UNIQUE SCAN | WF_ITEM_TYPES_PK | 1 | | 1 (0)|
| 6 | UNION-ALL | | | | |
|* 7 | FILTER | | | | |
|* 8 | CONNECT BY WITH FILTERING | | | | |
| 9 | TABLE ACCESS BY INDEX ROWID | WF_ITEMS | | | |
|* 10 | INDEX UNIQUE SCAN | WF_ITEMS_PK | 1 | 19 | 2 (0)|
| 11 | NESTED LOOPS | | | | |
| 12 | BUFFER SORT | | | | |
| 13 | CONNECT BY PUMP | | | | |
| 14 | TABLE ACCESS BY INDEX ROWID| WF_ITEMS | 1 | 32 | 4 (0)|
|* 15 | INDEX RANGE SCAN | WF_ITEMS_N1 | 1 | | 3 (0)|
|* 16 | TABLE ACCESS FULL | WF_ITEMS | 1 | 32 | 4 (0)|
|* 17 | FILTER | | | | |
|* 18 | CONNECT BY WITH FILTERING | | | | |
| 19 | TABLE ACCESS BY INDEX ROWID | WF_ITEMS | | | |
|* 20 | INDEX UNIQUE SCAN | WF_ITEMS_PK | 1 | 19 | 2 (0)|
| 21 | NESTED LOOPS | | | | |
| 22 | BUFFER SORT | | | | |
| 23 | CONNECT BY PUMP | | | | |
| 24 | TABLE ACCESS BY INDEX ROWID| WF_ITEMS | 1 | 32 | 3 (0)|
|* 25 | INDEX UNIQUE SCAN | WF_ITEMS_PK | 1 | | 2 (0)|
|* 26 | TABLE ACCESS FULL | WF_ITEMS | 1 | 32 | 3 (0)|
------------------------------------------------------------------------------------------The cost has gone down but throughput has not improved.
Also I have read very often the low cost does not indicate better throughput time.How true it is?
Thanks
Also when I change the where clause to
where SYSDATE-WI.END_DATE>=0
and WI.END_DATE-to_date(1, 'J')>0
the cost goes further down in the plan
| Id | Operation | Name | Rows | Bytes | Cost (%CPU)|
| 0 | SELECT STATEMENT | | 19 | 513 | 55389 (2)|
|* 1 | FILTER | | | | |
|* 2 | TABLE ACCESS FULL | WF_ITEMS | 7983 | 210K| 54495 (2)|
|* 3 | TABLE ACCESS BY INDEX ROWID | WF_ITEM_TYPES | 1 | 16 | 2 (0)|
|* 4 | INDEX UNIQUE SCAN | WF_ITEM_TYPES_PK | 1 | | 1 (0)|
| 5 | UNION-ALL | | | | |
|* 6 | FILTER | | | | |
|* 7 | CONNECT BY WITH FILTERING | | | | |
| 8 | TABLE ACCESS BY INDEX ROWID | WF_ITEMS | | | |
|* 9 | INDEX UNIQUE SCAN | WF_ITEMS_PK | 1 | 19 | 2 (0)|
| 10 | NESTED LOOPS | | | | |
| 11 | BUFFER SORT | | | | |
| 12 | CONNECT BY PUMP | | | | |
| 13 | TABLE ACCESS BY INDEX ROWID| WF_ITEMS | 1 | 32 | 4 (0)|
|* 14 | INDEX RANGE SCAN | WF_ITEMS_N1 | 1 | | 3 (0)|
|* 15 | TABLE ACCESS FULL | WF_ITEMS | 1 | 32 | 4 (0)|
|* 16 | FILTER | | | | |
|* 17 | CONNECT BY WITH FILTERING | | | | |
| 18 | TABLE ACCESS BY INDEX ROWID | WF_ITEMS | | | |
|* 19 | INDEX UNIQUE SCAN | WF_ITEMS_PK | 1 | 19 | 2 (0)|
| 20 | NESTED LOOPS | | | | |
| 21 | BUFFER SORT | | | | |
| 22 | CONNECT BY PUMP | | | | |
| 23 | TABLE ACCESS BY INDEX ROWID| WF_ITEMS | 1 | 32 | 3 (0)|
|* 24 | INDEX UNIQUE SCAN | WF_ITEMS_PK | 1 | | 2 (0)|
|* 25 | TABLE ACCESS FULL | WF_ITEMS | 1 | 32 | 3 (0)|
------------------------------------------------------------------------------------------Message was edited by:
user486336 -
Using the pen tool, how best should I build or construct this image?
Hello,
I'm trying to recreate a certain image with the pen tool.
I have already tried using Live Trace using the "Simple Trace" setting. Live Trace did a pretty good job but not with enough accuracy or fidelity to the original image as I would like.
I am pretty rusty with Illustrator now, but I remember from past lessons that the basic idea is that artwork in Illustrator is divided into layers, objects, and elements within objects. But one of the biggest principles with Ilustrator is the order these layers, objects, and elements are stacked. Elements are stacked to create an object. Objects are often stacked, each object on its own layer, to create the entire piece of artwork.
Also, the lower an element, object, or layer is in a stacking order, the further towards the back it appears in the image.
Also, the higher an element, object, or layer is in a stacking order, the closer to the front it appears in the image.
So, in Illustrator, you don't so much draw or paint a piece of artwork, but, instead, creating artwork in Illustrator is more a matter of building it or constructing it.
So, with all that said, below I have an object I would like to create with the pen tool. It is a fleuron. It is at least fairly complex.I am not sure how to build it or construct its parts. What would come first, second, third? What would be on the bottom layer, middle layer, top layer, etc.?
I know there is no one way to reproduce this object with the pen tool. Whatever way you would use or would like to share is fine. I guess, more specifically, I'm not afraid of rigor and working hard, but I'm also not necessarily looking for rigor. Instead, what I am looking to do is work smartly and efficiently. I'm looking for what might commonly be considered "best practice."
So, how would you advise I approach the object below? How should I build or construct it?
Thanks! : )As for the simple graphic itself, this is what I would end up with:
One Group containing:
One red-filled, unstroked Compound Path consisting of three subpaths.
One white-filled, unstroked Compound Path consisting of 18 subpaths.
The reason I would compound the red paths and the white paths is simply so I could apply to them different fills with one move, should I want to.
The reason the two Compund Paths would be grouped is simply so the whole graphic can, when finished, be moved, rotated, scaled, flipped, skewed (i.e.; transformed) as if it were a single object. (Which it would be; a Group is a logical object, just as a "set" is a logical object.)
As for how I would actaully draw the graphic:
First I would roughly evaluate it to get an idea of what I want to end up with in terms of clean, tidy, paths (as already describe above.)
Second, I mentally devise a "plan of attack" by which to achieve that; just studying the shapes a little more deeply for anything that can be exploited to minimize the work:
Are there any repetitive elements of the shape that can be accomplished by duplication, moving, scaling?
Is there any symmetry that can be accomplished by duplication and flopping?
Is there any simple geometry that can be accomplished with basic shape prmitives (whole or partial ellipses, rectangles, polygons)?
Third, I always try to also consider whether the process of drawing the current graphic and/or portions of it might be of future use to me, and if so, can I exploit other software features to save me time and effort later. For example, consider a single one of the ess-shaped "coils" of the middle tapered "spiral" grouped together with its white highlight. Such a graphic, colored in black and white and stored as an ArtBrush with its Colorization set to Hues & Tints would let me stretch and scale that basic shape along other-shaped paths. Similarly stored as a PatternBrush, it might do multi-duty for many things suggestive of coils, like rope or jewelry chains.
Then I just start drawing the necessary paths, using my default Graphic Style (.25 black stroke, no fill). As I proceed, I store (as Brushes, Symbols, etc.) any intermediate things that I think I might find useful later. For the graphic at hand, I then optimize the paths I've drawn by combining them (cutting, joining, path operations) into the fewest, cleanest, and simplest paths necessary to define the shapes. I then store the finished graphic as a Symbol, Brush, etc. if I think it might be of use later.
Regarding Layers, Groups, etc., etc:
It sounds like you (like many beginning AI users) are way over-thinking the matter of stacking order. Yes, it's good to use some sensible amount of organization as your illustrations and designs become more elaborate, but you don't have to fret so much over it. The principles are very very simply.
Layer really don't even enter into my mind when creating such a graphic, because the paths of which it consists are all going to be grouped, and all the contents of a Group have to exist on the same Layer anyway. Multiple Layers would only come into play when this whole graphic is used as one element in the overall page layout. For example, suppose several instances of this object will exist on a page layout to serve as dividers between ads or stories arranged in columns in a page layout. I may choose--if it makes organizational sense to me--to put all the copies of this object on a Layer dedicated to them. The Layer on which they reside may or may not include other graphics; it's just a question of what makes organizational sense and editing convenience to me while I'm working the file. For example, having the copies of this graphic on a separate Layer would allow me to lock that Layer to avoid accidently selecting the graphics when I'm editing text objects that I've organized on another Layer.
Don't think of Layers as some oppressive "right or wrong" thing that you have to decide upon at the start of every little thing you draw. It's nothing but an organizational convenience that is driven almost entirely by common sense. The mechanics of it are really very very simple in principle.
Look: Everything you create or import in an Illustrator document is an object. Just like sheets of paper in a tablet, each of those objects (each path, text object, raster image) is going to reside somewhere in the z-order (think front to back) of the document's object stack. You can't do anything to prevent that. It's the way the program works. The file is basically just a list of things that the output device has to draw. Being a list, it has a first object, a second object, and so on. Objects higher in that list are nearer the "front"; objects lower are nearer the "back." Normally, objects in front obscure objects behind them, wherever they "overlap."
Now, considering that what you have is just a list of objects, as that list grows and grows, doesn't it eventually just make sense to be able to "bracket" or "label" contiguous portions (contiguous is key here) of that list for organizational and manipulative purposes? That's all Groups and Layers are; brackets around sections of the list.
Consider that an Illustrator file (like most computer files you create) is really just a text file. So suppose you have written a technical manual in a word processing program. Would you write that manual as one big, honkin' text string, or would you "bunch together" contiguous portions of the story under some labeling scheme of subheads? After that, wouldn't you similarly "bunch together" contiguous subhead sections as chapters?
So you can think of Groups as "subheads," and Layers as "chapters" in your Illustrator document's list of objects.
Sure; if you're working on a page layout document, sometimes it makes sense to go ahead and set up some of this structure at the start (just as when writing a book, it makes sense to start with an outline). So you might go ahead and define a Layer for printer marks, another for the diecut, another for text, another for images, another for background fills.
The very next designer might decide to structure the very same project a little differently. He might, for example, decide there's no reason not to keep the text objects on the same layer with the raster images. There's no hard & fast right & wrong her. You do what makes sense for the project at hand.
Now in this context, back to your simple graphic: I don't need a PrinterMarks Layer, a DieCut Layer, or a TextObjects Layer to draw this graphic. I just need the default Layer 1. For convenience, I may want to add a TraceThisStuff Layer onto which I put the original raster image, just so I can conveniently isolate it (lock it, dim it, etc.) while drawing the paths on Layer 1. On the other hand, I can really just as easily leave the raster image that I want to trace on Layer 1 and reduce its opacity and lock/unlock it at the object level. It's up to me.
But for that matter, revisit my "third level" of evaluation described above. In reality, I would very likely not even start drawing this graphic in the document for which it is intended. I would just as likely open an existing JET_Dingbats.ai or a JET_Ornaments.ai or CustomerName_StyleGraphics.ai file or template, draw the graphic there and when done, just copy it and paste it into the current document file. That's how you, over time, build yourself a reasonably organized "personal library" of re-usable resources that save you countless hours of repetitive work in the future.
JET -
??
What happens is that the weaker the battery, the less time it takes it to charge (and run down) because it doesn't take long to reach its lowered maximum capacity.
Although I never worry about my battery and leave my portables plugged in most of the time, that isn't necessarily the best thing for the battery.
Check out Apple's suggestions maintaining battery life and lifespan:
http://www.apple.com/batteries/notebooks.html
Information on battery technology:
http://www.apple.com/batteries/
Calibrating the battery for best performance:
http://support.apple.com/kb/HT1490 -
I have been spending a week or two trying to resolve this issue with customer service. After giving them one proof after another, they said my case was "closed" and passed me on to you. The case number is #0215298380 hopefully you can access that and all my submissions of proof of purchase, proof of employment, etc etc etc.
I had a similar situation with my Macbook Pro and just had success taking a little twig and cleaning out the inside of the magsafe port, especially in the corners. (I didn't mess with the pins.) The port didn't look especially dirty beforehand—just a little buildup—but I could tell a little difference visually after I "swabbed" out any sign of gunk.
In case anybody else is interested in the unorthodox method, I used a tiny twig with the end broken off so it was soft with the exposed wood fiber. After rubbing a little, it compressed noticeably so I broke off the end again so that it was frayed a little and could get into the corners. A toothpick would probably work similarly.
FYI, before I cleaned it out, the top charge status icon *would* show that it was plugged in but it wouldn't charge. There was no light on the magsafe plug. I had unplugged/replugged the socket and had re-situated the magsafe several times. -
Please help i cannot update my ipad, to update it i need four digit code number but i dont know, please help
Wow, Karan Taneja, you've just embarrassed yourself on a worldwide support forum. Not only is your post ridiculous and completely inappropriate for a technical support forum, but it also shows your ignorance as to whom you think the audience is. Apple is not here. It's users, like you.
If you would have spent half the time actually reading the Terms of Use of this forum that YOU agreed to by signing up to post, as you did composing that usesless, inappropriate post, you (and the rest of us on this forum) would have been much better off. -
PowerMac G4....should I keep this thing?
Hello Mac Nation, I have an old PowerMacG4 (2003) dual 1.25 that's been sitting. I dont think I can get much for it. Do these older PowerMac's have problems with the latest and greatest OS's, programs, etc? I mainly want to run Illustrator.
thanks
Message was edited by: S.J.IHowdy S.J.I. I have 11 Macs in my studio, from a Grape iMac running OS8.6 to the latest (almost) Intel Pro and my favorite is a vintage, heavily updated 2001 Digital Audio. I can't tell you what to do but I know what I would do: letting it sit neglected should be a crime. Dust it off and throw a little love at it and you might get a few surprises.
Things to consider: 10.5, a dual-layer DVD burner (OWC), memory (Crucial), SATA adapter (Sonnet) with a couple of fat drives, USB 2.0/Firewire 800 adapter (Sonnet), Airport (use the Airport slot not a PCI card if you can - performance will be better than you'd expect 'cause the Airport slot has its own bus connection).
What would you get from selling it? A couple hundred? Invest that money in it instead and - if you do it wisely - you can get a lot more than you'd expect.
P.S. That "heavily updated Digital Audio" I mentioned? Originally $4,500, I paid $1,800 in 2000, tossed $900 at it in upgrades over the last 5 years and I prefer it by a WIDE margin to my shiny new core-whatever Intels. It's personal. -
Deskjet 3070A .widows 7.How to mirror print with this 'machine'.
How does one mirror print with the 'Des jet 3070A' in windows 7
You can check out Bob_Headrick's post here where he has a screen shot on where you can click to enable mirror Image printing. This post is actually asking how to turn it off but should help you see where to click to be able to do it. This is also for Windows 7.
Let us know if this answers your question and helps.
If I helped you at all it would be great if you clicked the blue kudos star!
If I solved your post please mark it as solved to help others.
I'm a printer tech with HP.
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