IMac or MacPro for Photographers?

I'm fairly new to photoshop, aperture, etc. but as I am starting my photography career I'm looking to upgrade from my Macbook Pro as I am using Photoshop more and more and need that added speed and space to handle all my pictures.
I am in love with the new iMac however I have a few hesitations for getting it:
#1 the glossy screen-the glare makes me nervous as I don't want to have to turn all the lights out and strategically place lamps around just to avoid the glare.
#2 as this computer will need to last me a while, I want to make sure it will do the job for at least a few years
So, should I get the new iMac and just load it up w/RAM and maybe a 750GB Hard Drive or should I spend the extra bucks to get a MacPro and display to go along with it. Any thoughts would be great.
Thanks in advance for your help!

Mark Eccles1 wrote:
I have to disagree guys, I've just bought a 24" iMac and the screen is crytal clear and spot on for colour matching - the best colour I've seen on a monitor for a good while. I'm a Graphic Designer of 7 years and nothing comes close for the speed of the iMac and screen. I use a Mac Pro Dual Core Xeon at work and I would say it was slower for Photoshop and general use than the iMac!!
The reflectiveness of the new iMac doesn't remotely bother me!
Sorry, but these comments do not sound credible (no offence though).
- There is no dual core Xeon Mac Pro - they have quad and eight-core models
- All benchmarks show clearly that the Mac Pro is clearly faster than the iMac, especially with Aperture where the 2600 PRO cannot remotely compete with the X1900XT
- We have spent half a day trying to calibrate an iMac using three different colorimeters and software packages, did test prints and compared to a perfectly calibrated 23" ACD. I cannot confirm your findings at all. We got somewhat closer to the ACD than the default profile (which was way off), but the best results where still off in terms of black point and rendition of gradients. If that is the best colour you have seen on a monitor, you should try an Apple CD or Eizo, NEC or LaCie models with 10/12/14-bit LUTs which are predominant in professional graphics editing.

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