Image Processor: Include ICC Profile?

I shot jpg sRGB. Should I include the ICC profile when extracting images? The images will be uploaded to zenfolio.com and made available for print sales. Looking for guidelines and what you folks do. Thank-you.

Hi,
Do you have Include ICC Profile checked at the bottom of the Image Processor dialog?

Similar Messages

  • Image Processor Problem - Untagged profile

    Have come accross an issue in Photoshop 6 when using the Image Processor to output to .jpg.  All photos are being converted without a color profile (untagged) even though the Convert Profile to sRGB is checked.  Help!

    Hi,
    Do you have Include ICC Profile checked at the bottom of the Image Processor dialog?

  • Adobe Photoshop CS3 Image Processor not converting files to sRGB Profile

    I have been experiencing a problem with Photoshop CS3 Image Processor no longer converting profiles to sRGB.   It converts all of the files from Camera Raw to JPEG, but not sRGB as well.  I used to be able to batch convert an entire folder of RAW images to JPEG, sRGB through the Image Processor.
    My Photoshop CS3 Working Space is Adobe RGB (1998).  I need to convert an entire folder of images selected in Bridge to sRGB working space in order to publish a photo album from one of the on-line publishing companies.  I can open each individual Camera Raw file in Photoshop and convert each to JPEG, sRGB, but this takes a tremendous amount of time.
    The following procedure has worked for me in the past, but for some reason no longer works:
    I select the images in the desired Bridge CS3 folder.  Upper tool bar, "Tools" > "Photoshop" > "Image Processor".  In Image Processor:
    Section 1 - ""Process files from Bridge only (11)"  Whether or not I place a checkmark by "Open first image to apply settings", it makes no difference in the outcome.
    Section 2:  "Save in same location"
    Section 3 - "Checkmark by "Save as JPEG, quality 12".  Also a checkmark by "Convert Profile to sRGB"
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    I replaced my iMac one month ago and reinstalled Photoshop CS3, but this Image Processor problem had been occurring even with my old computer.
    Not sure if you need this information:
    I'm currently on Mac OS X Version 10.6.4
    Processor:  2.93 Ghz Intel Core i7
    Memory:  8 GB 1333 Mhz DDR3
    I don't know if it's related,  Photoshop CS3 on my old computer was running in Rosetta.  I don't know if it's running in Rosetta now, the name does not appear when Photoshop boots up.  How do I get it to run in Rosetta again?

    Heh heh heh.  It's always true that we find the answer just after making public our problems, which in turn we did after trying to find the problems ourselves for hours.
    Thanks for following up with the answer.
    -Noel

  • Image Processor applying Adobe RGB profile

    Image Processor thru CS4 64bit is changing my CMYK files to Adobe RGB when saving as jpg.
    I have 'Include ICC Profile' checked.
    It is not running any other action.
    Could someone enlighten me as to why this is happening please?
    And if there is some code I can change to force it to retain my chosen profile?
    Hope someone can help
    Thanks

    I had a look at the version that ships with CS4. There is a function named 'this.saveFile'. That function has an if statement 'if ( this.params["jpeg"] )' and finially in the if statement there is another if block... ( line 1551 )
                if ( DocumentMode.RGB != app.activeDocument.mode ) {
                    ConditionalModeChangeToRGB();
    If you change that to...
                if ( DocumentMode.RGB != app.activeDocument.mode || DocumentMode.CMYK != app.activeDocument.mode  ) {
                    ConditionalModeChangeToRGB();
    The scirpt should now save your jpgs as cmyk if the doc is cmyk or rgb for other modes

  • My book  is being printed on icc profile US web coated swop v2 paper.  Is it better to work on my images in this profile than sRGB.

    is it better to work on an image in the icc profile than in sRGB

    It depends. If you know positively that's the profile that will be used, you can do that (a lot of people use it just because it happens to be the Photoshop default).
    Pro: you'll be working within Web Coated SWOP's limited gamut from the start, so you won't be disappointed when some colors are clipped in the final conversion. And they would be, because US Web Coated SWOP v2 is a very small color space. Don't expect deep saturated blues, for instance, because you won't get it.
    Contra: You have to be very careful to not exceed TAC, total area coverage, while you work. This is the total amount of ink the paper can hold without smearing and/or drying issues. If you convert from an RGB profile this is taken care of automatically, because TAC is specified in the profile, but an adjustment in CMYK can easily push you over the limit. Can't recall what the specific limit is in this case, but somewhere around 300 to 310% should be safe. Ask the printer. You have to monitor this continually.

  • Image Processor not working for me. Help!

    In a nearby thread I've reached a stumbling block. Image Processor in CS4's PS is not working for me. I have a folder of psd's generated on the fly via File > Export > Data Sets as File... and now I'm trying to process those psd's to generate a JPEG of each. The only strange characteristic of the auto-generated PSD files is that there is no image preview available within the Finder. When a psd is selected the preview pane reads:
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    I've verified in my Preferences > File Handling that image previews are always saved. (But I've been using PS for a long time and previews are always available with all my manually saved work.)
    So here's what happens when I invoke File > Scripts > Image Processor...
    In section 1 of the menu I select the source folder where the psd files reside
    In section 2, I select 'Save in same location'
    In section 3, I select 'Save as JPEG'
    In section 4, I change nothing. No special actions. Include ICC profile is checked.
    When I select run I get an error message: "Sorry, I could not process the following files:"
    And then it lists what appears to be 3 lines per psd file in the source directory:
    The path to the source dir
    The name of the source dir
    The [source_dir]/[filename.psd]
    What am I doing wrong?

    mrdior wrote:
    I have a folder of psd's generated on the fly via File > Export > Data Sets as File... and now I'm trying to process those psd's to generate a JPEG of each. The only strange characteristic of the auto-generated PSD files is that there is no image preview available within the Finder. When a psd is selected the preview pane reads:
    The part I don't understand is the "export" Part. File > Export > Data Sets as File.. on my machine is grayed out so I don't know how this feature is used. Is Export > Data Sets as File... used with CSV data sets and Photoshop variables?
    Check your Photoshop preferences and make sure you have set in the file handling tab "Maximize PSD and PSB File Compatibility:" to Always using the pull down menu. If that is not your current setting try setting that to see if the exported PSD files contain composite previews. When I use save as PSD on my system I alway see Photoshop save through up a popup window stating generating composite preview image.

  • Image processor not saving settings for images to process

    Hello,
    I have raw images taken by a Canon G9.  I am trying to convert these .CR2 images to LZW tiff's.  This is my process:
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    Click tools > photoshop > image processor
    Image processor window comes up.  I have the following settings:
         -Open first image to apply settings
         -Save in same location
         -Save as TIFF
              -LZW
         -Include ICC profile (no idea what this is, but it's checked)
    Click 'run'
    First image appears.
    Apply settings by clicking the pre-sets button and selecting my preset
    Image looks great
    Click 'Done'
    Images process
    At the end of the process, I get a message that says Sorry, I could not process the following files: (c:\temp\IMG-9678.CR2.  Which is the first image in my process where I applied my preset for the remaining images.
    The remaining images are in my TIFF folder as tiff images, but none of my preset settings from the first image carried over.
    Am I missing a step?
    Thanks in advance for any help.  I'm lost.

    I guess that could mean that Adobe Camera Raw isn’t part of Photoshop’s Document Object Model.
    But I suppose in such a case it should be possible to open all the images in ACR and apply the settings to all of them in one step with the Synchronize-button and then use a Script to save all open files.
    Admittedly that would be less convenient than Your proposed way, but maybe someone else has a better idea.
    »-Include ICC profile (no idea what this is, but it's checked)«
    Please don’t take this the wrong way, but You should read up on color-management.
    Not including the profile can generally be considered unprofessional (except maybe in an internet-specific context) and a potential source of problems.
    An images’ pixels’ RGB-values can be correctly translated to the originally intended color only when the »key« (the icc-profile) for said translation is known.

  • Colour washed out when using image processor in Bridge CS6

    Hi there
    I hope somebody can help please?!
    I am editing raw files in Camera Raw 8.2, then using image processor through Bridge CS6 to save them as both jpegs and tiffs.
    I am finding the colour on the saved files is coming out a little washed out and faded.
    If I open them individually and save them in PS6 as jpeg and tiffs, the colour remains vibrant and true to the original raw file.
    I have thousands of these files to go through and don't have time to open each one individually in this way so I am desperate to automate this process while still retaining the great colour in the original shots.
    Can anyone tell me why the shots are coming out this way and help offer a solution for me please?
    Any advice would be massively appreciated!
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    Hi,
    Do you have Include ICC Profile checked at the bottom of the Image Processor dialog?

  • Color washed out when using image processor in Bridge CC

    Hi,
    When I use the image processor - Tool>PhotoShopS>Image Processor, via bridge my colors appear wrong and washed out.
    When i choose "Include ICC profile" in the process dialog it has no effect - the colors are still wrong.
    In PhotoShop my profile is set to ProPhoto RGS, can that be the reason?
    When I save as JPG from Photoshop the colors are correct.
    any suggestions?

    Hi,
    Do you have Include ICC Profile checked at the bottom of the Image Processor dialog?

  • Is there some file setting that prevents the Image Processor from resizing?

    Problem:
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    Platform:
    Windows XP Pro, SP2
    Photoshop CS4, Bridge CS4
    What i tried:
    - i looked at the file info in Bridge - nothing apparent there that would cause the problem
    - the file attributes in Windows only have the archive bit set (they are NOT read only)
    - when i run the Image Processor either from Bridge or Photoshop the picture remains its original size
    - i have tried many combinations in the Image Processor dialog box, e.g. Convert Profile to sRGB, Include ICC Profile, etc.  (i DO have the Resize to fit check box checked)
    - i can resize the photo manually in Photoshop
    - some photos work, some don't
    - many of the photos were edited on Roxio on my wife's computer, renamed in Bridge and then copied over to my computer
    Thank you very much!
    Steve
    Message was edited by: signcarver
    added one more thing i tried

    I did as you suggested.  Turned out to be a hardware problem.  Apple Store replaced it!
    Thanks

  • Icc profile corrupted in lion

    I have all of the sudden a color shift in lion 10.7.4- the color profile from adobe are currupted.
    This is the result displaying from Color Utility
    Searching for profiles...
    Checking 66 profiles...
    /Library/Application Support/Adobe/Color/Profiles/RedBlueYelllow.icc
       Tag 'pseq': Required tag is not present. Could not be fixed.
    /Library/Application Support/Adobe/Color/Profiles/Smokey.icc
       Tag 'pseq': Required tag is not present. Could not be fixed.
    /Library/Application Support/Adobe/Color/Profiles/TealMagentaGold.icc
       Tag 'pseq': Required tag is not present. Could not be fixed.
    /Library/Application Support/Adobe/Color/Profiles/TotalInkPreview.icc
       Tag 'pseq': Required tag is not present. Could not be fixed.
    Repair done - 0 out of 4 profiles fixed.
    images with this icc profile do not show properly in any application - safari, preview . In adobe bridge shows properly for a few seconds then it changes.
    I check each .icc file and yes there is no pseq tag
    I have change persions for everyone to Read& Write and run the disk utility and have no luck
    Any ideas

    I  have the same problem .
    did you fix it ?that pink color wont go away .
    here some more photos showing my problem

  • ICC Profile vs Photoshop vs Image

    Hi guys,
    First of all, please forgive my poor english.
    I have as usual been through all the forum-reading, answer-searching stuff.
    I've been having a problem with Photoshop color management since my last Windows upgrade to 7.
    Colors just won't display the same in Photoshop and outside Photoshop.
    I understand this has something to do with ICC profiles and applications being color managed or not.
    I just downloaded an ICC profile supposedly corresponding to my monitor (there : mine is the Dell E228WFPc, but their icc is for the E228WFP http://www.focus-numerique.com/test-42/-telecharger-un-profil-calibre-pour-son-ecran-dell- 24.html I decided to try it anyway, and the colors look good...).
    I don't know what makes photos not look the same inside of Photoshop. It's the case for all photographs, including those that I postworked before my reinstallation of Windows.
    What would you suggest ?
    Thanks in advance for your answers.

    Color-management is simply the process of interpreting the colors in an image per a given document color profile, then preparing them for proper display on a device using a given device color profile.  Profiles describe how color values are interpreted into real colors that we see.
    Some of the first things to keep in mind with color-management are these:
    Not all applications are color-managed.  Many do not look at your monitor profile, and almost as many don't even look at your document profile.
    Given the above, colors can be expected to look different in images displayed by applications that ARE color-managed vs. those that ARE NOT.
    So in your case Photoshop, which is fully color-managed, is using both your image profile and your monitor-specific profile (and assuming they're accurate) to determine how to display colors on your monitor. This is NOT being done AT ALL in some apps, and only HALF being done in others (e.g., IE9 interprets the document profile but assumes your monitor is sRGB IEC61966-2.1).
    You're seeing the differences.
    Now, what's not a given is that your color profiles are accurately representing the color spaces of your document or display monitor.  You may have prepared your document properly using a particular color profile, but what steps have you taken to ensure your monitor color profile accurately matches your monitor?  That it's "the one" provided by the manufacturer may seem to be enough, but you don't really know what on-monitor settings or video card or cabling the manufaturer used to profile it, nor did they profile your particular copy.  In short, factory monitor profiles are notoriously inaccurate.
    You can choose to go in one of three directions:
    1.  Assume your factory monitor profile is accurate enough and just keep everything as it is.
    2.  Purchase a profiling device, follow their process for calibrating / profiling your display, and be sure your profile is accurate.
    3.  Assume your factory monitor profile is INACCURATE, replace it with the standard default sRGB IEC61966-2.1 profile, and work to set your monitor controls and video card curves manually to make colors displayed with the sRGB profile and this monitor as accurate as possible.
    The 3rd scenario actually has some advantages if you can accomplish it.
    -Noel

  • PS CS5 Image Display Differs From Used ICC Profile In Win 7

    Hi,
    on my Windows 7 Ultimate x64 machine, I just calibrated my Dell SP2309W monitor using an i1DisplayPro and basICColor 5, creating a ICC v2 profile (I am aware of the problems under Windows with ICC v4 profiles).
    It created the ICC profile and applied it to be used by Windows. I double checked under COLOR MANAGEMENT that the new ICC profile is being used. Although I can see that the new ICC is being used (desktop appearance changes), there are a few issues I am experiencing:
    (1.) Windows Photo Viewer
    The thumbnails in Windpows Explorer look fine (they DO use the new ICC profile), when I double click a jpeg and open the image it DOES NOT use the new ICC profile. When I click the PLAY SLIDESHOW button (starting the slideshow) in the opened image in Windows Photo Viewer, the images DO use the new ICC profile.
    (2.) Internet Browsers
    All current internet browser (Firefox, IE, Safari and Chrome) DO use the new ICC profile and display the image correctly.
    (3.) Photoshop CS 5
    When I open the same image - that Windows Photo Viewer does not correctly displays (according to the new ICC profile) - in Photoshop CS5, I get the same image display that Windows Photo Viewer gives me (when not thumbnail or not in slideshow mode) - it appears to be the sRGB display.
    My color settings in PS CS5 are: North America General Purpose 2 > sRGB IEC 61966-2.1.
    When I go to View > Proof Setup > Monitor RGB I get the image display using the new ICC profile.
    Why does the image look different in PS than my calibrated monitor should output ?
    I was under the impression (please correct me if I am wrong), that the sole purpose for calibrating my monitor was to get a uniform display across (ICC aware) applications. Even when one applies different color spaces to a document in PS, I thought the output on my calibrated screen done by the graphic card should always be according to my calibration and the settings in the ICC profile being used.
    What Am I doing wrong or what am I misunderstanding ?
    Any help or input is appreciated !
    Thanks.
    - M

    Hello,
    A note on monitor calibration: calibrating your monitor will not guarentee that every application will display color correctly, it's more of a step along the pipeline, and for the preview part of a color workflow it's the last step.  Here's how color translation follows for an ICC workflow when previewing to a monitor:
    Image Color Numbers > Document Tag or Workspace Profile > Monitor Profile
    For non-color managed applications, if the original document is or isn't tagged with a color profile it will be translated directly to the monitor profile anyway.  This is the equivalent in Photoshop of selecting "Monitor" in soft proofing.  Selecting monitor in softproofing will bypass the tagged or workspace profile to translate colors directly through the monitor profile.
    For most automatic color managed applications (like Firefox), the image will be translated through the tagged profile and then sent through the monitor profile.  If the image is untagged or the profile is unrecognized, the colors get sent directly to the monitor profile.
    For Photoshop, a tagged document will have its profile respected and then sent to the monitor.  An untagged document will be assigned the workspace profile, which acts like a temporary document profile, and then gets sent to the monitor.  This is often why users will notice Photoshop behaves differently from other applications.  It's usually a case of the workspace coming into play.  By default the workspace profile is set to sRGB.  You can change this in Edit > Color Settings.
    The purpose of the workspace is originally for printing workflows, as a way of keeping consistant color translations when dealing with both tagged and untagged documents.  For web output workflows it can be useful for viewing everything through sRGB, which is typical of the average monitor output (not so with newer wide-gamut monitors, another source of confusion...) combined with the fact that originally most web browsers were not color managed.  Hence viewing everything through sRGB is pretty close to what most monitors see and what untagged/unmanaged docs will look like.
    Monitor calibration is useful only because it brings your monitor output to a "known state".  In traditional workflows the monitor was always a middle-man, a preview device which was useful for getting an idea of what the printed output would look like before you print it.  Since print colorspaces are often smaller than display spaces, it's feasible and useful to narrow down the monitor/display space and calibrate it to a known state, so that even if it doesn't totally match the print, you'll get used to its differences/limitations and they'll be consistent so long as the calibration is maintained.
    For web output, your final output is often another user's computer monitor, which can have any form of behavior (most standard monitors are pretty close to sRGB, or use sRGB as an operating system workspace (default monitor profile).  Wide gamuts behave differently, but I'm not sure if there's a particular ICC space that they closely match, or if different wide-gamuts are even that close to each other in their display color spaces.
    Hope this helps!

  • ICC profile being stripped when pushing image to PS with PS Touch

    Hi guys, we are having some problems keeping the icc profile intact of the image files we are pushing from tablet to PS. They always appear in PS as untagged. This is a probelm for users who have highly claibbrated systems as the images appear very, very weird. Any ideas how to keep the profile intact?
    Cheers,
    Philip

    The most recent version I've seen was pretty clear in the documentation:
    "ICC profile, not implemented in this version of Photoshop"
    So the image you send needs to be sRGB
    Sandy

  • Converting image data to given ICC Profile?

    I am considering using a pro printer to print my photos. On their site they provide ICC profiles for there printer which I can use to soft proof.
    The site states
    "Our Fuji 570 printer does not read embedded profiles, so the image data must be converted. This changes the data in the file to compensate for how our lab's machine actually prints colors."
    Can anyone tell me how I should export from Aperture that converts the image rather than embedding the profile?
    BTW I have a calibrated monitor and I am processing RAW files from my 400D.
    Thanks.

    Can anyone tell me how I should export from Aperture
    that converts the image rather than embedding the
    profile?
    Make a new export preset that uses the provided ICC profile. Aperture will then convert to the chosen profile on export.
    Ian

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