Import Photoshop Spot channels as Overprint

Hi,
I've had a few issues with this recently, which has led me here... When you have a Photoshop file with a Spot channel, it works in Photoshop as expected...
The spot channel Overprints the rest of the image (well, the CMYK remains unchanged). This is accross the whole image, Solid areas and transparent areas.
But when it's imported into ID it knocks out all the areas which have transparency.
Could it remain Overprint by default, and it be up to me to mask the knock outs within Photoshop?
OR have a similar option to Object Layer Options which allows control over Photoshops Spot channels?
Asking for a bit much there?!
Cheers
Tom

You didn't use Pantone Solid, you most likely used Pantone+ Solid (which is a new book).
If you want to open that in Photoshop CS5, you'll need to copy the new book to CS5.
InDesign - they had several bugs relating to spot color channels, which they should be fixing.
But they too may need the new color book data.

Similar Messages

  • Photoshop CS6 - Spot channels are not saved correctly in the psd files.

    Hi,
    I'm using Photoshop CS6 and something happent a few days ago....some Windows or Adobe update messed up everything...I don't know...
    Here's how things are.
    If I add to an image a couple of new spot channels (any Pantone color) and remove the informations from the CMYK channels (or not-the problem it's there anyway), I should have an image with 6 color plates (CMYK and the 2 Pantone). It doesn't happened anymore...
    I'm using Corel to print the files and the previous saved files are fine, I have all the Spot colors there. Now, If I edit any file I've worked on before, and save it again, the spot colors dissapear when I'm importing the psd file in my Corel document. And if there is no information on the CMYK channels, I'm getting a blank image...
    I hope someone will give me some ideas because I don't know what to do anymore...
    Codrut

    Right. It's not reading these new saved files correctly. The old ones are fine.
    I forgot to mention one thing. I've got this CS6 as an upgrade and I still have the CS5 one running on the same computer. The CS5 version does the same thing...
    Today I tryed again to open a PSD (CS6) with another CS5 version from another computer and came with an error message "Could not complete your request because the specified color book cannot be found". And the file didn't opened....
    Who messed up my color book and how can I fix it?

  • Photoshop images with spot channels in Indesign CS6 (layout question)

    I've got an Indesign CS6 layout that will have a spot varnish when it goes to press. Right now I've got a layout with psd files that have spot channels in them that will be used for the spot varnish.
    My question is, in Indesign when I'm laying this out should I have one layer with all the psd artwork (with no spot channels) and then a layer on top of that with the psd files with the psd layers turned off with the spot channel showing? I want to make this easy to print in the office so by doing it this way I could just turn the spot layer off and print.
    Will this work for the printer?
    layer 1 psd files with no spot channels
    layer 2 psd files with photoshop layers turned off with the spot channel showing

    Besides the obvious extra work of tracking 2 images, there would be potential problems if the images needs to be scaled and moved, and you would have to assume people downstream would know what's going on—should the layer be on or off?
    I would double check with the current printer—they should know the only way to view a spot is via Sep or Output preview by turning CMYK off—magenta could just as easily be process as  spot.
    Take a closer look at the Alias method. Here it is with your magenta defined SPOT VARNISH.
    With SPOT VARNISH set as No Alias in Ink Manager and with Overprint turned on:
    And with an additional spot color defined as white named CLEAR VARNISH. When you need to print in house alias SPOT VARNISH to CLEAR VARNISH and check Simulate Overprint in the Print dialog. You can get to Ink Manger via the Print>Output dialog or Swatches panel:
    All you have to do is delete the CLEAR VARNISH before sending the job to the printer or exporting

  • Spot Channels in CS6 wont import into Indesign and Incompatable with CS5

    File imports into Indesign but without spot channels.
    File will not open in Photoshop CS5
    By changing the spot color to Pantone Solid and resaving, I was able to open in Photoshop CS5, however the channel still did not import into Indesign CS5.
    I resaved the file from CS5 and the file imported correctly into Indesign.
    Windows 7 Home Premium 32
    AMD Phenom 9850 Quad-Core 2.5GHz
    4Gb RAM

    You didn't use Pantone Solid, you most likely used Pantone+ Solid (which is a new book).
    If you want to open that in Photoshop CS5, you'll need to copy the new book to CS5.
    InDesign - they had several bugs relating to spot color channels, which they should be fixing.
    But they too may need the new color book data.

  • Problem with spot channels when importing PSD into AI CS3

    tried the Windows forum, and adobe tech support in The Netherlands. Hopefully someone here can help.
    b Problem description:
    I make spot colour separations of full colour artwork by using the index separation method in Photoshop. This creates several spot color channels in my PSD file.
    Normally I just place this PSD file in Illustrator CS2, and when I embed the file Illustrator makes objects of the spot channels. I can change the colors of these objects and delete them etc.
    Now with Illustrator CS3 when I import and embed a PSD file it just creates one object called "Spot Color Image". I can no longer adjust or delete separate spot channels.
    Maybe there is another way to achieving this but I cannot find it myself. Without this method Illustrator CS3 has become useless for me.

    Hi again, I did the same, and I see what you mean. The original image is an image, the channels are separate objects for me, but the original image isn't different channels.
    I found this in the Help file:
    Spot colors (up to 31 spot channels per file) import as a single N‑Channel raster image, which is placed over the process color image. The spot colors are added to the swatches panel as custom colors with the same name as in Photoshop. Imported spot colors separate correctly.
    Will think some more. Not sure what to suggest. Someone must have an answer to help you.

  • Import PDF with spot channels

    Is there a way to import a pdf with spot colors into photoshop, so that a spot channel is made for each spot color? (Instead of converting them to cmyk)
    Maybe if I could find a way to export every spot color from the 'output preview' as a different pdf, then it would be possible by manually importing them into photoshop. And I guess that would be scriptable.
    Any suggestions?
    Thanks!

    Images with spot colors created by Photoshop and saved as PSD, reopen in Photoshop without problem.
    If you have an existing PDF file that you need to edit, go back to the original design file in the original design program to manipulate the separate inks/channels.

  • How do I import photoshop channels as layers in Illustrator CS4?

    I recently upgraded from CS2 to CS4, and now I cannot view individual channels as layers in my Illustrator layers menu. I want to be able to select one of a number of channels created in photoshop, and change the color without having to do so in Photoshop and re-import into Illustrator. Right now the imported, and embedded, photoshop image displays the original layer and a "Spot Channel" layer, but the spot channel layer cannot be broken down into each seperate spot channel that I had created in Photoshop. Is this a setting I need to change in Photoshop or Illustrator?

    Save each channel out of Photoshop as a greyscale tiff. Embed each into Illy in the usual way, then colour them as you wish. Set their transparency to multiply and you can put one on top of the other to get a composite using true or false colours.
    A word of warning: Some rips may have difficulty if you use this method. At any rate if you DO use it you should definitely flatten transparency before making your pdf.

  • Photoshop CS6 spot channel problems

    When I save a file created in Photoshop CS6 that has SPOT color channels it is converting the SPOT color channels to ALPHA channels when my customers are opening them into an older version of Photoshop.  This has never been a problem with earlier versions of Photoshop.
    Has anyone else had this problem and is there a solution?
    I don't know if it is a bug in CS6 or it is a setting or something I am not finding. I have never had to set anything before this version and I have been through anything I could think of to try & discover something, but no luck.
    Any help would be really appreciated as this can't keep happening.  I have had to be on the phone walking them through the steps to convert the ALPHA channels back to SPOT channels but do not have the time nor should I expect my customer to have to do it.
    Running Windows 7
    Help please!- Thank you

    I'm having the same issues and it seems this just started happening after the most recent update because this wasn't happening for the last couple months I've had CS6. Not only that I actually lost 4 hours of work after it didn't save the spot channels at all and just saved the original image (it's technically supposed to be impossible to do this without making a copy). On top of that now when my clients try to open my PSD files in previous versions it says they do not have the correct color books even though I'm not using spot colors (this did not happen before the update. I've sent several files in the past couple weeks). I'm not sure what they did recently but it really screwed things up.
    I'd like to know if anyone has a work around for the color book problem short of asking my clients to buy and install the new color books. I'm having to send the spots as EPS DCS files, so they can open it. It's always a headache when you upgrade and none of your clients do. Why can't they make this stuff work backwards?

  • Spot Channels & Smart Objects in Photoshop CS4

    Please Help!
    I am trying to replace a smart object in Photoshop CS4 with a .psd, pdf or tiff image that contains a spot channel and it is not being honored in Photoshop
    The Channel tab does not honor the "Spot Channel" from the replaced Smart Object image.
    Question is: How can I replace a Smart Object and hold the spot channel?
    Thank you

    I don't believe spot channels transfer from smart objects but there is a workaround.
    1. Select Smart Object Layer. Layer: Smart Objects: New Smart Object Via Copy
    2. Open the new smart object
    3. Load spot channel as a selection.
    4. Layer: New Fill Layer: Solid color.
    5. Hide or delete all other layers.
    6. Save and return to parent document
    7. Load the smart object layer as a selection and hide the layer
    8. Invert selection, save selection
    9. Change the new alpha to the appropriate spot color channel
    Let me know if that doesn't work.

  • Why won't Photoshop save Spot Channels?

    Okay so I've always had this issue.  I have some of my files as Spot Channels, some as Alpha, I save it, but I go to close it says the file isn't saved correctly.  If I save over it, it's fine when I open it back up, if I don't then the Alpha Channels are there but the Spot aren't.  I've mostly just dealt with this because it always asks and I couldn't find a quick solution.  I've recently upgraded to CC and the other day it didn't ask, which fortunately I was able to fix the file but was still a pain.  So now I'm worried about losing part of my files.  Why does it do that?  How can I fix it?  I'd rather not have to convert back to Alpha Channels if I don't have to.  I am running Yosemite, but it's done that for years.  Thanks.

    Oh and Spot Channels IS checked when I hit Save As. 

  • CS5 Misinterprets Layered PSDs with Spot Channels

    I haven't seen this mentioned yet; if you routinely use layered Photoshop files with spot channels, and might be opening older files into CS5 be warned that CS5 appears to misinterpret the tonal values in the spot channels of these documents.
    Steps to reproduce:
    Create a layered CMYK PSD file with one or more spot channels, and make sure that this file contains halftones on the spot channel(s), not all solid coverage.
    Flatten the image and save a copy.
    Place both images into Illustrator CS5. Notice that the spot channel(s) in the layered version appears much lighter than the flattened version (which matches the original image), and will output lighter as well.The CMYK channels display and output correctly.
    Repeat the test with CS4. Both versions of the image will place and output identically from Illustrator.
    Not sure what's going on here, but the only workaround I can find is to flatten the image. This could prove very dangerous when opening CS4 files that were set up this way into CS5, especially if the user is not familiar with how the file is supposed to look (prepress operators, etc.).
    [Tested using CS5 and CS4, Mac OS X 10.6.x and Windows Vista.]
    Additional info 3:39pm: if you start with a flattened image and add layers, retaining the Background layer, this issue does not occur. It is only if the PSD is "fully layered" with no flattened Background layer.

    I don't actually see this but you
    mention this happens with older files and I do not have any older files
    like this so I really can't say.
    No, this is with new documents created in CS5 as well. I referred to older files as they are my biggest concern -- if an older file was set up like this, with layered images containing spot channels, they are going to open and output different from CS5. And the likelihood of this going through to production without being caught is not insignificant. (These could be older files we have on backup that we're processing for a reorder, or from a customer who is using an older version of Illustrator...)
    But I do like the idea that when you import a
    photoshop with spot channels in CS 5 the spot channels are treated as
    separate objects in the layers panel, rather than one collective object
    like in CS 4. And that the spot color is properly set to multiply.
    That is actually pretty neat, I hadn't noticed that (since we always link our images, rarely do we embed them). I'm not sure that Multiply mode shouled change the image data like this, and I'm also not sure how the file is handled by AI when it's linked... so I grabbed our film exposure bar and brought it into CS5 four ways (embedded / layered, embedded / flat, linked / layered and linked / flat) to test all variations.
    The results are the same no matter how the file is placed; the spot content in the layered file is lighter across the board than the file, and the flattened version is correct.
    (The forum resricts the size of attached images, and the resized image of the full test is a little difficult to see. I posted a second one below that, which is a close-up of a layered and flattened image showing the differences in the spot color data -- the lighter one is from the layered file, and is significantly altered from the original file.)

  • Spot channels transparent in Illustrator

    Why do spot channels appear to have transparency, or at least a layer blend, when placed in illustrator? I even made sure that the solidity is set to 100%.
    Picture 1 is in Photoshop showing how the graphic looks to be opaque.
    Picture 2 is from Illustrator showing how the placed graphic looks over some Illustrator [vector] art.
    Any thoughts?

    Solidity only affects Photoshop’s preview and has nothing to do with actually knocking out the process-colours.
    That could be done manually, especially as one might have to consider trapping.
    It’s not transparency in such a case, but overprinting – transparencies apply to layers/objects, not channels.

  • Automation plugin: how to select a spot channel when 2 channels have the same name?

    I have a CMYK document opened in photoshop. In "CHANNELS" panel, I just added 2 spot colors with the same name "Sport Color 1".
    As I click any of the spot channel to select it, the "Listener" plugin will output some c++ code like below:
    SPErr PlayeventSelect(/*your parameters go here*/void)
         PIActionDescriptor result = NULL;
         DescriptorTypeID runtimeKeyID;
         DescriptorTypeID runtimeTypeID;
         DescriptorTypeID runtimeObjID;
         DescriptorTypeID runtimeEnumID;
         DescriptorTypeID runtimeClassID;
         DescriptorTypeID runtimePropID;
         DescriptorTypeID runtimeUnitID;
         SPErr error = kSPNoError;
         // Move this to the top of the routine!
         PIActionDescriptor desc0000000000003980 = NULL;
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              // Move this to the top of the routine!
              PIActionReference ref0000000000001A48 = NULL;
              error = sPSActionReference->Make(&ref0000000000001A48);
              if (error) goto returnError;
              error = sPSActionReference->PutName(ref0000000000001A48, classChannel, "Spot Color 1");
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         if (error) goto returnError;
         error = sPSActionControl->Play(&result, eventSelect, desc0000000000003980, plugInDialogSilent);
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         if (ref0000000000001A48 != NULL) sPSActionReference->Free(ref0000000000001A48);
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    You can see "PutName" add the channel name "Spot Color 1" to reference, and I think it will not work correctly if I add such code to my project since PS cannot differentiate the 2 channels only by name. Can anyone tell me if there's any other method for selecting spot channel? Thanks in advance.

    Hi
    Here is the something from docs tht you may find usefull.
    Tryusing index instead of name:
    SPAPI OSErr(*
    PutIndex )(PIActionReference ref, DescriptorClassIDdesiredClass, uint32 value)
    Puts an index into a reference (formIndex) along with the desired class for the reference.
    Unfortunately I dont have C++ here to try i just used definition from docs.
    Hope that this help.
    Regards,
    Momir Zecevic
    Ars Media
    www.arsmedia.tv

  • Spot Channels in DCS 2.0

    OK, my question is this: Why are we still using DCS? And my Illustrator STILL doesn't recognize Spot channel PSD files.. forcing me to use DCS.. grumble
    actually, my real question is- I've been having issues lately with random files separated into spot channels in Photoshop, saved as DCS2.0 EPS and then linked to in Illustrator (to add vector artwork and custom crops etc.), then printed to pdf in order to view and print out each plate individually- Whatever channel happens to be in the last position (bottom of the stack, the one on top if you will, in Photoshop) will not show up as having anything there. The vector data in that same color shows, but not the data from the DCS2.0. My current workaround for this is to make a blank spot channel in the last position.
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    Back in the day (last year) Illy and Photoshop would play nicely together when it came to spot channel psds, regardless of color type (RGB vs CMYK). I could even have the original file the seps were created from in the CMYK and all would be perfect: small files, native resolution data easy and fast rendering in Illy-- then one day it jsut stopped working that way. now all files that were paired like that give me the error 'The file is not readable.'
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