Import Still images into CS5.5.2 Premier Pro from a Sony camcorder HXR-NX30P

Any recommendations to easily Import stills from this Sony HXR-NX30P to Premiere Pro Cs5.5.2 ?

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Can't import still images into a project or create a podcast track

I'd be grateful if anyone can explain why I can't import still images onto a track like you can easily do in garage band - in garage band you simply create a podcast track, then drag your photos onto it. However in logic, when I open the media browser i can get a photo folder up but it will not allow me to even look at the contents.
Also, why is it that the manual for logic express has nothing about how to import a movie to produce a movie score - and yet garage band can even do this.
Thanks for any advice.

Have you tried "Working with Video" section of the manual? It's somewhere close to the end...
Logic works with audio, not images. That's why you can't import a photo, because media browser is used to locate audio files, mostly. And sometimes video.
I guess it works this way, you create a podcast with Logic, bounce it to mp3 or another compressed format. Then import it into GB and insert a photo.

Importing still images into FCP

I just spent about an hour resizing a bunch of pictures in iPhoto to the 4x3 DVD setting. I imported well over a 100 photos into FCP and the first picture I dragged to the timeline was super big!!!! How in the world did that happen if I cropped the picture down to a 4:3 image? So now it looks like I have to go and resize all these pics all over again but inside FCP! This is crazy!

If I do in FCP, how do I accomplish 2 things:
1. Reduce an original that is 3072 x 2304 to a size that won't require an eternity for FCP to render?
2. To change the Pixel Aspect from square to rectangular so the image doesn't have pixelation (particular with hair and the like)?
Or should I do this in Motion? I was really hoping to learn how to do this in GIMP. Perhaps GraphicConverter (or some other program like Pixelmator).

Premiere Pro CS5 won't import still images correctly

I've about had it with this pile of ****.
Brand new install of Premiere Pro CS5. When attempting to import still images, random images will show up as other images. i.e. in Windows, I'll have the following:
one.jpg (shows up at one.jpg)
two.jpg (shows up at two.jpg)
three.jpg (shows up at three.jpg)
Once I import them into PPro, I get this:
one.jpg (shows up at one.jpg)
two.jpg (shows up at two.jpg)
three.jpg (shows up at one.jpg) <-----
In other words, three.jpg is named three.jpg in PPro, but when I bring it into a sequence, or view it, it displays the image from one.jpg
I've tried clearing the media cache, renaming the images, moving them to different directories/drives. Any suggestions? Or should I just get my money back ffs. Thanks for any help.
-Eric

You've stumbled onto a bug.
Here's the interim fix.
Imported Image Links Problem
And here

Large Still Images into PE - One Workflow

Everyone wants the highest quality that they can obtain when doing their videos. It’s natural to want the best. Well, when dealing with still images, bigger is not necessarily better, for two reasons. First, overly large still images can really tax a system and second, one is limited to the frame size of the video, so these have to be resized somewhere - this resizing can be in the NLE (Non Linear Editor) program, or in an image processing program like PS (Photoshop), which does a better job anyway. Doing this in PS, or PSE, will result in better resized images, and they are easier for the NLE to work with. Quality is as high as your Project’s Preset will allow, and you are more efficient, with fewer crashes, slowdowns and hangs. It is a win-win situation.
Here is my normal workflow when dealing with still images. This workflow is for NTSC 4:3 720x480 with a PAR (Pixel Aspect Ratio) of 0.9. If your Project’s Presets are different, use those specs to resize to.
Since I shoot my still images in RAW, I Copy my files from the CF card to my system and catalog these images by location, subject and date (if necessary). I’ll do a quick conversion and Save_As Adobe DNG for backup. I then process these RAW images in PS with the ARC (Adobe Raw Converter), correcting them and then doing a Save_As PSD into a sub-folder. All of this is in my still photo library.
Normally, I will edit these PSD’s to find the images that I wish to use in a Video Project, and will Copy the selected images to another folder. You’ll see that I work with a lot of Copies, so my original files are always untouched and stored elsewhere. This guards against anything happening to them.
At this point, I’ll decide how I wish to use these selected images in my Video Project. Let’s just say that they are all horizontal images, and are still full-size from my camera. As stated, my Video Projects are DV-NTSC 4:3 720x480 PAR 0.9. [Remember, your Video Project may vary, so you will need to plug in the dimensions for YOUR Video Project in that case.] I also will have done my Cropping on each image individually, to get them to 4:3 Aspect Ratio. I do this my eye and by hand, rather than via an Action, because I want full aesthetic control.
In PS, I have a set of Actions for Video. An Action is like a Script, but less powerful and less involved in the writing. As I have already done all of my image enhancements and additional processing before I did my Copy to the selected folder, I only have to worry about my Action resizing these selected images for use in my Video Project. My Action here is to resize to 720x480 with a PAR of 0.9, and I normally use the Action that does this with a particular resizing algorithm, Bicubic-Smoother (though I also use Bicubic-Sharper on occasion).
For the next step, I go to my folder structure (remember, this folder contains copies of my selected still images in PSD format), and create a new sub-folder "[Project Name]_720x480." Back in PS, I choose File>Automate>Batch. Here I set my Source Folder, my Destination folder and the Action to perform. In my case, it’ll be the Destination Folder, that I just created, [Project Name]_720x480, and my Action will be my NTSC 4:3 720x480 Smooth. I check to have the Open command by-passed, because I do not need to see this take place on my monitor. When I hit OK, PS grabs all files in my Source Folder, runs the commands of my Action and does a Save_As for all files into my Destination Folder. I can process hundreds of large images down to a great 720x480 PAR 0.9 via Bicubic-Smoother interpolation, in moments. Now, I’m ready to go. Last, I Copy my Destination Folder to my Video Project’s folder hierarchy (usually on another HDD), and then Import these processed stills into my NLE.
What if I need to pan on one, or more of these images, while they are zoomed out completely? I don’t have enough pixels in my horizontal dimension to do this. I am just filling the frame with my still. Well, if I find that there are such images, I go back to my folder with the full sized images in my still images library, and select the ones that need to be larger. I run another Action on these, but it’s one that resizes to something larger than 720x480, say 1000x750. Now, I have another Destination Folder with the name [File Name]_1000x750. I’ll Copy this over to my Video Project, and Import these into the NLE. Here, I can go to Project Panel and remove the 720x480 versions if I so choose, but since a Premiere Project file (.PRPROJ or .PREL) is only an XML database, I may just leave them. It does not contain any media files, just links to where they are on the system and to what operations are performed on them.
By doing my resizing in PS, rather than in Premiere, I have accomplished two things:
1.) I have better quality resized images, using the algorithms in PS, plus have a choice of several interpolation methods to work with.
2.) I have lessened the processing load on my NLE and on my system, while doing the editing
I get higher quality and lower resource overhead - hence my reference to "win-win."
Now, back to my aesthetic control. I do not do any automatic zooming or panning. If one allows the NLE to do this, then they will want to probably process all of their images to 1000x750 (remember, this is for an NTSC 4:3 Project, so you will need to calculate what YOUR Project will require).
The two programs that I use are Photoshop and Premiere Pro, but Photoshop Elements can do the same things, though the exact commands might be different. Premiere Elements will handle the resized still images, just like Premiere Pro and the only difference will be the terminology used when one wishes to Import the still images.
I also keep all of my images in .PSD (the native format of PS), and do not convert to JPEG, or other. If one’s camera shoots only JPEG, I suggest writing the Action to do the Save_As to .PSD, as another JPEG compression will cost one quality. Yes, the JPEG’s will be smaller, but remember we are looking for the ultimate quality, so larger file sizes are just part of that equation.
One does not have to deal with all of the Copies, as I do. However, this allows me to go back to the originals, or to the processed full-sized .PSD’s at any step along the way. There is only one thing worse than not being able to go back to an intermediate version with full Layers and Adjustment Layers, plus any Alpha Channels, and that is finding out that you’ve lost your original RAW and DNG backups! That’s why I do a lot of Save_As and also work from Copies all along the way.
Hunt

Your workflow looks good. I do similar, but use PS, in lieu of LightRoom. I also do DNG's for my archives.
Provided that one chooses a JPEG compression algorithm setting that does not do too much compression, I doubt that anyone, but the most very critical, could tell the difference in Video. Most of my tests on PSD vs JPEG have been for print. There, one can more easily detect the differences. Video "hides" some of that.
To date, I have not had a Project where the Asset size differences between equally sized PSD's vs JPEG's caused any slowdown, or problem. There could be a resources savings with the smaller JPEG files, but there is a tiny bit of overhead dealing with the JPEG compression. I have never tested this, so can only guess that the smaller Asset size of the JPEG would trump that overhead - just a guess on my part.
For me, keeping the images in PSD does save a tiny bit of work in my Action (basically one less operation to perform), but I doubt that one could measure that time difference, even over the automation of hundreds of images. Besides, it's only one additional line in the Action. My feelings on JPEG vs PSD is firmly based in my print experience, and I am probably being too critical with images going to video. When I move up to HD and BD authoring, I need to apply a very critical eye, to see if I can tell the differences on an HD TV. So long as one does not apply too much JPEG compression, the differences should be very slight, at the worst, and maybe not even noticed, at best.
I do minimize the impact of many files on my Project by sizing to what I need. If I will not be doing any pans on zoomed-out images, I size to my Project. For pans on zoomed-out images, I calculate just what I will need for those pans, and might end up with several groups of sizes, to accommodate each. Still, the vast majority will be sized to exactly what I need for the Project - very few extra pixels.
In my case, and yours too, I have my RAW, my DNG, my working Layered PSD's, and then my sized output. I always keep all working PSD's, as I might change my mind, or my client might change theirs, and I do not want to have to go back and redo work, if I still have those working files. I also do as little destructive editing, as I can, using Dupe Layers, and Adjustment Layers, whenever possible. If I can, I never Flatten, or Merge Layers, so I can make any/all changes at any time, and only have to do the resizing via the same Actions. That is basically a "one-button" solution, once I have made the changes required.
Good luck,
Hunt

I imported 635 images into an iPhoto album so that I can share them via a photo-stream. However, iPhoto says there are only 600. When I try to add the missing images it says they are already there. Why can i not see these images in iPhoto?

I imported 635 images into an iPhoto album so that I can share them via a photo-stream. However, iPhoto says there are only 600. When I try to add the missing images it says they are already there. Why can i not see these images in iPhoto?

Generally I would not use Facebook for sharing any photos, it compresses the photos substantially, and when you have shadows and dark colours you get visible "bands" where there should be subtle gradients, ie at sunsets and sunrises.
It sounds like you are using two methods to upload to Facebook:
1. Sharing from within Aperture, which basically syncs Facebook with your Aperture album, so any changes made at either end gets synced, hence the deletions from Albums, although the original file should still be in your library, just removed rom the album. It is like a playlist in iTunes.
2. Exporting pics and uploading to Facebook from the browser.
I am not sure how method 1 gets compressed, but I know that uploading hi-res jpegs to Facebook using method 2 results in poor quality images.
I wouldn't even bother comparing option 1 or 2, and they will both be poor images once you view them on Facebook, as opposed to viewing uploaded images on proper image sharing / hosting sites.
Your problem is not with Aperture, it is using Facebook for showing your work.
If you export pics form Aperture at high res jpegs or TIFFs your images will be fine.
If you insist to use Facebook as your way to share your work, then your workflow should be this:
1. Right click images you want to share.
2. Select Export version.
3. Export as 100% size and ensure the export settings are set at 100% quality.
4. Upload this pic into Facebook.
This will get you the best image size and resolution on Facebook.
See how you go.

Order of Imported Still Image

Hi
When I import a series of still images into imovie, the order is back to front ie. 25-1, how can i set it so they are in the right order ie. 1-25
Thanks

OK, another idea:
Did you select them by clicking on the first and shift-click on the last?
How about reversing the order: Click on the last and shift-click on the first.

Animation. How do I import still images in final cut pro x (from dragon frame) duration 3 frames pr. image?

Animation. How do I import still images in final cut pro x (from dragon frame) duration 3 frames pr. image? We have allready tried to set stillimages duration in preferences to 0,08 sek, but it does not have any effect!

You can drag your images to the timeline, select all, ctrl-d and set the duration to 3 frames by typing 3 and enter.
Or you can use Quicktime 7 to "open image sequence", select the desired duration, export your animation to quicktime and import that into FCP X for further editing.

Combine multiple still images into one clip PE 10

Is it possible to combine mulitple still images into a single clip? For example, I have 50 still images in a video track, each of which is a clip, and I want to combine them into single clip out of them so I can adjust the opacity without having to adjust each of the 50 clips individually. Any information is welcome. Thanks.

Mark,
I had done this but I was hoping there was an easier way to do it within PE, without having to export as a video file and then importing that video file.
One has to think about what PrE is doing with the Timeline, to understand why the Export/Share is necessary to get Stills/Clips to become one file. PrE is a non-destructive editor, in that it does not actually work with the Source Footage/Files, but only extracts data from them. What we see on the Timeline is really a proxy file, representing the edits that we are making. It is stored as XML language, with first links to the Source Files, and then a set of instructions on what we have done with that data. Since the Timeline is but a representation, of what we have done, there is no AV file - yet. That does not come about, until we Export/Share. At that point, PrE looks at the Project file (PREL), and notes exactly what data is required from the Source Files. The program then reads that information, and say gathers the data of Clip # 1 from 00;00;00;00 until 00;05;00;00, for use in the output file. It then moves to say Clip 2, and extracts the data needed there. Finally, the program processes that data, say adding Effects, and then Exports/Shares to a new file - creating that from the data, and the instructions. Still, the originals are not changed in any way - they are untouched, and only read from.
For instance, say we have a 20 min. Source Clip, and cut it into 30 tiny segments, "deleting" material between those. We have not really Cut that Source Clip, and we have not really deleted anything - only in our proxy file, and with the instructions in the PREL. It is the same with Still Images. We see them as separate Clips, with the Duration that we have set, and perhaps any animation that we have added via Keyframing the Fixed Effects>Motion>Scale (Zoom), and Motion>Position (Pan), but other than seeing those changes in the proxy file, used only for display of the Timeline and playback, nothing has been done yet. Then, upon Export/Share, when the output file is created, those changes are enacted on it.
Good luck,
Hunt

Cannot import still image: jpeg/tiff/png/gif/ai/psd

Hello all:
I'm running into a strange error. No matter what size image I try, I cannot seem to import a still image into Adoe Premiere Pro cs4 running on Mac OSX 10.6.2
The error I receive is a "File Import Error: File Video Dimensions width/height too large."
I've tried the following to isolate why Premiere is returning this error:
- importing images at different sizes: 100x200, 1000x2000 etc
- saving the image as different file formats: jpeg, tiff, gif, png etc
- importing it as an illustrator file
- importing it as a Photoshop file
None of that worked. I'm at my wit's end and I can't seem to find anybody that has experienced this error before.

Here are some threads to check:
http://forums.adobe.com/thread/387776
http://forums.adobe.com/thread/480381
http://forums.adobe.com/thread/387156
http://forums.adobe.com/thread/443138
IIRC, the third one is for the Mac, but might be useful info in all.
Good luck,
Hunt
PS - welcome to the forum

Importing reference images into a premiere linked sequence

I'm trying to import some still images into a project for color matching... is there a way to do that directly in speedgrade or do they first have to be imported into the premiere project?

Not really in my experience ... except that it's oft easier if they're as big or bigger than your frame-size, and if they're from a stills camera they will almost always have at some point been bigger than either biggie HD (1920x1080) or standard HD (1280x720). If you're just using those snapshots for scene matching ... color grading to match them ... pretty much anything around the framesize works fine if it's in a format Sg accepts.
But yes ... always test ... always test every step you're thinking of trying ... as the one time you don't something is gonna bite your backside ...
Neil

Imovie imports different image into project

I'm trying to create a slideshow using only jpg images. Sometimes (now frequently) when I drag a picture into the slideshow from iphoto, desktop, Adobe Bridge, or even straight out of downloads, the image that actually shows up in imovie is a previously used picture. Sometimes the correct image shows up in the strip, but a different photo shows up in the preview window.
I spent several hours at the Genius Bar yesterday and we dumped a plist and rebuilt the entire iphoto library.
I've got to say that after having imovie closed all night, I reopened it this morning and was able to import correct images into the correct positions on my project, but then it started acting up again (after I cancelled my Genius bar appointment for today!), and is again putting different pictures into the project than I am actually trying to put into the project.
I litterally just need to get about 5 more images into the project!
Please help
Using imovie 11 and OSx 10.7.5
Thanks in advance

I didn't film the video, so I'm not sure what kind of camera was used.
Here is a screenshot of the Quicktime Inspector:
And here is a bit more information about my situation: The video plays fine off of the thumb drive it was given to me on, and it plays fine off of my hard drive. But when I import the video into iMovie, all I see is the one still video shot while the audio plays beneath it. I've tried this on two different computers and on both of them, the video is frozen once it's imported into iMovie.
Bizarre.
I appreciate your help!

Still images into a project

Hello.
I am working on an SD NTSC-Anamorphic project and want to bring some still images into the project. The images were shot with a Canon 350D (Rebel XT) in Raw format and currently are in TIFF format as converted by Aperture. When I import the images I am finding a noticable degredation in quality when comparing the images in "Preview" to the Viewer to the Canvas. Once the images are in the timeline and I look at them on the canvas they look alot fuzzier.
Should I be using a different file format? Is there a setting I've overlooked somewhere?
Thanks for any and all suggestions...

Hi,
I have read the comments above and all are valid but they do not look to me to answer your core question.
I had been asking the same question on forums for a long time and had similar responses and finally fixed the issue by purchasing a Photoshop book called WOW.
One of the earlier comments really hits the nail on the head but does not seem to offer the fix (I'm not trying to be critical here because all information does help).
First of all you need to reduce the size of the file for video - this is, in my experience best done in Photoshop not FCP (Photoshop WOW book comes with DVD and automatic actions to do this).
I call this the 'resize' step and put all my photos through this stage first (it does help to have an action for landscape and one for portrait to ensure that they are kept separate for the next step).
Then you need to 'rescale' the image to the size of your project in FCP (I assume that you are using widescreen as I do). To do this you need to create a blank document in widescreen format and then drop or drag your resized photo into the widescreen format and it will take on the same format as the blank widescreen document. Get rid of any layers and save the document in TIFF or JPEG it is up to you - you can keep the layers if you want to but you need to be aware of the issues of layers being imported into FCP.
I felt like I had found my fountain of youth when I sorted this out properly (the stress was definitely make me age).
Some comments suggest that the latest FCP does a better job of compressing the photos than the older versions but I wouldn't know as I use FCP 4.5HD and this may be so. However, it is commonly accepted, I believe, that formating the photo in photoshop is the better option.
It fixed all my headaches at least because I wanted the flexibility of FCP with photos just as you do.
Good luck and no intention to dislocate any noses out there, the willingness of people helping to provide assistance out there is fantastic.
Lee

Importing Still Images - Stuck on one step

I've never imported a still image into FCP before but I'm following some Ken Stone articles on doing it but I'm stuck on one bit.
I've pasted in the directions below and its the third one, "paste in photgraphs". I've never used Photoshop (im using elements) and I just can't paste in the photo i want to use. The 'copy' and 'paste' options are greyed out so i really don't know how to progress. Any help would be apreciated.
1) From PhotoShop File menu > new.
2) Set Width to 720 pixels, Height to 540 Pixels, Resolution to 72 dpi, Color Mode to RGB, and Contents to White or choose a Background Color.
3) Create your artwork, set text, paste in photographs. When done with your art work Save this image and give it name like "Image Name 540".
4) File menu > Image > Image size
5) In the Image Size dialog box FIRST uncheck the 'Constrain Proportions' box.
6) In the Pixel Dimension section, top the dialog box, change your Height setting from 540 to 480. Leave the Width setting at 720.
7) Click Okay.
If you look at your image you see that it is now distorted, flatten down. Don't panic, this is the conversion process and when the square pixels get converted to rectangular pixels in NTSC your image will once again look correct.
8) Do a 'Save As', Photoshop format (.psd) and name the file "Image Name 480".
9) Import into FCP and render. You will see that your image on NTSC once again has it's proper proportions.

Not quite sure I follow you. You're having problems in Photoshop?
You must open the photo as a separate file in photoshop. Just find the image you want to use, control/right click on it and choose open with>photoshop.
When this image is open, you can click-hold-and-drag it across to your main image canvas.

Importing still images from the Finder?

Can you do this in iMovie '11, or do you have to go through the extra step of bringing the still images into iPhoto first? Images are in .JPG format. I could find no "images" option in iMovie's File menu > Import. I looked in iMovie help, but it oddly found no entries for "importing."

Hi
I do
- collect photos in a folder dedicated to the movie project (e.g. date and name + movie project)
- they are all in .jpg format (or converted to this) - NO .bmp etc as this give BAD result
From this folder I drag and drop my photos into my Movie project - I prefer to have it in a TimeLine like view (not wrapped with several lines of thumbnails)
Yours Bengt W

Import Still images into CS5.5.2 Premier Pro from a Sony camcorder HXR-NX30P

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