Importing AVCHD Files From a Panasonic HDC-HS9 Camcorder

I have FCE 4.0 and iMovie '08. When I try to import from my Panasonic camcorder, I get the thumbnail, but when I try to import the video file, both programs crash. I have used VoltaicHD successsfully, but I would like to avoid the intermediate step if possible. Does anyone have any experience with this camera. I have tried different camera resolutions, all with the same negative result.
Jim

After searching the internet I ended up buying VoltaicHD for $30 by downloading it from the "Shedworx" website. The way it works is: you attach the HDC-SD9 to your MAC with the supplied USB cable. The HDD and SD card will show up on your desktop. If you open each one, you'll find a file called "Stream" which will contain all of your video clips. Drag and drop each file to the Voltaic window and start the decompression process by simply hitting start. Tell Voltaic where you want the files to be stored on your computer and then be very patient, because the process can take a long time. But it does work. The MTS files in your camera are converted to Quicktime files which can be imported to Final Cut or iMovie. It's time consuming, but you do get HD files out of the process, although the audio is only stereo and not 5.1 surround sound.

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After searching the internet I ended up buying VoltaicHD for $30 by downloading it from the "Shedworx" website. The way it works is: you attach the HDC-SD9 to your MAC with the supplied USB cable. The HDD and SD card will show up on your desktop. If you open each one, you'll find a file called "Stream" which will contain all of your video clips. Drag and drop each file to the Voltaic window and start the decompression process by simply hitting start. Tell Voltaic where you want the files to be stored on your computer and then be very patient, because the process can take a long time. But it does work. The MTS files in your camera are converted to Quicktime files which can be imported to Final Cut or iMovie. It's time consuming, but you do get HD files out of the process, although the audio is only stereo and not 5.1 surround sound.

I can no longer import raw files from my Panasonic Lumix LX5 into Aperture 3.3.2 - raw files from my other Canon cameras are fine. Am still running Lion - NOT Mountain Lion. Tried all available software updates - no joy. Any ideas please?

I can no longer import raw files from my Panasonic Lumix LX5 into Aperture 3.3.2 - raw files from my other Canon cameras are fine. Am still running Lion (10.7.4) - NOT Mountain Lion. Tried all available software updates - all up to date apparently but still no joy. OS X Lion shows the LX5 as a supported file format. I dont want to have to upgrade to Mountain Lion just to see if this solves the problem. Any ideas please.

Since when did this happen? Directly after you upgraded to Aperture 3.3.2?
If it happened directly after the upgrade the problem may be, that the raw support for your camera got lost. For some posters it helped to register the raw support again, see this post by Alan Roseman:
Aperture 3 preview of raw file greenish
If this does not help, you may need to reinstall Lion to bring back the raw support.
But if the problem occured independent of a new installation, ypu may have a problem with your camera or the card you are using. Have you tried to use a different card or to reformat the card in the camera?

HT4757 I want to import RAW files from my Panasonic Lumix GH3. Is there an Apple update for this?

I have a Macbook Pro with 10.6.8 OS X & iPhoto 09. I want to import RAW files from my Panasonic Lumix GH3. Is there an Apple update for this?

Hello tadgv,
Mavericks, which is a free upgrade, supports your camera's RAW format.
OS X Mavericks: Supported digital camera RAW formats
http://support.apple.com/kb/HT5955
OS X Mavericks
https://itunes.apple.com/us/app/os-x-mavericks/id675248567?mt=12
Cheers,
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Does FCP7 directly imports AVCHD files from sony cam?

Does the new FCP 7.0 directly imports AVCHD files from sony cam?
Does it need any conversion? If yes, how is the conversion time, and does the conversion degrades image quality?
Thanks in advance.
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Which sony camera? there are a lot.
Yes, it needs to convert. AVCHD isn't a format that most editing systems deal with natively. You will be converting it to ProRes. The conversion time is dependent on too many factors to give a precise number. Based on computer used, processors, RAM, how much footage, where it will be stored...all of that. The conversion doesn't degrade the image.
Here...I have a workflow tutorial for this: Tapeless Workflow for FCP 7 Tutorial
Shane

Difficulty import/export AVCHD files from a Panasonic SD-900 camera

Hi there,
I'm having workflow difficulties using AVCHD (.MTS) files from a Panasonic SD-900 camera.
Footage was shot at 1080/25p. I use the Log and Transfer tool to bring the footage in.
The browser window confirms 1920 x 1080, but says interlaced. I change that to progressive. I put a clip on the timeline, and select 'Yes' so that the sequence conforms to the same settings as the clip.
On export, using Quicktime Conversion, the Quicktime dialog box says the Size is 850x478 (current). Something was wrong, as the sequence should have been 1920x1080.
I closed the Quicktime Conversion box, and instead tried Export > Quicktime Movie. Selected 1920x1080 25p on the drop-down menu. The exported movie was 1920x1080, but it looked like it was half resolution, with jagged edges.
So, I did something wrong. Thanks to anyone who can set me straight.

Hi Veg,
I would suggest that you edit the footage in the format that it was recorded in . In other words don't change field dominance and edit with your footage interlaced. (You can de interlace later if your output is for web or computer viewing)
On export, using Quicktime Conversion, the Quicktime dialog box says the >Size is 850x478 (current). Something was wrong, as the sequence should have been 1920x1080.
The "current size" is the size in the canvas so don't worry about that.
Format: Apple ProRes 422 (HQ), 1920 x 1080 (1888 x 1062), millions
16-bit Integer (Little Endian), Stereo, 48.000 kHz
That second resolution in parenthesis might be a clue to the jaggies.
Again, the resolution is what Quicktime Player is displaying at the time.
25p AVCHD does not work.
It works but not in the way that you were expecting, it is actually interlaced footage.
Can you tell us what your footage is going to be output for? if it's web or computer viewing you can de interlace in compressor. Or if it's going to end up on a DVD for TV viewing you can leave it interlaced.
Either way I think you should export using Quicktime movie "current settings" and use compressor to output to the settings of your choice.
DM

Huge HD file sizes in iMovie when importing AVCHD files from HD Camcorder

Although several answers have been given on different ways to import HD files from a AVCHD camcorder, in this case a Sony one, the issue is what to do with the HUGE files it creates. I recorded 2 hours of HD content in about 30GB on the camcorder. I can burn those native HVCHD files on DVD's, took 6 of them, and play them on a Blue Ray player in HD. To edit, I tested a sample 50MB file that was about 3 minutes in length. It convered to quicktime file in the same 1920x1080 quality resulted in a file that was about 800MB, looked great, but how do I store or play a 20 minute version of it? iMovie is inadequate to do anything other than produce smaller size files for an iPod or lower quality, unless it is going to be a very short HD movie if doing true HD quality. One of the reasons I took the MAC plunge was the better multimedia capabilities. In this case, Apple (iMove and Final Cut) is behind.
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Yes, I know I could lower the quality to better work with them in iMovie, but that makes no sense to me. I want to record and edit in the HD format. Seems like these AVCHD cameras are becoming a standard since they are so efficient at storing HD content, iMovie needs to figure out how to edit and store them the same way. Very disappointed in how iMovie handles HD, to me it is NOT very good at handling HD, no good way to store or distribute it.
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Interesting you say it is not meant for editing, but there are about a half dozen editor's for windows that will work on these exact files. I know with Sony Vegas that I have the same level of control with frame precision as I do with iMovie so I think there must be more to the story why Apple has not been able to support it like other software manufacturers who support windows. Don't get me wrong, i would love to do the work in iMovie and not have to learn something new. I don't have the storage space to use the HD apple format, that 2 hr of HD in AVCHD would turn into about 500GB then what do I put it on to play it. If the BlueRay standard calls for 25 or 50G disc's and we can get full two hour movies on them today, then they must be using a file format similar to AVCHD to fit on a disc, they cannot be using anything close to what Apple uses for HD files, it is just simple logic and math. So why doesn't Apple finure it out before everyone who starts working in HD comes to the same conclusion that the Apple QT file formats for HD is going to be an issue with space, you can create content, but cannot afford the disc space to store it or play it.

What is the best way to transfer video from a Panasonic HDC-SD60 camcorder on to a DVD using iDVD?

I am trying to get my Panasonic HDC-SD60 camcorder to transfer video over to a DVD using iDVD. The iDVD wants the firewire connection to be used, No mini USB to firewire line exists. Any help?

iDVD is part of the iLife suite of apps.
in this collection, iMovie is the 'importer', esp. via usb from AVCHD-devices like yours.
plus editor, I mostly doubt, you haven't to 'clean' here&there your recordings
from there you 'share' to iDVD.
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Retrieving imported AVCHD files from Final Cut Pro X

Hi there, does anyone know how to retrieve raw AVCHD clips from Final Cut Pro X, after they have been imported? I shot some footage on my GH2 and it DID import from the camera into FCP X, but it's not running smooth at all. I heard that it's better to convert the files into pro res first, but I wanted to see if it worked. It does work, but not very well. So now I want to find the original video files I imported and convert them into pro res and then import again. Anyone had experience with this?

I think it all comes back to work flow. The whole reason I have opted to convert the original files to pro res is because it is choppy in the timeline when I'm editing. It seems it's true that FCP X really prefers to work with 'optimized media'...or Pro Res instead of reformatted versions of AVCHD. I would like to work with this original format, mainl because the footage isn't as compressed and hasn't lost a generation...and look absolutely pure and gorgeous in high bit rate from my GH2, however, what choice do I have but to convert to Pro Res if I am unable to edit smoothly? I think Ian had the right idea when he said to compare the footage of both, but again, if I can't even edit in AVCHD then what's the point? I think Apple needs to rectify this in the next update as I'm sure there are so many users out there who would prefer editing in this original format. Is there a noticeable loss of quality, that's what I am curious about.

How can I import AVCHD files from my hard drive?

- How can I work with .mts files from my Sony camera that I dragged from the camera to a folder on my computer. If I understand it well, if I import the files with a Log and Transfer, they will be converted to another format.
- do they lose quality with the Log and Transfer conversion?
I want to erase my sony camera hard disk but do not want to lose the original files, that is why I ask.

Hi -
In order to use the files from your camera easily (without 3rd party software) you need to not only drag the mts files, but the ENTIRE DIRECTORY STRUCTURE of the camera storage to your hard disk drive. Many people find it most convenient to use Disk Utility to make a disk image of the camera storage media, and keep the disk image on their hard disk, available for re-use at any time.
The additional folders that are present on the camera storage give necessary and valuable information to Final Cut as to how to "unpack" the extremely compressed video files. Without these files as guides and instructions, it becomes a much more difficult process.
MtD

Importing AVCHD files from Canon HFs10 cam into Premier 4.2.1 on Mac

I have a consumer camera Canon HFs10 that records AVCHD files, however I cant import them into my Mac version of premier 4.2.1. When I attempt it says it does not recognize the file. Where do I find the codec for this type of file? I have run Adobe update but the same problem still exitst.

Copy whole card to your hdd, then import via Media Browser.
See how that will work.

Re: Can you import 1080 60P material in Elements 11, as an example from a Panasonic HDC-TM900 camcorder?

It is not about a slow computer (míne is new and fast) or an apple computer (I use windows 8) but it's about video quality and editing usability. Down under are the specifications of my camera, you can see the panasonic has different options and the MOV 50p had better quality (because of the higher bitrate), it is easier to use then the highly compressed AVCHD with video editing and I can use it also on a MAC (if I would like to). That is because I use MOV (and professionals like it too). So I need a MOV 50P setting and nog the AVCHD setting (I already installed the AVCHD setting as described above). It is true the panasocic is new and it is not very common in the consumer market to use MOV (most camcorders use AVCHD indead) and most DSLR don't have the 50p resolution yet it is still rare these days.
I hope there is anybody with a solution (I wish someone good give me a MOV 50p setting for PE11 and I'm happy!)
these are the video specifications of the Panasonic GH3
MOV (H.264) resolution, frame and bit rates
• 1920x1080 (60p/50p): 50Mbps
• 1920x1080 (30p/25p): 50Mbps (IPB), 72Mbps (All-I)
• 1920x1080 (24p): 50Mbps (IPB), 72Mbps (All-I)
• 1280x720 (60p/50p): 50Mbps (IPB), 72Mbps (All-I)
• 640x480 (24p): 10Mbps
MP4 (H.264) resolution, frame and bit rates
• 1920x1080 (24p): 50Mbps
• 1920x1080 (30p/25p): 20Mbps
• 1280x720 (30p/25p): 10Mbps
• 640x480 (30p/25p): 4Mbps
AVCHD resolution, frame and bit rates
• 1920x1080 (60p/50p): 28Mbps
• 1920x1080 (60i/50i): 24/17/13Mbps
• 1920x1080 (24p): 24/17Mbps
• 1280x720 (60p/50p): 17/13Mbps
Audio
44.1kHz Mono (Internal Mic), Linear PCM
File Formats
MOV, MP4, AVCHD
I will continue at a new discussions (because originally it's about panasonic 60p and that is indeed AVCHD like most camcorders and that solutions works):
http://forums.adobe.com/thread/1169776

One of the beauties of Non Linear Editors is that at final output rendering, it goes to the source. It is not rendered twice.
The single most confusing subject I've run into trying to learn editing is how this works. Here is what I think happens.
First, you have to have a project setting that accepts your source files so that you can work in real time preview with smoothness. The computer is doing "real time project rendering" for preview. So, if Ann's suggestion works during the editing process, you're fine. In other words, you may not NEED an exact match between your source footage and your project preset. Let PrE pick the best it can when you slide the first clip to the timeline.
Second, when it is time to make your final product(s), you set the "output render" or "transcode" setting in the Share+Publish area. You might need something optimized for YouTube, an iPhone or Hollywood. The editing software then looks at what you have been doing in real time, goes to all the markers and transitions you have set and makes an entirely new file, the "video", by reading from your 50Mbps source files.
Somewhere here there is a long post from an Adobe tech who tried to explain it to me. He emphasized that there was some relationship between the project setting and the output files, but the most important part was the output settings.
In the Share+Publish section there are a lot of presets. For some you can change the frame rate and bit rate. You should find something pretty close.
Your GH3 is so new, I've read little about it. A 50 Mbps rate is twice what we've had at the consumer level for the last few years. Have fun with that camera!
Bill

How do I convert Hd film from panasonic HDC-Hs9 to macintosh

How do I copy HD from my panasonic HDC-H59 camcorder on its HDD onto my imac - do I need to load software

Attach your camera via USB cable. Camera must be plugged in to wall power (not batteries only). Set camera to Play mode.
Start iMovie. Wait a minute or two. The iMovie import screen should appear. If it does not, click FILE/IMPORT FROM.. Camera.
From the import screen it is advisable to create a camera archive first, before you import. This gives you an exact duplicate of what is on your camera, in case you ever want to go back to the originals. Once you have a camera archive you can erase the contents of your camera. To be safe, import your clips into iMovie from the Camera Archive before erasing the camera to make sure that all is well.
When you import into iMovie, either from the camera or from your camera archive, iMovie will uncompress the AVCHD on the camera to Apple Intermediate Codec, which is a much better editing codec. These clips will be up to 10 times larger than the AVCHD clips. These clips will go into an event (or multiple events) and you can edit.

How to Import AVCHD Files in Final Cut Express 4

Hello,
I try to import (log) my AVCHD files from a Panasonic HD Cam. The camcorder setting is 1920x1080 25i (HG). The logging-preview is fine but no matter which preferences I use in FCE 4, the clips are not synchronized. Video is a little bit fasterthan audio. How can I synchronize that?
Regards, Huwu

Tom Wolsky wrote:
Shoot and edit in standard video formats and use Graeme Nattress' Film Look plugin.
This? http://www.nattress.com/Products/filmeffects/filmeffects.htm
So my best bet is to shoot in 1440x1080 (12Mbps) and a frame rate of either 60i or PF30 when using FCE4?
What is the difference between 60i and PF30 frame rates?
I am using a Canon HF10.

Problem importing raw files from camera

Hello I am new to digital photography and am having trouble importing raw files from my panasonic lumix g1 into elements 7. I can import them into the software that came with the camera, but I would rather use photoshop. Can anybody advise me on this?
Many thanks
JP

You need to install ACR 5.4 into your PSE 7. Note: ACR 5.5 the latest ACR is still in beta form and will not yet install in PSE 7.
Follow this link for ACR 5.4:-
http://kb2.adobe.com/cps/407/kb407344.html
Read the instructions carefully!!

Importing AVCHD Files From a Panasonic HDC-HS9 Camcorder

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