Importing geotagged jpeg and raw photos with xmp files issue

I had a folder of photos (all unique, no dupes) from two different cameras. Some were .jpg and some .cr2 (raw). I used an external app on my Mac 10.6.x called PhotoLinker to geotag the photos based on gpx track files. I wrote the metadata out to .xmp files, done by that app. So then I had a folder with .jpg, .cr2 and .xmp files I then moved them to another volume and did an Import Move operation in LR3.  For the raw images, all went fine.  The images were pulled into LR and they each had the geotagged data for location. But for the jpeg images they were imported into the catalog in LR but none of them had any geotagged data for the location.
Can someone let me know if they have encountered this problem and what they did about it?  Is this a bug?
I even selected one of the JPG files in LR grid view, then did a read of the metadata from a file. The upper left corner displayed that the metadata file was being loaded from XMP.  But again, no geotagged information. If I load that same .xmp file back into PhotoLinker it shows the geotagged data still there.
What gives?  Why is this happening?
What I am using...
Mac OS 10.6.8
PhotoLinker 2.2.9
Lightroom 3.4.1

Thanks for the response and answer, Ian.
That strikes me as really odd. I realize that jpgs can have metadata within the image file and maybe the issue for LR is which does it consider to have priority. However, if so, why not present a dialog asking the user?
I would suggest Adobe plan on filling the gapping hole LR has when it comes to geotagging support. It currently provides very minimal support.

Similar Messages

  • LR4 Importing random jpeg and raw

    I've had LR 4 for a week now and have a serious problem with the import.
    I am usually shooting raw+jpeg so I quickly can send my clients some of the photos on location.
    When I get to my office and start importing from the memory card the first 200 images or so will work fine, and show up in LR as raw+jpeg.
    After that LR starts importing some of the files as jpeg only - seems to be completely random.
    The biggest problem is that earlier both jpeg and raw would be copied to the library. Now that's not happening. If a file is imported as jpeg it is not copied to the hard drive.
    They're just gone - and I deleted the memory card for another job before I found out about this. Nothing to be done about that, and luckily I still have enough shots to get the job done.
    I'm wondering if anyone else is having this problem.
    I'm using a 5dMKII and a 7d - same happens with both cameras.
    I use an iMac with OSX Lion.

    I'm having the same problem, and I'm curious to see if there will be a solution. I am also working with a 5dMKII and OSX Lion on a MacBook Pro.

  • Bug exposed when comparing Jpeg and RAW Photos taken with Canon 20D?

    I'm using iPhoto 7.1 to manage my photos. My Digital SLR, the Canon 20D, can be set to save photos as both RAW (CR2 files) and Jpeg (JPG files). Both of these files can be imported into iPhoto with no problem.
    The problem that I have is that these photos that should be identical, have two major discrepancies.
    1. Their resolution are NOT the same. (3504x2332 for CR2, 3504x2336 for JPG)
    2. The colors appear different (CR2 appears reddish, JPG appears normal)
    Interesting to note: if I export the same CR2 file out of the iPhoto library (export it as Kind='original'), and open it with IrfanView running on Windows 2000, the photo is viewed with the expected resolution of 3504x2336 and the color appears normal (i.e. not reddish).
    I'm a new Mac user, and relatively new to digital photography, so any advice or suggestions would be appreciated! I've heard of color profiles and adjustments, but I'm not sure how that works. Perhaps I could be pointed to a HOWTO type document?
    Cheers

    OK, next RAW files again.
    These hold the data the sensor 'saw' when you took the shot together with 'metadata' such as aperture, shutter speed, white balance settings, ISO setting etc - lots of data in fact.
    Most programs do not alter RAW files at all - they are the digital negative and should not be altered.
    The latest iPhoto treats all newly imported photos in this manner - RAW/JPG or other format. It keeps a copy of the original in a folder called originals, and any edits/crops you make are applied and saved either as a modified JPG or TIFF. This non-destructive editing is a great feature that many RAW editors allow so you can go back to the original image if you mess things up. Applying the principle to JPGs etc is equally as important.
    Canon's Digital Photo Professional is a free RAW processor program you can download from their site - certainly worth a look, but you may well find iPhoto simpler if not as flexible. On Windows, not sure about Mac OS, DPP does actually alter (or add) some metadata to RAW files - it doesn't alter the 'sensor data' but somehow embeds edited values to the RAW file so they display as edited next time - you can go back to original but I doubt other software will understand these tweaks.
    Digital cameras are getting better and better at getting white balance etc correct, however RAW files are great mainly for two things.
    Firstly - in camera white balance settings are simply those applied to JPGs the camera produces. Set it to fluorescent and take a shot of a cloudy scene and the JPG may look awful. With the RAW you can change the white balance after the event and is a real image saver. I particularly like software that lets you use a 'dropper' to choose a neutral grey shade on the image to set the white balance.
    Secondly - over/under exposure. As RAW files hold more light intensity detail you can often bring out shadow detail from underexposed images or recover blown highlights from images that are unusable as JPGs. There are limits to this latitude of course.
    In camera JPGs are often all you need - the RAWs just give added flexibility.
    Next thing I'd say is not to get too hung up about profiles at this stage.
    Yes, you can pay for generic profiles or even expensive personalised profiles for the 20D - there are some gains in compatible software (sometimes the profiles are designed to work with particular software!). Not necesarily huge gains though, so I'd say keep it simple to start with.
    If there's one thing it's worth profiling, then it's your monitor.
    I often use the analogy of a TV with a video still image from DVD or VCR.
    Say you adjust the brightness/contrast/colour/sharpness of the TV then the image can be made to look wildly different on different settings.
    However the actual image being displayed is not itself altered at all by the DVD player or VCR on pause. Turn the TV off it goes black, but the DVD/VCR still outputs that same image. It's just displayed differently or not at all!
    Translate this to editing photos.
    The RAW or JPG will be processed by iPhoto according to a particular colour space, say sRGB or AdobeRGB - now how on earth do you know that the monitor's brightness/contrast/saturation are at the correct level to display the image correctly? Is it brightnes 50%/75%/20%?
    The answer is the monitor profile which tweaks the output of the monitor towards a preset calibration - this is for a given brightness/contrast/colour setting (not all monitors have exhaustive adjustments but some do). Generic profiles which come with Macs are better than nothing, and indeed often quite close to an individually calibrated monitor profile.
    You can however calibrate your monitor either by eye or using a hardware accessory.
    Open your System Preferences folder and choose Displays.
    Click the colour tab and remember the profile name highlighted!
    Click on any others to see how different profiles affect the display - the other profiles will invariably be wrong for the monitor but they show the effect.
    These other profiles DO NOT make you system display an image say as sRGB or AdobeRGB - what they imply is that the monitor can display the range of sRGB or AdobeRGB - it can't! It can display what IT is capable of displaying.
    It is the image profile that makes software display it in the sRGB or AdobeRGB or other colour space. The monitor profile allows the image to be displayed more accurately by mapping available colours it can display or close fits to the one's the image contains.
    There is a Calibrate button in this tab which should help you Calibrate your monitor by eye (I think I've not used it).
    You can also buy hardware accessories to accurately calibrate your monitor (I use an EyeOne Display by Gretag Macbeth - older version - there are far more expensive and also reasonable cheaper options out there). The hardware devices basically cycle through a display of 'known colours'. The device's software knows what colour it's trying to display, the device usually hangs over the display and measures what's actually displayed, then reprograms the way the graphic card displays colours and also creates a custom monitor profile - this process of calibration optimises your monitor's display.
    You can also calibrate or get custom printer profiles made to optimise printer output, but you won't be doing that. Some online photo sites do however supply profiles which match their photo printers so you can tweak your images to match output on their hardware.
    Most photo sites that the public use however will assume that the images are sRGB. If you send an AdobeRGB image for printing it may be treated as sRGB and printed incorrectly if that photo printer's software doesn't take account of embedded profiles.
    I said it was complex and confusing!
    Continued again!
    AC

  • Importing both JPEGS and Raw Files with RAW+JPEG In-Camera Setting...

    I normally shoot with the RAW+JPEG on my cameras, but Aperture only imports the CR2 file.
    What gives?

    Nevermind:
    http://docs.info.apple.com/article.html?artnum=304868
    Thanks!

  • Can "jpeg+raw" imported single file be split into jpeg and raw files?

    I manage to choose to import my jpeg and raw pictures as single jpeg+raw files accidentely. What means with this format? can I split this "jpeg+raw" pictures into jpeg and raw again? If you edit a jpeg+raw picture are you just working with the raw file, I mean I saw that I could change the exposure on the file which you only can do on raw files. Is it a bad idea to import jpeg and raw pictures as a single file? I really don´t understand the properties of this "jpeg+raw"-file
    /Magnus Lightroom rookie

    With RAW+JPEG, the JPEG is only used for the initial Library view, prior to generating previews from the RAW file. Once you have generated previews and/or developed the image, the JPEG is unused. The edits you make won't affect the JPEG at all. It is, however, still tied to the RAW as metadata, so deleting the JPEG will flag your image as having problems (and list it as "missing" even though it's very clearly in your catalog). Tuning off the option to handle RAW+JPEG together in preferences won't fix past combo images, but it will avoid making this idiotic mistake in the future. After turning it off, export your metadata to the RAWs, then delete them from the library (not the disk) and then reimport them without the JPEGs. Peace will rule the world.

  • How is the Raw data used in iPhoto. I currently shoot both jpeg and raw and import them both into iPhoto.

    How is the Raw data used in iPhoto? I currently shoot both jpeg and raw and import them both into iPhoto. What do I gain by collecting Raw data?
    Thanks

    You get more parameters for making adjustments to the image. This is not really an iPhoto question but more a general photography one. In rather simple terms here's how a digital camera works:
    You expose an image. A lot of data is gathered in by the sensor. But it's just a bug lump of data and not very useful in that form.
    In cameras that shoot jpeg that mass of data is interpreted/processed into an actual image, and the image is stored in a jpeg file. (that's a process broadly analogous to developing a film). The decisions that go into making that interpretation are all made by an engineer somewhere, back when the camera was developed.
    If you shoot Raw, then what you do is take that mass of data, and rather than working to the decisions made by that engineer, you develop the shot - you run the digital darkroom.
    Why would you do this? Take on all this extra work? Well one of three reasons: a: you think you can do a better job than that engineer. b: you just prefer the result you get when you develop yourself or c: you're a hopeless shooter and raw means you have more options to fix the mistakes you made in the camera. (That's why I do it.)
    Here endeth the two dollar tour. So, basically, if you're happy with what your camera produces in Jpeg then there's really no need to shoot Raw.
    There's no need at all to shoot Raw+Jpeg as iPhoto creates a jpeg preview when you import, so you're just wasting space.

  • Starting in 2015 I get the following error when I try to import my photos. "The following files were not imported because they could not be read"  -DSC8416.NEF  I've been importing the same type of photos with no errors then 2015 came along and now I can

    Starting in 2015 I get the following error when I try to import my photos. "The following files were not imported because they could not be read"  -DSC8416.NEF  I've been importing the same type of photos with no errors then 2015 came along and now I can no longer import.

    The error message is misleading, the problem is that you need WRITE privileges added to the destination directory tree.
    Assuming you are using the "date" structure that LR defaults to, find the directory that contains the 2014 folder (the one that works) and add WRITE rights to the parent of "2014".
    While you are there, if you want, add "2015" folder to beside "2014" and add READ and WRITE rights to that new directory.

  • I have CS6.  When I fix a JPEG or Raw photo in ARC and send it to CS6 to put finishing touches, the

    I have CS6.  When I fix a JPEG or Raw photo in ARC and send it to CS6 to put finishing touches, the photo never shows the changes that I have done.

    What do you mean by "send it to CS6" ?  Do you click on the Open button in ACR to open it in Photoshop?
    What platform, Mac or Win? What exact version of Photoshop CS6, of ACR and of the OS?
    Please read this FAQ for advice on how to ask your questions correctly for quicker and better answers: 
    http://forums.adobe.com/thread/419981?tstart=0
    Thanks!

  • I just order 8 calendars from iPhoto and they came to me fine. Now I need to order two more but when I go thru the process I get a message  saying:unable to assemble calendar. There is a probleme with the photo with the file name"(Null)"   more........ .

    Would someone be able to explain to me the following issue with Iphoto?
    I ordered 8 same calendars for my soccer team and received them fine. Although a couple of pictures on it are a little off (out of focus). I need to order two more of the same calendars but when I go thru the process ireceive an error message saying:
    "Unable to to assemble  calendar" There is a problem with the photo with the file name "(Null)" The full resolution version of this photo either cannot be located or is corrupt. Please replace this photo or delete it from your calendar.
    How can  I fine this "corrupt" photo? How did it go thru with the first batch of calendars but won't go thru now?
    Thank you for your help.   

    Apply the two fixes below in order as needed:
    Fix #1
    Launch iPhoto with the Command+Option keys held down and rebuild the library.
    Since only one option can be run at a time start
    with Option #4 and then #1 as needed.
    Fix #2
    Using iPhoto Library Manager  to Rebuild Your iPhoto Library
    1 - download iPhoto Library Manager and launch.
    2 - click on the Add Library button, navigate to your Home/Pictures folder and select your iPhoto Library folder.
    3 - Now that the library is listed in the left hand pane of iPLM, click on your library and go to the File ➙ Rebuild Library menu option.
    4 - In the next  window name the new library and select the location you want it to be placed.
    5 - Click on the Create button.
    Note: This creates a new library based on the LIbraryData.xml file in the library and will recover Events, Albums, keywords, titles and comments.  However, books, calendars, cards and slideshows will be lost. The original library will be left untouched for further attempts at fixing the problem or in case the rebuilt library is not satisfactory.
    OT

  • My NEF files were replaced with XMP files

    After processing my NEF files in Adobe PE's Camera RAW 6.5, my NEF files were replaced with XMP files.  I checked the Recycle Bin and they are not there.  I did nothing different from the past, using Open Image to move the file into the Editing module of PE.  Is there a natural place they would have gone?

    An alternative aproach would be to import as DNG instead of leaving the RAW files in native Nikon NEF format.  DNG can be saved with any adjustments made in ACR, and does not need the XMP sidecare file.  It is also a good idea to do any file moving from within Bridge so as not to lose track of any sidecar files.  I don't use Lightroom, but would imagine file management is even more important with Lightroom.
    BTW  I am surprised that other than Noel's underlining the fact that you are using Elements, that no one has asked why you are asking in a Photoshop forum.  Not that you aren't welcome Don.

  • Troubles with xmp files not loading...

    I'm having troubles with xmp files not loading with images but are present in the image folders. does anyone know why this is happening and if there is a way to fix this. Also when trying to load the xmp individually they are grayed out and unable to load. I have tried this on different machines (Macs) and still no luck. Any help would be greatly appreciated in this issue.

    > The information contained in the XMP file is stored in the DNG file so there is no need for a separate file.
    Aww, yuck!! That's a real drag...
    When editing lots of files (yesterday's shoot produced 8GB) I back everything up to off-line storage and then, after doing all my edits and crops in ACR, I only have to copy over the small XMP files which takes no time at all.
    So if I re-edit the DNG with ACR I have to re-copy ALL the files again to the off-line storage.
    I used to sometimes even save 2 versions of the xmp files when I needed 2 different crops of the same images, such as doing a wide screen 'cinema' crop for a corporate client's Intranet presentation of their event, as well as more standard crops to be used for their newsletters.
    Guess I won't be using DNG any more..
    Thanks for the help Kees :-)
    Russell

  • Only to import  JAVA CLASS  and JAVA SOURCE  from .DMP file using IMPDP

    hi,
    I have a schema X, In that schema some of the *"JAVA CLASS" and "JAVA SOURCE"* objects are missing ..
    The procedures ,functions..etc objects were updated at X schema..
    I have 1 dmp file of Y schema , containing the missing "JAVA CLASS" and "JAVA SOURCE" s.. Can I import the the same to the schema X using IMPDP
    i tried using INCLUDE clause but it is not working
    eg:
    impdp john1/john1@me11g22 directory=datadump dumpfile=DEVF2WAR.DMP remap_schema=devf2war:john INCLUDE="JAVA CLASS","JAVA CLASS"but error..
    ORA-39001: invalid argument value
    ORA-39041: Filter  "INCLUDE" either identifies all object types or no object types.regards,
    jp

    Double post: IMPDP to import  JAVA CLASS  and JAVA SOURCE from .DMP file
    Already replied.
    Regards
    Gokhan

  • I formatted by PC which erased the iTunes software as well. Now when i try to backup my iPad the new iTunes doesn't have access to my existing files. The option is to erase the current content of my iPad and replace it with existing files on my PC.

    I formatted by PC which erased the iTunes software as well. Now when i try to backup my iPad the new iTunes doesn't have access to my existing files. The option is to erase the current content of my iPad and replace it with existing files on my PC. How do i get access to the preivous library?

    Drrhythm2 wrote:
    What's the best solution for this? I
    Copy the entire /Music/iTunes/ folder from her old compouter to /Music/ in her account on this new computer.

  • How can I import only jpeg and not jpeg plus RAW into Photos on iPad?

    I capture both on my camera.  I do post-shoot processing on computer (Lightroom/Photoshop) but want to see larger previews on iPad (the "new" version with retina display) than my camera LCD allows.  I am using the Apple hadware adaptor to load from an SD card.  The RAW files are taking up way too much memory on the iPad--it seems Photos imports both files at once.  I can't figure our how to tell it to import only the smaller JPEG files.
    If there is a better App than Photos for this, please advise.  Note I will not be doing any serious editing on the iPad.
    Thanks,
    Doug

    It doesn't matter what App you use it will copy all the photos from the SD card.
    But I have a workaround;
    All you do is import your JPEG+RAW images using the camera connection kit.
    Go to Albums in the Photo App, choose Change, Choose New Album, give name, choose Last import, choose Select all photos, choose Finish.
    Now go back into the photos app and delete all the photos from your "Last import" Album. It will say that it is going to delete them everywhere but really it doesnt because it leaves the JPEG in the new album. The result is that you will only have your JPEGs that you imported in your camera roll and the RAW images get deleted.
    First try out before you delete photos from SD card!

  • MANAGING JPEG and RAW in PHOTOS OS X

    I shoot in JPEG plus RAW.  The files are imported OK to the Photos app and are shown as stacked.  How do I DELETE several of the RAW images at once and RETAIN the JPEG version alone and thus save space on my drive.
    Thanks

    Thanks but that only works for RAW images imported using iPhoto.  That is NOT working for stacked images imported to the photos app - for example today I took 6 JEPG+RAW images.  They import OK and show as stacked with a J showing in the bottom left corner of the photo.  If I do as you suggest and create the new smart album the new RAW photos don't show up - only the older RAW images imported using iPhoto.
    Any other thoughts?

Maybe you are looking for

  • Need opinion

    I've been working on this 2 minute video presentation on Final Cut Express. Here's my problem: there are several titles and texts along with many graphics and small animations. Also included are several HD video sequences. Final Cut and digital video

  • Why does my iPad keep disconnecting itself from my Wi-Fi

    A couple of weeks ago I noticed my iPad had disconnected itself from Wi-Fi, so reconnected and thought nothing of it. The next time I turned it on, it had disconnected again (Wi-Fi was still on though) so I clicked in to settings again and back onto

  • HP Deskjet 5568 WiFi Printer - Last page gets stuck while printing

    I bought a HP Deskjet 5568 two days ago. I have printed nearly 50 pages already. I am having a problem while printing "manually" on both sides. It prints the odd pages first from back to front. While printing the last page (the first page of the docu

  • HT4623 Unable to upgrade iPad OS.

    Hi, My iPad OS is is 4.3.3 and software update feature is not enabled. I need help in upgrading the OS to 5 or 6. Thanks!

  • Nokia x2 gmail issue

    Gmail or any other google services not working at all in nokia x2 dual sim.. plzz guide me