Importing images into Premiere Pro CS5
Hi all. I have a problem that has just occurred. In an HDV project in CS5 Premirer Pro, I am importing images from a source file into the project window and then onto the timeline. These are separate jpg images, each one with a different filename albeit the first three letters of the filename are the same. When the images are imported, although the filenames are as they appear in the source folder, the actual images are all identical - usually to the first image in the group. It makes no difference whether I import the images separately or as a group - the same problem persists. I have tried clearing the media cache and re-starting the computer. No use. Any ideas?
Many thanks, Ivan.
Open and resave the images in Photoshop. This rewrites the header info and usually solves the problem.
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Help with importing images in Premiere Pro CS5.5
Hi all... I'm working on a widescreen ntsc project that mixes video footage with power point slides, which have been exported to BMP, JPEG, PNG and TIFF... when I look at the images in an external image viewer, they look great... when I import them and drag them in the timeline in Premiere Pro, they look terrible. The text looks bad.
Since the dimensions of the power point slides are 960x720, I have used the scaler in Premier, and I've also resized them in an external graphics program to about 720x480, but to no avail.
The vexing thing is, I gave a sample full sized slide and footage to a colleague, and he just dragged the slide into the timeline, resized it to the right size and the text is crystal clear.
Any ideas??
Thanks,
Mattcheck your paused and/or playback resolution settings...
I've found TIFF to be the cleanest output from PPT for inclusion in video, and I've also found that the scale to frame size command usually works pretty well within Premiere. However, Photoshop's scaler uses much better algorithms and will give you a much better result. You can do a batch process on all your files and automatically create smaller versions of them if you'd like. Alternatively, you can open PPT and customize the size of your PPT slide, which should scale everything to fit your new size. Then you'll have native 720x480 TIFFs on export from PPT. -
CANNOT IMPORT FCP .XML FILE INTO PREMIERE PRO CS5
Hi,
Camera used:-Sony Pmw Ex3
Footage :- XDCAM sp(1440 * 1080i) PAL
Edited in :-final cut pro 7
Error :- failed to import .xml file into premiere pro cs5
I tried to import the .xml file into premiere CS5 ,it asked for the media files to relink .whn i linked the .mp4 files it showed the error messege "The selected file cannot be linked becouse it has 2 audio channel(s) and the clip was created with 1 audio channel(s).
then i tried to relink the .mov instead of .mp4 file (which i used in final cut pro on apple machine)i got the error "Codec missing or unavailable"
what should i do???..i almost done all the editing in final cut pro and i bought the adobe coz i thought i can finish all the pending FCP projects in Premier Pro..??What is the CODEC in your MOV file(s)? MOV is but a "wrapper," like AVI. This ARTICLE will give you some background. It could be that you just need the proper CODEC, or it could be that it is a Mac-only CODEC, and then you will need for the producer to Export in another CODEC, that is PC-compatible.
This ARTICLE will give you some background on CODEC's, in general.
Good luck,
Hunt -
How can I import MP3 audio files into premiere pro cs5?
Can any one help?
How can I import MP3 audio files into premiere pro cs5?It is really difficulty for me.If you still haven't found a satisfactory answer,please search it on google.Hope you can get your answer as soon as quickly!
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"Missing Codec" when importing QuickTime-Video into Premiere Pro CS5.5. What can I do?
Dear Adobe Community,
I tried importing a QuickTime-Video into Premiere Pro CS5.5, which did not work because there was a codec missing. What can I do now?
Thank you in advance for your helpful comments!
lots of love
FloraCodec & Format information, with 2 links inside for you to read http://forums.adobe.com/thread/1270588
Report back with the codec details of your file, use the programs below... A screen shot works well to SHOW people what you are doing
http://forums.adobe.com/thread/592070?tstart=30 for screen shot instructions
Free programs to get file information for PC/Mac http://mediaarea.net/en/MediaInfo/Download -
CS4 I have created compositions in After Effects CS 4 but when I import them into Premiere Pro CS4
CS4 I have created compositions in After Effects CS 4 but when I import them into Premiere Pro CS4 they only appear in the monitor when the play button is activated. The other clips appear without a problem. I noticed that the same situation arises when I dynamically link to Encore CS4. What am I doing wrong?
Thank you Ann. But the problem is when switched on the AE clips on the timeline are only viewable when I start the project (ie press the space bar) and as it also doesn’t appear in Encore I am afraid to spend a great deal of time creating a DVD with these clips not appearing. Any advice?
Regards and again many thanks
Stanley -
Error Importing Premiere Elements project into Premiere Pro CS5
Hi,
I am working on a multi-part video project that I started in Premiere Elements 8. I put in hours upon hours of editing on the first part and I found that the more I edited, the more often the program would crash (infuriating!). So I started using Premiere Pro CS5 to produce the second part, resolving to come back to the first part later. Well, I've come back around to needing this first part done, and it is just undoable in Elements (crashes every 20 seconds!). I'd like to import that project into CS5 if possible. The help documentation says this should be perfectly possible... but I'm having no luck.
When I attempt to open my Premiere Elements project in Premiere Pro, it tells me the project must be converted from Elements .prel to Pro .prproj, and I click through the prompts as normal. But then as soon as it starts trying to open the project, I get this:
"The Project could not be loaded. It may be damaged or contain outdated elements."
I downloaded the Premiere Elements 9 trial to see if it would be less crashy (and it is), but I'd really prefer to have all my video in one program, and CS5 does the best job (and has most of my hours invested). Elements 9 opens the "damaged" project just fine and I can edit and export normally, so why can't CS5?
Am I stuck recreating the project from the ground up in CS5?In very general terms, a contemporary PrE Project (PREL), will Open in PrPro, with the steps that you outlined.
Now, there are all sorts of considerations, for aspects that will not likely work:
Instant Movie/Themes, as PrPro cannot read those
Some Effects that PrPro does not have, like the NewBlue FX
Some Transitions that PrPro does not have
Some Title animation Presets, that PrPro does not have
Do you have any of the above in your PrE Project? There are probably other circumstances, but those are all that come immediately to my mind.
The simpler the PrE Project, the greater the likelyhood that it will Convert to a PrPro PRPROJ file.
PrE 8 and PrPro CS5 should be close enough to work, again in those general terms. I can Open simple PrE 4.0 Projects in PrPro 2.0, but cannot Open PrE 7, 8 or 9 Projects in PrPro 2.0.
Good luck,
Hunt -
Premiere Elements project imported into Premiere Pro CS5.5 becomes unusable after first save
I have Premiere Pro CS5.5, and I have been trying for some time to successfuly edit an old project that was originally created in Premiere Elements (not sure which version--probably 7.0). It has the .prel extension. The project imports just fine, and I am able to edit it initially. However, if I save my new Premiere Pro project, close Pr and try to open the new project again, I get the "The project could not be loaded, it may be damaged or contain outdated elements." error message. I have tried many of the various project recovery suggestions people have made in this forum and elsewhere online, but none of them seem to work. I even opened the project in XML Wrench, but there were no errors returned when I clicked "check is well formed." Once I close the project after doing some initial editing, it is gone. Is this a known issue? Is there any way I can be able to edit the old project in Pr and save my work? Thanks!
Have you tried using the project manager to re-copy all elements and timeline etc into a totally new directory. I'm just curious to see if that would make a difference. I'd be intrested to see if when making a new project in this manor if it would because as you have stated the normal save methods haven't.
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Can Premiere Elements 10.0 or 9.0/9.0.1 Saved Project.Prel be Imported into Premiere Pro CS5/CS5.5?
The Premiere Pro CS5 Supported Video Project file formats include:
PREL (Adobe Premiere Elements project) (Windows Only)
http://help.adobe.com/en_US/premiere...a568-8000.html
and we know that the Premiere Elements project file is a project.prel.
Yet if you read the Premiere Elements 10 ReadMe, you see there the statement:
"You cannot import Adobe Premiere Elements 10.0 project into Adobe Premiere Pro CS5 or CS 5.5.".
http://kb2.adobe.com/cps/907/cpsid_90745.html
The Premiere Elements 9.0 ReadMe has a similar statement about its prel file and Premiere Pro CS5/CS5.5.
http://kb2.adobe.com/cps/863/cpsid_86324.html
I am wondering if the person who wrote that into the ReadMe forgot to add "for Mac".
Can anyone with both Premiere Elements 9.0/9.0.1 or 10.0 AND Premiere Pro CS5 or CS5.5 (all Windows) confirm what is written in the ReadMe for these version? I do not have Premiere Pro (any version) to confirm and refute what is written in those ReadMe and am looking for someone who has been there and looked at that.
Thanks for any input on this matter.
ATRATR,
I am still using XP-Pro SP3 on all of my active machines. I am also using PrPro CS2 Production Studio, and PrE 4.0 on only my laptop. I have the recent versions of both PrPro and PrE, but am waiting for my 64-bit Win7 laptop to be built (hang up with Cleveo MoBo's, to be resolved by about May).
When I installed PrE 4.0, it DID break the full CS2 suite, but by that point, Adobe knew of the issue, and had done a KB on the problem. In my case, just doing a Repair Install for each program in the CS2 suite, did the trick, and both programs have run, side-by-side for many years, without a hiccup. However, I have NOT uninstalled any of those Adobe programs, so cannot comment on what might go wrong.
Usually, Adobe programs coexist well. However, PrPro had an issue with CS3 and CS4. If one had both PrPro CS3 and CS4 installed on the same computer, then uninstalled CS3, it took some necessary "pieces" of CS4 with it. Again, the "trick" was to do a Repair Install for CS4, and all was fixed. I have not read of any other, such issues, but they might have just gone unreported, or reported in forums, that I do not frequent.
Wish that I had more to offer, especially regarding PrPro CS 5.5 and PrE 10. I just have not explored those programs, yet - late May?
Good luck,
Hunt -
Importing .mts AVCHD files into Premiere Pro CS5.5: can it be done?
Is it possible to import .mts files from a memory card into Premiere Pro? Whenever I try to, I get a message that reads "Codec not supported".
My camera is a Sony Alpha A55, and this worked perfectly well in Final Cut Pro X.I am not using the Sony Alpha A55 which might use a different codec than my other Sony's (CX-550V and HX5V) BUT I am using PP on an iMac. For different reasons (one of which being that I already used this approach with FCE), I am converting my raw mts files into mov files using ClipWrap ($50, very fast, they have a trial version for download). This has many advantages:
- the footage is UNTOUCHED. It is just put into a different container.
- the mov files are WATCHABLE in the Finder (and everywhere else, including PP).
- the mts files can be dragged and dropped (without bothering about the folder structure) directly into ClipWrap (or first on your HD if you want).
This being said, my experience is that even those files are too much for my (I thought) powerful iMac to scrub through once basic editing has started. So I resorted to transcoding to proxy mpeg2 intermediate files (so that I don't fill up my HD too quickly) and only before exporting my sequence, replace the proxy footage by the original (well converted) mov files. I am still working out the ideal workflow...
Try the ClipWrap demo to see if the codec is supported. If not, they are a very responsive company and will most likely update their software rapidly (for free).
HTH.
PS: I paid for my software, so I am just a satisfied customer reporting on the product. -
Importing IMX50 footage into Premiere Pro CS5.5
Hi,
I've been trying to import a Final Cut 6 project into Premiere Pro CS 5.5 without any success. The footage is originally imx 50 codec. I do an xml import and I get a error message saying it cant read the .mov codec. It can see the sequence but can't associate any of the footage to it. I also tried transcoding the FCP sequnce to prores and then doing an xml export but with exactly the same result! Can anybody help?Hi Colin,
Here's the analyis you were looking for. I'll run those other test today and see what happens.
MEDIA INFO ANALYSIS begins:
General
Complete name : D:\Video Editing\Video Projects\RnR Rushes\RNR SERIES 16 EP 21 PRO RES\SCENES 17-21\radharc 2317 master tk2.mov
Format : MPEG-4
Format profile : QuickTime
Codec ID : qt
File size : 389 MiB
Duration : 50s 960ms
Overall bit rate mode : Variable
Overall bit rate : 64.0 Mbps
Encoded date : UTC 2011-10-12 11:17:39
Tagged date : UTC 2011-10-12 21:28:46
Writing library : Apple QuickTime
Original source medium : 001
©TSC : 25
©TSZ : 1
Video
ID : 1
Format : ProRes
Format profile : High
Codec ID : apch
Duration : 50s 960ms
Bit rate mode : Variable
Bit rate : 62.5 Mbps
Width : 720 pixels
Height : 576 pixels
Display aspect ratio : 5:4
Frame rate mode : Constant
Frame rate : 25.000 fps
Standard : PAL
Color space : YUV
Chroma subsampling : 4:2:2
Scan type : Interlaced
Scan order : Top Field First
Bits/(Pixel*Frame) : 6.026
Stream size : 380 MiB (98%)
Language : English
Encoded date : UTC 2011-10-12 11:17:39
Tagged date : UTC 2011-10-12 11:18:10
Audio
ID : 2
Format : PCM
Format settings, Endianness : Little
Format settings, Sign : Signed
Codec ID : sowt
Duration : 50s 960ms
Bit rate mode : Constant
Bit rate : 1 536 Kbps
Channel(s) : 2 channels
Sampling rate : 48.0 KHz
Bit depth : 16 bits
Stream size : 9.33 MiB (2%)
Language : English
Encoded date : UTC 2011-10-12 11:17:39
Tagged date : UTC 2011-10-12 11:18:10
Menu
ID : 3
Duration : 50s 960ms
Language : English
Encoded date : UTC 2011-10-12 11:18:10
Tagged date : UTC 2011-10-12 11:18:10
General
Complete name : D:\Video Editing\Video Projects\RnR Rushes\RNR SERIES 16 EP 21 PRO RES\SCENES 17-21\radharc 2317 pu1 tk1.mov
File size : 27.6 MiB
General
Complete name : D:\Video Editing\Video Projects\RnR Rushes\RNR SERIES 16 EP 21 PRO RES\SCENES 17-21\radharc 2319 master tk2
Format : MPEG-4
Format profile : QuickTime
Codec ID : qt
File size : 2.00 GiB
Duration : 7mn 13s
Overall bit rate mode : Variable
Overall bit rate : 39.6 Mbps
Encoded date : UTC 2011-10-12 11:23:04
Tagged date : UTC 2011-10-12 11:27:39
Writing library : Apple QuickTime
Original source medium : 02319
Media/UUID : 2EA70F55-C743-4789-ADBF-AA22D4838336
Media/History/UUID : 13421430-7675-40B8-B283-EBA8CAE840C2
Video
ID : 1
Format : ProRes
Format profile : High
Codec ID : apch
Duration : 7mn 13s
Bit rate mode : Variable
Bit rate : 62.4 Mbps
Width : 720 pixels
Height : 576 pixels
Display aspect ratio : 5:4
Frame rate mode : Constant
Frame rate : 25.000 fps
Standard : PAL
Color space : YUV
Chroma subsampling : 4:2:2
Scan type : Interlaced
Scan order : Top Field First
Bits/(Pixel*Frame) : 6.014
Stream size : 3.15 GiB
Language : English
Encoded date : UTC 2011-10-12 11:23:04
Tagged date : UTC 2011-10-12 11:27:39
Source : SCENES 17-21\radharc 2319 master tk2-av.mov1
Source_Info : Missing
Audio
ID : 2
Format : PCM
Format settings, Endianness : Little
Format settings, Sign : Signed
Codec ID : sowt
Duration : 7mn 13s
Bit rate mode : Constant
Bit rate : 1 536 Kbps
Channel(s) : 2 channels
Sampling rate : 48.0 KHz
Bit depth : 16 bits
Stream size : 79.4 MiB (4%)
Language : English
Encoded date : UTC 2011-10-12 11:23:04
Tagged date : UTC 2011-10-12 11:27:39
Source : SCENES 17-21\radharc 2319 master tk2-av.mov1
Source_Info : Missing
Menu
ID : 3
Duration : 7mn 13s
Language : English
Encoded date : UTC 2011-10-12 11:27:39
Tagged date : UTC 2011-10-12 11:27:39
General
Complete name : D:\Video Editing\Video Projects\RnR Rushes\RNR SERIES 16 EP 21 PRO RES\SCENES 17-21\radharc 2319 pu1 tk1
Format : MPEG-4
Format profile : QuickTime
Codec ID : qt
File size : 1.32 GiB
Duration : 2mn 55s
Overall bit rate mode : Variable
Overall bit rate : 64.6 Mbps
Encoded date : UTC 2011-10-12 11:27:39
Tagged date : UTC 2011-10-12 11:29:31
Writing library : Apple QuickTime
Original source medium : 001
Media/UUID : C0F8E421-089F-4DF8-84FD-C3282A9D7550
Media/History/UUID : 74A70F26-2E2B-42FF-8FAF-12AD13F96E6E
Video
ID : 1
Format : ProRes
Format profile : High
Codec ID : apch
Duration : 2mn 55s
Bit rate mode : Variable
Bit rate : 63.0 Mbps
Width : 720 pixels
Height : 576 pixels
Display aspect ratio : 5:4
Frame rate mode : Constant
Frame rate : 25.000 fps
Standard : PAL
Color space : YUV
Chroma subsampling : 4:2:2
Scan type : Interlaced
Scan order : Top Field First
Bits/(Pixel*Frame) : 6.080
Stream size : 1.29 GiB (98%)
Language : English
Encoded date : UTC 2011-10-12 11:27:39
Tagged date : UTC 2011-10-12 11:29:31
Audio
ID : 2
Format : PCM
Format settings, Endianness : Little
Format settings, Sign : Signed
Codec ID : sowt
Duration : 2mn 55s
Bit rate mode : Constant
Bit rate : 1 536 Kbps
Channel(s) : 2 channels
Sampling rate : 48.0 KHz
Bit depth : 16 bits
Stream size : 32.1 MiB (2%)
Language : English
Encoded date : UTC 2011-10-12 11:27:39
Tagged date : UTC 2011-10-12 11:29:31
Menu
ID : 3
Duration : 2mn 55s
Language : English
Encoded date : UTC 2011-10-12 11:29:31
Tagged date : UTC 2011-10-12 11:29:31
General
Complete name : D:\Video Editing\Video Projects\RnR Rushes\RNR SERIES 16 EP 21 PRO RES\SCENES 17-21\radharc 2320 pu1 tk1
Format : MPEG-4
Format profile : QuickTime
Codec ID : qt
File size : 1.64 GiB
Duration : 3mn 45s
Overall bit rate mode : Variable
Overall bit rate : 62.2 Mbps
Encoded date : UTC 2011-10-12 11:29:31
Tagged date : UTC 2011-10-12 11:31:52
Writing library : Apple QuickTime
Original source medium : 26
Media/UUID : 4E246055-0EF9-48C7-8A35-2364AD090B75
Media/History/UUID : A8DBFD8F-7069-44AC-8378-033005B0A581
Video
ID : 1
Format : ProRes
Format profile : High
Codec ID : apch
Duration : 3mn 45s
Bit rate mode : Variable
Bit rate : 60.7 Mbps
Width : 720 pixels
Height : 576 pixels
Display aspect ratio : 5:4
Frame rate mode : Constant
Frame rate : 25.000 fps
Standard : PAL
Color space : YUV
Chroma subsampling : 4:2:2
Scan type : Interlaced
Scan order : Top Field First
Bits/(Pixel*Frame) : 5.852
Stream size : 1.60 GiB (98%)
Language : English
Encoded date : UTC 2011-10-12 11:29:31
Tagged date : UTC 2011-10-12 11:31:52
Audio
ID : 2
Format : PCM
Format settings, Endianness : Little
Format settings, Sign : Signed
Codec ID : sowt
Duration : 3mn 45s
Bit rate mode : Constant
Bit rate : 1 536 Kbps
Channel(s) : 2 channels
Sampling rate : 48.0 KHz
Bit depth : 16 bits
Stream size : 41.4 MiB (2%)
Language : English
Encoded date : UTC 2011-10-12 11:29:31
Tagged date : UTC 2011-10-12 11:31:52
Menu
ID : 3
Duration : 3mn 45s
Language : English
Encoded date : UTC 2011-10-12 11:31:52
Tagged date : UTC 2011-10-12 11:31:52
General
Complete name : D:\Video Editing\Video Projects\RnR Rushes\RNR SERIES 16 EP 21 PRO RES\SCENES 17-21\radharc 2320 pu1 tk2
Format : MPEG-4
Format profile : QuickTime
Codec ID : qt
File size : 186 MiB
Duration : 25s 120ms
Overall bit rate mode : Variable
Overall bit rate : 62.2 Mbps
Encoded date : UTC 2011-10-12 11:31:52
Tagged date : UTC 2011-10-12 11:32:07
Writing library : Apple QuickTime
Original source medium : 001
Media/UUID : CD6679BE-8909-4A1E-91D6-30ACB7D0787B
Media/History/UUID : 2ED88EE8-565C-4AD9-8C49-22E7361338AB
Video
ID : 1
Format : ProRes
Format profile : High
Codec ID : apch
Duration : 25s 120ms
Bit rate mode : Variable
Bit rate : 60.6 Mbps
Width : 720 pixels
Height : 576 pixels
Display aspect ratio : 5:4
Frame rate mode : Constant
Frame rate : 25.000 fps
Standard : PAL
Color space : YUV
Chroma subsampling : 4:2:2
Scan type : Interlaced
Scan order : Top Field First
Bits/(Pixel*Frame) : 5.848
Stream size : 182 MiB (98%)
Language : English
Encoded date : UTC 2011-10-12 11:31:52
Tagged date : UTC 2011-10-12 11:32:07
Audio
ID : 2
Format : PCM
Format settings, Endianness : Little
Format settings, Sign : Signed
Codec ID : sowt
Duration : 25s 120ms
Bit rate mode : Constant
Bit rate : 1 536 Kbps
Channel(s) : 2 channels
Sampling rate : 48.0 KHz
Bit depth : 16 bits
Stream size : 4.60 MiB (2%)
Language : English
Encoded date : UTC 2011-10-12 11:31:52
Tagged date : UTC 2011-10-12 11:32:07
Menu
ID : 3
Duration : 25s 120ms
Language : English
Encoded date : UTC 2011-10-12 11:32:07
Tagged date : UTC 2011-10-12 11:32:07
General
Complete name : D:\Video Editing\Video Projects\RnR Rushes\RNR SERIES 16 EP 21 PRO RES\SCENES 17-21\radharc 2321 pu1 tk1
Format : MPEG-4
Format profile : QuickTime
Codec ID : qt
File size : 1.02 GiB
Duration : 2mn 12s
Overall bit rate mode : Variable
Overall bit rate : 66.1 Mbps
Encoded date : UTC 2011-10-12 11:32:07
Tagged date : UTC 2011-10-12 11:33:33
Writing library : Apple QuickTime
Original source medium : 001
Media/UUID : 388B8B8B-1D1E-41DA-925A-EE667EA4BB62
Media/History/UUID : 13755F55-1589-4033-8411-90D565DE4F17
Video
ID : 1
Format : ProRes
Format profile : High
Codec ID : apch
Duration : 2mn 12s
Bit rate mode : Variable
Bit rate : 64.5 Mbps
Width : 720 pixels
Height : 576 pixels
Display aspect ratio : 5:4
Frame rate mode : Constant
Frame rate : 25.000 fps
Standard : PAL
Color space : YUV
Chroma subsampling : 4:2:2
Scan type : Interlaced
Scan order : Top Field First
Bits/(Pixel*Frame) : 6.225
Stream size : 1 021 MiB (98%)
Language : English
Encoded date : UTC 2011-10-12 11:32:07
Tagged date : UTC 2011-10-12 11:33:33
Audio
ID : 2
Format : PCM
Format settings, Endianness : Little
Format settings, Sign : Signed
Codec ID : sowt
Duration : 2mn 12s
Bit rate mode : Constant
Bit rate : 1 536 Kbps
Channel(s) : 2 channels
Sampling rate : 48.0 KHz
Bit depth : 16 bits
Stream size : 24.3 MiB (2%)
Language : English
Encoded date : UTC 2011-10-12 11:32:07
Tagged date : UTC 2011-10-12 11:33:33
Menu
ID : 3
Duration : 2mn 12s
Language : English
Encoded date : UTC 2011-10-12 11:33:33
Tagged date : UTC 2011-10-12 11:33:33
General
Complete name : D:\Video Editing\Video Projects\RnR Rushes\RNR SERIES 16 EP 21 PRO RES\SCENES 17-21\radharc 2321 pu2 cam2 tk1
Format : MPEG-4
Format profile : QuickTime
Codec ID : qt
File size : 262 MiB
Duration : 35s 720ms
Overall bit rate mode : Variable
Overall bit rate : 61.6 Mbps
Encoded date : UTC 2011-10-12 11:33:33
Tagged date : UTC 2011-10-12 11:33:55
Writing library : Apple QuickTime
Original source medium : 001
Media/UUID : 0BA3D2D7-2464-4BB6-92BB-54560243ECB9
Media/History/UUID : 7FD2FBCF-C17F-42AE-BF5D-90F1805E5DE6
Video
ID : 1
Format : ProRes
Format profile : High
Codec ID : apch
Duration : 35s 720ms
Bit rate mode : Variable
Bit rate : 60.0 Mbps
Width : 720 pixels
Height : 576 pixels
Display aspect ratio : 5:4
Frame rate mode : Constant
Frame rate : 25.000 fps
Standard : PAL
Color space : YUV
Chroma subsampling : 4:2:2
Scan type : Interlaced
Scan order : Top Field First
Bits/(Pixel*Frame) : 5.790
Stream size : 256 MiB (97%)
Language : English
Encoded date : UTC 2011-10-12 11:33:33
Tagged date : UTC 2011-10-12 11:33:55
Audio
ID : 2
Format : PCM
Format settings, Endianness : Little
Format settings, Sign : Signed
Codec ID : sowt
Duration : 35s 720ms
Bit rate mode : Constant
Bit rate : 1 536 Kbps
Channel(s) : 2 channels
Sampling rate : 48.0 KHz
Bit depth : 16 bits
Stream size : 6.54 MiB (2%)
Language : English
Encoded date : UTC 2011-10-12 11:33:33
Tagged date : UTC 2011-10-12 11:33:55
Menu
ID : 3
Duration : 35s 720ms
Language : English
Encoded date : UTC 2011-10-12 11:33:55
Tagged date : UTC 2011-10-12 11:33:55
General
Complete name : D:\Video Editing\Video Projects\RnR Rushes\RNR SERIES 16 EP 21 PRO RES\SCENES 17-21\radharc 2321 pu2 tk1
Format : MPEG-4
Format profile : QuickTime
Codec ID : qt
File size : 1.27 GiB
Duration : 2mn 50s
Overall bit rate mode : Variable
Overall bit rate : 64.0 Mbps
Encoded date : UTC 2011-10-12 11:33:55
Tagged date : UTC 2011-10-12 11:35:43
Writing library : Apple QuickTime
Original source medium : 001
Media/UUID : C138D770-ED74-4FEA-865D-681D34ABAE7D
Media/History/UUID : CA3A07FF-5DEE-4C3E-96B4-0BCD1EE5633E
Video
ID : 1
Format : ProRes
Format profile : High
Codec ID : apch
Duration : 2mn 50s
Bit rate mode : Variable
Bit rate : 62.4 Mbps
Width : 720 pixels
Height : 576 pixels
Display aspect ratio : 5:4
Frame rate mode : Constant
Frame rate : 25.000 fps
Standard : PAL
Color space : YUV
Chroma subsampling : 4:2:2
Scan type : Interlaced
Scan order : Top Field First
Bits/(Pixel*Frame) : 6.019
Stream size : 1.24 GiB (98%)
Language : English
Encoded date : UTC 2011-10-12 11:33:55
Tagged date : UTC 2011-10-12 11:35:43
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Format settings, Endianness : Little
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Sampling rate : 48.0 KHz
Bit depth : 16 bits
Stream size : 31.1 MiB (2%)
Language : English
Encoded date : UTC 2011-10-12 11:33:55
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Encoded date : UTC 2011-10-12 11:35:43
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Tagged date : UTC 2011-10-12 11:36:27
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Language : English
Encoded date : UTC 2011-10-12 11:35:43
Tagged date : UTC 2011-10-12 11:36:27
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Language : English
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Tagged date : UTC 2011-10-12 11:36:27
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Encoded date : UTC 2011-10-12 11:36:27
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Tagged date : UTC 2011-10-12 11:38:24 -
Importing .mts AVCHD video into Premiere Pro CS5.5, HELP!
Hello,
I am new on Adobe forums and I nedd a question answered.
I have seen that there is no definite answer on how to import .mts files from my Canon Vixia HFR20 to Premiere Pro CS5.5.
I get "The file has an unsupported compression type" message. For now I convert the videos to .AVI but i would why would I continuosly convert them?
I bought the camera mainly for the HD, so help soon would be greatly appreciated!
Thanks in Advance,
Ethan
P.S: I have a PC to put that in mind...Post a screen cap of what presets you have.
Maybe you have gotten the revert to trial bug and lost your options to play these files since they dont play in the trial version.
Here is what mine look like.
Here is the Properties of the file you uploaded.
And here is what sequence that was created when dragging to the New Item button.
See if you have the same options.
GLenn -
Import jpeg from photoshop into premiere pro CS5 and keep exact proportions.
We are trying to insert jpegs into the timeline of a project that was captured DV movie frame 720 x 480. A graphics person has created jpegs with the frame size of 1440 x 960. When I import that into Premiere, we have a black space above and below the safe margins when I scale to frame size and am first wondering if that will be ok. When I change the image size to 720 x 480 and import that and put it in the timeline, the pictures seem to be a little elongated. Can you please tell me how to import the jpegs into premiere and keep the exact proportions for the jpegs?
By changing the pixel aspect ratio to 720 x 534, all works perfectly now. Thank you for the help.
Thad -
Maximum File Size of .dv Import File to Premiere Pro CS5?
Hello Community:
I searched this forum and Google in general, but could not find an absolute limit on the media file size I can import into a Premiere Pro CS5 project. I'm scheduled to process the ".DV" recording from a conference, which could go on for hours. I have asked the camera man to break up the recording in one-hour segments, but I'm getting some push-back.
Is there a specific size limitation on importing an NTFS file structure .dv file in Premiere Pro CS5?
Thanks,
Rich LocusSame issue. I previously used NeoScene to convert .mov files from a Canon 5d mark ii to the easier to edit with Gopro Cineform .avi format in Premiere Pro CC. They used to work fine but now Premiere only recognizes a very small part of the file. The first 18 seconds of an 8 minute file.
I tried importing the file to a new clean scene and the problem remained.
I need to be able to work with this footage. Somehow Premiere is no longer able to properly read clips it used to be able to read.
I would like to hear something from Adobe on this issue.
EDIT: I just updated my GoPro software to 2.0 and the problem was instantly solved. The same might apply to TechSmith.
EDIT 2: Upon rendering the edit I discovered that while the entire length of the clip was represented it in fact stopped playing new frames at the same frame as it had before. So no luck. Updating GoPro Cineform made the length of the file display correctly (7min) but did not actually let me play the file beyond the first 18 seconds - it just showed the same frame.
I deleted all preview files and cleaned Media Cache files (under media/preferences) - this didn't help.
Finally I made the file offline, closed Premiere, changed the file name and re-opened Premiere. Then I right clicked over the file in the Project window and chose replace file to re-connect. The file finally came in correctly. I've now rendered it and it runs through the entire 7 min.
Message was edited by: ereitz -
How can I make title screens in either Illustrator or Photoshop and import them into Premiere Pro?
I'm having trouble finding the identical aspect ratio to import either an Illustrator or Photoshop title screen into Premiere Pro. There are so many ratios to choose from with Premiere Pro that I've about lost my mind. I was able to import Photoshop title screens into iMovie with no problem. I'll be importing the finished video into my YouTube channel. I want it to be widescreen but have no clue which ratio to use. Thanks for any help you can provide.
I always start with New Image in Photoshop, and then choose a Video Preset, that matches my PrPro Sequence. I use one with Guides. I usually choose to create that New Image with a Transparent Background.
Once complete, I just do a Save_As to PSD, which will be Imported into PrPro. If you have Ps Layers, you have two choices on Import: you can Import as Footage, which will Flatten your Layers, or you can Import as a Sequence to keep the Layers separate. Depending on what I will be doing, I might select one, or the other. If you Import as a Sequence, you can then animate each Layer individually.
Good luck,
Hunt
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