IMPORTING JPEGS -- THEY'RE COMING OUT WASHED OUT

I have been trying to import jpeg images into final cut and in the process of importing them Final cut is slightly changing the images so that they're washed out, people's faces look overexposed where they didn't in the originals. I've tried resizing the images and importing smaller ones since the originals are very large but that has not helped. PLEASE HELP! Thanks.

Any luck in altering the Gamma settings of your imported JPEGs within FCP at all?
In case you don't know how to do that, check out the Late-Breaking News for FCP 5, then jump to the section on FCP 5.1.2 (which is when those features were introduced) or, as of this post, page 12.

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Imported RAW Photos too bright (overexposed, washed out)

I've noticed with my Sony A700 camera that when I import RAW photos into aperture they look alright in the jpeg preview but once they are processed as raw they become extremely washed out and bright, does anyone know how to fix this?

I have noticed the same issue with my A700 cRAW images. I just got Aperture 3.0.2. I guess I will play around with the raw fine-tune brick to strike a balance with properly exposed image quality, but it's uncomfortable when your preview image and histogram appear good, and your imported image is washed out.
Anyone have a better preset for the A700 camera?

Docs print out washed out

All my InDesign docs are now printing out very washed out. If I export to pdf then print all is fine so printer is working ok. Have re-launched InDesign + re-started Mac. Any ideas?

In InDesign check
Edit>Colour Settings
Then in the PDF dialog box, check the Output settings and see what colour destination it's going to.
If the Indesign Colour Settings are different - then change them to the Output setting that the PDF destination has.
You will also have to Assign that Profile (through the Edit>Assign Profile) to the document.
Perhaps someone better at colour management settings could chime in and explain this better than I?

H.264 gamma shift/washed out colours on export

I know this has been discussed before but I've been researching this topic for the past two hours and still can't find a solution.
I have .mov source files from a Canon 7D. Exporting them from PP CS5.5 (Mac OS X - Lion, 10.7.4) in h.264 or by 'matching sequence settings' results in a gamma shift/desaturated colours. Playing the resulting h.264 file in QuickTime Player, VLC, Elmedia all result in the same colour shift so this is not an issue with QT simply interpreting the gamma incorrectly.
Uploading to Vimeo and Youtube results in the same gamma shift. The monitor I'm using is not calibrated but when puling up a VLC window of the exported file next to the Program Monitor (on the same monitor) shows that there is a definite difference. Below is a screenshot.
Is there any way to produce an exported file for Vimeo use that reproduces the gamma as I see it in the Program Monitor?
Any help would be massively appreciated.
Thanks.

Did you use Quicktime's H.264 export option? Or just standard h.264 using the .mp4 container? If you used the Quicktime h.264 the option itself is flawed. Here are some links regarding the issue.
http://provideocoalition.com/index.php/cmg_blogs/story/brightness_issues_with_h264_quickti me_movies/
http://www.videocopilot.net/blog/2008/06/fix-quicktime-gamma-shift/
http://imnotbruce.blogspot.com/2011/07/fixing-quicktimes-gamma-export-problem.html
https://discussions.apple.com/thread/1358418?start=0&tstart=0
http://byteful.com/blog/2010/07/how-to-fix-the-h264-gamma-brightness-bug-in-quicktime/
https://discussions.apple.com/message/8551140?messageID=8551140#8551140?messageID=8551140
https://discussions.apple.com/thread/2292530?start=0&tstart=0
If you read around the net a lot of people have had this issue with h264. A couple of the articles I posted are supposed to "fix" the problem although I haven't ever tried any of them myself. I've never experinced a gamma shift when using the standard h.264 format option in Premiere, however if you have already used that option and you're still having issues then I have no clue what is going on. However when I import ProRes files into Premiere they don't appear washed out, but when I play them in Quicktime or VLC they do appear washed out. I've always just assumed Premiere was somehow correcting it, because when I export my video to mpeg-2 for playback on our server it looks like it looked in Premiere.
From what I have read though the reason the Quicktime format does this when using the h.264 codec looks and looks washed out is because of a incorrect gamma tag. But Premiere isn't affected/fooled by this like most media players are. According from how they made it sound on provideo and the one other site I read it on anyways.

Images appear washed out.

Firefox isn't displaying images correctly. They are appearing extremely washed out. These images are local to my computer and ImageMagic & GIMP can display them properly.

Try to disable hardware acceleration in Firefox.
*Tools > Options > Advanced > General > Browsing: "Use hardware acceleration when available"
*https://support.mozilla.org/kb/Troubleshooting+extensions+and+themes
This can be caused by a problem with the color profile for your display monitor or color profiles embedded in images.<br />
Try to disable color management to test if it is caused by a problem with color management.<br />
You can set the gfx.color_management.mode pref to 0 on the about:config page to disable Color Management.<br />
You need to close and restart Firefox to make the change effective.
See:
* http://kb.mozillazine.org/gfx.color_management.mode

Why are my images so washed out in pages compared to how they look in Photoshop?

I am new to Pages. I have some beautiful .jpeg CMYK files I am importing into a Pages template, and they look completely washed out in pages compared to how they look in Photoshop. Is this just a preview mode or will they look this bad if I print the file at a print on demand site like HP Magcloud?
Thanks!
O

Hmmmmm...
Well, I'm not sure about what my color management is set to in photoshop, but its color LCD for the mac in system preferences. As the printer is a print on demand site its not so easy to run tests. The thing is, they want the images as a PDF, but I am loosing quality pringing it into pages, would it be different if i created the PDF directly from photoshop (is that even possible?)
paper options are:
60#, 80# or 100# matte text stock options with Saddle Stitch Binding
80# premium cover stock, 80# matte text stock with Perfect Binding
the site says this:
If you are creating your PDF in a different program like Microsoft Word or Publisher, or Apple Pages, you’ll want to save your images based on whether they were CMYK or RGB to begin with. If they were CMYK to begin with, they should be saved as CMYK. If they were RGB to begin with, saving them with an sRGB colorspace will give you the best output.
I already changed them in photoshop from RGB to CMYK, is it too late to change back? where is the sRGB option anyway?
Thanks,
O

Images imported from Aperture showing up 'washed out' in Lightroom.

I am aware that Lightroom uses ProPhoto RBG. When i export images from Aperture to a folder then import into Lightroom the images appear very different. Is there a setting i am missing as the images seem 'washed' out in Lightroom. When i export to the desktop and open in Photoshop they look the same as in Aperture. After i import to Lightroom and open in Photoshop they still look washed out.
New to Lightroom and trying to find the right alternative to Aperture.
Many Thanks in advance.

You are probably right, it is an issue with color profiles and gamut. Aperture does use a different raw converter, which will create some variance. In fact, many like the look of straight Aperture raw conversions over straight ACR conversions. But if the washed out look is dramatic, and Photoshop opens your raw files okay, then it must be a profile issue.
It may help to explain how you are exporting from Aperture. Are your source files raw files, PSDs, TIFFs, or JPEGs? Are you exporting masters, or are you exporting versions? If you're exporting versions, take a look at your "source preset" when exporting. What color profile are you embedding?
Although if you are embedding any color profile, Photoshop and Lightroom should pick it up.
All I've read is that Lightroom manages profiles more transparently than Photoshop, but perhaps someone could jump in here and say how it is managed.
Finally, what purpose are you exporting and importing into Lightroom? If you're migrating your library to a Lightroom catalog, you may be best served by using the Aperture migration plug-in.
Aperture import plugin now available
The plug-in still has issues with foreign characters, importing all previews, and face keywording and keywording previews. You'll be better off waiting until these issues are fixed. Even if you can't, the plug-in would still be a better option than a manual attempt, unless you're doing something other than migrating your Aperture library.

Imported clips appear washed out, too bright

I posted this question in iMovie HD forum, but realize its an iMovie HD 6 application I'm using. so here goes again:
I'm having problems importing video into iMovie. They appear washed out, as if the brightness had been turned up. The video appears fine in the crt of the camera, but the video imported to iMovie looks terrible. This just started happening, and I can't figure out why.
Is this a problem that has cropped up with my video camera? Or have I somehow altered a setting in iMovie? Any ideas would be appreciated!
Thanks,
Jon

No one answered my post which leads me to believe I did something wrong...oh well. Better luck next time.

I've just imported photos that are misdated and appear out of order in my events. How can I correct the dates on these events so they appear properly?

I've just imported photos that are misdated and appear out of order in my events. How can I correct the dates on these events so they appear properly?

The one iin the Photos ➙ Adjust Date and Time menu option:
checkbox below:

My RAW files look washed out jpegs are OK

My RAW files look washed out, in camera I introduced warm colours by setting it on cloudy and set to vivid. They look great in other programs, how do I retain the original colors?

Buddy, the issue is that Photoshop Camera Raw / Bridge don't use the parameters you set in-camera at all. It may seem odd that it doesn't, but that's the way it works.
The idea is that these software tools give you full control over literally hundreds of factors that go into your raw conversions, and trying to emulate the presets on the camera just doesn't make sense.
You need to save new Camera Raw Defaults to deliver color you like in new exposures you haven't opened before. Check especially the Camera Profile setting in the Camera Calibration tab in Camera Raw. Adobe does provide some options that will get you close to what the camera does, then you can tweak the settings further.
For what it's worth, it's not wrong to want the color to match, especially if you like the color the camera delivers. I've created Camera Raw Defaults for my own cameras that provide a very good match between the in-camera color and what a new exposure looks like when first opened in Camera Raw... I don't always leave it that way, though.
-Noel

After processing in CS6 saved jpegs are washed out in when viewing in bridge - Why?

after processing in CS6 saved jpegs are washed out in when viewing in bridge - Why?

I have been trying to figure out if I made any accidental changes in Photoshop. So far I haven't found anything. That might simply mean that I don't know all of the places to look. I have called Adobe and been on the support websites and haven't gotten a clear answer. I save as a JPEG with an embedded color file sRGB. Any suggestions on where else to look for accidental changes?
Everyone seems to agree that iPhoto doesn't work well with Adobe and should be avoided in the workflow. Truly, I had no idea! I just like the simplicity. The Mac store never mentioned problems between the two but did offer to help me purchase Aperture. I will use Bridge from now on to view the images and manage folders.
Thanks for your message!

I'm trying to make "Stop motion videos" in Final Cut EXPRESS by using 100's of still photos and setting them to music. They are coming out blurry if viewed larger than 4x6 in size

I'm trying to make "Stop motion videos" in Final Cut EXPRESS by using 100's of still photos and setting them to music. They are coming out blurry if viewed larger than 4x6 in size.
I don't understand why this is happening.

Quick follow up, since I was on my phone earlier and am back to a real keyboard.
To access Easy Setup, hit Control Q.
If you click on the blue discosure triangles, a dropdown menu with about a dozen different presets will be displayed. Select the one you want, (Here, I've selected 720P.)
Whatever you select for a preset will not be applied until you make a new sequence. (I don't like to have sequences with different properties in the same project so I prefer to make a new project if I change the Easy Setup.)
Because photo aspect ratios are different than video, I typically put a solid generator of some compatible color on the first track (v1) and put my photos on the track above (v2). Looks better, IMO, than black bars. There are other creative ways to display them. And of course, you could scale them up to fill the frame…but then you probably would have to re-position them.
Good luck.
Russ

I am connected to the computer with my phone and it says there are 0 photos to import, however I have over 200 on my phone to import. I am trying to figure out why they aren't showing up.

I am connected to the computer with my phone and it says there are 0 photos to import, however I have over 200 on my phone to import. I am trying to figure out how to get itunes to recognize the photos on my phone. This has never happened before.

Have you tried to reset the iPhone and tried again to import?
To reset iPhone, press and hold the Sleep/Wake button and the Home button at the same time for at least 10 seconds, until the Apple logo appears.

Still Image distortion and washed out image quality after exporting

Hi,
I am a relatively new Final Cut Studio 2 user I've taken a few classes and I know the basics and a little beyond. So far my projects have been coming out well until I started having to add still images to my projects. When I add these images I size down in Photoshop CS3 appropriately, usually they are really large tiffs or standard jpegs. Then when I import them into Final Cut I size them one more time to match the wire frame. When I play the movie I created in Final Cut it looks great but after I export it using compressor I either get a pixilated type of image distortion or the images are washed out, but its usually only on certain images not all images in the project are affected. My projects usually end up embedded on our website or up on youtube or bliptv, so I have been bouncing between the H.264 300Kbps for medium bandwidth streaming and H.264 800 Kbps for high bandwidth. Would someone be able to tell me if there is a better codec I should use for the web that would get rid of these problems that I am having or do I need to size my images in a different way? Any tips would be greatly appreciated.
Sincerely,
The Louse~

No help on this

Lightroom's interpretation of camera raw data washes out colours

After I import images from my Canon 5D, they look different when I go into the develop module. I read the FAQ and I understand that this is caused by the difference between the stored thumbnail on the camera and the way lightroom interprets the raw image data.
The problem is, the tone and colour are always far superior in the camera thumbnail interpretation, and I spend considerable time on Lightroom to try and get the image back to how it originally looked on the camera thumbnail, usually unsucsessfully.
Is there a way I can get lightroom to match exactly the look of the previews stored with the raw file on the camera?
It is a big problem, because after lightroom interprets the data, skin tones look washed out and the colours are not as rich or natural looking.
I don't have this problem on other raw converters, and it is making me look for another software solution if I can't resolve the problem.
Help!

Well, my eyes must be doing some wonky things then... because in my experience its LR that is cheating me on the colors.
Yes... Canon many times oversaturates the colors... but I'm pretty sure that those red cherries I took a picture of were not pumpkin orange as LR shows them. ACR has some serious hue shift problems, yet not for everyone... it varies from camera model to camera model, and even within camera model from camera to camera.
The best we can do, since ACR isn't intelligent enough, is to fiddle with the calibration settings, and save that as the new default for the camera. (There are scripts that help do this if you have a Color-checker and CS2/CS3... but are of no help if you use only LR or Elements.)
Never expect the default settings in RAW (for ANY converter... Canon's included (with execption, perhaps of Zoombrowser)) to match the preview you see on the camera, or the out-of-camera jpeg. Adjustments will need to be made. Unfortunately in ACR, this means hours of messing the calibration sliders, much trial and error, and perhaps multiple presets to help with different lighting conditions.
That said... I too would like to see ACR improve in this area... but for the mean-time this is the best we can do.
edit: (I'm (slightly) exagerrating the extent of the shift above... but its VERY noticable... and can be very frustrating.
This site: http://www.photoactivity.com/Pagine/Articoli/023%20Calibratori%20al%20sole/Calibratori%20 al%20sole_en.asp explains in more detail than I understand some of the calibration scripts... and even has some screenshots of a color-checker comparing ACR defaults and various scripts to the color-checker. I'd guess the shifts I see are comparable to some of those shifts seen on that page.)

IMPORTING JPEGS -- THEY'RE COMING OUT WASHED OUT

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