Importing still images to Premiere Pro CS5
I have some still digital images in my computer which I want to use for a project for class.
The problem I find is that when I import the images they are too big and only a portion of shows.
Apparently the size of the image has to be 720 wide x 480 tall.
How do I resize it to that scale?
Please help.
Correction: I redid the whole thing as I was using the wrong image. But anyhow, this is the scenario.
My project requires images close to 720 wide x 480 tall. My image is 3264 x 2448
When I resized I couldn't use 720 width as the "constrain proportions" makes the height 540.
The latter being greater than the 480... so I have selected (with the right image now) 640 width and it automatically inserts a height of 480.
This is better than the previous dimensions with the wrong image so I guess I might be ok. What do you think?
Similar Messages
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Importing mov files in premiere pro cs5
I just installed Adobe Creative Suite 5 Master Collection on my machine and now, i have two issues.
1. I do have the latest quicktime installed but when i try to import *.mov files with audio, only the audio is imported and works fine. the video isn't, but I dont get a dialogue error box.
A). if the *.mov file has only video, i get a file import failure message saying " the file has no audio or video streams".
2. the next prob is my dymanic linking does not work.
Help pleaseIm trying something and I hope you can help me. I have two computers, one dedicated to capturing a event and the other I have is dedicated to playback. They share the hard drive via a network. What I want to know is- is there a way for the dedicated playback machine to access a video file that is still being captured by the capturing machine and play back parts of it in a sequence??
Gosford Lawrence
!https://www3.oovoo.com/oovoocallme/images/btn1.png|height=68|alt=http://webvideocall.oovo o.com/callme/gosford/236|width=123|src=https://www3.oovoo.com/oovoocallme/images/btn1.png| border=0!
Date: Thu, 21 Apr 2011 17:40:14 -0600
From: [email protected]
To: [email protected]
Subject: importing mov files in premiere pro cs5
Zone Alarm, eh? I used to use that program, but it got in the way of almost everything that I did, that I canned it completely.
Glad that removing ZA solved your issue.
Personally, I find MOV Animation CODEC to be quite good, and use that for a lot of work. Jeff Bellune, here, like the Photo JPEG format, but I have not explored that.
Good luck,
Hunt
> -
"Missing Codec" when importing QuickTime-Video into Premiere Pro CS5.5. What can I do?
Dear Adobe Community,
I tried importing a QuickTime-Video into Premiere Pro CS5.5, which did not work because there was a codec missing. What can I do now?
Thank you in advance for your helpful comments!
lots of love
FloraCodec & Format information, with 2 links inside for you to read http://forums.adobe.com/thread/1270588
Report back with the codec details of your file, use the programs below... A screen shot works well to SHOW people what you are doing
http://forums.adobe.com/thread/592070?tstart=30 for screen shot instructions
Free programs to get file information for PC/Mac http://mediaarea.net/en/MediaInfo/Download -
Importing images into Premiere Pro CS5
Hi all. I have a problem that has just occurred. In an HDV project in CS5 Premirer Pro, I am importing images from a source file into the project window and then onto the timeline. These are separate jpg images, each one with a different filename albeit the first three letters of the filename are the same. When the images are imported, although the filenames are as they appear in the source folder, the actual images are all identical - usually to the first image in the group. It makes no difference whether I import the images separately or as a group - the same problem persists. I have tried clearing the media cache and re-starting the computer. No use. Any ideas?
Many thanks, Ivan.Open and resave the images in Photoshop. This rewrites the header info and usually solves the problem.
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Help with importing images in Premiere Pro CS5.5
Hi all... I'm working on a widescreen ntsc project that mixes video footage with power point slides, which have been exported to BMP, JPEG, PNG and TIFF... when I look at the images in an external image viewer, they look great... when I import them and drag them in the timeline in Premiere Pro, they look terrible. The text looks bad.
Since the dimensions of the power point slides are 960x720, I have used the scaler in Premier, and I've also resized them in an external graphics program to about 720x480, but to no avail.
The vexing thing is, I gave a sample full sized slide and footage to a colleague, and he just dragged the slide into the timeline, resized it to the right size and the text is crystal clear.
Any ideas??
Thanks,
Mattcheck your paused and/or playback resolution settings...
I've found TIFF to be the cleanest output from PPT for inclusion in video, and I've also found that the scale to frame size command usually works pretty well within Premiere. However, Photoshop's scaler uses much better algorithms and will give you a much better result. You can do a batch process on all your files and automatically create smaller versions of them if you'd like. Alternatively, you can open PPT and customize the size of your PPT slide, which should scale everything to fit your new size. Then you'll have native 720x480 TIFFs on export from PPT. -
Importing MTS files into Premiere Pro cs5
I have been reading though some threads recently and now it has me wondering what I am missing on this subject. I have been working with MTS files for quite a while and have been dragging the folder into my project and rendering from there. (iMac 2012 with retina display)
Does this method affect the quality of these files? Is it better to convert them from a converter program and then import them? Also I have not been able to use any of the clips unless I keep them attached to the whole. Noticing this is not the case for my friend who uses .mov. Is there a way around that, that I am not aware of.
Coming from SD digital tape based camera to the Canon XA10 using ACVHD cards the quality already looks better to me, but if there is a chance it can look even better than I want to try that method out.
Thanks for any help/ideas I can get.
ruezSome notes about using video from SD card based cameras (or hard drive cameras)
Metadata contained in folder http://forums.adobe.com/thread/1015001?tstart=0
-and http://helpx.adobe.com/premiere-pro/using/transferring-importing-files.html
-http://helpx.adobe.com/premiere-pro/using/importing-assets-tapeless-formats.html -
Importing IMX50 footage into Premiere Pro CS5.5
Hi,
I've been trying to import a Final Cut 6 project into Premiere Pro CS 5.5 without any success. The footage is originally imx 50 codec. I do an xml import and I get a error message saying it cant read the .mov codec. It can see the sequence but can't associate any of the footage to it. I also tried transcoding the FCP sequnce to prores and then doing an xml export but with exactly the same result! Can anybody help?Hi Colin,
Here's the analyis you were looking for. I'll run those other test today and see what happens.
MEDIA INFO ANALYSIS begins:
General
Complete name : D:\Video Editing\Video Projects\RnR Rushes\RNR SERIES 16 EP 21 PRO RES\SCENES 17-21\radharc 2317 master tk2.mov
Format : MPEG-4
Format profile : QuickTime
Codec ID : qt
File size : 389 MiB
Duration : 50s 960ms
Overall bit rate mode : Variable
Overall bit rate : 64.0 Mbps
Encoded date : UTC 2011-10-12 11:17:39
Tagged date : UTC 2011-10-12 21:28:46
Writing library : Apple QuickTime
Original source medium : 001
©TSC : 25
©TSZ : 1
Video
ID : 1
Format : ProRes
Format profile : High
Codec ID : apch
Duration : 50s 960ms
Bit rate mode : Variable
Bit rate : 62.5 Mbps
Width : 720 pixels
Height : 576 pixels
Display aspect ratio : 5:4
Frame rate mode : Constant
Frame rate : 25.000 fps
Standard : PAL
Color space : YUV
Chroma subsampling : 4:2:2
Scan type : Interlaced
Scan order : Top Field First
Bits/(Pixel*Frame) : 6.026
Stream size : 380 MiB (98%)
Language : English
Encoded date : UTC 2011-10-12 11:17:39
Tagged date : UTC 2011-10-12 11:18:10
Audio
ID : 2
Format : PCM
Format settings, Endianness : Little
Format settings, Sign : Signed
Codec ID : sowt
Duration : 50s 960ms
Bit rate mode : Constant
Bit rate : 1 536 Kbps
Channel(s) : 2 channels
Sampling rate : 48.0 KHz
Bit depth : 16 bits
Stream size : 9.33 MiB (2%)
Language : English
Encoded date : UTC 2011-10-12 11:17:39
Tagged date : UTC 2011-10-12 11:18:10
Menu
ID : 3
Duration : 50s 960ms
Language : English
Encoded date : UTC 2011-10-12 11:18:10
Tagged date : UTC 2011-10-12 11:18:10
General
Complete name : D:\Video Editing\Video Projects\RnR Rushes\RNR SERIES 16 EP 21 PRO RES\SCENES 17-21\radharc 2317 pu1 tk1.mov
File size : 27.6 MiB
General
Complete name : D:\Video Editing\Video Projects\RnR Rushes\RNR SERIES 16 EP 21 PRO RES\SCENES 17-21\radharc 2319 master tk2
Format : MPEG-4
Format profile : QuickTime
Codec ID : qt
File size : 2.00 GiB
Duration : 7mn 13s
Overall bit rate mode : Variable
Overall bit rate : 39.6 Mbps
Encoded date : UTC 2011-10-12 11:23:04
Tagged date : UTC 2011-10-12 11:27:39
Writing library : Apple QuickTime
Original source medium : 02319
Media/UUID : 2EA70F55-C743-4789-ADBF-AA22D4838336
Media/History/UUID : 13421430-7675-40B8-B283-EBA8CAE840C2
Video
ID : 1
Format : ProRes
Format profile : High
Codec ID : apch
Duration : 7mn 13s
Bit rate mode : Variable
Bit rate : 62.4 Mbps
Width : 720 pixels
Height : 576 pixels
Display aspect ratio : 5:4
Frame rate mode : Constant
Frame rate : 25.000 fps
Standard : PAL
Color space : YUV
Chroma subsampling : 4:2:2
Scan type : Interlaced
Scan order : Top Field First
Bits/(Pixel*Frame) : 6.014
Stream size : 3.15 GiB
Language : English
Encoded date : UTC 2011-10-12 11:23:04
Tagged date : UTC 2011-10-12 11:27:39
Source : SCENES 17-21\radharc 2319 master tk2-av.mov1
Source_Info : Missing
Audio
ID : 2
Format : PCM
Format settings, Endianness : Little
Format settings, Sign : Signed
Codec ID : sowt
Duration : 7mn 13s
Bit rate mode : Constant
Bit rate : 1 536 Kbps
Channel(s) : 2 channels
Sampling rate : 48.0 KHz
Bit depth : 16 bits
Stream size : 79.4 MiB (4%)
Language : English
Encoded date : UTC 2011-10-12 11:23:04
Tagged date : UTC 2011-10-12 11:27:39
Source : SCENES 17-21\radharc 2319 master tk2-av.mov1
Source_Info : Missing
Menu
ID : 3
Duration : 7mn 13s
Language : English
Encoded date : UTC 2011-10-12 11:27:39
Tagged date : UTC 2011-10-12 11:27:39
General
Complete name : D:\Video Editing\Video Projects\RnR Rushes\RNR SERIES 16 EP 21 PRO RES\SCENES 17-21\radharc 2319 pu1 tk1
Format : MPEG-4
Format profile : QuickTime
Codec ID : qt
File size : 1.32 GiB
Duration : 2mn 55s
Overall bit rate mode : Variable
Overall bit rate : 64.6 Mbps
Encoded date : UTC 2011-10-12 11:27:39
Tagged date : UTC 2011-10-12 11:29:31
Writing library : Apple QuickTime
Original source medium : 001
Media/UUID : C0F8E421-089F-4DF8-84FD-C3282A9D7550
Media/History/UUID : 74A70F26-2E2B-42FF-8FAF-12AD13F96E6E
Video
ID : 1
Format : ProRes
Format profile : High
Codec ID : apch
Duration : 2mn 55s
Bit rate mode : Variable
Bit rate : 63.0 Mbps
Width : 720 pixels
Height : 576 pixels
Display aspect ratio : 5:4
Frame rate mode : Constant
Frame rate : 25.000 fps
Standard : PAL
Color space : YUV
Chroma subsampling : 4:2:2
Scan type : Interlaced
Scan order : Top Field First
Bits/(Pixel*Frame) : 6.080
Stream size : 1.29 GiB (98%)
Language : English
Encoded date : UTC 2011-10-12 11:27:39
Tagged date : UTC 2011-10-12 11:29:31
Audio
ID : 2
Format : PCM
Format settings, Endianness : Little
Format settings, Sign : Signed
Codec ID : sowt
Duration : 2mn 55s
Bit rate mode : Constant
Bit rate : 1 536 Kbps
Channel(s) : 2 channels
Sampling rate : 48.0 KHz
Bit depth : 16 bits
Stream size : 32.1 MiB (2%)
Language : English
Encoded date : UTC 2011-10-12 11:27:39
Tagged date : UTC 2011-10-12 11:29:31
Menu
ID : 3
Duration : 2mn 55s
Language : English
Encoded date : UTC 2011-10-12 11:29:31
Tagged date : UTC 2011-10-12 11:29:31
General
Complete name : D:\Video Editing\Video Projects\RnR Rushes\RNR SERIES 16 EP 21 PRO RES\SCENES 17-21\radharc 2320 pu1 tk1
Format : MPEG-4
Format profile : QuickTime
Codec ID : qt
File size : 1.64 GiB
Duration : 3mn 45s
Overall bit rate mode : Variable
Overall bit rate : 62.2 Mbps
Encoded date : UTC 2011-10-12 11:29:31
Tagged date : UTC 2011-10-12 11:31:52
Writing library : Apple QuickTime
Original source medium : 26
Media/UUID : 4E246055-0EF9-48C7-8A35-2364AD090B75
Media/History/UUID : A8DBFD8F-7069-44AC-8378-033005B0A581
Video
ID : 1
Format : ProRes
Format profile : High
Codec ID : apch
Duration : 3mn 45s
Bit rate mode : Variable
Bit rate : 60.7 Mbps
Width : 720 pixels
Height : 576 pixels
Display aspect ratio : 5:4
Frame rate mode : Constant
Frame rate : 25.000 fps
Standard : PAL
Color space : YUV
Chroma subsampling : 4:2:2
Scan type : Interlaced
Scan order : Top Field First
Bits/(Pixel*Frame) : 5.852
Stream size : 1.60 GiB (98%)
Language : English
Encoded date : UTC 2011-10-12 11:29:31
Tagged date : UTC 2011-10-12 11:31:52
Audio
ID : 2
Format : PCM
Format settings, Endianness : Little
Format settings, Sign : Signed
Codec ID : sowt
Duration : 3mn 45s
Bit rate mode : Constant
Bit rate : 1 536 Kbps
Channel(s) : 2 channels
Sampling rate : 48.0 KHz
Bit depth : 16 bits
Stream size : 41.4 MiB (2%)
Language : English
Encoded date : UTC 2011-10-12 11:29:31
Tagged date : UTC 2011-10-12 11:31:52
Menu
ID : 3
Duration : 3mn 45s
Language : English
Encoded date : UTC 2011-10-12 11:31:52
Tagged date : UTC 2011-10-12 11:31:52
General
Complete name : D:\Video Editing\Video Projects\RnR Rushes\RNR SERIES 16 EP 21 PRO RES\SCENES 17-21\radharc 2320 pu1 tk2
Format : MPEG-4
Format profile : QuickTime
Codec ID : qt
File size : 186 MiB
Duration : 25s 120ms
Overall bit rate mode : Variable
Overall bit rate : 62.2 Mbps
Encoded date : UTC 2011-10-12 11:31:52
Tagged date : UTC 2011-10-12 11:32:07
Writing library : Apple QuickTime
Original source medium : 001
Media/UUID : CD6679BE-8909-4A1E-91D6-30ACB7D0787B
Media/History/UUID : 2ED88EE8-565C-4AD9-8C49-22E7361338AB
Video
ID : 1
Format : ProRes
Format profile : High
Codec ID : apch
Duration : 25s 120ms
Bit rate mode : Variable
Bit rate : 60.6 Mbps
Width : 720 pixels
Height : 576 pixels
Display aspect ratio : 5:4
Frame rate mode : Constant
Frame rate : 25.000 fps
Standard : PAL
Color space : YUV
Chroma subsampling : 4:2:2
Scan type : Interlaced
Scan order : Top Field First
Bits/(Pixel*Frame) : 5.848
Stream size : 182 MiB (98%)
Language : English
Encoded date : UTC 2011-10-12 11:31:52
Tagged date : UTC 2011-10-12 11:32:07
Audio
ID : 2
Format : PCM
Format settings, Endianness : Little
Format settings, Sign : Signed
Codec ID : sowt
Duration : 25s 120ms
Bit rate mode : Constant
Bit rate : 1 536 Kbps
Channel(s) : 2 channels
Sampling rate : 48.0 KHz
Bit depth : 16 bits
Stream size : 4.60 MiB (2%)
Language : English
Encoded date : UTC 2011-10-12 11:31:52
Tagged date : UTC 2011-10-12 11:32:07
Menu
ID : 3
Duration : 25s 120ms
Language : English
Encoded date : UTC 2011-10-12 11:32:07
Tagged date : UTC 2011-10-12 11:32:07
General
Complete name : D:\Video Editing\Video Projects\RnR Rushes\RNR SERIES 16 EP 21 PRO RES\SCENES 17-21\radharc 2321 pu1 tk1
Format : MPEG-4
Format profile : QuickTime
Codec ID : qt
File size : 1.02 GiB
Duration : 2mn 12s
Overall bit rate mode : Variable
Overall bit rate : 66.1 Mbps
Encoded date : UTC 2011-10-12 11:32:07
Tagged date : UTC 2011-10-12 11:33:33
Writing library : Apple QuickTime
Original source medium : 001
Media/UUID : 388B8B8B-1D1E-41DA-925A-EE667EA4BB62
Media/History/UUID : 13755F55-1589-4033-8411-90D565DE4F17
Video
ID : 1
Format : ProRes
Format profile : High
Codec ID : apch
Duration : 2mn 12s
Bit rate mode : Variable
Bit rate : 64.5 Mbps
Width : 720 pixels
Height : 576 pixels
Display aspect ratio : 5:4
Frame rate mode : Constant
Frame rate : 25.000 fps
Standard : PAL
Color space : YUV
Chroma subsampling : 4:2:2
Scan type : Interlaced
Scan order : Top Field First
Bits/(Pixel*Frame) : 6.225
Stream size : 1 021 MiB (98%)
Language : English
Encoded date : UTC 2011-10-12 11:32:07
Tagged date : UTC 2011-10-12 11:33:33
Audio
ID : 2
Format : PCM
Format settings, Endianness : Little
Format settings, Sign : Signed
Codec ID : sowt
Duration : 2mn 12s
Bit rate mode : Constant
Bit rate : 1 536 Kbps
Channel(s) : 2 channels
Sampling rate : 48.0 KHz
Bit depth : 16 bits
Stream size : 24.3 MiB (2%)
Language : English
Encoded date : UTC 2011-10-12 11:32:07
Tagged date : UTC 2011-10-12 11:33:33
Menu
ID : 3
Duration : 2mn 12s
Language : English
Encoded date : UTC 2011-10-12 11:33:33
Tagged date : UTC 2011-10-12 11:33:33
General
Complete name : D:\Video Editing\Video Projects\RnR Rushes\RNR SERIES 16 EP 21 PRO RES\SCENES 17-21\radharc 2321 pu2 cam2 tk1
Format : MPEG-4
Format profile : QuickTime
Codec ID : qt
File size : 262 MiB
Duration : 35s 720ms
Overall bit rate mode : Variable
Overall bit rate : 61.6 Mbps
Encoded date : UTC 2011-10-12 11:33:33
Tagged date : UTC 2011-10-12 11:33:55
Writing library : Apple QuickTime
Original source medium : 001
Media/UUID : 0BA3D2D7-2464-4BB6-92BB-54560243ECB9
Media/History/UUID : 7FD2FBCF-C17F-42AE-BF5D-90F1805E5DE6
Video
ID : 1
Format : ProRes
Format profile : High
Codec ID : apch
Duration : 35s 720ms
Bit rate mode : Variable
Bit rate : 60.0 Mbps
Width : 720 pixels
Height : 576 pixels
Display aspect ratio : 5:4
Frame rate mode : Constant
Frame rate : 25.000 fps
Standard : PAL
Color space : YUV
Chroma subsampling : 4:2:2
Scan type : Interlaced
Scan order : Top Field First
Bits/(Pixel*Frame) : 5.790
Stream size : 256 MiB (97%)
Language : English
Encoded date : UTC 2011-10-12 11:33:33
Tagged date : UTC 2011-10-12 11:33:55
Audio
ID : 2
Format : PCM
Format settings, Endianness : Little
Format settings, Sign : Signed
Codec ID : sowt
Duration : 35s 720ms
Bit rate mode : Constant
Bit rate : 1 536 Kbps
Channel(s) : 2 channels
Sampling rate : 48.0 KHz
Bit depth : 16 bits
Stream size : 6.54 MiB (2%)
Language : English
Encoded date : UTC 2011-10-12 11:33:33
Tagged date : UTC 2011-10-12 11:33:55
Menu
ID : 3
Duration : 35s 720ms
Language : English
Encoded date : UTC 2011-10-12 11:33:55
Tagged date : UTC 2011-10-12 11:33:55
General
Complete name : D:\Video Editing\Video Projects\RnR Rushes\RNR SERIES 16 EP 21 PRO RES\SCENES 17-21\radharc 2321 pu2 tk1
Format : MPEG-4
Format profile : QuickTime
Codec ID : qt
File size : 1.27 GiB
Duration : 2mn 50s
Overall bit rate mode : Variable
Overall bit rate : 64.0 Mbps
Encoded date : UTC 2011-10-12 11:33:55
Tagged date : UTC 2011-10-12 11:35:43
Writing library : Apple QuickTime
Original source medium : 001
Media/UUID : C138D770-ED74-4FEA-865D-681D34ABAE7D
Media/History/UUID : CA3A07FF-5DEE-4C3E-96B4-0BCD1EE5633E
Video
ID : 1
Format : ProRes
Format profile : High
Codec ID : apch
Duration : 2mn 50s
Bit rate mode : Variable
Bit rate : 62.4 Mbps
Width : 720 pixels
Height : 576 pixels
Display aspect ratio : 5:4
Frame rate mode : Constant
Frame rate : 25.000 fps
Standard : PAL
Color space : YUV
Chroma subsampling : 4:2:2
Scan type : Interlaced
Scan order : Top Field First
Bits/(Pixel*Frame) : 6.019
Stream size : 1.24 GiB (98%)
Language : English
Encoded date : UTC 2011-10-12 11:33:55
Tagged date : UTC 2011-10-12 11:35:43
Audio
ID : 2
Format : PCM
Format settings, Endianness : Little
Format settings, Sign : Signed
Codec ID : sowt
Duration : 2mn 50s
Bit rate mode : Constant
Bit rate : 1 536 Kbps
Channel(s) : 2 channels
Sampling rate : 48.0 KHz
Bit depth : 16 bits
Stream size : 31.1 MiB (2%)
Language : English
Encoded date : UTC 2011-10-12 11:33:55
Tagged date : UTC 2011-10-12 11:35:43
Menu
ID : 3
Duration : 2mn 50s
Language : English
Encoded date : UTC 2011-10-12 11:35:43
Tagged date : UTC 2011-10-12 11:35:43
General
Complete name : D:\Video Editing\Video Projects\RnR Rushes\RNR SERIES 16 EP 21 PRO RES\SCENES 17-21\radharc 2321 tk3
Format : MPEG-4
Format profile : QuickTime
Codec ID : qt
File size : 526 MiB
Duration : 1mn 8s
Overall bit rate mode : Variable
Overall bit rate : 64.2 Mbps
Encoded date : UTC 2011-10-12 11:35:43
Tagged date : UTC 2011-10-12 11:36:27
Writing library : Apple QuickTime
Original source medium : 001
Media/UUID : 8FF7D341-111A-4535-AAB3-36F641389640
Media/History/UUID : AE250985-6D04-4D27-B1C8-8D590F8AB65B
Video
ID : 1
Format : ProRes
Format profile : High
Codec ID : apch
Duration : 1mn 8s
Bit rate mode : Variable
Bit rate : 62.6 Mbps
Width : 720 pixels
Height : 576 pixels
Display aspect ratio : 5:4
Frame rate mode : Constant
Frame rate : 25.000 fps
Standard : PAL
Color space : YUV
Chroma subsampling : 4:2:2
Scan type : Interlaced
Scan order : Top Field First
Bits/(Pixel*Frame) : 6.039
Stream size : 513 MiB (98%)
Language : English
Encoded date : UTC 2011-10-12 11:35:43
Tagged date : UTC 2011-10-12 11:36:27
Audio
ID : 2
Format : PCM
Format settings, Endianness : Little
Format settings, Sign : Signed
Codec ID : sowt
Duration : 1mn 8s
Bit rate mode : Constant
Bit rate : 1 536 Kbps
Channel(s) : 2 channels
Sampling rate : 48.0 KHz
Bit depth : 16 bits
Stream size : 12.6 MiB (2%)
Language : English
Encoded date : UTC 2011-10-12 11:35:43
Tagged date : UTC 2011-10-12 11:36:27
Menu
ID : 3
Duration : 1mn 8s
Language : English
Encoded date : UTC 2011-10-12 11:36:27
Tagged date : UTC 2011-10-12 11:36:27
General
Complete name : D:\Video Editing\Video Projects\RnR Rushes\RNR SERIES 16 EP 21 PRO RES\SCENES 17-21\radharc 2321 tk4
Format : MPEG-4
Format profile : QuickTime
Codec ID : qt
File size : 1.39 GiB
Duration : 3mn 7s
Overall bit rate mode : Variable
Overall bit rate : 63.6 Mbps
Encoded date : UTC 2011-10-12 11:36:27
Tagged date : UTC 2011-10-12 11:38:24
Writing library : Apple QuickTime
Original source medium : 001
Media/UUID : 250A8C23-93E8-4FD5-B529-19095DA598DA
Media/History/UUID : 06CF860D-F780-4876-A302-03AB6B1C851E
Video
ID : 1
Format : ProRes
Format profile : High
Codec ID : apch
Duration : 3mn 7s
Bit rate mode : Variable
Bit rate : 62.0 Mbps
Width : 720 pixels
Height : 576 pixels
Display aspect ratio : 5:4
Frame rate mode : Constant
Frame rate : 25.000 fps
Standard : PAL
Color space : YUV
Chroma subsampling : 4:2:2
Scan type : Interlaced
Scan order : Top Field First
Bits/(Pixel*Frame) : 5.981
Stream size : 1.35 GiB (98%)
Language : English
Encoded date : UTC 2011-10-12 11:36:27
Tagged date : UTC 2011-10-12 11:38:24
Audio
ID : 2
Format : PCM
Format settings, Endianness : Little
Format settings, Sign : Signed
Codec ID : sowt
Duration : 3mn 7s
Bit rate mode : Constant
Bit rate : 1 536 Kbps
Channel(s) : 2 channels
Sampling rate : 48.0 KHz
Bit depth : 16 bits
Stream size : 34.3 MiB (2%)
Language : English
Encoded date : UTC 2011-10-12 11:36:27
Tagged date : UTC 2011-10-12 11:38:24
Menu
ID : 3
Duration : 3mn 7s
Language : English
Encoded date : UTC 2011-10-12 11:38:24
Tagged date : UTC 2011-10-12 11:38:24 -
Importing MTS files in Premiere Pro CS5 Trial
I just bought the Master Collection but I am getting the box sent to me via mail so while I am waiting I am using the trial version. Anyways I tried importing MTS files from my hard drive and I am getting the following error - "file has an unsupported compression type." Is this because of the trial version? Will this work as soon as I get my serial number and officially register the product? Thanks in advance.
- ZefIs this because of the trial version?
Yep; no MPEG-based assets in the trial due to licensing restrictions.
Will this work as soon as I get my serial number and officially register the product?
Yep; be sure to uninstall the trial before you install the Master Collection, though. It's a good idea to run the CS5 Clean Script, too. -
How To Import .THM Files Into Premiere Pro CS5
Hello:
I just purchased a Canon Vixia HFM50. When I use the presets, there is support for the AVCHD format. The file extension for the AVCHD format from the Canon is *.THM. Yet, that file type is not recognized. How do I import it?
Regards,
Rich LocusHi Rich Locus,
Thanks for your post. THM is an image file format for thumbnails. Images are made smaller for browsing purposes, usually because it is easier to view and takes less time to load.
THM files can be viewed by most image preview or editing programs on both Macs and PCs. THM files are similar to .JPEG files, and those .
THM files representing image files can usually be converted to JPEG format by changing the name of the file from .THM to .JPEG or .JPG.
THM files can also be used by videos. When extracting a video file from a camcorder, a thumbnail will be created to represent the video, usually taken from the video’s first frame.
The .THM file will then have the same name as the .AVI file that it represents. With Canon-created video files, the .THM file also contains the metadata for the video, and therefore needs to remain with and have the same name as the .AVI file. Please update if changing the extension of the file works.
Regards,
Vinay -
CANNOT IMPORT FCP .XML FILE INTO PREMIERE PRO CS5
Hi,
Camera used:-Sony Pmw Ex3
Footage :- XDCAM sp(1440 * 1080i) PAL
Edited in :-final cut pro 7
Error :- failed to import .xml file into premiere pro cs5
I tried to import the .xml file into premiere CS5 ,it asked for the media files to relink .whn i linked the .mp4 files it showed the error messege "The selected file cannot be linked becouse it has 2 audio channel(s) and the clip was created with 1 audio channel(s).
then i tried to relink the .mov instead of .mp4 file (which i used in final cut pro on apple machine)i got the error "Codec missing or unavailable"
what should i do???..i almost done all the editing in final cut pro and i bought the adobe coz i thought i can finish all the pending FCP projects in Premier Pro..??What is the CODEC in your MOV file(s)? MOV is but a "wrapper," like AVI. This ARTICLE will give you some background. It could be that you just need the proper CODEC, or it could be that it is a Mac-only CODEC, and then you will need for the producer to Export in another CODEC, that is PC-compatible.
This ARTICLE will give you some background on CODEC's, in general.
Good luck,
Hunt -
AVI file incomplete on import to Premiere Pro CS5
For the past week I have been working with video content created in Camtasia and exported out of Camtasia Studio as AVI files using the Camtasia codec (TechSmith Screen Capture Codec). I then import the footage into Premiere Pro CS5 where I combine it with other elements. I had no problems with this until yesterday when I attempted to import an 18 minute long video created in Camtasia. The video exported fine and I am able to play it in full using Windows Media Player, but when I import it into Premiere, the video is only 2 minutes 38 seconds long (the first 2:38). I have attempted to re-export the video out of Camtasia Studio and attempted to re-import the footage into Premiere several times now, but the result is always the same. Premiere will only import the first 2:38.
I am on a PC running Windows 7 and Premiere Pro CS5. Not sure what other info might be helpful. Any insights would be greatly appreciated.Same issue. I previously used NeoScene to convert .mov files from a Canon 5d mark ii to the easier to edit with Gopro Cineform .avi format in Premiere Pro CC. They used to work fine but now Premiere only recognizes a very small part of the file. The first 18 seconds of an 8 minute file.
I tried importing the file to a new clean scene and the problem remained.
I need to be able to work with this footage. Somehow Premiere is no longer able to properly read clips it used to be able to read.
I would like to hear something from Adobe on this issue.
EDIT: I just updated my GoPro software to 2.0 and the problem was instantly solved. The same might apply to TechSmith.
EDIT 2: Upon rendering the edit I discovered that while the entire length of the clip was represented it in fact stopped playing new frames at the same frame as it had before. So no luck. Updating GoPro Cineform made the length of the file display correctly (7min) but did not actually let me play the file beyond the first 18 seconds - it just showed the same frame.
I deleted all preview files and cleaned Media Cache files (under media/preferences) - this didn't help.
Finally I made the file offline, closed Premiere, changed the file name and re-opened Premiere. Then I right clicked over the file in the Project window and chose replace file to re-connect. The file finally came in correctly. I've now rendered it and it runs through the entire 7 min.
Message was edited by: ereitz -
How can I create a stop animation video with single images in Premiere Pro?
Let me start off by saying I am 100% new to pretty much all Adobe software as of about 3 weeks ago. I have been doing a lot of googling these past few weeks. With that said, I will do my best to explain my question.
I am making a stop motion animated video. I am not using several photos to create the look, but rather single photoshopped images that I have deleted the backgrounds out of. Basically the video is single charms "crawling" or flying in individually from off screen into a circle, there is a story explaining what each charm means. I started in After Effects, but had issues with audio... am I right in my understanding that you cannot preview the audio unless you use the preview feature? So my solution was playing a guessing game, rendering/exporting, importing it to Premiere Pro, taking notes and then heading back to After Effects to try to re-do the timing. Obviously this was not working too well.
Then after doing more googling and clicking around I figured out you could layer images in Premier Pro and make them move just as you would in After Effects, which is great! There are two things hanging me up...
1. I used the wiggle effect in After Effects. For the life of me I cannot find or figure out an effect or preset similar to this in Premiere Pro. Is there such a thing? Or do I have to create rotation keyframes? (I think I'm using keyframes correctly).
2. Making the images stop-motiony and not smooth.
My question is... any suggestions on how to re-create the wiggle effect easily in Premiere Pro? Or is there away to create the effect in After Effects and then import the image into Premiere Pro and still be able to change the position and timing?
Please help! My deadline is tomorrow by the end of the work day!
Please forgive me if these are silly questions... go easy on me, I'm soo new! Thanks in advance!Thanks so much for the reply!
I read that... but it doesn't preview the whole thing? It only previews a few seconds and then loops. I tried to figure out how to change the preview settings, but I can't seem to get it to work. -
No sound when importing MTS files into Premiere Pro?
Hey guys, I'm editing a film for my Drama Assessment at school. I used a Canon HD Camcorder which saves files as .MTS extension. My problem is that when i import the files into Premiere Pro CS5 there appears to be no sound???? CAN ANYONE HELP ME PLEASE!!!
if you can hear the audio with media player or with any other player in your computer then check settings
EDIT--PREFERENCES--AUDIO HARDWARE AND CLICK ON ASIO SETTINGS.
another dialog box will appear and in that under
INPUT AND OUTPUT TAB
MAKE SURE ALL THE OPTIONS/BOXES SHOULD BE CHECKED .
DO NOT FORGET TO UPDATE TO 5.0.3 -
Premiere Pro CS5 won't import still images correctly
I've about had it with this pile of ****.
Brand new install of Premiere Pro CS5. When attempting to import still images, random images will show up as other images. i.e. in Windows, I'll have the following:
one.jpg (shows up at one.jpg)
two.jpg (shows up at two.jpg)
three.jpg (shows up at three.jpg)
Once I import them into PPro, I get this:
one.jpg (shows up at one.jpg)
two.jpg (shows up at two.jpg)
three.jpg (shows up at one.jpg) <-----
In other words, three.jpg is named three.jpg in PPro, but when I bring it into a sequence, or view it, it displays the image from one.jpg
I've tried clearing the media cache, renaming the images, moving them to different directories/drives. Any suggestions? Or should I just get my money back ffs. Thanks for any help.
-EricYou've stumbled onto a bug.
Here's the interim fix.
Imported Image Links Problem
And here -
Still image sizes in Premiere Pro CS5.5
I've been looking for quite a while on Adobe's help pages, these forums, and also the PDF manual, but can't find the info I'm looking for.
I'm moving from Final Cut Studio to the Adobe suite of video production for various reasons. I've purchased (though not yet received) the Production Premium upgrade. I have a new project I'm starting, and want to correctly size my images for Premiere Pro. For instance, Final Cut Studio has this handy chart:
The video sequence frame size
If you are using this format is Use graphics with this frame size
CCIR 601 NTSC 4:3 720 x 486 720 x 547
CCIR 601 NTSC 16:9 anamorphic 720 x 486 853 x 486
DV NTSC 4:3 720 x 480 720 x 540
DV NTSC 16:9 anamorphic 720 x 480 853 x 480
CCIR 601/DV PAL 4:3 720 x 576 768 x 576
CCIR 601/DV PAL 16:9 anamorphic 720 x 576 1024 x 576
720p HD 1280 x 720 1280 x 720
1080i or 1080p HD 1920 x 1080 1920 x 1080
So for a standard 4:3 DV NTSC video, I make my still images 720 x 540 pixels. 16:9 anamorphic, 853 x 480.
For whatever reason, this type of information is completely missing in the manuals for CS5.5. I did however find this information related to Premiere Pro 4:
4:3 DV (NTSC) or ATSC SD—create and save the square-pixel file at 720x534.
4:3 D1 (NTSC)—create and save the square-pixel file at 720x534.
4:3 DV or D1 (PAL)—create and save the file at 788x576.
16:9 DV (NTSC)—create and save the file at 864x480.
16:9 D1 (NTSC)—create and save the file at 872x486.
16:9 DV or D1 (PAL)—create and save the file at 1050x576.
16:9 1080i HD—create and save the file at 1920x1080.
16:9 720p HD—create and save the file at 1280x720.
So did this apply to CS5.5 as well? Meaning if I'm creating a standard 4:3 DV NTSC video, my still images should be 720 x 534, and 16:9 anamorphic 864 x 480? Not quite sure what the distinction is between DV and D1, other than the anamorphic sizes are different.
I also know these are different from Final Cut Studio. In Apple's manuals, they come right out and say the pixel sizes FCS uses for stills are different from most video editing software. So I'm not surprised to see 720 x 534 for for 4:3 NTSC in Premiere Pro rather than Apple's size of 720 x 540.
Thanks.The list is valid if you save the file in square pixels.
However, I believe there is an easier way if one has
Photoshop.
In Photosohop, you can change the image pixel
aspect ratio directly. The drop down for that parameter lists common video formats.
Change the PAR first (e.g., 1.33) and then, using the crop tool set for the frame dimensions, e.g., 1440 x 1080. Save the file. Premiere will recognize the image format. There's no reason to keep track of what the square pixel frame size is.
You can create Photoshop Actions to somewaht automate this process.
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