In and out effect

Hey, would you say this video effect is done in editing or while shooting?
The zoom in effect at 22secs and 28 secs
http://www.youtube.com/watch?v=yUItJhA688s

Definitely a camera dolly, likely on a rig or steadicam
and it looks like a bit of fish-eye or wide angle lens
for the slightly exaggerated perspective.
All camera work.

Similar Messages

How do I delete the zoom in and out effect on my slideshow?

I have installed this widget to my website but I only want the fade in and out effects on the transitions. The zooming is not something I'm interested in since i am showcasing pieces of my portfolio. I need the images to come in and out at 100% of their size and not zoom in or out at all.
Is this possible? I don't know js and going throught the plugin scripts was confusing enough.
Is there a plugin or anything I can just delete on my page that will just cancel this particular effect out?
Thank you!

Hey Gramps
Thank you for the help. It stopped the effect but it also made the slideshow an unordered list going from top to bottom so the images were not in the slideshow itself.
Here is what my code looks like
<script type="text/javascript">
// BeginOAWidget_Instance_2141543: #ImageSlideShow
var ImageSlideShow = new Spry.Widget.ImageSlideShow("#ImageSlideShow", {
    widgetID: "ImageSlideShow",
    widgetClass: "BasicSlideShowFS",
    injectionType: "replace",
    autoPlay: true,
    displayInterval: 8000,
    transitionDuration: 2000,
    componentOrder: ["name", "title", "view", "controls", "links"],
    sliceMap: { BasicSlideShowFS: "3slice", ISSSlideLink: "3slice" },
    plugIns: [ Spry.Widget.ImageSlideShow.ThumbnailFilmStripPlugin, Spry.Widget.ImageSlideShow.TitleSliderPlugin, Spry.Widget.ImageSlideShow.PanAndZoomPlugin ],
    TFSP: { pageIncrement: 8, wraparound: true }
// EndOAWidget_Instance_2141543
      </script>
You asked me to remove it from the constructor.
Exactly what do I need to change from this code so it will cancel the plugin?
Thank you again, it feels like I'm getting closer.
Guillermo

New clips automatically fade audio in and out?

When I add a clip from an event to the project there is automatically a fade in and out for the audio which I do not want. I checked under project properties but still couldn't find anything useful to turn this off. Any ideas?

You can select all of your clips (by clicking one and using command A) and then manually chage the fade in and out for all of them at the same time in the inspector. That is how I do it but I do wish that I could find a setting to turn off the fade in and out effect, just the same as you.

Effects in and out points

I'm working with Soundtrack version 2.0.2. In previous versions, when adding an effect to a channel - you could hit the "down arrow" on the track to reveal the volume and pan, etc, etc and the effect showed up as a purple line there that you could insert points (like adjusting volume) and take the effect in and out at as you wanted in certain parts of an audio file. That option is not in this version evidently - can anyone tell me how to insert points to activate and deactivate effects so they come in a certain times and don't just affect the whole track?

Do you use any time-stretching/ time remapping? Also this behavior may occur with some combinations of source timecode usage, so turn that off in the prefs and elsewhere if you don't depend on it...
Mylenium

How to manage bom effective in and out dates

The parent-child relationships in my BOMs have effective in and out dates. The in date is when the child part starts to participate in the BOM cascade. Then out date is when it stops participating.
My questions is, how to express this in IOP speak. Specifically, when I want to say is,
dependent demand = dependent demand + <total demand from parent> * if (today is in [BOM.in_date .. BOM.out_date], BOM.usage, 0)
I'm sure it can be done, just haven't been able to figure out how. I poked around the function reference in jdocs, but haven't come up with a way to do this. Seems like the key here is to construct locations out of the dates I pull out of the rowsource. Once I have that, I should be able to use the in() and range() functions.
Thanks for your advice.

Matt
Yes, this is fundamental and supported well. Unfortunately, it used to be custom code before the release coming out soon. In this release, we have introduced generic functions to achieve that. The in_date and out_date are function of the relationship I assume.
Here is what you could do with the new release -- remember this should be coded in the rolldown/rollup formula --
dependent demand = dependent demand + <total demand from parent> * if (isCurrentDateInRange(
lookupDate("BOM_STRUCTURE_RS", property("BomDim", "name"), sourceSparseMember("BomDim"), "start_date"),
lookupDate("BOM_STRUCTURE_RS", property("BomDim", "name"), sourceSparseMember("BomDim"), "end_date")),
lookup("BOM_STRUCTURE_RS", property("BomDim", "name"), sourceSparseMember("BomDim"), "SCALE_FACTOR"), 0)
lookupDate and isCurrentDateInRange are introduced now.
Lookup in general is a cool function that lets you do arbitrary query to rowsource. It is like table lookup and it is efficient within a block calculation.

Why is "edit in Audition" greyed out in Premiere Pro and After Effects?

Since the CC 2014 launch, the option in in Premiere Pro and After Effects to "edit in Audition" is greyed out. Right-clicking a clip in Premiere Pro doesn't have an option for Audition. I cannot send my compositions, sequences or clips to Audition for audio editing. I contacted an Adobe Support personnel earlier this evening. They suggested to go into my Mac's System Preferences and enable a root user, log out of my account, log into the root user, shut down and boot up into safe mode. None of these scenarios worked. It is still greyed out, in both user accounts.
Is this a known issue? I even uninstalled and reinstalled Audition. Still nothing. All my Adobe apps are updated. My Mac is updated. Again, never had this issue before.
I'd appreciate any assistance!
Thank you!
Cheers,
Evan Lockhart

I may have an answer for you, but not sure if my resolution will work for Macs.
First, here's my system and initial info. I'm using a work computer, operating system is Windows 7. I just upgraded to Adobe CC 2014 about a week ago, and I also uninstalled the previous versions of all my Creative Cloud programs after installing the new versions (CC 2014 doesn't just update the previous version, it installs a new program and doesn't automatically uninstall the previous CC programs). Not sure if the uninstall is necessary, for this resolution to work.
Anyway, after I installed Premiere Pro CC 2014 and Audition CC 2014, the Edit Clip in Adobe Audition command was available from the Edit menu in the Menu bar, but was disabled in the right-click menu for the sequence (for the right-click menu, it was visible, but greyed out and disabled). When I tried to use the command from the Edit menu in the Menu bar, it gave me a dialog box to fill out and it created a new folder (titled "Adobe Audition Interchange"). So, the command, when selected from the "Edit menu" obviously uses a different process than the command from the right-click menu. Anyway, I didn't want a new folder created or to fill out a dialog box, I just wanted it to behave like it used to. Basically, when I right-click the sequence and select Edit Clip in Adobe Audition from the right-click menu, it just opens Audition and the audio waveform is visible.
I was able to resolve this and get the right-click command working by reading a couple of articles on this same issue from Adobe CC (not CC 2014) and using those to figure out how to fix this in Adobe CC 2014.
Here's what I did:
I had to locate my .sesx files in my system. They are NOT in the same location as they were for the previous version of CC (at least, they weren't for me). I had to use the Search command and look for .sesx extensions to locate them.
Found them under the path C:>Users>Public>Public Documents>Adobe>Audition>7.0>Session Templates. Note that (for me), there was a folder titled 6.0 on the same level as the 7.0 folder. I selected the 7.0 folder as that folder contained the most recent set of .sesx files. I checked the 6.0 folder and those were the .sesx files from the previous version, so I deleted that folder just as a clean-up step.
I right-clicked on one of the .sesx files in the Session Templates folder and then selected Open with from the right-click menu. The Open with dialog box displays and provides a list of programs.
I selected Adobe Audition CC 2014 from the list of programs (you may have to browse to find it) and then selected Always use the selected program to open this kind of file. I then clicked OK to submit the configuration command and close the Open with dialog box.
I restarted Premiere Pro CC 2014 and the Edit Clip In Adobe Audition command was now enabled on the right-click menu and was working properly.
I wept with joy..... OK, not really, but I'm always irritated at ridiculous regression errors and a lack of thorough testing of new software versions, so I am happy to resolve frustrating issues.
Don't know if this will help you, or if you already resolved your issue. Either way, good luck!
~ Jim

Workflow into and out of After Effects

I’m just starting to learn how to use After Effects CC, with the help of the associated Adobe “Classroom In A Book” to get me started. Naturally, I’m keen to start using AE myself with my own projects, but this raised a question I can’t find the answer to.
First, apologies if I’ve posted to the wrong forum, I’ve target the AE forum because this is where I’ve become stuck, and hence the question. Basically it’s about overall workflow. Before I ever used After Effects, I’d organise my video clips, and do whatever was needed completely within Premiere Pro. Ultimately, my finished Premiere Pro project would be exported off to Media Encoder and job done!
If I’m working on a clip in Premiere Pro that I feel needs work done to it in After Effects, do I stop working in Premiere Pro and work on that clip in After Effects, bringing the finished clip back to Premiere Pro? Do I complete my project in Premiere Pro, and import the finished video into After Effects, resuming work on the sections of the finished video that require it?
Workflow wise, I’m just not sure how the process should be followed. I always work out in advance what I want my (finished) video to be, and when I was working just with Premiere Pro, it was pretty straightforward. I’m just now sure how to proceed efficiently when After Effects becomes involved.
Any advice most welcome.
Steve

As Mylenium said, you basically work on your effects shots the way effects shots have always been worked on. Since the days of Georges Méliès and other pioneers in the film industry, you edit the material you have to create your first cut or rough cut of your movie, then you decide what shots or sequences need effects, then you send those shots to the effects department for them to work on it. Only the tools have changed. What was originally a couple of rewinds, a viewer and a splicing block has become the NLE. Animators, matte painters, and special effects departments have been changed to compositing and motion graphics products like AE and Nuke. The workflow, has not changed. Beginners usually foul up the workflow and don't work as efficiently as they could, but an efficient production process is still the same. Script, plan, schedule, rehearse, block, shoot, rough cut, add special effects, refine the cut, do the final sound mix, do the final color grading, and render the movie.
For simple effects you can use dynamic link to simplify moving your effects work to AE and back to Premiere Pro, but I would recommend that any effects shot that requires more than a half hour to complete be rendered and the footage in AE be replaced with your render. Make sure you include enough handles on your effects shots so you can fine tune the editing for the final cut.

Line out and Sound Effects revert to Internal Speakers when I reboot. Any suggestions?

I have an early 2008 Mac Pro that runs fine under Yosemite. The Sound preference panel worked under Mavericks, but now I must open the Sound panel and manually change the output for both Output and Sound Effects from Internal Speakers to Line Out after a reboot. This is irritating and is becoming more so.
I've zapped the PRAM with no success.
Would an AppleScript app on startup work? I can't seem to find any appropriate commands in AppleScript that affect these parameters.
Any help appreciated.

The script doesn't seem to work on Yosemite. Trolling around in the library, it appears that "audio" is now "sound," which would explain the file not found.
Or am I missing something?
Suggestions?

Slow motion and other effects are grayed out

Just switched from iMovie 9 to 11, and can't take advantage of the slow motion, instant replay and other effects, because they are all grayed out in the Clip menu. Why? I do not see the "convert entire clip" option referred to in the help file. What is wrong?

Yes, that is it. The trailers are pretty scripted.
If you want to add an effect to a trailer, first complete the trailer.
Then, in the Project Library List view, right click on the trailer name, and select DUPLICATE. (This will give you a copy of the trailer in case you want to edit it some more.)
Then, with the trailer name still selected, click FILE/CONVERT TO PROJECT.
This will turn your trailer into a normal project, and you can use any of the capabilities of iMovie, including the slow motion and instant replay effects.

Why is my iPad 2 volume going in and out? Sometimes it says sound effects and the squares on the volume aren't coming up. I've tried everything.

Why isn't my IPad 2 volume going In and out? Sometimes the volume squares won't come up and when I have headphones in it doesn't work the volume will work for 1 second amd then boom it's gone again! I've tried updating, restarting, and the mute bottom isn't on I've tried everything, but nothing is working. Can someone please help thank you.

I have the same issue that the international keyboard (globe icon) is not accessible once I updated to ios 7. I am attempting the restore from iTunes, but receive:
"Find My iPhone must be turned off before “xxxxx iPhone 4S” can be restored."
Of course, I am unable to access this setting on the iPhone. From my Mac I entered iCloud and tried changing setttings and erasing the phone from the Find My iPhone there, but it did not turn the feature off on the phone.
Any suggestions?

Problem with Matrox Mini, NVIDIA GeForce GTX 570, Premiere 5.5.2 and After Effects CS5.5

Hello,
We have a couple video workstation PC's in our office.
Premiere and After Effects have been crashing lately with increasing frequency - about every two minutes now.
Here is the setup:
Hardware
Matrox Mini - Matrox Utility release 5.5.1
Nvidia GeForce GTX 570 - Driver release 275.33
Intel Xeon X5660 2.8 GHz processors
24 GB Ram
Software
Adobe CS5.5, specifically...
After Effects 10.5.0.253
Premiere 5.5.2
Windows 7 64-bit
We have two 21" LCD monitors in dual display running from the computer, and the Matrox Mini outputs a preview signal to a 15" CRT.
The crashes occur when I have After Effects and Premiere open at the same time. I am editing in a Matrox 720p29.97 timeline in Premiere. I imported several compositions from AE into Premiere through Dynamic Link and am matching audio with the animations in comps. When I switch back to AE to make an edit in the comp, After Effects generates a crash warning and then gives me the opportunity to save the project under a new name. After saving, it closes down completely. The Matrox WYSIWYG Control Panel in the system tray crashes during AE's crash, disabling the preview to the CRT from Premiere and AE. Since the Premiere sequence is a Matrox preset - in order to have output to the CRT - this freezes the timeline; the video and audio no longer play. When I save and then try to close Premiere, Premiere freezes and will not close without a force quit via the Task Manager.
In order to deal with this temporarily, I am editing in an AVCHD 720p30 sequence preset in Premiere, which doesn't send a preview feed to the CRT, obviously, since it's not a Matrox preset and the CRT is connected via the Matrox Mini. It's more than a minor inconvenience, since I use the CRT for color accuracy.
It is frustrating, since we did not have this problem until the recent CS5.5.2 update. We have tried changing drivers for the GTX 570 and changing the Matrox utility software to other versions, but no luck.
Is there a combination of GTX 570 drivers, Matrox software releases, and AE/Premiere settings that will make this work? I know there are "Known Issue" posts with Nvidia cards on Matrox's website, which include the GTX 570, but, again, this problem started with the Adobe CS5.5.2 update.
Any help here would be great, and I am willing to provide more information about the system and our crashes if it helps find a solution for the community, as I know this is not an isolated problem after reading Nvidia's, Matrox's, and Adobe's forums. I just can't find a hollistic solution on any of the individual manufacturer's forums.
Thank You.
Jordan

I've been running with Matrox for years, starting with the Axio LE. I do 75% broadcast work and find that the Matrox works very well with my kind of workflow. Monitoring is critical and since we have to deal with 3rd. party solutions, Matrox was my pick dating way back to 2006. Sure I've had frustrations with it, but I've made far more money off Matrox than frustration.
   Here's my nearly crash-free setup:
Gigabyte GZ-X58A-OC moboard
Intel 990X (only overclocking to 4.0)
24Gb of Kingston HyperX Ram
GTX580 Graphics Card
Matrox MXO2-LE w/Max
Crucial 240Gb Sata III drive (the one that has a nearly perfect score on Newegg's site)
2 x 2Tb WD Blacks Raid 0
2 x 1Tb WD Blacks Raid 0
Win 7 Ultimatte (it's a high-end version of Windows that's great for keying!)
CS5.5 Suite
Boris Red 5
Boris Continuum Complete 8
Trapcode Shine, Form, 3d Stroke, Starglow, and Particular
Optical Flares by Video CoPilot
   The reason I list all of that software, is that it all seems to get along together, including with Matrox! So, I can't say I highly endorse Matrox because I've never tried Black Magic or running an external monitor off of my video card.
    I use After Effects with all sorts of plug ins and rarely have crashes. If I put in a long day I'll have the usual crashes here and there (mainly with PremierePro), but nothing that has required evan a soft reboot of the computer.
   My frustration with Matrox is mainly the delay that often comes with Adobe coming out with a new release and Matrox taking 2 or 3 months to catch up, though when Adobe went from 5 to 5.5, there was no delay at all.
   I think that a lot of the people who trash Matrox probably haven't used a Matrox product in years. But before you listen to me, I must confess that I was an early adopter (and advocate) of SSDs and even today, many people on this forum think they're still a waste of money!
   I'll close by simply saying that I've not left Matrox after 5+ years, but keep in mind I haven't had the bad experiences that so many others seem to have had, but again, perhaps they had those bad experiences long ago.

Nikon D7000 .MOV files in Premiere Pro and After Effects CS5.5

I recently upgraded from Production Premium CS5 to CS5.5. Initially Nikon D7000 .MOV files used in previous CS5 Premiere Pro project would not play well in CS5.5. Now .MOV files do work in both PP and AE CS5.5. Here are the steps I followed. Not recommending you follow my steps exactly, just providing info for those that are interested.
1.       Launch Premiere Pro CS5.5 and open previous PP CS5 project, convert project to CS5.5 and rename project file as not to replace previous CS5 project file.
a.       At this point .MOV files do not play in new project or in AE CS5.5
b.      Close Premiere Pro and After Effect if still running.
2.       Using Adobe Bridge CS5.5, batch rename;
a.       Make copies of original files to new folder location while renaming file extension from .MOV to .mpg
b.      Let Adobe Bridge finish creating all new thumbnail previews.
c.       Leave Bridge running in background.
3.       Launch Premiere Pro CS5.5, let Premiere finish recreating thumbnail previews if needed.
a.       Attempt to preview existing .MOV file in project. It worked for me.
b.      Attempt to play sequence containing .MOV files. It worked for me.
c.       Attempt to play or modify sequence .MOV files in AE CS5.5 via Dynamic Link within Premiere. It worked for me.
d.      Close Premiere Pro project and AE projects if open.
4.       Create new Premiere Pro project and sequence
a.       Import a different Nikon D7000 .MOV file not previously used or renamed.
b.      Attempt to play this newly imported .MOV file. This worked for me as well.
c.       The new, previously un-renamed .MOV file also worked in AE CS5.5 for me.
I will perform additional tests but at the moment Nikon D7000 .MOV files are working for me in CS5.5 after initially performing a batch rename in Bridge CS5.5 from .MOV to .mpg and letting Bridge create preview files. Even .MOV files not renamed now work.
An example of Nikon D7000 footage edited with Adobe Premiere Pro CS5.5, After Effects CS5.5, and Sound Booth CS5 can be seen on my blog, http://stevelandonsmyth.typepad.com/steve-landon-smyths-blog/2011/07/my-first-hd -video-shoot-with-nikon-d7000.html
My system: MacBook Pro 17" 2.3 GHz i7 quad core, 8GB RAM, 500MB SSD
Message was edited by: Steve Landon-Smyth

Hello,
I see 2 post in this thread from Todd that say they are working on a fix and it should be out soon. One is from July, the other from August. It is now Sept 7th and I still see no patches or fixes for any bugs. I spent 400 dollars on an upgrade, but is this upgrade going to be supported?
This is making me rethink upgrading to the .5's in the future.
It is a minor bug to most, but in that sense it should be an easy quick fix. Am I wrong? Is this really a complicated issue?
I apologize if this comes off like a rant, but thats kinda what it is. It is not hard to batch rename files, but its a pain to have to relink all those files in PP.

Is it possible to use transparency AND outer glow within a composition target?

I've created a composition which uses a bunch of buttons to show different overlays over a background image. The idea is that you can see through the overlaid images using 50% opacity (for example) to see the image underneath, thereby understanding the context of the overlaid image. I also wanted to highlight the overlaid image with an outer glow. This sort of works but I can't get the outer glow AND the opacity to work together, when applied to the state of the overlaid image. If I apply them both I lose the 50% opacity. In the end I've had to apply the 50% opacity to the composition target itself but this is not ideal as this impacts other elements within the target (such as a box with text describing the overlaid image). The outer glow and opacity work fine when applied to an image OUTSIDE of the composition e.g. a picture placed on the page.
The link below takes you to the page I'm working on.
All the composition targets have 50% opacity (or 75% on click) applied to the target itself and the the outer glow applied to the picture EXCEPT "Cubby Pair" which has opacity 50% AND outer glow applied to the picture. As you can see the "Cubby Pair" seems to ignore the opacity setting and is 100% opaque.
Under the Hood (TCV-M)
Any ideas?
Edit: when I Preview in Muse it works but not when I view in browser (both IE and Chrome, haven't tried Firefox)

I think I solved my own question. Instead of using "Opacity" next to the "Effects" option I have used "Fill" opacity. This appears to work fine now.

Problems with Dinamic Link between Premiere pro CC and After Effects CC

I'm having serious problems with dinamic link between premiere pro and after effects, really serious problems that have 2 big projects in trouble (a documentary and a video clip) and I had to redo all the work pipeline to the consumer.
The documentary for a spanish TV was made on CC 2014 and a video clip was made on CC. Both of them with a lot of after effects composition in the premiere pro timeline. Render freeze, a lot of playback issues, and many more problems... Until I decided to remove these links between premiere and after effects and render out all the after effects compositions one by one and insert as clips in premiere pro. 1 week working away with back and fourth.
I've got a huge workstation:
i7 4990
32Gb ram
GTX780 3gb
256 gb system ssd
2 Tb project storage
*All my hardware and software are update.
I know that a lot of folks are on the same huge problem and I want to ask everyone:
How do you save this?
What is your pipeline?
Are there any solution?
Best practice to use dinamic link in a huge project?
Thanks,
Ruben Gimenez.
R&D iceblink.es
www.rambot.es

Thank You, Jim -
Unfortunately that specifically did not work.
Based on another comment sent to me, here is what did.
In PProCC
File > Adobe Dynamic Link > New After Effects Composition
In AECC
From that composition created from PPro, I imported the project (aep) initially created in AECC from another team member. Saved the file.
Back in PProCC
File > Adobe Dynamic Link > Import After Effects Composition
Magic.

Photoshop cs4 and cs5 and after effects 7.0

Hello my name is mel
My question ! I'm working with photoshop cs4 and after effects 7.0 building a web page and this going to be my first page . I got the header in and the footer also,
the main body is going to be this avi file. after effect project that I want to run when the page opens. I want to slice up and send to DW for coding . my question is how do you slice this page up and transport it to DW.cs5 and do you have to code the avi in html and css to run when the page is open. Because as now when you run the avi in photoshop nothing elese on the page works , just the avi runs when you turn off the avi then every thing is back normal .to run the avi you have go to the video part of psd and click on the start button . any idea or any suggestion how to proceded would help
thanks
mel
[email protected]

we were told in design school to use ps to design your site then transport to DW to code??
Maybe I misunderstood you.... You do the graphics in PS, that's of course what everyone does and then you code in DW, but by all means, you do not operate on the atrocious code Save for Web would spit out from PS. Trying to fix it is more trouble than starting with a blank page in DW and inserting the background and otehr images manually. And you definitely misunderstand "animation" vs. "video" After Effects is just a means to turn animation into video just as Flash is a means of creating dynamically rendered animation or interactive content. Both have their uses, but without knowing what kind of animation or video you actually need to produce, this is going nowhere. It may turn out that all you need is an animated GIF, after all... Furthermore your AE 7 is dated and does not output good H.264 or FLV directly compared to more recent versions, so this opens up yet anotehr can of worms when it comes to producing good quality web video at small file sizes... In any case, you still require a lot of reading. Too complex a topic for which nobody can provide a tippy-toe tutorial and without understanding even some basic concepts, the most beautifully designed PS grafik will end up being nothing more than a useless lump of pixels on a web server...
Mylenium

In and out effect

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