Inputting footage from Final Cut Pro

I have input footage into Final Cut Pro, but would now like to try iMovie '09.
Can i move my footage from Final Cut into iMovie or do i have to input all over again?

iMovie should read all your FCP footage including ProRes movies as long as it's the same mac or another mac with FCP installed. Make a new folder in 'iMovie Events' and place your FCP movies. Next time you launch iM09 it will build thumbnails and footage will be read to use.

Similar Messages

Exporting a JPEG in 4:3 from video footage in Final Cut pro is impossible

I'm trying to export a screen grab from final cut pro as a jpg. It's easy to export a jpg image, but as far as I can tell, it is completely impossible to export it as a 4:3 aspect ratio image. My video footage is all 4:3 but all of the jpg images I try to export come out squished into 16:9. This is driving me crazy!
Here is what I'm doing . . .
Export >Using Quicktime Conversion >Format (Still Image)
From their I've tried every setting you can imagine and FCP still obstinately refused to allow me to export a jpg image in it's true proportions.
Please prove me wrong.

Awesome! You rock moblie! Thanks a lot for the info. I was wondering why the image proportions were correct in photoshop (ie. 720x480, I thought those were 4:3 dimensions, but I guess it's just resolution?). I adjusted the image in photoshop to be 720x534 pixels and it looks fine now.
I realize this isn't the smartest question in the world, but why isn't 720x480 a 4:3 aspect ratio? I don't really understand aspect ratio all that well (as you can tell).
Thanks again!
- Big ol' Polarbearski
Message was edited by: polarbearski
Message was edited by: polarbearski
Message was edited by: polarbearski

When sending job from Final Cut Pro to Compressor using local QCluster

When sending job from Final Cut Pro to Compressor by way of Share and using the local QCluster, the audio renders, but the video errors out saying something along the lines of Can not locate file.
If I use 'This Computer' it works fine.
What gives?
Fresh install of OS and FCS.
Thanks!

I'm just learning the intricacies of Compressor and Qmaster myself, but I have learned that when you use Qmaster you can not share directly from FCP. You must export a Quicktime movie (reference movie seems to be fine) and input that to Compressor. This is only an issue when using Qmaster, as you've seen.

What compression to use when Exporting HD video from final cut pro PAL setting

Hi there
I'm trying to export my HD video from Final cut Pro so that I can edit it in DVD studio Pro. I initially exported it on H.264 setting however it then gives me the message 'NTSC assets cannot be imported into PAL projects' It was edited with PAL setting so I think it must be the conversion but i'm not sure which option to use.....been really struggling to get the 1 hour footage under 4.5gb without losing too much quality...
Any advice greatly appreciated!
thanks

Just to add two suggestions.
1) Consider putting your four movies on two disks.
2) Bring your movies into Compressor and duplicate the stock DVD setting. In the Encoding pane of the Inspector, select a CBR and dial it back to around 6.2 to 6.5 Mbs. In Preview mark a small section and submit; you'll get 2 elementary streams, with m2v and AC3 extensions. Bring that into DVDSP and evaluate results. Adjust as necessary. (This is to avoid waiting out very long encodes and then having to start again from scratch if you get disappointing results.)
Russ

Retrieving imported AVCHD files from Final Cut Pro X

Hi there, does anyone know how to retrieve raw AVCHD clips from Final Cut Pro X, after they have been imported? I shot some footage on my GH2 and it DID import from the camera into FCP X, but it's not running smooth at all. I heard that it's better to convert the files into pro res first, but I wanted to see if it worked. It does work, but not very well. So now I want to find the original video files I imported and convert them into pro res and then import again. Anyone had experience with this?

I think it all comes back to work flow. The whole reason I have opted to convert the original files to pro res is because it is choppy in the timeline when I'm editing. It seems it's true that FCP X really prefers to work with 'optimized media'...or Pro Res instead of reformatted versions of AVCHD. I would like to work with this original format, mainl because the footage isn't as compressed and hasn't lost a generation...and look absolutely pure and gorgeous in high bit rate from my GH2, however, what choice do I have but to convert to Pro Res if I am unable to edit smoothly? I think Ian had the right idea when he said to compare the footage of both, but again, if I can't even edit in AVCHD then what's the point? I think Apple needs to rectify this in the next update as I'm sure there are so many users out there who would prefer editing in this original format. Is there a noticeable loss of quality, that's what I am curious about.

"media server application expectly quit" when submitting from final cut pro

browsing through the list, it seems the problem couldn´t be solved so far.
doing some systematic testing, the following riddle shows up:
... when adding a QT ref movie (or movie) directly to the compressor batch list and submit to the cluster, everything runs fine.
... when exporting from final cut pro:
menu -> export -> using compressor ...
submitting in compressor using:
1) Cluster: this computer: everything keeps running fine.
2) Cluster: MylovelyCluster ....
the job fails with the message "Failed: HOST [clusternode_name.local] media server application unexpectedly quit"
since there is 5TB + of data to be compressed, copying files to the render nodes is not an option. all data is on a shared xraid, connected via giganet.
Any ideas, any hints appreciated !
regards,
p.s. Anybody running an XSAN having the same issues?
G5s, G4s, G3s, macminis, powerbooks Mac OS X (10.4.7) xraid

... well, the answer is in other topics.
showstopper explains it patently again and again ...
thanks from here.
shortly: when submitting from FCP, every node HAS to have FCP installed and MUST have access to the same relative file path (mounted shared volume). If the volume is not present, the render node will open the reconnect media dialogue and waits for user input.

Exporting From Final Cut Pro 5.0

Hello,
I need to export my work from Final Cut Pro 5.0 to a Quicktime Movie with the following settings -
Compression: H.264
Frame Rate: 15fps
Bit Rate: 200k
Is this posible without loosing the quality of the video footage? The footage was capture from a MiniDV tape.

Is this posible without loosing the quality of the video footage? The footage was capture from a MiniDV tape.
If you want full resolution 640 x 480 then 200Kbps isn't going to look very good. As a guide you can note that Apple is using about 600Kbps to encode the iTunes video content and that has a resolution of only 320 x 240. However, since you're only using a frame rate of 15fps you should be able to produce good looking content at just over 1Mbps for 640 x 480.
Of course, it does depend upon the nature of your source video (the subject). Simple "talking head" shots could go lower, while rapid action material might need considerably more than 1Mbps (along with a higher frame rate).

Exporting from Final Cut Pro for DVD Studio Pro

In the recent DVDs I've made, the quality seems lower than it has before. I don't think I've changed anything, but I was wondering what is the best format to export a clip from Final Cut Pro and the best way to encode those clips in DVD Studio Pro. Thanks for all your help!
Erin

The best and only format is mpeg2/m2v.
The encoding rate for video is based on the length of the sequence in h/m/s.
They should not be encoded in DVDSP, but exported as a self contained with current settings, no recompression and dropped into Compressor.
Based on length and the type of footage, elect a preset for video and elect Dolby 2 for audio

Are the sound clips from Final Cut Pro Fair Use?, Are the sound clips from Final Cut Pro Fair Use?

I recently found YouTube had flaged a video for containing a "third party" sound clip. All clips I've used in videos for YouTube have come directly from Final Cut Pro X. Any idea if the sound clips are Fair Use? I'm not sure how to repsond to YouTube and don't want to get a mark against my account due to this.

You can pretty much forget about monetizing that specific video.
[Okay... I'm going to ramble now...]
To avoid problems with youtube, you need to post a copyright (like this: @2013 by Your Name) on the video (I recommend within the first 10 seconds) -- and you better have it *right*. If you use other audio and video, as long as you have secured the proper permissions for use, you can still claim a copyright to the video you post on YouTube -- it is your creation (but it better not be a single clip of somebody else's work being passed off as something you did -- just to be clear -- your videos need to have original content that you created in order to justify the © you put on it. If you use *other stuff* as long as it's *with* permissions, it's still your video.) [If your video is going to be monetized -- make absolutely sure you have that permission for *commercial* use! Quite a lot of sources will specify that their materials *cannot* be used for any commercial use without further permissions, if at all. With Apple Loops (pro apps music and sound) you do have that express permission to be used in commercial works as long as it follows the EULA. More below.)]
You also need to specify the music and/or sound effects are "licensed from Apple Computer and used with permission" and you might as well state they are "made with Apple Loops". YouTube understands the EULA of the Apple Pro software (Logic, STP, FCP/FCPX, etc...) -- but even Apple licensed all that stuff from outside sources. Apple just takes care of paying "them" for it in advance so you don't have to (you buy it with the cost of the software license.)
You cannot use any of the "music beds" by themselves, in their entirety (all those nice long demo pieces everybody likes so much and you hear several times a day on [local] TV commercials). The EULA actually specifically states this (although you might have to read it two or three times until it becomes clear...LOL). Even loops are not to be released "as is", in their entirety, in any "derivative work". So, basically, make sure some other sound is mixed in with it (if it's music, add drums or other percussion, harmony, or duck it under talking, etc...)
The point is, no matter what audio source you have, if it is *music* (or foley) and EVEN IF you are the creator of that music or sound effect, you need to specifically put it in writing IN the video (not in the description). You need to reference the source (e.g.: stock footage by BottledVideo.com) and state it's being used with (or by) permission. [According to YouTube: I have copyright infringed MYSELF!!! just for leaving out all this *stuff* from my subsequent videos (music that I composed and performed myself on guitar... I was livid... but it stuck!).]
I can pretty much guarantee that within minutes of posting your video (if it is monetized) -- some real live person at youtube puts eyes on that video to make sure it is properly "signed". I can tell by how long it takes for the monetize checkmark to go from dark to light green -- usually less than 10 minutes.
If your video is not monetized, and it's not a blatant violation, they probably will let you off with a warning, tell you that you don't need to do anything "right now" and it won't count as a mark against you... If it IS monetized, it won't be - they'll turn it right off and your chances of winning a challenge are almost 0 (unless you can PROVE you own the material -- and I have won a challenge -- see * below); and you will probably see a "Copyright Notices" (or similar) item in the menu on your channel settings. If you can redo the video - pull the old one, put in the new info and re-up it. It's a royal PITA, but in this day and age, it's a necessity.
All videos destined for youtube should be treated as mini motion pictures and be prepared as such with full "disclosures" in titling... Welcome to 21st Century Pox [This statement is not meant to be derogatory to 21st Century Fox or imply any association or criticism or slander, and is only to be intended to be received as a parody on a common phrase that is currently still in use... No words were harmed in the formation of this pun.]
Get the point? YouTube tries to tell everybody -- but they've done a pretty lousy job of doing it. It's taken me, oh, I guess a year or so to learn to "behave" after wandering through a mire of confusing information from too many different sources -- and even if I am the sole producer of 100% of all the content in the video, I *still* have to place that © and "commit" it; it is *not* taken on faith. I actually had to go back and reread all my licenses and interpret the legalese to figure it out. It would have been simpler if they just put it: Your video is a miniature professional production. Make sure it includes all titling to reflect all participants -- *just like you'd see in a modern major motion picture or a major broadcast television series* -- I think everyone would pretty much understand what that involves. You don't have to get quite that extreme, just cover you bases and your a©©.
I tried to cover it all... but I'm pretty sure I haven't... so... good luck!
*How I won my challenge with an Apple Loops composition:
1) the music, even though using "canned" loops, was an original complex composition (I'll argue theory with anyone about this... it will be based on limited sets and recombinants as well as the theory of instrumentation and timing. In other words - I massage the heck out of loops until they don't sound anything like the originals. I almost never use audio loops -- always MIDI.) [BTW - this was another instance of copyright infringing myself - I had used the same music in a previous video I produced a year or so earlier... when I, like you, thought I was "free" to use the clips as I saw fit.]
2) the music I used in the video was originally created in Logic and I made sure the ID3 tags were filled in with my name and copyright information
3) I have a YouTube Associated Website (think this is a "partner" thing... and google "sanctioned") but if you see it, make sure you associate your domain. [I think you might be able to create a Google+ account and associate a domain that way if it's not part of your YouTube settings.]
4) I uploaded the original mp3 with the ID3 tags to my associated domain.
5) in the challenge, I 1) attached the original mp3 (w/ID3 tags); 2) gave youtube a link to the copy on my associated website for *verification* that the files belonged to ME; (and they already had the URL to the video in question -- a basic 3 point verify.)
It worked. They accepted the verifcation. (And this was the first challenge I've been able to win.) [This was very recent. What about the others? I might get a chance to complete the verifications, but I know for some, I've used up my challenges. The only other option is to pull them and redo them...]
One last word of advice: It does not pay to get "huffy", indignant, or righteous with YouTube in a challenge. They don't care. <-- read that again a lot more slowly... They have their own behinds to take care of — and your video (and/or account) lives (or dies) by their grace. If you read that and infer that I have been those things, then yes, I have... to absolutely no avail... even though I thought I was right (to the best understanding I had at the time) — they have rules. Be respectful. In general, they're pretty relaxed about all this even though it might not look that way to many users. Once you get the rules down, everything goes a lot easier... even if it is a little more work. You have to take responsibility for your own work.

Best export method of footage from Final Cut Express to DVD?

I'm exporting footage from Final Cut Express using Quicktime Player and then burning the footage to DVD using iDVD.
The end result on DVD has very jagged interlacing (or noise) on objects in motion which aren't present when viewing the footage on FC. I don't think the problem is with iDVD (I assume I'm burning a pristine copy of an already reduced-quality clip).
Are there any changes I can make to the system preferences either on FC or Quicktime Player to reduce or prevent loss of digital information, or can anyone suggest better methods of export from Final Cut Express to DVD?

Hello
I'm not sure if this is relevant:
I've been using the Quicktime Conversion settings;
http://www.locationstudio.net/Settings.jpg
29.97 Frame Rate
Highest Quality
NTSC/PRO
I was under the impression that this was usually best - haven't had any problems with iDVD
Mike

How can I import DVD footage in Final Cut Pro X

I want to edit a showreel of my own work in Final Cut Pro X (version 10.1.4). A lot of my old footage is only available on DVD. I need to get this footage into Final Cut Pro X but don't know how to do this. There are programs to convert DVD to DV but I don't know which one to use, and how to use them.

The script provided by MPEG Streamclip worked for me.
But there is an alternate way, which is basically doing by hand what the script does.
The actual component that is needed is stored inside an archive file in the inside the package. This file needs to be copied to a place where the system can see it.
Here are detailed instructions. Be sure you fully understand before putting any files in the Library folders, as described below. No guarantees, but if followed correctly I believe this works.
1) Double-click the .dmg file.
2) Inside there are two folders. Open the one that says "For Quicktime 6.4 or later..."
3) Control-click the QuickTimeMPEG32.pkg and choose "Show Package Contents".
4) Copy the file "Archive.pax.gz" somewhere else on your mac - I will use the Desktop as an example.
5) Double click the copy of "Archive.pax.gz" on your desktop. It will expand and create a folder on the desktop called "System".
6) Inside the folder called "System" is a folder "Library" and then "Quicktime", with a single file called "QuickTimeMPEG2.component".
This is the file that MPEG Streamclip needs!
7) I suggest you place this file in your own user's Library. To do this, hold down the option key and select Library from the Go menu in the Finder. There, if it does not exist already, create a folder "QuickTime" and copy the component there. This should work.
Note: the script actually places the component in a different location - one which I think should not be messed with (inside /System/Library).
I think it should work in the user's Library, but if not I would put in /Library (the Library at the root of the drive) before trying the location above.

Mini-Dvi to Video out from Final Cut Pro working

Thanx Everybody for posting reply for my post regarding running video out to external TV from Final Cut Pro in MacBook.
It's working fine.

@ Studio X : The files were originally created with Final Cut Pro, rendered out to QuickTime, then are being played back with Final Cut Pro. The file that has the most noticable studdering is a 60-minute timeline sequence in Final Cut. All files are being stored and played back from the Mac Mini's internal hard drive. Everything was originally shot on DV and formatted for a 4:3 aspect ratio.
@ Shane Ross : Are there any settings in the MacOS or FCP where I can improve the HDMI video signal? Or do you know of / have any experience with Firewire to HDMI converters? Unfortunately, my new signal path relies on HDMI from the video playback.
My current setup uses the Firewire output, which is then converted to composite video & analog audio using a pair of ageing DV tape decks. That setup is becoming troublesome due to age.

Burning a video from Final Cut Pro using iDVD

When I export and save my video from Final Cut Pro to a folder (export->Using Quick Time Conversion). When I do that there are several different videos that are saved in my folder (ie-Kelly Michelle; Kelly Michelle-av1; Kelly Michelle-av2; Kelly Michelle-av3; Kelly Michelle-av4; Kelly Michelle-av5).
iDVD is the program I need to use, I do not have any other programs. Therefore, I import the file to iDVD and once everything is ready in iDVD I try to burn the dvd. However, in the last stages of burning a window pops up and says that "an error was found during the burning process". It does not tell me what kind of an error it is. Does anyone have any advice or a step by step process that I need to do in order to burn my dvd successfully.

The simplest way to prepare a video for iDVD is to *Export/Quicktime Movie* (NOT Using Quicktime Conversion), select Current Settings, Audio and Video and, depending on your needs, other 2 options:
o- +Make Movie Self-Contained+ is preferred to have an independent movie (you can move the exported file, you can continue editing your FCP project before burning the exported version, etc.) but requires more disk space and more time for exporting.
o- +Chapter Markers+ (NOT All Chapters) must be selected if you created Chapter Markers in FCP (markers in the timeline, not the clip, and clicked the Add Chapter Marker button in the marker dialog).
The resulting .mov file (whether self-contained or reference) may be easily imported to iDVD.
Piero

Why does Compressor take so long to export a 10 minute video clip from Final Cut Pro?

I've been trying export a 10 minute clip from Final Cut Pro. so it can be used with DVD Studio Pro and burned. However, the rendering process has taken 12 hours! The clip I'm exporting has minimal effects, no music, and is in 1080i 30fps. Does anyone know what's going on or what I can do to speed up the process?

First: How are you exporting? Are you using the Share feature or Send to Compressor?
Second: You haven't said anything about your system configuration or really very much about your movie. What is its format… is it really 30fps or 29.97? Whatever it is, are the project settings identical to the clip properties, or were they changed?
Russ

How Can I do an export that from Final Cut Pro 7 that is specific to these settings?

Hi
I am current trying to export out a movie from Final Cut Pro 7 but the settings that are required are very specific and I was going to try it through compressor as well but I wasn't sure if that would work either.
Here are the settings:
HD:
1 Video CODEC                 XDCAMHD50
2 Wrapper format           QuickTime Self-Contained
3 Bit rate                              50 Mbit/s Constant Bit Rate (CBR)
4 GOP                                   Long GOP
                                             Closed GOP
5 Time code                       Must include embedded time code. Start-timecode: 10:00:00:00
6 Movie version               UK Home Video Version
7 Delivery time                 As per contract. Supplier to specify filename, delivery format and estimated time of arrival via email at least 60 days before                                                           transmission unless otherwise specified in contract. This should be accompanied by an IMDB link.
1 HD video format           720 line progressively scanned (720p) @ 50Hz (25 FPS)
                                          1080 line interlace scanned (1080i) @ 50Hz (25 FPS)
2 Resolution                      1280 x 720
                                           1920 x 1080
3 Aspect ratio                    Content should be 16:9, however 4:3 will be accepted on exception (such as for older movies shot in 4:3)
4 Graphics                           Must be within 16:9 safe graphics area (EBU R95-2000)
5 Chroma format              4:2:2
1 HD audio format           24 bits/sample 48 kHz sampling rate
2 Track layout                    Track 1 – 2.0 Stereo L mono
                                            Track 2 – 2.0 Stereo R mono
                                            Track 3 – L
                                            Track 4 – R
                                            Track 5 – C
                                            Track 6 - Low frequency effects LFE
                                            Track 7 – L Surround
                                            Track 8 – R Surround

First of all, what are your sequence settings? Looks like they want stereo AND dolby 5.1 audio tracks embedded in the quicktime (I've delivered a few films like this). Do you have a surround sound mix?
You will almost always have more options and control in compressor over fcp so that's the way I'd go, but not sure compressor will give you the ability to match these specs.
Do you understand about safe zones for graphics? If not, post back.
I don't see any option to set the GOP in xdcam in compressor. This may be built in to the xdcam format.
I don't see any option for 720 xdcam hd in compressor.
There are many other tools available for this kind of work, but they may be out of your price range. You might want to just find a facility with experience in deliverying this sort of thing.

Inputting footage from Final Cut Pro

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