Interface Performance - Premiere CS6

I am experiencing extremely sluggish interface performance using Premiere Pro CS6. As an example, moving from the sequence to the "effects" panel is a very laggy transition. Further, adjusting the X/Y coordinates of an object is a nightmare. Video playback (even when set to 1/2 playback res and 1/2 pause res) is also surprisingly slow. I have used Premiere Pro CS5 on a moderately beefy PC and have had less trouble. This is surprising, considering the machine I am on now:
Brand New MacBook Pro
2.5 Ghz quad-core i7
8 GB RAM
512 Solid State Drive
AMD Radeon HD 6770M graphics processor with 1GB of GDDR5 memory
Intel HD Graphics 3000 with 384MB of DDR3 SDRAM shared with main memory
Automatic graphics switching
OS 10.7.4
What gives?!?

I have tried both Cuda and OpenCL and both have issues crashing when exporting (or failed export). Software works fine, but takes a long time to export and playback is unusably sluggish.
Source material is Canon 5d2 and canon 5d3 .h264 All-I and IPB compression schemes. 23.97fps. I have tried with no external display, and with external. Internal storage (flash) and external. I have the faster of the macbook retina's with 16GB ram.
It's literally stopped my production, as exports are flaky and I can't really edit without slowly rendering. I have tried re-installing the software, and trashign preferences, and repaired disk permissions. My drive is less than half full.
Here are specs:
Premiere pro 6.0.2 (latest update)
OSX 10.8.2 (latest update)
2.5GHz i7 quad core
16GB ram
500GB apple flash drive
Thunderbolt Lacie Raid

Similar Messages

Premiere CS6 - Performances en mode caméras multiples

Bonjour à tous,
je souhaite utiliser le mode caméra multiple de Premiere CS6 pour réaliser un montage à partir de rushes full HD (1920x1080).
Malheureusement, il est inutilisable car les vidéos jouent convenablement pendant 1 seconde, puis elles se figent toutes.
Ca semble être un problème de performances, actuellement je travaille avec
Adobe Premiere CS6
Windows 7, dernières mises à jour dernier service pack
Core2Duo E8400
4Go DDR2
Radeon HD6950
Disque principal : WD Velociraptor 10000tpm
Disque secondaire : Segate Barracuda 7200tpm
Avez-vous un avis ou des conseils à me donner pour arriver à faire fonctionner ce mode correctement ?
Dans tous les cas, même l'aperçu vidéo dans l'espace de travail par défaut souffre de nombreux ralentissements...!
Merci d'avance

Si vous parlez anglais, la réponse à votre question se situe sans doute ici : http://blogs.adobe.com/toddkopriva/2011/02/optimizing-for-performance-adobe-premiere-pro-a nd-after-effects.html
(et si vous ne parlez pas anglais, tentez la version Google Translate)

Considering dumping my iMac for a PC used for DSLR video editing on Premiere CS6. Help!

So I edit mostly 1080p DSLR footage taken from my canon T3i camera. I purchased a 2011 (the latest model) iMac a little over a year ago, upgraded the RAM to 12GB and it has worked reasonably well. I purchased the base model for $1200 which has a quad core i5 processor, 512mb of video ram, and a measly 500gb hard drive. The past couple of days I have come to the realization that I only use Adobe Programs for graphically intensive work (premiere, after effects, etc). I originally bought my iMac for final cut, but FCPX SUCKS and I switched to Premiere CS6 which works like a dream. Anyways, I'm a senior in high school and do lots of video editing (going to major in video production in college). I'm likely going to differ college for a year and continue my video production business (pretty informal) as well as video production internships at a couple companies (so don't suggest that I get a laptop for portability, not an issue). I just shot an entire wedding with 2 DSLR's and the footage takes up over 20% of my hard drive which is unacceptable. This is very troublesome for me and has been clogging up my computer considerably. I have realized it would make a lot of sense to sell my iMac and purchase a PC that's not only faster, but has much more space. I was ideally looking to sell my iMac for $1000, and from that get a better and faster PC setup for my video editing. $200 would be allocated for a 24" 1080p LED 5ms Asus monitor (from newegg) which would leave $800 remaining for the PC. Ideally it'd be nice to have a little cash left over. Some things that sound appealing to me are: an intel i7 quad core proccessor at least 3.0+ Ghz, 16 GB of ram (maybe 8 to start), 1 GB of video RAM (here is where I'm stuck, my Imac had a Radeon 512mb video card in it, but I've heard premiere runs especially well with nVidia CUDA cards? Don't really know too much about this stuff.) I have no idea what type of card to get, and if I would even see a performance upgrade from my iMac. For storage I'd like at least 2TB of space, should I get two seperate 1 TB drives? One for boot and software and another for video files? Anyways, I assume I can benefit from selling my 2011 i5 iMac to get a faster PC equivalent at a lower price since I mainly edit videos (which is pretty graphically intense) from an HD DSLR camera. I've noticed premiere rendering times on my mac are starting to get pretty slow these days. Ideally it'd be nice to buy a desktop (already assembled) maybe from HP for around $600 (not including the monitor). I'm not completely against building a PC from parts (since I know a friend who can do it for me) I just need help figuring out WHAT exactly it is that I need and would benefit from.

Buy a Desktop Video Editing PC
http://www.adkvideoediting.com/
-ADK Kudos http://forums.adobe.com/thread/877201
Build a Desktop Video Editing PC
-http://ppbm7.com/index.php/intro-part-1
-http://forums.adobe.com/thread/1098759
-http://forums.adobe.com/thread/878520?tstart=0
-http://forums.adobe.com/thread/815798
-http://www.shawnlam.ca/2012/premiere-pro-cs6-video-editing-computer-build/
-http://www.videoguys.com/Guide/E/Videoguys+DIY9+Its+Time+for+Sandy+Bridge+E/0xe9b142f408a2 b03ab88144a434e88de7.aspx

I am trying to get better playback rendering speed Premiere CS6

I am new to Adobe Premiere CS6. I am trying to get faster playback rendering speed from my machine.
Windows 7
i7 4790K Haswell overclocked to 4.5 (watercooled with Corsair)
16 GB DDR3@799MHz
Asus Z87-WS (4 double graphic card slots)
Geforce GTX 760 (Primary) GPU hardware acceleration enabled
Quadro FX5800
250GB Samsung solid state C: (Windows and Adobe)
250GB Crucial solid state (Scratch)
2TB Seagate 7200RPM (video files)
3TB Seagate 7200RPM (storage)
Seasonic 1000watt PSU
I am primarily editing GoPro videos with effects like TimeWarp or Twixtor and color correction.
I have tried to run the PPBM6 program with no success. I kept getting failure to access files.
I have been looking at adding a second GTX760 with SLI so they will work together. And possible removing the Quadro if it is slowing things down.
Any advice would be appreciated. Thanks!

...are you SURE your 760 GPU is "enabled" by PPro, and giving you the option of "Mercury Playback Acceleration" under "General Preferences" ??? If the "Mercury Acceleration" is GREYED OUT and limits you to "software Only", go to Studio 1 website and learn to apply the well known "hack" to enable your 760 in PPro,OR, download their simple program to do it for you.
...Your machine is POWERFUL....especially with your CPU overclock......you MAY want to increase your memory to 32 GB if you are using After Effects....even PPro MAY run better with 32 GB, depending on your workflow.....most systems like yours have at LEAST 32GB system memory.
.....The GoPro codec is natively HIGHLY COMPRESSED and difficult to process, even for beefy machines. That is why they provide the free Cineform tool,( which used to be an expensive professional editing codec), to convert some,or,all of your footage to a more "edit friendly" AVI codec, which will FLY on your machine. HOWEVER, those new AVI files are HUGE.....TRIPLE the original size and requiring a LARGE and FAST disk transfer system. Right now, your single 7200 drive for your media is your SLOWEST component in the chain. The CHEAPEST improvement for you would be to add another MATCHING 2TB 7,200 rpm drive to your existing one and then use the 2 drives to create a fast RAID 0 directly off the mother board to improve the speed of your "media drive". THEN, you MUST insure that this RAID 0 is DILIGENTLY BACKED UP in case of a drive failure in the RAID. This ALSO means you must protect against an unexpected power failure which could destroy the RAID data if the failure happened during a critical write operation.....so,a good UPS is required.
You can OBSERVE how the various components in your system are performing while performing strenuous tasks by bringing up the "task manager" window and watching the CPU load.... if all cores are PEGGED at near 100%, you are "CPU bound". As you are ALREADY overclocked, you can't do anything other than to TRANSCODE your footage to the free Cineform. Your ENABLED GPU can be observed....real time....using the free MSI Afterburner,( or, similar). Certain operations are accelerated by the GPU with PPro....not ALL!! Scaling and some effects will use use the "Mercury Acceleration" while rendering previews AND during export.In some cases, rendering previews,or, exporting can be sped up by TEN TIMES by Mercury Acceleration. Watch the "GPU Usage" on Afterburner to see if the GPU is indeed being used, and if you are "saturating" it to its capacity of 100% with accelerated effects.
Make sure your Windows is fully updated to the current time........make sure your NVidia 760 has the most recent driver and DON'T use the Quadro for now. Set your "Windows page file" to be STATIC on your "C" drive at 24GB. Disable "Hibernation" Set all drives NOT to allow "indexing". Do NOT allow any spinning HDD to be over 50% filled....performance WILL decrease.....make sure any HDD is defragged,( do NOT defrag an SSD ! ). Stop all unnecessary processes, esp. anti-virus programs, while editing. Find out how to best "tune" windows to speed it up at the PPBM 6 and 7 websites.
BE AWARE that the "run of the mill" SSDs use cheaper Sandforce controllers, and are less suited to handle highly compressed digital video files. Samsung PRO models and recent Crucial M550 series SSDs ONLY are recommended for video use. Both these non-Sandforce SSDs maintain high WRITE speeds,( over 400MB/sec), AND maintain their high speeds after reaching their "steady state" condition. Cheaper EVO series and non-Marvell controlled SSDs MAY lose their fast write speeds over time and SLOW YOU WAY DOWN !!! Test your current SSDs by transferring large video files between them and watching MB per second that appears under "details" in the pop up window during transfer. Make sure none are slow.....test them with HD Tune Pro as well.
Certain non-Adobe plug-ins and certain effects may NOT use all the CPU threads well,or, may not use the GPU.....forcing the CPU to do additional work. You will have to identify problem plug-ins,or, effects by switching them on and off to see if any cripple your system.
Your machine is POWERFUL.....go to PPBM7 website and read the "tweakers" page to learn more....then, register for free and TEST your machine with their video benchmark test for PPro. It should do WELL.....AND it will help identify if you have any "bottlenecks" which are impairing your system.
Good Luck !!!!!.....THEN, start using CC 2014.....like Patton said : "...all glory is FLEETING !!"......so is the lifespan of former PPro versions !!!!!!

Final Cut Pro X to Premiere CS6 workflow destroys FCP X events

Hello,
I just got a call by a customer who tried to convert and FCP X project via XML to Premiere CS6 for a further AfterEffects workflow. He experienced the following problem, which I can rebuild completely. These are the steps:
1 - Export an FCP X project which relinks to transcoded optimized media to XML
2 - Convert the XML (.fcpxml) with Xto7 app to legacy XML (.xml) format
3 - Open Premiere CS6 and import the XML (.xml)
4 - Close Premiere CS6 and open FCP X and the exported project
FCP X warns immediately that something has been modiefied. This is just an information which I can only accept. All the clips that were optimized are reded out and marked "Modified File". Now do the follwing:
5 - Try to relink the modified media and chose the optimized media file in the transcoded media folder
As soon as you accept the relink FCP X deletes the file in the event library and ALSO in the Original Media folder AND in the Transcoded Media folder and moves both files to the trash. This could be destructiv, if you are working on a SAN storage, like an EditShare system.
But even if you are able to restore the files and move them back in place, there seems to be no chance to relink the files in FCP X to make your project working again. As soon the relink comand is executed the files will be moved to the trash again. If I do not try to relink, the files keep marked red and as Modified Media. If you have a look in the metadata, you will see, that they have been modified by Premiere, which seems to cause the trouble.
Does anyone has a workaround or working handover to AfterEffects? Or does anyone else encounter similar problems with XML or third party apps destroying metadata within FCP X files?
Appreciate all solutions!
Btw: This only affects transcoded media. Every time I worked with original media only, the handover to Premiere works undestructive, but the media was pending in Premiere until the app crashs.

Finally I solved the problem by myself, doing a deeper web research.
Actually it's Premiere CS6 or AfterEffects which adds some metadata to the clips, that causes FCP X to ignore those files and shows them as "Modified media". But - and that's the good thing - you can turn off this behaviour in AfterEffects or Premiere. Here is how:
In AfterEffects
go to Preferences > Media & Disk Cache and uncheck the boxes refering to the XMP metadata
In Premiere
go to Preferences > Media and uncheck the box "Write XMP ID to Files on Import"
Those XMP metadata help CS6 to share media cache files and previews and may improve stability and performance but if you are in a more FCP X based workflow, deactivating this option may prevent from loosing media.
A fast check with the same procedure discribed above went well and everything stays untouched and online in FCP X.

Will my graphics card ATI Radeon HD 5000 1024 MB give me the power/speed benefits of Premiere cs6

will my graphics card ATI Radeon HD 5000 1024 MB give me the power/speed benefits of Premiere cs6??

As cc_merchant implied, Premiere Pro CS6 does not support OpenCL at all (in the Windows versions of Premiere) for MPE GPU acceleration. Your system with such a GPU would perform more or less equal to a system that has no discrete GPU at all (one that relies solely on an integrated graphics solution on the CPU or motherboard) because the MPE is permanently locked to the software-only mode. If you do see any tangible increase in the response of your current setup as compared to an otherwise identical system without a discrete GPU at all, it's because your system leaves more system RAM available for Premiere to work with.

Where the h*!! is CinemaDNG in Premiere CS6

I was just about to buy Premiere CS6 and started with the trial.
Natually assuming Adobe would have the smarts to include the Cinema DNG plug-in for CS 5.5 as standard in CS6, I downloaded a sample of Cinema DNG.
You can imagine I was not happy when the file didn't import.
Worse, looking at the lab's download page I at least expected to find a CS6 download.
Nope.
Not only was there no download --- there was no announcement of DNG for CS6
So, I downloaded the 5.5 version and installed it.
It works -- sort of. I now have color control. Nice.
1) But where is the gamma contol?
2) Where is the ability to create a gamma curve?
3) Where is the Sharpness control?
4) Where is control over the deBayer process. For example, method: FAST > SLOW. Or EFFICIENCY: 60% to 80%.
5) Don't bother to use the Edit Original. In PS you get the full control panel to modify 1 image (I chose the first one), but there seems no way to get the modified image into Premiere. Perhaps the is a secret file that holds the changes.
Steve

> Me too! Consider this an expression of my interest in Cinema DNG support in Premiere Pro and After Effects.
You can already use CinemaDNG files in After Effects. CinemaDNG comes through the Camera Raw plug-in, which is included in every version of After Effects for the past several years.
However, the performance is very poor. In fact, it's the very poor performance of CinemaDNG files that has thus far prevented the Premiere Pro team from implementing this. We After Effects users are more tolerant of slow rendering for things such as compositing/VFX work, but the poor performance makes the format essentially unusable (so far) for Premiere Pro.
If enough people submit feature requests to the Premiere Pro team to work on this, then they may determine that it's worth the extra work of trying to make it work faster.

Best disk setup for Premiere CS6

Hello,
I want to improve my disk setup for Adobe Premiere CS6 because I got long loading times.
My current setup:
Crucial RealSSD C300 60GB SSD for the program
Samsung Spinpoint F3 1TB HDD for media and Media Cache Files
Samsung Spinpoint F3 1TB HDD for projects and exports
My planed setup:
new: Kingston SSDNow V300 120GB SSD for the program
Crucial RealSSD C300 60GB SSD for Media Cache Files
2x Samsung Spinpoint F3 1TB HDD with Raid 1 for media
new: Seagate Barracuda 2 TB HDD for projects and exports
Is this the best solution to improve the performance?
Thanks
Tim

What is the advantage of getting an extra HDD for the exports?
None from a performance point of view.
And should I use the 60GB SDD for the Media Cache Files?
That is much too small. Depending on your projects, you will need at least 256 GB, but possibly even more.
With only 350 GB of media and projects, my media cache is already 72 GB.
Read Harm's articles on disk setup, raids and balanced systems here: Tweakers Page

Encore CS6 included with Premiere CS6?

I had heard that with Premiere CS6 it was not necessary to buy Encore CS6 as a separate product. I now have Premiere CS6, but can find no interface to Encore. Is my rumor true, and if so, how does one access/start Encore CS6?

Thank you Stan. Yes I am in the cloud, and you are absolutely right about having difficulty finding the executables. The App Mgr installed both CS6 Premiere and Encore, but neglected to put icons on the desktop. I searched high and low for them until hitting on the obvious: Program Files->Adobe. Found the Premiere folder and its executable there, but somehow myopically overlooked the Encore folder. It's there too.
Thanks again.

How to capture 2 stereo tracks (4 channels) in Premiere CS6? Thanks!

Problem capturing 2 stereo tracks (4 channels) into Premiere CS6 (on a Mac) from a Canon xls1? Thanks, IndigoJim!

I'm sure I used to get all 4 tracks from my XL1s, If I rememder correctly there was one Avi with a stereo track and a separate wav with the other pair. When in 4 track mode the audio is only 12 bit. The computer I used back then had a Matrox RT100 board, It might have been a Matrox utility that I used for the capture.

MXF Files won't play in Adobe Premiere CS6

I had a music video shot on Wednesday, the cinematographer downloaded the files from the memory card onto an external hard drive.. Checked the files, they were fine, handed it off to me. Upon trying to open the MXF files in Adobe Premiere CS6, it gives me an error code of "preview in source monitor failure" "the importer reported a generic error". I've tried downloading codec and all sorts of things, and nothing is working. I also tried converting the files to MOV (i paid $30 for a converter) but the converters aren't playing back the audio, (i tried 4 different converters)… I thought it was some type of error in the files, but I checked with the cinematographer, and he even played back his MXF copy of the clips for me and they have the audio in.. I'm getting really frustrated because I HAVE to have the audio in order to sync up the lip syncing with the audio track. The cinematographer said the MXF file is an MPEG2.
Can anyone shed some light on this issue? I had wanted to have the video edited and released by next weekend.

If I double click on the word holiday, it just shows the file folders. In the file folders the mxf files still don't open.

Premiere CS6 Still Has a Long Way To Go

I'm in commercial editing and work as offline editor, assistant editor and compositor. I've been using Premiere Pro ever since FCPX came out, but not in the workplace as an offline tool because of certain major missing features:
- a good EDL exporter (absolutely essential in a commercial pipeline where we're bouncing sequences to grading suites and Flame all the time)
- dupe detection (essential for prepping sequences for grading)
- timecode overlays in the monitors
- colored markers
- marker overlays (to quickly see what the content of a marker is when scrubbing in the timeline)
- searchable markers (great when needing to find one line you know you had marked)
- a visual keyboard settings editor (FCP and Avid got it right, Premiere is a mess, although improved from CS5 which didn't have the ability to search for commands)
- the ability to rename clips to match file names (can't tell you how many times I use this in FCP)
- use of CMD X, C and V for cutting, copying and pasting marked selections in the timeline without adding in/out points
- match frame edit indicators
- heal match frame edit function
- timeline to timeline editing. Not expecting what Avid offers, which is enhanced by the ability to toggle your timeline between source and record, but to be able to do what FCP7 does by letting you edit with clip data, i.e. edit your track layout and edit points from a sequence in the viewer into the timeline.
I'm super disappointed that not a single one of the above features has been addressed in Premiere Pro CS6. I think the dupe detection, timecode overlays, and EDL export are the biggest disappointments.
For a little clarity on the EDL issue, every editor and assistant I know renames clips after they're imported into the project. They don't use the "Scene" and "Take" metadata tags, because they want the clip name on the far left of the project window. This isn't so much of an issue in Avid, but that software is on a different level. Anyways, in Premiere, once you rename a clip, that's the way the clip name is going to come out out in the EDL. This is a massive problem for Alexa and RED jobs, which is most of what I work with, because timecode isn't going to be unique to a clip on a multi-day, multi-cam shoot. In FCP7, you have the option to export your EDL with either clip or file names. Alternatively, you can select all the clips from your edit and choose "Rename Clip to Match File Name." Premiere has none of these options. The only workaround is to go through every clip in your edit, reveal in project, bring up the properties, copy the file name that's there, then paste into the clip name. This is not a workable solution for a 60 second commercial with an edit every 12-48 frames.
While Speedgrade is lovely, no one is going to convince Company 3, The Mill, MPC, Light Iron, or New Hat to switch from Resolve, Scratch, Baselight or Pablo. And to get stuff into those systems, EDLs are still the preferred method when you talk to the assistants who are loading the projects.
On the good side, it's great to see improved playback stability and scrubbing, the new audio meters are great, adjustment layers are a big help, the marker tab in the project pane has a lot of potential (why not make it searchable?), and the new trim tool is GREAT and right on par with Avid.
With the exception of the playback control, though, I would trade all of the above improvements to have the hit list above taken care of. Adobe seems to have added some very good big picture, high profile improvements. It's the little things that you encounter every day in a long edit that really need some attention now. PLEASE give a look to this stuff.
I had really hoped I'd be able to use PP CS6 as an offline tool in my pipeline, but that's not going to happen. Nor do I know any editors or assistants in commercial post in LA who will want to work without the above features.
If anyone has some insights into the above features and maybe making these things work in CS6 as currently released, I'm open to hearing them and hopeful that there are workarounds.
Thanks and have a blessed day!

The command copy, cut paste don't work unless you add edits to create a
discreet clip. You can't simply copy from an in to an out point. The
workaround is to add your markers, use lift or extract, undo to clear the
damage you just did to your sequence, then paste the clipboard contents
that you still have from the lift or extract operation.
Regarding Speedgrade, it appears to be in its infancy and has a promising
future, but what you get for free from Davinci Resolve Lite is wildly
awesome. It does everything the $1000 version of DaVinci does except
stereoscopic color, network rendering, shared projects, and shared memories
between projects (i.e. power mastering). So, for free, you have a blazing
fast color grade suite with the identical toolset actively in use by
Company 3 and The Mill. Add a panel or two and you're really rockin and
rolling. We use it at the shop I'm freelancing at now and it can burn
through dailies transcodes (still essential for Red and Alexa), at about
40fps. Awesome.
I think choosing between Avid MC and Premiere is strictly a "what do you
need it for" question. The main problem with Avid is now and always has
been the hard import aspect. AMA works kinda ok, but I know no one who
starts and finishes a project strictly with AMA. Plus it doesn't work on
an average laptop without a lot of herky jerky playback, even at 10:1, and
at some point on a long edit, you're likely going to be working off a
laptop.
The ability of Premiere to ingest ANYTHING immediately, including DPX
sequences, is phenomenal. If you don't want to wait for AJA, Blackmagic
has some excellent and more affordable video I/O solutions that work with
CS6 right now. The playback is so much better than CS5.5. I think the
reason why it was a problem before was because it's trying to play nice
with anything as it is. FCP needed everything to be a quicktime. Avid
needs everything to be MXF. Premiere says "come one come all!" and that's
a tall, tall order. Now it's working great and the Adobe folks should be
lauded for whatever engineering magic they used to make this happen. Huge
timesaver, especially in finishing when I need to bounce more complex comp
work to Nuke and back.
The second thing that Premiere kills at is effects work, even though it's
not so much Premiere as it is After Effects. Avid has nothing there close
to this. Animatte? Spectramatte? Give me After Effects any day. So, you
can offline AND online a project with the Premiere and After Effects combo.
Awesome!
The biggest shortcoming Premiere has, I think, is it's audio filter suite.
It's a huge liability and something I hope they devote a lot of attention
to. The way Avid can't match the Premiere/After Effects duo,
Premiere/Soundbooth cannot match what Avid has built in. The Audiosuite
effects seemed to be designed to give you a bit of ProTools within your
NLE.
I think the best solution, at least until Smoke 2013 comes out this fall,
seems to be to choose the app that is best suited for your project. I
don't think the conversation should be about one program wiping out another
one, which it seemed to often be the tone of Avid vs. FCP debates.
The more I play with Premiere CS6, the more I like it. I used 5 and 5.5 on
commercials a few times and felt like the software was getting in the way,
particularly toward the end when I needed to generate EDLs and OMFs (I
haven't tried the OMF export out of Premiere CS6 yet, but it can't be worse
than 5.5 - my guess is it's no better though, based on what did and did not
get improved). It was fine for finishing, but you'd have to work around
playback issues all the time, which got a bit embarrassing with clients in
the room.
I think CS6, for it's numerous shortcomings - none of which are
catastrophic or deal-breakers - provides an excellent foundation on which
to build something that could definitely one day pick where FCP7 left off.
Smoke 2013 is the storm on the horizon, though, if you ask me. But
competition is GREAT and I actually hope Blackmagic joins the game as well.
The more the merrier!

Can no longer download Encore/Premiere CS6 in Download App?

First time posting on Adobe forums, please excuse any missed formalities/info
I can no longer seem to find a way to download Premiere CS6 (and in conjunction Encore CS6) after I updated my Creative Cloud App to Version 1.3.0.322. I had previously used the methoud of clicking on the "More Information" tab within the CC desktop App, getting redirected to the Adobe/Premiere page, then be able to select Premiere CS6 from the drop down under "In This Version."
This method seems to no longer work (I had downloaded CS6 stuff just a few months ago). I really only care about Encore and having a DVD/Blu-ray authoring solution (I would just uninstall Premiere CS 6 using the old method).
Is there any way to download Encore CS6 with the most updated Desktop App running on OSX Mavericks?
My Info
Creative Cloud for Team Accounts
MacPro 5.1, 32 GB RAM, Mavericks 10.9

Hi TroyMercury,
Please try to download Premiere Pro CS6 from the direct link: http://prodesigntools.com/adobe-cs6-direct-download-links.html.
Kindly follow the very important instructions before download.
Regards,
Romit Sinha

Mac Pro restarts with kernel panic error during Adobe Premiere CS6 or Adobe Media Encoder CS6 render/encode.

Multiple times this week, my Mac Pro at work has been restarting during renders in Adobe Media Encoder CS6 and Adobe Premiere CS6. This seems to be specific on this computer only. Identical computers don't have this problem. Here is the system report after it reboots to OS X:
Interval Since Last Panic Report: 252068 sec
Panics Since Last Report:          2
Anonymous UUID:                    7DF9A04B-0693-5FC4-60CF-4BC6ABDB3C1E
Fri May 17 15:37:07 2013
panic(cpu 0 caller 0xffffff8009ab7e95): Kernel trap at 0xffffff8009e1b814, type 14=page fault, registers:
CR0: 0x000000008001003b, CR2: 0x00000000000000b8, CR3: 0x000000000c3d3000, CR4: 0x00000000000206e0
RAX: 0x0000000000000001, RBX: 0xffffff8039ebfb98, RCX: 0xffffff800a08eb00, RDX: 0xffffff82413abde8
RSP: 0xffffff82413abde8, RBP: 0xffffff82413abe20, RSI: 0x00000000000000b8, RDI: 0x0000000000000001
R8: 0x0000000000000000, R9: 0x00000000000003ff, R10: 0xffffffffffffffff, R11: 0x00000000ffffffff
R12: 0x000000000000004a, R13: 0x0000000000000371, R14: 0xffffff8040611cb0, R15: 0xffffff80404ec008
RFL: 0x0000000000010206, RIP: 0xffffff8009e1b814, CS: 0x0000000000000008, SS: 0x0000000000000010
Fault CR2: 0x00000000000000b8, Error code: 0x0000000000000002, Fault CPU: 0x0
Backtrace (CPU 0), Frame : Return Address
0xffffff82413aba80 : 0xffffff8009a1d626
0xffffff82413abaf0 : 0xffffff8009ab7e95
0xffffff82413abcc0 : 0xffffff8009acd4dd
0xffffff82413abce0 : 0xffffff8009e1b814
0xffffff82413abe20 : 0xffffff7f8bcf4d54
0xffffff82413abe60 : 0xffffff7f8bcf72f1
0xffffff82413abf20 : 0xffffff8009d86e2b
0xffffff82413abf60 : 0xffffff8009a3dcfe
0xffffff82413abfb0 : 0xffffff8009ab2977
      Kernel Extensions in backtrace:
         com.apple.nke.asp_tcp(7.0)[78FAA01C-ABC4-3AD3-8D9A-6187F7911E1A]@0xffffff7f8bce f000->0xffffff7f8bcfbfff
BSD process name corresponding to current thread: kernel_task
Mac OS version:
12D78
Kernel version:
Darwin Kernel Version 12.3.0: Sun Jan 6 22:37:10 PST 2013; root:xnu-2050.22.13~1/RELEASE_X86_64
Kernel UUID: 3EB7D8A7-C2D3-32EC-80F4-AB37D61492C6
Kernel slide:     0x0000000009800000
Kernel text base: 0xffffff8009a00000
System model name: MacPro5,1 (Mac-F221BEC8)
System uptime in nanoseconds: 76945023460235
Model: MacPro5,1, BootROM MP51.007F.B03, 8 processors, Quad-Core Intel Xeon, 2.4 GHz, 20 GB, SMC 1.39f11
Graphics: ATI Radeon HD 5770, ATI Radeon HD 5770, PCIe, 1024 MB
Memory Module: DIMM 1, 4 GB, DDR3 ECC, 1066 MHz, 0x857F, 0x463732353155363446393333334700000000
Memory Module: DIMM 2, 4 GB, DDR3 ECC, 1066 MHz, 0x857F, 0x463732353155363446393333334700000000
Memory Module: DIMM 3, 1 GB, DDR3 ECC, 1066 MHz, 0x80CE, 0x4D33393142323837334648302D4348392020
Memory Module: DIMM 4, 1 GB, DDR3 ECC, 1066 MHz, 0x80CE, 0x4D33393142323837334648302D4348392020
Memory Module: DIMM 5, 4 GB, DDR3 ECC, 1066 MHz, 0x857F, 0x463732353155363446393333334700000000
Memory Module: DIMM 6, 4 GB, DDR3 ECC, 1066 MHz, 0x857F, 0x463732353155363446393333334700000000
Memory Module: DIMM 7, 1 GB, DDR3 ECC, 1066 MHz, 0x80CE, 0x4D33393142323837334648302D4348392020
Memory Module: DIMM 8, 1 GB, DDR3 ECC, 1066 MHz, 0x80CE, 0x4D33393142323837334648302D4348392020
AirPort: spairport_wireless_card_type_airport_extreme (0x14E4, 0x8E), Broadcom BCM43xx 1.0 (5.106.98.100.16)
Bluetooth: Version 4.1.3f3 11349, 2 service, 18 devices, 1 incoming serial ports
Network Service: Ethernet 1, Ethernet, en0
PCI Card: ATI Radeon HD 5770, sppci_displaycontroller, Slot-1
Serial ATA Device: HL-DT-ST DVD-RW GH41N
Serial ATA Device: WDC WD1001FALS-41Y6A1, 1 TB
USB Device: Keyboard Hub, apple_vendor_id, 0x1006, 0xfd300000 / 2
USB Device: Apple Keyboard, apple_vendor_id, 0x024f, 0xfd320000 / 3
USB Device: BRCM2046 Hub, 0x0a5c (Broadcom Corp.), 0x4500, 0x5a100000 / 2
USB Device: Bluetooth USB Host Controller, apple_vendor_id, 0x8215, 0x5a110000 / 3
FireWire Device: built-in_hub, 800mbit_speed

That doesn't look like a complete panic report. Is there any more to it? Regardless, I suggest you run the extended form of the Apple Hardware Test. If it fails to identify a fault, remove the RAM upgrade and test with the original RAM.

Wish list for Premiere CS6

Please invest in getting a good slow motion plugin bundled with premiere cs6, the current slow mo is choppy at best even with frame blending. Get twixtor or other bundled with cs6 please.
There should be a button to deactivate all plugins/effects on all clips so playback can be seemless to review an edit. We can only currently do this manually by deselecting every effect on evey clip which takes forever, there should be a generic option for all effects enable/disableon all video in the sequence.
Multicam needs to extend from 4 cameras to at least 8 or above as with most other NLEs
Add some alpha based transitions in the effects transitions similar to pixelan transitions
Particle effects similar trapcode particular for effects like smoke, fire, sparks etc.
extention to lens flare with more control over flare, flare components, rays, glow ect
A colour corrector that will balance colour between clips ergo you have 3 separate clips and the colour temp is slightly different in each, a fast solution is needed to balance all clips. If the shots are similar there should be a way that NLE can correct colour for both so individual clips match with aid of user. A sort of balance this clip to the colour in this other clip. Again basic colour correction is always used and a very time consuming process, simlifying this will help.
Movie sound effects bank for online content. Many people spend hours looking for or creating simple movie sound effects for fighting, inanimate object collisions, effects for impact, wooshes, trailer effects etc.
My oppinion soo far is Adobe CS suits are great and work well together, the software IS getting better so these are just my thoughts.

FAQ: How do I submit a bug report or feature request or otherwise give feedback about Premiere Pro?

Interface Performance - Premiere CS6

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