----- Is it possible to create this mask shape effect in FCP X?

I've been playing around with some masks in FCP X, but I cannot figure out how to create this effect..is it possible?
I am interested in creating a mask shape where I can use it to identify something on the screen inside the shape with the surrounding area darker.
In FCP 6/7, I used to just add a slug on top of the clip, add a mask shape, tweak it, invert it and lower the opacity.
Any thoughts?
Thank you.

AppleUsur wrote:
…  I am interested in creating a mask shape where I can use it to identify something on the screen inside the shape with the surrounding area darker.
in FCPX no masks nor additional tracks needed:
select the clip
in the Info board, select the Color Correction
there's a built-in Mask tool - select that
switch on the Color Board, here comes the trick: …
you are allowed to select WHERE the correction is applied: inside or outside the mask
(in my German interface Innen/Außen)
drag down the general exposure
there are handles to define size, shape, position
you can drag the outer circle (no handles) to define blurr gradient
you can even animate that highlight by key-framing it ....
with the same tool, you can e.g. apply super-fast some simple 'grading' such a 'CSI Miami-style Blue Sky':

Similar Messages

  • Is it possible to create this type of  EFFECT in After Effect

    http://www.simonbronson.com/#326097/hmv-xmas-2009
    Is it possible to do This type of Graphic Effect in After Effect..?

    I assume that you're referring to the twisty 3D ribbons.
    Zaxwerks 3D Serpentine is good for that:
    http://zaxwerks.com/3dserpentine/index.shtml

  • How do i create this kind of effect

    Hi i was just wondering if anyone knows of any tutorials or anything on creating this kind of effect. Do you think it was done in after effects?
    Its the 3d camera pan at around the 2:40 mark of the video.
    http://www.coreonlinemagazine.com/index.php/aaron-hadlows-new-movie-calibrate/336
    Thanks

    One more thing, guys. I looked through most of the effects he used and I can explain how did it, except how on earth did he pull this off?
    Take a look, I isolated them (hope these links work):
    http://www.mediafire.com/?2mgyymnbb2m
    http://www.mediafire.com/?z1mnyanwgmn

  • Creating custom mask shape

    I want to create a custom mask shape different from the ones supplied in FCP2.
    Ive been racking my brain on how to do this. I use CS3 Photoshop and Illustrator.
    In illustrator I created the shape I want, a tight round cornered rectangle in black then sent to Photoshop. place it on a new layer (layer 2) and made the first layer transparent, but the outside of the frame is still visable when I rescale the file in FCP....what am I doing wrong?
    Thanks in advance..

    Hi Allister,
    The mask you create in Photoshop needs to be either black and white or have an alpha channel.
    When you import that into FCP you need to have
    - background on track 1
    - your mask on track 2
    - foreground on track 3
    then select your foreground and choose composite mode> travelling matte alpha if you want to key where your alpha is or travelling matte luma if your image is black and white.
    If you're sizing your mask down you may need to crop your foreground so you don't get edges.
    Dual 1Ghz G4 Quicksilver   Mac OS X (10.4.7)  

  • How do I create this swirling shape

    Hi:
    I am sure there is a simple solution here, and I have been trying the twist tool on a start shape, but it comes out fragmented.
    Does anyone know how to create this?
    Thank you in advance!

    This might give you some insight....

  • NEWBIE Question:  Is it possible to create a "Branding Iron" effect?

    Hello!
    I would like to make an effect of a branding iron burning our logo onto a surface. Not knowing too much about Motion (I'm more of an FCP guy) I'd like to see if I can do this. Any help is appreciated.
    Thanks!
    Andy

    It's complicated but, yes, it's possible.
    Creating the smoke/steam and adding some sizzle/grunge/decay to the edges of the logo are not difficult in Motion. They just take lots of experimentation (or lots of help from Sheffield).
    The tough part is creating the branding iron itself since Motion has no 3D capabilities. Adding a red hot glow to the iron object should be easy if you understand creative masking.
    Try to deconstruct the effect you're looking for, consider the degree of realism or stylization you're willing to accept and then try to figure out how many different layers or pieces you'll need to pull it off.
    It's not something I'd attempt in Motion but, umm, to be frank, I'd rather eat barbed wire than try ANYTHING in Motion that I can do in After Effects.
    bogiesan

  • Is it possible to create multi-step parallax effect in Muse?

    I wonder if it is possible to create parrallax cheme like here http://www.rbcplus.ru/news/551a11037a8aa955a2b7f0cb
    Namely:
    1) the object (in this case left sidebar http://c2n.me/3gdkXLL.png ) is scrolling along with all page till some point 1
    2) the object stops and is fixed till some other point 2
    3) after the point 2 the object is scrolling along the page again
    It is very useful if I have objects which have to be fixed and full width footer.
    Thanks.

    I assume that you're referring to the twisty 3D ribbons.
    Zaxwerks 3D Serpentine is good for that:
    http://zaxwerks.com/3dserpentine/index.shtml

  • How would I create this sort of effect?

    I have attached an image and I need to know how to create this sort of border around a text....
    If anyone could give an "idiots" guide that would be great!!
    I really have tried but don't seem to be getting anywhere and i'm sure there's an easy shortcut somewhere.

    You can have a stroke that fills in the open spaces within ("the counters") by adding a pathfinder effect to the mix - I wrote up a tutorial here: http://www.illustratorhints.com/2010/05/fill-in-the-counters-on-live-text/
    Actually, that shows your whole question I think - I used offset fills instead of strokes, but the idea is the same.

  • Which technique would you use to create this headline text effect?

    Any idea what the best way to produce this sort of effect on heading text?:
    https://www.thechest.nwce.gov.uk/procontract/attachment_1.nsf/dsp_frm_attachments/ATT-NWCE -7Q9L7H/$FILE/Bolton%20Council%20RGB.jpg
    looks a bit tricky to me as I want to also use spotty polka dot patterns?
    TIA

    See online help for Clipping Masks and Opacity Masks. Either method will work.
    JET

  • It seems not possible to create this kind of "Brush" in Photoshop CS6, can anyone help?

    I found this website.
    http://newhive.com/andrew/drawonme?q=%23All%2F
    And I thought this "brush" is a  really cool technique for fast sketches. But it does not seem possible in photoshop, does it? I tested it with CS5 and even the new CS6 Brushes.
    Thanks for any help

    If I understand correctly the »thing« about this Brush is that it creates individual lines that interact with existing strokes by fanning them out when in proximity to an existing path.
    I think this is not possible with a Brush in Photoshop what with it being a pixel oriented application (with some vector functionality, though, fortunately).

  • How to programmatically create this vector shape?

    I have a cardboard cut-out of something I want to create.
    See picture?
    I've  taken a picture and made a vector outline that I'm satisfied with.
    Initial vector shape!
    Now  to get those holes, there's a variety of ways to do it... but I want  accuracy, so does anyone have a suggestion how to pull it off?
    Methods  to achieve the evenly spaced holes inside the piece?
    1 - SLOPPY -  Draw each segment by hand, using photo as a background reference.
    2 -  SLOPPY - Draw a rounded corner rectangle then duplicate/scale/edit it  for each segment.
    3 - SLOPPY - Bring prepared photo in and use  Illustrator's LiveTrace feature to convert the shapes into vector. I  tried, with variations. Have to tweak each individual segment after.
    4  - PREFERRED - Somehow tell the computer to generate X number of objects  along Y path, making them smaller and smaller.
    Method 4 can almost be  done in a number of ways...
    4a-Make a rounded corner rectangle,  duplicate it off in a straight row, group them together, then use  something like Warp.
    4b-Make a rounded corner rectangle, duplicate it  off in a straight row, group the together, then use 3d extrude &  rotate and extract the results.
    4c-Make a rounded corner rectangle,  use Transform and replicate it X times and adjust horizontal/vertical  positioning and scale.
    I like 4c but still not close. How can I  restrict it to be along a pre-determined path (an arc)? Like  text-on-path tool, but with shapes, and scaling down progressively like a  warp.
    Anyone have any advice?
    I need/want precision  because this is a part that will be cut out of a CNC machine for  something that'll be at a tradeshow.

    We need a better understanding of your understanding of terms like "accuracy," "evenly spaced," and "precision."
    If I interpret "accuracy" to mean "true to the original raster image," then I would use method #1. It's "sloppy" only if you do not know how to use Illustrator drawing tools.
    The blend tool might get you to method #4, but you will be constrained as to spacing and shape progression.
    Note that you can replace the spine of a blend with a path you've created.

  • Is it possible to create this type of 'Rule'....

    Hi,
    The spammers have got me good this time!! I am getting tens of emails a day asking if I want to buy gold. The problem is that I can't seem to create a rule to filter these out. The subject and sender are always different, and usually garbage. Also the email has no content, rather a gif image which is 8kb in size. I do tend to get a lot of emails from people who are not in my address book, so that option is not available to me. The only way I could imagine filtering these messages was to create a rule that if message contains attatchment 8kb (they are always the same size in my experience), then move to junk. Of course this rule seems impossible. How do you guys filter these messages out. I was already at the end of my tether with the gold stock options, but now I am also getting emails asking to buy a ring of some sorts!!!..... Any help please! Thanks

    Hello Gwyn.
    No single strategy is completely effective when it comes to managing spam. People who are intent on sending spam are ingenious at coming up with ways around any filtration schemes.
    You can add a number of rules in an attempt to resolve the problem but doing so in regards to spam is like a dog chasing his tail.
    In case you have unintentionally/unknowingly added to the problem regarding this increase in spam received, check Why was I "spammed" at my .Mac Mail address? which applies to any email account and How HTML Email Messages Relate to Unsolicited Commercial Email ("spam") which applies to any email client such as the Mail.app.

  • Is it possible to create this kind of DBLINK?

    Hello Sirs, how are you?
    I've been trying to create a new "PUBLIC DATABASE LINK" that will connect two instances located on different places geographically speaking. The fist step I took was to create an entry on local tnsnames.ora file, using NETMGR and after, the second step, I created the DBLINK with the following syntax:
    CREATE PUBLIC DATABASE LINK "DBX"
    CONNECT TO <user> IDENTIFIED BY <pass>
    USING '<service_configured_with_netmgr>';
    So, the message Oracle gave me after issuing the command above was "public database link "DBX" created". Finishing this ride, I selected the number 1 from dual@DBX and the result was...
    SQL> select 1 from dual@DBX;
    select 1 from dual@DBX
    ERROR at line 1:
    ORA-00604: error occurred at recursive SQL level 1
    ORA-06502: PL/SQL: numeric or value error: character string buffer too small
    ORA-06512: at line 272
    ORA-02063: preceding 3 lines from DBX
    Any idea about that problem? Thanks!
    Edited by: Wagner Bianchi on 09/04/2012 12:03

    I haven't done much of this, so I'm only speculating.
    I think you are seeing the effects of implicit conversions.
    > desc dual
    Name                                      Null?    Type
    DUMMY                                              VARCHAR2(1)Your number 1 in the select is being converted to a varchar, and due to the different NLS semantics of the two db's, it expects a larger size in one. So when it goes to the other, you get a too-bit-too-fit error. I would expect more to be different than just the two NLS you listed, though, are the db charactersets different? Perhaps someone else is set up to test these things.
    There are various bugs associated with these two NLS settings, maybe you are hitting a consequential one (that is, you are seeing the effects of a bug that is unknown or listed as having different effects). Search MOS bugs for the settings. Do you have any other errors in the alert log or in any apps? What patch level/version/platform are you on?

  • Is it possible to create this Grid structure ?

    XX1
    Pr1
    Vr1
    Pr2
    Vr21
    Vr22
    Pr3
    Vr3
    Pr4
    Vr4
    XX2
    Pr5
    Vr5
    `
    Vr6
    PS - I don't mean to the group function.
    I really don't know if it's some Grid feature (the merging rows) or mabe the problem is in my ArrayCollection data ,
    I was trying to do something like that (or regular grid with 3 columns, and 2 the right columns grouped together) but it's displayed in 2 different rows.
    private var arr:ArrayCollection = new ArrayCollection([
    {aa:"1",bb:{bb1:"11",bb2:"111"}},
    {aa:"1",bb:{bb1:"22",bb2:"222"}}]);
    Thanks in advance.

    Does anyone have Idea how it can be implemented in regular grid or advance grid component ?
    Actually it seems very basic and regular grid, but the Item render, block my other grid functionalities and therefore I can't use it.
    please help ..
    every new direction or piece of information are welcome,
    Thanks in advance.

  • Is it possible to create a "leave colour" effect with imovie? If so how?

    I've been messing around with different exposures, saturations etc. all night and I still haven't been able to figure out how to show a black & white clip with one colour (in this case red) for contrast. Any techies out there who can help me please?

    ... "leave colour" effect ...
    .. which is widely asked & discribed at any FinalCut/Epress board as 'Schindler's List Effect' (= the red dressed girl in the b/w scenery...)..
    no, this is a highly elaborated post-production effect to 'pick' a color, using that as a 'mask' and make any other surrounding b/w...

Maybe you are looking for