Is it possible to resize the log and capture window?

Hi,
Using Final cut pro, I would like to make my capture window a bit bigger while capturing. I am capturing footage via my Blackmagic Infinity card and get the input through an HDMI cable. I'm capturing in Apple Pro ress on 720p, 59,59 fps.
For a good overview of what I'm capturing at the moment, I would love to have a bigger capture window. For all I know, FC pro doesn't support the resizing of the log and capture window. Anyone an idea on how to solve this?
Thank you.

In my case, the capture window is adjustable if I am capturing SD (DVCAM) video. I can also use the scopes in this case. (Good if you are recording to disk, or using a laptop for monitoring.)
However, both features (adjustable capture window and scopes) are not available if capturing HD (HDV in my case) video.
Message was edited by: amarasme

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Logging and Capturing

As a result of this thread: http://discussions.apple.com/message.jspa?messageID=3857627#3857627
I did a test of various ways to capture footage into FCP. Sorry for saying this again but I’m new to FCP - after 20 some odd years editing with proprietary, Avid and Premiere Pro NLE’s. I mention this [again] because it is hard to teach an old dog new tricks, and some of the bias that I’ve gathered along the way might show up in the way I approached this.
I have four one hour HDV tapes recorded on a Sony HC1; I used the same camera that created the tapes to down convert and capture standard definition NTSC anamorphic DV. Each taped averaged about 70-80 clips.
Tape 1
The first tape I logged the clips using the controls in the log and capture window. Fairly straightforward, but the HC1 was not very responsive to the J/K/L keys and the image in the capture window was very low resolution during scrubbing and searching. This made the process of logging slower than it should be. Once logged, batch capturing was fairly quick [about 1:12:00:00 to capture a 60 minute tape] and pretty much what I expected.
This was not a very efficient way to capture 70-80 clips, a lot of time wasted with pre and post roll. If you had fewer, 20-50 this might be the better way to capture but for what I was doing this was my least favorite way.
Tape 2
After entering the clip information into the log window I hit K key and capture “Now” button and captured the entire tape. I was a little concerned at what would happen when timecode ran out at the end. Nothing happened, it stopped and the clip appeared in the capture bin – all was good.
Once captured I created a custom Browser window with only the columns I wanted to log and make subclips: [following Steve Braker’s instructions]
1) Loaded the master clip into the viewer.
2) Set in and out points for the first clip.
3) Command-U to create a subclip.
4) Re-named the subclip, added description and label.
5) Click in Viewer and
6) Repeated steps 2-5 until 70 clips later it was complete.
Steve suggested deleting or moving the master clip, however checking the folder in the finder where the master clip was store revealed that this process didn’t produce individual clips. Apparently the subclips are simply pointers to the master file so I didn’t delete it.
This process was surprisingly fast but I still ended up with a single file that was approximately 5GB’s which made this process almost useless for working with subclips in Motion2 for example.
Tape 3
Marked an [in and out] in 20 minute intervals to create three master clips for this reel.
1) Loaded the master clip part 1 of 3 into the viewer.
2) In the Mark menu selected DV Start/Stop
3) After FCP placed markers at the scene breaks I “clicked the disclosure triangle” next to the master clip to reveal all of the markers in the Browser.
4) Selected all of the markers to highlight them
5) Chose Modify>Make subclip after which the subclips appeared in the same bin as the master clip and markers [note* at this point I checked my hard drive to find there was still only one contiguous master file for these subclips.
6) Re-named each subclip, added description and label and then placed them in a separate bin and placed the subclips that I didn’t want to keep in a bin to be deleted. [temp trash]
7) Highlighted the subclips that I wanted to convert to Independent clips
8) Chose File>Media Manager
9) Chose Use Existing from the “Media referenced by selected clip” drop down.
10) Selected the “Delete unused media from selected clips.”
11) Chose Clip Names from the “Base media file names on” drop down (Oops, sorry that’s for a PC) pop-up menu.
12) Un-checked the “Duplicate selected clip and place into new project.” This placed the independent clips in the same folder on your hard drive as the master file for the subclips. I suspect although I did not test it that if I had this checked I could choose a different folder?
13) Held my breath and clicked OK!
14) That’s when FCP started treating me like a total idiot “are you sure you want to do this, you’d better be because there’s no going back. Are you really, really sure…” Anyway for me since this is the only project on this machine I didn’t even read the warnings [yes I am an impatient idiot] **** the torpedoes full steam ahead..
15) Done! NOT Quite yet. You’d think that since I un-checked the “Duplicate selected clip and place into new project,” that FCP would be smart enough to place the new clips in my project window. Didn’t happen, had to control click and import files.
This process requires a bit more explanation. I had 16 subclips that I converted to independent clips, after which I deleted all associated subclips and markers. When I imported files there were only seven clips in the folder where the master clips was saved [now deleted as part of this process].
On further inspection all of the footage that I wanted was there, HOWEVER, by using the DV Start/Stop to create markers and then using those markers to create subclips if there are two or more clips with continuous timecode it consolidates them into one contiguous clip thereby defeating the purpose of creating the subclips in the first place. I’m guessing but if I hadn’t deleted some of the subclips I didn’t want to convert I would have ended up with the same large file with a different name.
The manual recommends that you delete the master clip from the Browser before converting the subclips into individual clips. I was suspicious of the need to do this so I left it and after the conversion it did what I expected, became offline. It was a good thing because I could use it to recapture. Also, any logging with description and labels etc is history it is not included in the new independent clip.
Tape 3 Part 2
I won’t bore everyone with going through the steps I’ll just explain how this one was different.
1) I didn’t use the DV Start/Stop option, instead marked I/O separately leaving at least 2 frames between edits to make sure there was discontinuous timecode.
2) I also didn’t bother naming or logging at this point and left whatever ridiculous name the subclip process assigned.
3) The settings in the Media Manager were all set from the previous conversion hit OK [this time read the warnings which would have done nothing to correct the previous attempt].
4) 12 subclips went in and 12 new independent clips came out.
5) Once I had the new clips I logged and added descriptions and labels etc…
Although this sounds like a very convoluted process, and it is certainly much more difficult than it needs to be, by the fourth tape it was predictable and quite fast.
I will say though that because FCP consolidated any continuous clips without warning you really have to pay attention to detail. And it would be nice if we could use the log & capture window for this process so any descriptions, labels etc would be carried forward to the new clip.
Certainly not as easy to accomplish as it is in PPro but definitely possible. There might be more functionality that I just missed, if so please let me know. Anything that can be done to simplify this would be helpful.
Mac Pro. 5GB RAM. 1TB SATAII RAID 0. Mac OS X (10.4.8) FCP 5.1.2

When you delete the master clip from the browser, you aren't deleting the media file it referenced. So the subclips reference that same original captured QT movie, it's just not in your project.
It will work. try it. It's how I've been working for about 6 years now. I don't have problems with subclips at all doing anything I want to with them.
Subclips are nothing more than reference files that reference a portion of a master clip. A Master clip is nothing more than a reference to the media file that you're capturing... it's not the media it's a reference to it.
Subclips are how FCP was really intended to be logged I think. I don't like long captures at all, and would prefer to actually capture the way you did the first time... but because it takes longer, I usually don't have time to do things that way. However, if you do things that way, you can add descriptions etc. to the logged clip in the Log and Capture window, if that helps your workflow.
The responsivness you lack with your HDV camera is because it's HDV... HDV doesn't contain all of the pixels of every frame, so to see a single frame the computer has to do a lot of processing to show it to you. It's an MPEG stream, which uses whole frame information every 8 or 15 frames only. The rest of the frames are the difference between the frames only on the recorded tape, thus the work and slow response to HDV logging and capturing.
P2 on the other hand, would make ALL of this MUCH easier to deal with. For one thing, each take is an individual file, and it's an all I frame format so it's easier for the computer to deal with. It renders 8 times faster than HDV does... no "conforming" necessary.
Jerry

Log and capture or Log and transfer?

I'm a newbie to FCP, I've been working at it and researching, so I have a basic understanding, been able to do some good stuff, now I'm looking to find more time-economical ways to do things. I'm a football coach, looking to cut up game films into individual plays (1 play per clip), and ideally being able to name each clip by it's play name "Trap" or "Pop Pass" for example. It looks like I need to get into logging if possible. My workflow at present when dealing with an opponent's film is to take a DVD, and get it onto my computer using MPEG Streamclip. I've been using DVC-PAL as a codec at someone's suggestion, I can't rmemeber where I got that. Is this a mistake? Anyhow, I now import that movie file into FCP using File>Import. At this point I can't do any logging though, if I try Log and Capture or Log and Transfer I get "Unable to initialize video deck", though it tells me I can still use Capture Now. Once it opens the Log and Capture window, I get "Error: this operation requires a controllable deck." and directs me to the Audio/Video Settings. Here's where I'm pretty much lost. Do I try to adjust settings from here? If so, to what? Do I need to start by changing my MPEG Streamclip settings and then trying to match those up in my FCP Audio/Video Settings? Or do I need to completely overhaul the way I'm approaching this? ARGH! I've been impressed with myself getting to this point, any help from here would be greatly appreciated, thanks all!
Grouch

Log and Capture is used if you are capturing footage from tape based formats. DV, HDV, HDCAM...others.
Log and Transfer is for tapeless camera systems. P2, XDCAM, Canon DSLR, AVCHD.
If your footage comes from DVDs...and you convert the footage to QT files...then you simply go to FILE>IMPORT. You don't log with this method. Just import and work with the footage.

Perturbing FCP 7 Log and Capture Question

I tried to digitize some HDV footage this afternoon, in theway I’ve always done it, but now suddenly it doesn’t work. Details to follow, but first my rig:
Mac Pro (Nehalem 2009) running Snow Leopard 10.6.8, NOFIREWIRE 400 PORTS
Final Cut Studio 2 with FCP 7
Sony Z1U HDV/SD videocamera connecting to Mac Pro via i.linkcable (aka firewire); I am using this to ingest because I can’t afford a deckat the moment. I know about thewear on the heads, etc., etc.
OWC Mercury Elite-Al Pro external media drive connected tocomputer via eSATA.
Here’s the scenario (keeping in mind that I’ve done thiscountless times in the past with no problems):
I connect the Z1U to the OWC drive with a 4-pin to 6-pinstandard FW 400 cable. I do thisbecause the Mac Pro does not have any FW 400 inputs but the OWC drivedoes. So I am in effect“daisy-chaining” and perhaps this is the problem.
I turn on the camera.
I start up FCP. It tells me: “Unable tolocate the following external devices: HDV (1440 x 1080) 60i.” After hitting “check again” a fewtimes, I hit “continue.”
I load my new project, into which I want to bring all thiswonderful HDV footage of my friends’ wedding. And, as I have done so many times, I hit command-8 to bringup the log and capture window.
To my horror, it says, “Unable to initialize capturedevice. Device is not connected orthe capture preset is not setup [sic] correctly.” Etc., etc.
I have read many posts here and elsewhere on similarproblems, so let me say what I have done:
I check Easy Setup: It says HDV – 1080i60, which is what it should say.
My Audio/Video Settings are:
Sequence Preset: HDV 1080i60
Capture Preset: HDV
Device Control Preset: Sony HDV Firewire
Video Playback: None
Audio Playback: Default
So now I go to my camera. It is set to output HDV. Component says 1080i/480i. i.LINK Convert is off. Down Convert says Squeeze, but I assume that’s meaningless since thei.LINK Convert is set to off. A/V>DV Out is set to off.
None of this makes a lick of difference, as far as I cantell.
I shut off the camera and disconnect the cable, thenreconnect the cable and turn it back on. No help.
I trash my FCP preferences, start FCP again, redo myprefs. Nothing.
I hit the reset button on the Z1U. Nada.
I do all this and then reboot the computer. Bupkis.
The footage was definitely shot in HDV. I can play it fine on the camerascreen.
I check the cable, which is brand new; it is firmly in placeon both ends.
Okay, so now I turned off the camera, quit FCP, ejected theOWC drive and turned it off. Iunplugged the eSATA cable. I wentand got my MacBook Pro and connected it to the OWC drive with a FW 800 cable. The camera was still connected to theOWC media drive via the i.LINK cable. I turned on the drive; I turned on the MacBook Pro; I turned on theZ1U. I started up FCP, and here’swhat happened:
It worked perfectly. No problem recognizing the camera, noproblem controlling it from the L&C window.
You might say that this solves my problem. But I prefer to edit on my desktopcomputer, and I am irritated that I can’t figure out what’s wrong. My suspicions are that it must havesomething to do with the cabling. FCP is working just fine with the Z1U routed through my media drive, theOWC. The only differences are thatmy drive is not connected to the computer via eSATA but FW 800. I see no differences in the settings.
Any insights?
Thanks,
Giraut

From what you say, I would suggest that the OWC enclosure does not utilize/energize the firewire interface when it is using the eSata.
This is just a guess.
Connect the Drive/Camera to your desktop via the FW800 cable: Mac Pro > FW800 Cable > OWC enclosure >FW 6Pin to 4 Pin Cable > HDV Camera. The speed difference between eSata and FW should be minimal as in each case you are limited by the FW400 connection at the camera.
MtD

Trouble logging and capturing

in the log and capture window, it says VTR OK at the bottom, but the preview is disabled - I can't see what I want to capture. Please help - urgent situation.

Not all Canon cameras have connection issues, but hanging around this site I've come to recognize their ability to connect in FCP is the most problematic of all the camera brands. If you have a Canon camcorder, and can not get it to connect up with FCP, the following is a way to sort through the issues and get it to work. Some are elegant - some are ugly.
Before we go any farther
-you should be using 'Firewire Basic' as the control protocol. If you aren't, go change it and try again.
-Also, verify that you have a solid installation of Quicktime. You may want to reinstall it using the 'delete receipts' method. Do a quick search here on the site - it is mentioned daily if not hourly.
With some confidence that the software installation and camera settings are correct ... the most direct solution is to purchase another, non-Canon device to use as your capturing machine. The Sony DSR-11 is highly recommended for DV work. A deck will save wear and tear on the camera's lightweight drive mechanism and will allow you to permanently connect a NTSC/PAL monitor for proper viewing. If you are working with HDV, you may have other issues ...
Beyond that, the path you take depends on the model of computer you own.
1. If you have a G5 tower or a MacPro, capture to a second internal drive with only the camera attached. If you need to move material to firewire drive, disconnect the camera. A second internal drive is quite inexpensive these days if you do not already have one.
2. If you have a G5 tower (PCI) MacPro (PCI), G4 powerbook (PCMCIA) or MacBookPro (Expresscard 43) with an available slot, purchase the appropriate firewire card for the slot. Connect your camera to the card and you should be good to go. The new card creates a unique bus and will avoid collisions with the external drives.
3. If you do not have a slot or a second internal drive and you are stuck with the camera, welcome to the camera/drive shuffle.
- shut down and remove the external hard drive(s) from the system
- connect the camera directly to the firewire port of the computer
- start the camera then the computer
- capture to your internal (system) hard drive
- shut down the camera and computer
- disconnect the camera and reconnect the external hard drive(s)
- start hard drive(s) and computer
- move captured files to external hard drive(s)
- edit
If you output back to tape or wish to view your work on an external Video (NTSC or PAL) monitor, you need to set up the camera to use the firewire out as the A/DV converter or VTR - which means reversing the steps:
- copy the file back to the internal drive
- shut everything down
- disconnect the external drive(s)
- connect the camera to the firewire port (and the TV to the camera if needed)
- start the camera then the computer
- play the file.
One caveat here - You may have difficulty getting the file back to tape without dropping frames. Playing files off of the system drive is very demanding and they may have a hard time keeping up.
All in all, if you do not have the option for second bus (i.e. iMacs, eMacs, iBooks, MacBooks) you may want to think about a computer with expandable options next time.
There is the option of capturing using iMovie, but that brings on it's own set of problems and is not recommended.
Good luck.
x

Is it possible to resize the log and capture window?

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