Is it time to eBay my good ole G5??

I have a G5 dual core 2.0 and have been using it as a server for my home network. It is connected to 10TB of storage for all my videos ect. I just now swapped my plasma for a projector. B/c I do not want several cables running to my projector I am using my receiver (Yamaha RX-V765) as a audio video switch. the G5 has dual DVI out and Optical sound outputs. the receiver has HDMI and component inputs as well as optical in (for component only). If i use a DVI to HDMI cable I cannot have sound and video together (so I can either see the screen or hear the sound) Anyone have solution other than finally upgrading my G5? I have been looking for a graphics card that has HDMI out with no success. I also ordered a DVI to component adaptor from mycablemart.com that I cannot get a picture out of. Thanks

In some other posts there has been a DVI&audio to HDMI cable mentioned that should solve your problem. I haven't bookmarked those discussions or the links to the adapter cables, but the cable IS out there.
Tracy

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    Sounds like the device was dropped at some point and damaged as a result.
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  • A cautionary tale - being a long time VZW customer in good standing gets you nowhere

    Here is a cautionary tale about how being a long time VZW customer in good standing counts for nothing.
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    I'm not *too* worried about VZW's feelings since they in effect have changed up the original contract when they forced my monthly fee for the phone to go from $10 per month to $30 per month because I upgraded a totally different phone that required a whole new calling plan, as the older plan had conveniently been phased out.  (Interesting how action on one phone has an effect on totally different phones that are on a totally different contract.)  Anyway, this isn't us trying to bilk VZW out of legitimate income.  It's trying to do what makes sense.
    Perhaps I muddied the water with all the history of the third phone.  The distilled version is this: We have 3 phones on our account, two smart phones and one ancient flip phone.  Only two of the three are still under contract, so there is one we are free to drop at any time.  And we would indeed like to drop one phone from the account.  It would be in VZWs best interest to have the phone we drop be the one they make the least amount of money from.  That would be the flip phone.  It is in our best interest to drop the phone that is no longer in use.  That is the flip phone.  Seems like a win-win situation to me!
    But because of the the way contracts are structured,  if we are to drop a phone, it needs to be the Droid, because that's the one now beyond the contract period.  So we would drop the phone that VZW makes more money from, and that we still use.  This is in the best interest of neither of us. 
    Yes, I'm trying to terminate early the contract we have on the flip phone.  But on the other hand, we are willing to continue making monthly payments on a more expensive phone that is NOT under contract anymore.  It seems like there's an easy fix: let us drop the flip phone, and heck, go ahead and put the Droid back onto contract for what would have been the duration of the flip phone contract. The inflexibility and inability to do something like this is what's irritating.
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  • How can I set my date and time to ebay network time server?

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  • Are lightning cables from eBay any good?

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    Geez, relax man I get what you're saying but I can't justify spending $50+ for two charging cables. Charging cables......I mean common. Plus, I don't understand the need for those "identification chips" in these lightning cables. Seems like a waste of money to me and we the consumers needlessly end up paying more for something we probably don't even need. I mean, I don't see these identification chips in micro-usb charging cables, nor did Apple have them in their old 30-pin cables. Apple can be really controlling sometimes lol.
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  • Have been using good ole cannons from 70 h 80's for years.Need to update and understand new technolo

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    Hi Edgar,
    While there are occasional Canon tech wizards on here to help out, mostly it's conversations among Canon users.
    You are basically wanting to go from film to digital, which can be both easy and very, very complex. Some of the modern DSLRs can be used in a highly automated, almost "point n shoot" manner. Or you can get as involved in using them as you wish, using less of the automation, usually with more consistent and pleasing results... but a much steeper learning curve.
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    I'd recommend one of the more entry-level models, perhaps with one or two kit lenses to get started learning to shoot digital. But it sort of depends upon your budget, how much you want to spend. I don't know where you are in the world... I'm in the US so below I'm refering to the current US model designations Canon offers (and international designations are in parens). All these models are "EOS".
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    Rebel SL1 (100D) is a very compact camera, in kit usually comes with 18-55mm lens.
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    60D and 70D in kit usually come with 18-135mm lens, but sometimes there are alternatives.
    The EOS 7D is the top of the line APS-C size sensor, a fairly pro-oriented camera with less support for new digital shooters, a sophisticated and fast autofocus system. .
    Finally there are also and so-called "full frame models EOS 6D, 5D Mark III and 1DX (sensor is 24x36mm, same image size as most 35mm film cameras shoot). The 6D is essentially an entry-level, more compact full frame model. 5D Mark III is a mid-grade model, and the 1DX is an uber expensive pro-oriented, high speed model. You might be tempted by these initially, coming from film cameras. But be aware they not only cost more initially, are a bit more limited in lens choices, plus the lenses for them will generally tend to be larger, heavier and more expensive. The APS-C or "crop sensor" models can use all EF and all EF-S lenses. While the "full frame" models can only use EF lenses. EF-S lenses are specifically designed for crop sensor cameras. EF lenses were designed for film or have been designed for full frame, but are also fully usable on crop cameras. So, crop cameras can essentially use any lens Canon has made since around 1990 and onward.  
    I'd recommend you start with one of the crop sensor models.... graduate later to one of the full frame models, if you find that necessary. Today's crop sensor cameras are actually quite capable. You can make a pretty large print from them, with little loss of image quality. You'll just have to "re-think" focal lengths, from what you are accustomed to. For example, a 50mm lens on a crop sensor camera is no longer a "standard" lens. It acts more as a short telephoto, like an 80mm would on your film cameras (nice for portraits). If you want a standard lens on a crop sensor camera, you'll want something around 30mm. The 18-55mm kit lenses, for example, cover approx. the same angle of view range as a 28-90mm zoom would on your film cameras.
    Now, seeing that you are an experienced SLR user, you probably don't need the automation and newbie support of some of the most entry-level models. But also going from manual focus to autofocus (which, when used right is faster and more accurate than I ever was with manual focus, and I was pretty good!)... I'd suggest starting out with one of the simpler AF systems.
    The T5i or 60D might be good choices for you. Go compare in a store, if at all possible.
    Just as was true in the days of film, lenses still tend to make more of a difference than the camera they are used upon. In other words, the entry level kit lenses might be a low cost way to get into modern, autofocus, digital cameras... but if you're budget allows you might want to consider some more advanced lenses. In the kit lenses, I would recommend the "STM" (stepper motor autofocus drive) models... they are the latest and greatest. But there are even better, in particular the USM (ultrasonic motor autofocus drive) which are often found in otherwise upgraded lenses. For example, for crop cameras there are the EF-S 10-22mm, EF-S 15-85mm USM, EF-S 17-55/2.8 USM and EF 70-200/4L USM lenses. These are fast and accurate focusing, with top quality optics. Most of these lenses also have or are optionally available with Image Stabilization (IS), which is great and allows handheld shots that were near impossible with your older gear. Highly recommended.
    Shop around and don't forget to allow some room in your budget for other necessities. You'll need memory cards (the entry level models and T5i, 60D that I recommended all use "SD/SDHC" memory cards). You also might want a spare camera battery (most entry level models use LP-E8, the 60D uses the larger LP-E6 to get about twice as many shots per charge). There are also accessory battery grips available for most models mentioned, which give secondary controls that are nice when shooting with the camera in portrait orientation, as well as adding a second battery to double the number of shots you can take. Most of the lenses mentioned don't include the lens hood, which I highly recommend buying, too.
    All these Canon cameras come with a complete software suite, all you really need to get started cataloging and editing your images on your computer (some other manufacturers sell certain softwares separately). However you still might want to look into some third party softwares. Adobe Elements is an excellent and affordable introduction to Photoshop, which is arguably the "big daddy" of all image editing softwares. There are others... some cheaper, even some free... and you don't really need to rush into adding softwares unless you simply want to. The included Canon software is fine to get started.
    I guarantee you will find yourself shooting a lot more digital images, than you ever did with film. For one, after the initial cost of the camera, lenses and basic gear, you will feel like "shooting digital is free!". It's not really (camera and memory wear out eventually, upgrades come along, and digital storage & backup fill up rather quickly). But it's certainly cheaper than shooting film. Last time I shot a lot of film I figured it cost a minimum of 50 to 75 cents per shot (common 35mm film with local, consumer grade processing, 4x6 prints or contact sheets... $15 to $20 per 36 exposure film). Digital reduces that to around 5 cents per shot, on average.
    You'll also love high ISO shooting with your new DSLR. Any of the above cameras can be used at ISO 1600 with much better results than any film at that rating. With a little extra work, ISO 3200 and 6400 are quite usable... perhaps even higher! I rarely use lower than ISO 200 now, where with film the bulk of my work was at ISO 50 and 100.
    You also will enjoy the immediate feedback you get being able to review your images on the spot, right on the LCD screen on the back of the camera. The histogram, in particular, is very helpful once you learn to use it. Heck, you can even shoot tethered to a computer and see your images full size on a computer monitor immediately, if you wish... Or download them and view them just minutes after pressing the shutter release button!
    Get some books about digital photography. In addition to something more general, I also highly recommend getting one of the guide books specific to whatever camera model you choose. That will complement the manual that comes with the camera. If you get an image editing/cataloging software, I'd recommend a book specifically for that, too. Another book I recommend is "The DAM Book - Digital Asset Management for Photographers"... which can be found and bought online. It's very helpful setting up your "workflow", and the sooner you do that, the better (it's the pits having to go back, reorganize and potentially redo thousands or hundreds of thousands of images).
    There are also good online tutorials about many aspects of digital photography. For example, I highly recommend the three half-hour videos on YouTube about Canon autofocus systems and how to get the best results with them... beginning with this one: http://www.youtube.com/watch?v=iAx86nblZ2g This is a few years old now, but still quite relevant... the 50D is discussed at length, but it uses an AF system that's virtually identical to the 60D, for example. It also might help to know some of the features of the more recent, more spphisticated AF systems, which are discussed a bit. There are other videos and online tutorials at the Canon Learning Center, on YouTube, and elsewhere. Some are model specific... such as the AF system of the 7D (which is largely carried over into the 70D now).... and the even more advanced 5D Mark III/1DX AF system.
    Other users here and at other forums online can be a big help, too. Don't be afraid to ask questions (we've all been there at one time or another).
    Alan Myers
    San Jose, Calif., USA
    "Walk softly and carry a big lens."
    GEAR: 5DII, 7D(x2), 50D(x3), some other cameras, various lenses & accessories
    FLICKR & PRINTROOM

  • Ahh... the good ole logic board

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    Hi, Dave. Welcome to our little corner of the Apple Discussions world.
    You should have come here before you made the purchase. Enough dual USB G3 iBooks suffered from this problem that Apple began the iBook Logic Board Repair Extension Program in January of 2004. Check out the FAQ page and if the symptoms look familiar, give Apple a call. If your iBook qualifies, it's a free fix.
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    Hindsight being 20/20, where do you go from here? If it's past the three-year cutoff date, I recommend sending it to DT & T Computer Services. They do the logic board repair for $225 plus shipping to and from Fremont, California. (And free diagnostics for anyone who hasn't already paid for that.)
    This is sad, Dave, 'cause you could have had a new iBook G4 for $999.
    Good luck.

  • I play travian it has password protected accounts firefox asked to remeber password i said yes on 1 server and no on another now every time i login its good for 1 page before it kicks me back to the login screen. any idea why ?

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  • Mixing 10.4 and 10.5 with Time Machine--not a good idea (?)

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    (PS: For techs--I'm simplifying the issue here I know! Trying to write something that's makes halfway sense for others too.)

    I believe those paragraphs on their own say that under Tiger, if an application stops "listening" to fs events for a long period of time as the fs events aren't logged and the application has to figure it out for itself, but this is a different time-frame and mechanism that I think TM works off. If you read on, the article will point out that a difference in Leopard is that there is now a log that can be scanned, which I imagine is what TM works off. However, that's only in Leopard, AFAIK.
    What is being asked here is a bit more subtle (again, AFAICT!)-- does Leopard know of or learn changes that happened whilst it wasn't in control of the file system and go on to save these?
    These can't come from the fs events directly, since there is no mechanism for Tiger to send these to a dormant Leopard that I've read of. There is apparently no fs event log in Tiger, so it can't come from that either. So my guess was that either (a) they'd just be missed or (b) the overall "last time/date modified" or someother file-system-as-a-whole time stamp or checksum is being used to identify that things weren't as they were last TM looked at that filesystem, therefore something must have happened in its absence. This seemed an open question to me... hence my question.
    I agree it'd be easiest to just run a few simple tests. I just might wait until I get Leopard and do it myself...!
    I wrote the post below before you wrote and forgot to post it, but for the **** of it here's what I wrote:
    Maybe I'll have to wait until I installed Leopard and run a few simple tests myself (like the one I posted earlier). In the meantime if anyone does run a test, let us know the result!
    gnaegi: I'm aware of how TM stores the data, but thanks for the link. It uses a variant on the hard-link sync approach used by rsync. I was more concerned how TM detects changes in its absence. So as far as I can tell the file system event tracking log file is only in Leopard (Note: the file system events are in Tiger, but AFAIK, not the file sytem event log file; I would like to think that TM works off the log file, not the raw events as Spotlight does. Certainly reading between the lines in Ars article would supports this idea. To my reading anyway )

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