Is there a color corrector 3 way in FCE?

is there a color corrector 3 way in FCE?
If so does any one know where please .
I'm looking to give my film a more music video look

I wanted to have control with the whites mids and blacks and each one a different color control, to get somewhere along the lines of for instance a U2 video feel. I'm sure there must be other ways
Thanks very much.

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Color corrector 3 way not working on final cut 7.0.3 what should i do?

Hi can any one help me I'm having an issue with my color corrector 3 way. It won't work?? I am using final cut pro 7.0.3 Mac OS X. I have also had a issue with rendering a sequence I kept getting Render manager even thought I cleaned everything out. I would really appreciate any help.

The usual cause of not seeing Color Correction is the user is looking at the the wrong clip or has applied the CC to the wrong version of a clip.
For CC not to be working, none of your effects would be working.
Can't help you with the render question. You have not provided any useful information.
bogiesan

Still too dark after color corrector 3-way

I've checked other tips on video that's too dark (i.e. quicktime HSL balance) but am still having a problem with a clip. It's a series of clips in a skating rink and the brightness of the flourescent light is keeping me from bringing up the remainder of the dark floor, skater, etc. to a point where it's similar to the other clips of the skater during other footage taken. I've first lowered the blacks and on the whites have raised it to the point just before the exclamation mark warning. But it's still just not matching the other clips I've been able to brighten from the same roller rink. I'm fairly new at this. Any suggestions as to what I can do? Thanks

My apologies and thank you for assisting. I see you're from Chicago and I'm from California. I imagine you gotta hit the sack. I'm 56 years old and the learning curve is just a tad too big I guess. Based on some notes I found on how to save a clip from FC to be able to send, I attempted to save 4 examples for you. Well all four were the same clip. I guess I could at least send that one but it's the best of the four so it would be hard for you to see a comparison. I'm not seeking better fleshtones but rather a brighter global picture. As I mentioned in my original posting the bright flourescent light are the killer. I sure appreciate help here. Trying to help someone go to Australia next year for national skating competition and wanting to produce a video for donations. Just over my head but learning. How could I send you even the one clip I was able to make a tiff of? I don't see attachment options here. Sorry again for my ignorance on things like this. Trying...

Using color corrector on only part of the frame

Im running FCP 5.0.4 and need some help color correcting something. I am editing footage that someone shot and the colors are completly unbalanced in the frame. Meaning the left side of the frame is red, making the person look like a cherry, whereas the right side of the frame is fine (well, good enough I should say). Nothing that I know how to do helps but I am not the worlds most knowledgeable when it comes to using all of the effects that FCP has to offer. I have used the Color Corrector 3-way utilizing the dropper in the whites to white balance the clip, but how do I only edit the left side to get the red out?
Any info would help thanks.

There are several "proper" ways you could do this, but if the scene is split as drastically as you say, you might get away with this little cheat...
Place the clip on V1 Copy the clip and place the copy on V2, above the first clip.
Double click the top clip and open the Motion tab.
Crop the clip so that only the side you want to CC is showing.
Add the CC filter to the top clip and adjust it as you like.
Go back to the Crop adjuster in the motion tab and add some feather to soften the divide between the two clips.
If that won't work then you have to start playing with the CC filter and learning how to use the "limit effect" controls. Works well, but can be time consuming if you are not that familiar with CC.
Good Luck
rh

Audio drops when using Three-Way Color Corrector in CS6

Hello all,
I recently encountered a very odd issue while editing a friends wedding video using Adobe Premiere Pro CS6. I had an interview with a guest laid over a music track and had all the audio adjustments made to both audio tracks so that the levels were where I wanted them. I then added the Three-Way Color Corrector to the video track and corrected the footage to my liking. When I played back this section of the wedding video, half way through the person's interview, his audio cut out. The audio from the music track was still playing, so it was not that audio drop that most people are familiar with within Premiere. I even muted the music track and played back the mentioned section of video and at the same exact point in time his audio just cuts out completely. I checked to see if any weird key frames had been added and nothing had been touched (that I could see). Also, the audio waveforms were still visible. I deleted the Three-Way Color Corrector effect off of the clip and suddenly there were no more audio problems. Eventually, needing color correction, I added an adjustment layer and assigned the Three-Way Color Corrector to that and had no issues, but I still don't see what could have been the problem, and it seems like a glitch to me. Has anyone ever had this happen to them? If so, what are your thoughts? Thanks!

The help does not tell you where the Tonal Range output now is as it has moved from the Output Menu.

3 Way Color Corrector causing major slowdown

I'm working on a project at the moment and doing some color correction. When I apply the 3 Way color corrector to clips, it causes some MAJOR slowdown on my time line, even after the clips have rendered, When I remove the filter, the problem disappears. The footage I'm working with is 1440 x 1080, mpeg-4 video from a Canon handicam (not sure make/model, I didn't shoot the footage). I tried searching the forums, and didn't come across anyone else who has run into this problem. I'd rather not use other filters to make my adjustments, as the 3 way really does a good job of cleaning up the image.
FCP 7.0.3.
OSX 10.7.3
2x2.4 Ghz Quad-Core Intel
16GB 1066MHz DDR3 Memory
Thanks in advance,
Kyle

Okay, thanks for the info Shane. However, that creates another set of issues. The camera actually records in MTS, which I converted to mpeg-4 (given that it appears like it would work). The rough cut is done, and I really don't want to go back and do a recut. The problem is that I can't find a good MTS conversion software that will let me convert to ProRes 422 or ProRes LT. Mpeg Streamclip doesn't even recognize the MTS files, which is obvioiusly annoying.
I'm assuming that if I am able to reconvert the files, I will be able to "replace" them in FCP, as all FCP does is link to files... correct? And is there anything you would recommend in terms of conversion. Should I convert the mpeg4 files I have or try and convert the original MTS files.
It's been a few years since I've done any major editing, so I'm a little out of the loop.
Thanks again for your help.
Kyle

COLOR vs FCP - three-way color corrector adequate?

The route between FCP and Color doesn't always seem to be entirely smooth. I've realised I can get very similiar grades with the FCP color corrector.
Obviously, I don't have the scopes and displays. But I can do pretty well 'by eye'...
I assume for basic grading, there is no real difference? Any opinions?

Patrick Sheffield wrote:
I say horses for courses...
I'm glad you said that.
FWW, FCP uses a YCbCr colorspace, and Color uses RGB.
For a quick comparison check this out:
http://www.fini.tv/2010/03/23/color-wheels-in-final-cut-pro-and-apples-color/
The basic idea is, when correcting in YCbCr, address luminosity (brightness)
issues first, then hue and saturation.

Three Way Color Corrector: turn off green clipping info in program monitor???

How can I turn off the green indicator in the program window, that highlights my blacks that contain no image information. I applied a three-way-color corrector via an adjustment layer. Many thanks!

Hi Joe,
I am running on a MacBook Pro, OSX 10.8.3, my graphics card is:
Chipset Model:          Intel HD Graphics 3000
Type:          GPU
Bus:          Built-In
VRAM (Total):          512 MB
Vendor:          Intel (0x8086)
Device ID:          0x0116
Revision ID:          0x0009
gMux Version:          1.9.23
I shot on a flat picture profile with a Nikon D800 and played with the input levels in the 3-way-color corrector. Again, if I brighten the whole image, these indicators will disappear; if I darken the image, they will grow. It is not an artefact, it is a way to show me my crushed blacks. Like a zebra function in cameras. I just cannot find a way to turn this off.
Thanks again,
Carl

Three-Way Color Corrector Variación/Problema

El efecto Three-Way Color Corrector causa una variación a cualquier capa con tan solo añadirlo.
Por qué pasa lo anterior?
Muestra:

I tend to use Colorista rather than PP's native effects, myself. Have never seen this issue.

I am having flickering issues on both my timeline and when i render a clip when i drop and adjust a three way color corrector on a clip

I am having flickering issues on both my timeline and when i render a clip when i drop and adjust a three way color corrector on a clip

See if anything here helps:
https://forums.adobe.com/search.jspa?q=premiere+pro+color+correction+flicker

Three-Way Color Corrector Eyedropper Tool Not Working on Second Display in OSX Maverick

Hello,
Since updating to Mavericks at work on Monday, I have been unable to use the Three-Way Color Corrector's eyedropper tool on a dual-screen setup in Premiere Pro CC.
I have all of my panels, apart from my Program monitor panel, on one display. When I select the Three-Way Color Corrector's white balance eyedropper and go to the second display where my Program panel is, it turns back into an arrow and doesn't allow me to select anything. When I move my Program panel to the same display as the others it lets me use it as normal. Unfortunately that is not how I work and I would like the program to function as normal.
I was wondering if anyone else has had this problem and discovered a solution. I will submit a bug report right now.
Thank you.

Hi Punker,
Thanks for posting the workaround. This is a known issue that we're investigating. Fow now the workaround is to:
Goto> System Preferences>Mission Control.
Un-tick "Displays Have Separate Spaces"
Logout or Re-boot system.
The issues should be resolved.
Best,
Peter Garaway
Adobe
Premiere Pro

(three-way color corrector) secondary color correction masks not working?

Hi I'm using PP 2014 on Yosemite. Anyone notice (three-way color corrector) secondary color correction masks not working?

strange. same stats here but im getting intermittent.... sometimes i can use the mask and the effect is only limited to the masked area. most of the time the masked area is ignored and the effect is applied to the whole image

Secondary Color Correction in Three-Way Color Corrector keeps crashing

Every single time, without fail, when I check "Show Mask" the click an eyedropper in the Secondary Color Correction section in the Three-Way Color Corrector it makes my program crash. It freezes. I'm using Premiere Pro CS6 on Mavericks on a MacBook Pro. Can anyone help? Has anyone else experienced this problem?
Thank you.

One other simple gotcha is to be color correcting but the viewer is not showing the current clip (the one you are working on...)
Thanks for posting back. Good to have closure on questions.
x

Where is Histogram in Three-way Color Corrector

The Three-way Color Corrector Help section states: "The effect has a histogram that displays the image’s luminance." Where is this histogram?

Good tips from Robodog2 and Shooternz.
A histogram can be dynamic just like the waveform monitor. But the Levels histogram (the only histogram I can find in P Pro) does not work that way. It displays a shapshot of the currently visible frame. You have to close that dialog box, move the CTI, and reopen the Levels dialog box to see the updated histogram.
Comparing histograms in P Pro with PS shows you how that the two programs view images differently. Why that's so, I don't know. But here are two screenshots showing histograms from both products of the same video frame:
This is the P Pro Levels effect histogram for a frame in a clip.
And this is the PS histogram for that same frame.
The Three-Way Color Corrector, Tonal Range Output display shows you what P Pro sees as Shadows, Midtones and Highlights. You can alter the default settings for what P Pro considers Shadows, Midtones and Highlights by changing the settings in the Tonal Range Definition control.
In any event, this thread started with a query based on what we now know was a mistake in the P Pro CS5 Help file. I have posted a correction to that Help file page.
Bottom line for me...other NLEs and color correction tools have histograms. P Pro, for all practical purposes, does not have one. Perhaps an Adobe engineer might weigh-in on why that is so.
Best regards,
Jeff

Adobe Premiere Pro Help | Three-way Color Corrector effect (CS6)

This question was posted in response to the following article: http://helpx.adobe.com/premiere-pro/using/three-way-color-corrector-cs6.html

The help does not tell you where the Tonal Range output now is as it has moved from the Output Menu.

Is there a color corrector 3 way in FCE?

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